Postdoctoral Fellowship Program DIRECTORY
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ARCHITECTURE PROGRAM Summary Notes ROYAL CONSERVATORY of MUSIC & UNIVERSITY of TORONTO Walking Tour
ARCHITECTURE PROGRAM summary notes ROYAL CONSERVATORY OF MUSIC & UNIVERSITY OF TORONTO walking tour prepared by instructor Marta O'Brien See the world through a different angle! www.skope.ca We began this tour with a controversial addition to a century-old museum: MICHAEL LEE-CHIN CRYSTAL 2003-08 Daniel Libeskind with Bregman+Hamann • Royal Ontario Museum (ROM) dates from early 1900s & had major additions in the 1930s & 1980s (part of 1980s addition was demolished for the Crystal) • Crystal is steel structure; cladding is 25% glass & 75% extruded aluminum • controversial due to angular form & the way it connects to the heritage buildings Then, we toured inside a music school & performance centre: ROYAL CONSERVATORY OF MUSIC (RCM) & TELUS CENTRE FOR PERFORMANCE & LEARNING 2005-08 KPMB; lead designer Marianne McKenna 2005-08 restoration of heritage building Goldsmith Borgal & Co Architects • founded 1886, RCM provides education for 21 different musical instruments plus voice, curriculum design, assessment, performance training, teacher certification, & arts-based social programs • complex attracts up to 10,000 people weekly to classes & performances • extension state-of-the-art centre for performance & learning with new studios & performance spaces • Box Office is low-iron glass; performance space above clad in Spanish slate with hand-cut rough finish to complement rough masonry of heritage building • 1m deep soundproof windows formed by pairing 2 standard curtain-wall systems around generous air space; mahogany surrounds give polished -
A Rccaarchitecture California the Journal of the American Institute Of
architecture california the journal of the american institute of architects california council a r cCA aiacc design awards issue 04.3 photo finish ❉ Silent Archives ❉ AIACC Member Photographs ❉ The Subject is Architecture arcCA 0 4 . 3 aiacc design a wards issue p h o t o f i n i s h Co n t e n t Tracking the Awards 8 Value of the 25 Year Award 10 ❉ Eric Naslund, FAIA Silent Archives: 14 In the Blind Spot of Modernism ❉ Pierluigi Serraino, Assoc. AIA AIACC Member Photographs 18 ❉ AIACC membership The Subject is Architecture 30 ❉ Ruth Keffer AIACC 2004 AWARDS 45 Maybeck Award: 48 Daniel Solomon, FAIA Firm of the Year Award: 52 Marmol Radziner and Associates Lifetime Achievement 56 Award: Donlyn Lyndon, FAIA ❉ Interviewed by John Parman Lifetime Achievement 60 Award: Daniel Dworsky, FAIA ❉ Interviewed by Christel Bivens Kanda Design Awards 64 Reflections on the Awards 85 Jury: Eric Naslund, FAIA, and Hugh Hardy, FAIA ❉ Interviewed by Kenneth Caldwell Savings By Design A w a r d s 88 Co m m e n t 03 Co n t r i b u t o r s 05 C r e d i t s 9 9 Co d a 1 0 0 1 arcCA 0 4 . 3 Editor Tim Culvahouse, AIA a r c C A is dedicated to providing a forum for the exchange of ideas among mem- bers, other architects and related disciplines on issues affecting California archi- Editorial Board Carol Shen, FAIA, Chair tecture. a r c C A is published quarterly and distributed to AIACC members as part of their membership dues. -
Natural Right and Political Philosophy
Natural Right and Political Philosophy © 2013 University of Notre Dame Ward_FINAL.indd 1 5/15/13 10:10 AM © 2013 University of Notre Dame Ward_FINAL.indd 2 5/15/13 10:10 AM Natural Right and Political Philosophy v Essays in Honor of Catherine Zuckert and Michael Zuckert Edited by Ann Ward and Lee Ward v University of Notre Dame Press Notre Dame, Indiana © 2013 University of Notre Dame Ward_FINAL.indd 3 5/15/13 10:10 AM Copyright © 2013 by University of Notre Dame Press Notre Dame, Indiana 46556 www.undpress.nd.edu All Rights Reserved Manufactured in the United States of America Library of Congress Cataloging- in- Publication Data Natural right and political philosophy : essays in honor of Catherine Zuckert and Michael Zuckert / edited by Ann Ward and Lee Ward. pages cm Includes bibliographical references and index. ISBN 978-0-268-04427-5 (pbk. : alk. paper) — ISBN 0-268-04427-9 (pbk. : alk. paper) 1. Political science—Philosophy. 2. Natural law. I. Zuckert, Catherine H., 1942– honoree. II. Zuckert, Michael P., 1942– honoree. III. Ward, Ann, 1970– editor of compilation. IV. Ward, Lee, 1970– editor of compilation. JA71.N327 2013 320.01—dc23 2012050651 ∞ The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. © 2013 University of Notre Dame Ward_FINAL.indd 4 5/15/13 10:10 AM Contents Acknowledgments ix Introduction 1 Ann Ward and Lee Ward Part I. Classical Natural Right One. Virtue and Self- Control in Xenophon’s Socratic Thought 15 Lorraine Smith Pangle Two. -
Winter 2021 223 253 355 375 385 401 407 413 419 425
Winter 2021 Volume 47 Issue 2 223 Lewis Fallis The Political Significance of Friendship in Plato’s Lysis J. A. Colen & The First Walgreen Lectures by Leo Strauss (1949) 253 Anthony Vecchio An Exchange Edward J. Erler & Schaefer contra Political Philosophy 355 Ken Masugi David Lewis Schaefer Unretired: A Reply to “Schaefer contra Political Philosophy” 375 Review Essay Borys M. Kowalsky & Nietzsche and Modernist Art, Part I: The Value of Friedrich 385 Joseph Phelan Nietzsche and the Artists of the New Weimar Book Reviews Kevin J. Burns “From Reflection and Choice”: The Political Philosophy 401 of the Federalist Papers and the Ratification Debate, edited by Will R. Jordan Steven Forde Thucydides on the Outbreak of War: Character and Contest 407 by S. N. Jaffe Jerome C. Foss Good Things Out of Nazareth: The Uncollected Letters 413 of Flannery O’Connor and Friends, edited by Benjamin B. Alexander 419 Steven H. Frankel Power and Progress: Joseph Ibn Kaspi and the Meaning of History by Alexander Green 425 Thomas Powers Multiculturalism in Canada: Constructing a Model Multi- culture with Multicultural Values by Hugh Donald Forbes 431 Aaron Zubia Taking Comedy Seriously: Stand-Up’s Dissident Potential in Mass Culture by Jennalee Donian ©2021 Interpretation, Inc. All rights reserved. No part of the contents may be reproduced in any form without written permission of the publisher. ISSN 0020-9635 Editor-in-Chief Timothy W. Burns, Baylor University General Editors Charles E. Butterworth • Timothy W. Burns General Editors (Late) Howard B. White (d. 1974) • Robert Horwitz (d. 1987) Seth G. Benardete (d. 2001) • Leonard Grey (d. -
Barton Myers Associates, Inc. Architects, Planners
Barton Myers Associates, Inc. Architects, Planners Tempe Center for the Arts Receives a 2008 Merit Award from the United States Institute for Theatre Technology (USITT) For Immediate Release LOS ANGELES, CA, February 13, 2008 – The United States Institute for Theatre Tech- nology (USITT) has awarded the Tempe Center for the Arts, Tempe, Arizona with a 2008 Merit Award for architectural excellence. The award will be presented at the Awards Banquet on Saturday, March 22nd at the USITT Annual Conference & Stage Expo in Houston, Texas. The mission of USITT is to actively promote the advancement of the knowledge and skills of those involved in the design, management, and technical areas of the perform- ing arts and entertainment industry. The 2008 selection panel included Thomas Payne, a founding partner of Kuwabara Payne McKenna Blumberg Architects, Christopher Hume, noted architect critic and columnist for the Toronto Star, and Richard Talaske, founder of TALASKE, a consulting firm. This is the fourth USITT award received by a Barton Myers Associates designed per- forming arts center project. Previously, the USITT honored the New Jersey Performing Arts Center, Cerritos Center for the Performing Arts and the Portland Center for the Performing Arts. This is the first USITT award for architectural partners Architekton of Tempe, Arizona who collaborated in a 50/50 partnership with Barton Myers Associates, Inc. The Tempe Center for the Arts (TCA) forms a crossroads for performing arts and park activities. The 90,000 sf facility is sited on 25.5 acres and includes a 600-seat pro- scenium theater, 200-seat studio theater, 3,400 sf art gallery, 3,000 sf multipurpose room and arts park. -
Governor General's Medals for Architecture
Governor General’s Medals for Architecture | Les médailles du Gouverneur général en architecture Year/Année Project/Projet Architectural firm/ Cabinets d'architectes 2020 Remai Modern KPMB Architects (Toronto, ON) and Architecture49 (Winnipeg, MB) South Haven Centre for Remembrance SHAPE Architects (Vancouver, BC) with PECHET Studio (Vancouver, BC) and Group 2 Architects (Red Deer, AB) The Dock Building Michael Green Architecture (Vancouver, BC) Polygon Gallery Patkau Architects (Vancouver, BC) Borden Park Natural Swimming Pool gh3 architecture (Toronto, ON) BahaI Temple of South America Hariri Pontarini Architects (Toronto, ON) Drummondville Library Chevalier Morales (Montreal, QC) in consortium with DMA architects (Montreal, QC) University of British Columbia Aquatic Centre MJMA (Toronto, ON) & Acton Ostry Architects (Vancouver, BC) The Springdale Library & Komagata Maru Park RDH Architects (Toronto, ON) Gilles-Vigneault Performance Hall Atelier TAG (Montreal, QC) and Jodoin Lamarre Pratte Architects (Montreal, QC) Lake Kawagama Retreat Shim-Sutcliffe Architects Inc. (Toronto, ON) RTC 03 gh3 architecture (Toronto, ON) 2018 Stade de Soccer de Montréal Saucier+Perrotte Architectes (Montreal, QC) Complexe Sportif Saint-Laurent Saucier+Perrotte Architectes (Montreal, QC) Audain Art Museum Patkau Architects (Vancouver, BC) Fort McMurray International Airport Office of Mcfarlane Biggar Architects + Designers inc. (omb) (Vancouver, BC) Fort York Visitor Centre Joint Venture between Kearns Mancini Architects (Toronto, ON) and Patkau Architects -
Predictions Stephen Berry Civil War Scholarship Has Never Been in A
The Future of Civil War Era Studies: Predictions Stephen Berry Civil War scholarship has never been in a healthier place or in broader agreement on fundamentals. Was the war destructive? Yes. Total? No. Hard? Yes. Did the home front matter? Yes. But battles mattered too, right? Yes, but you’re bugging me by acting like these are two entirely different things. Did slavery cause the war? Yes. But states’ rights mattered too, right? Yes, if you mean a state’s right to protect its interest in slaves. Was the war won and lost in the west? Yes, militarily. Was it won and lost in the east? Yes, politically. Was the South modernizing? Yes. But not as quickly as the North, right? Well, maybe, but you’re bugging me again by acting like modernization (or capitalism) has only one form. Was guerrilla warfare important? Yes. But was it decisive? We don’t know yet—but it will never be ignored again. Did African Americans bring slavery down? Yes, but not without the help of the Union army. Did a divided Confederacy bring itself down? Yes, but again, not without the help of the Union army. (The Yankees, as Pickett famously said of his own defeat, had something to do with it.) Did the North fight the war with one hand tied behind its back? No, it simply had a bigger job to do, and besides, when you’re fighting a war against yourself, you want to win by as little as possible. And that’s why the war evolved? And that’s why the war evolved. -
By Barton Myers Associates, Inc
@steel_book 020 8/9/04 5:14 PM Page 80 88 3 STEEL HOUSES CHAPTER NAME 88 @steel_book 020 8/9/04 5:14 PM Page 82 House and Studio at Toro Canyon Montecito, California Design/Completion 1997/1999 HOUSE AND Barton and Vicki Myers 40 acre mountain site Family residence of 6,000 square feet in 4 STUDIO AT structures; garage, guest house, main residence, and studio/archive Glass, steel, concrete, aluminum, water TORO CANYON, The House at Toro Canyon is a residence sited in a secluded mountain canyon in Montecito, with Montecito panoramic views of the ocean and the Channel Islands to the south and mountain peaks to the An interview with Barton Myers by Suzanne Myers north. A creek runs the length of the site, through native oaks and rich ochre sandstone, forming a 1 serene Southern California landscape. The siting strategy was to make a series of smaller, discrete Q: Can you talk about finding the site and how you originally decided to build a house in interventions, thus preserving and enhancing the Santa Barbara? natural landscape of the site. Barton Myers: Vicki and I were very happy living in the Hollywood Hills. We had an extraordinary, circa 1928 house there, with great views over Los Angeles and the Hollywood “To conserve the beauty of the landscape and save Bowl. But I wanted to do something myself, something new. It seemed like the timing was its trees, Myers...decided to put his studio at the good, and Vicki was very supportive of the idea. We had originally thought about building top of the steep slope, a guest house and garage something in Hawaii and had gone through the whole process of trying to find land there, below, and the main house on a level pad between. -
Architecture of the Great Society Assessing the GSA Portflio of Buildings Constructed During the 1960S and 1970S
������������������������ ���������������������������������������� ������������������������������ �������������������������������� ��������������s ������������������������������ ������������������������������������������������� ��������������� ���������������� ������������� ����������������������������� ������������������������ ������������������������������������ �������������������� ����������������������������������������� ��������������������������������� ���������������������������������������� �������������������������������������� Architecture of The Great Society Assessing the GSA Portflio of Buildings Constructed during the 1960s and 1970s 1 The Context for Discussion 7 A Conversation with Experts 17 A Consensus on the Issues 27 Appendix I List of Forum Attendees 35 Appendix II Forum Agenda 41 Appendix III List of GSA Buildings Constructed between 1960 and 1980 U.S. General Services Administration Written by: Thomas Walton, Ph.D. Professor, School of Architecture & Planning The Catholic University of America Washington, D.C. For More Information, Contact: Office of the Chief Architect Public Buildings Service U.S. General Services Administration 1800 F Street, NW Washington, DC 20405 202.501.1888 February 2001 Architecture of the Great Society The Context for Discussion The Context for Discussion The 1960s and 1970s was the era of great Mod ern architecture. Designers explored the aes thetic with creativity and enthusiasm. Patrons- from trend-setting individuals to growing corporations to the institutions that shape society -
Barton Myers, FAIA Receives the 2011 Distinguished Practice Award from the American Institute of Architects California Council
1 of 2 For Immediate Release Barton Myers, FAIA receives the 2011 Distinguished Practice Award from the American Institute of Architects California Council LOS ANGELES, CA. –– November 1, 2010 Barton Myers, FAIA has been honored by the American Institute of Architects, California Council with the 2011 Distinguished Practice Award, one of the AIACC three Council Awards which will be presented at the Awards and Installation Celebration on November 4, 2010 in Calistoga, California. The Distinguished Practice Award recognizes significant contributions and accomplishments by an individual architect in response to the challenges of a specific building type or practice area, acknowledging design excellence, innovations within the design and construction process, and a demonstrated collaborative spirit. This award given to Barton Myers, FAIA is in recognition of his contribution to Theater Design and dedicated commitment to the built environment. Other 2011 Council Award honorees include Skidmore, Owings and Merrill, LLP, recipients of the 2011 Firm Award and Edward McCrary, FAIA recipient of the 2011 Lifetime Achievement Award. Last year, the United States Institute for Theatre Technology (USITT) also honored Barton Myers, FAIA with their third Distinguished Achievement Award in Architecture. The USITT award “honors an individual who has established a meritorious career record in a specific field of expertise in any area of design or technology in the performing arts or entertainment industry”. It has been a lifelong mission for architect Barton Myers and the practices he established in Toronto and Los Angeles to enhance the vitality of cities through the communal experience of the performing arts. Mr. Myers believes that “Great cities are often measured by their cultural institutions, and the capacity of these institu- tions to bring its people together in a single place for a collective transformative experience. -
PRESIDENTIAL CITATIONS the 2009 List of Ideas
AIA LOS ANGELES PRESIDENTIAL CITATIONS The 2009 List of Ideas The AIA/LA Twenty-Five Year Award CRITERIA: This award, recognizing architectural design of enduring significance, is conferred on a project that has stood the test of time for 25 to 35 years. The project must have been designed by an architect licensed in the United States at the time of the project's completion. This award requires a Board vote on eligible projects completed between 1974 and 1984 that have contributed meaningfully to American life and architecture. Past winners include: 2008 Century Plaza Towers by Minuro Yamasaki 2007 The 2468 House (Mayne, Rotondi) 2006 The Gehry Residence 2005 The De Bretteville-Simon Houses 2004 n/a 2003 Pacific Design Center 2002 Gemini G.E.L. by Frank Gehry & Associates 2001 Art Center College of Design 2000 Pierre Koenig Case Study House 1999 DWP Building An example of projects for your consideration: (by no means all-inclusive) 1. Arnoldi Triplex Venice, CA Frank O. Gehry and Associates 1981 2. Doumani House – Venice, CA Robert Graham 1982 4. LMU Library David C. Martin 1977 6. Petal House – Culver City EO Moss & & Nick Seierup 1982 7. Fox Hills Shopping Mall Gruen Associates 1976 8. 10560 Wilshire Blvd. Maxwell Starkman & Assoc. 1982 9. Moore/ Rogger/ Hofflander Condo Charles Moore & Richard Chylinski 1975 10. UCLA Career Planning Center Frank O. Gehry and Associates 1977 13. Neiman Marcus Store John Carl Warnecke Assoc. 1981 14. First Los Angeles Bank Maxwell Starkman & Assoc. 1975 16. St. Basil’s Roman Catholic Church AC Martin and Associates 1974 17. -
Architect/Acoustic Consultant -...Ashton Allan
Appendix 1: Some Concert Halls Location, name Year Shape Capacity Avg. RT (sec) Architect/Acoustic Consultant ~500 Hz occupied America, United States: Philadelphia, Academy of Music 1857 Hshoe 2,827 1.4 Napoleon E.H.C.LeBrun&G.Runge,P.S.Veneklasen Ren. 1992 1.2 Vitetta Group/Kirkegaard Worcester, MA, Mechanics Hall 1857 Rect 1,343 E. Boyden Ren. 1977 Anderson Notter Finegold/ Cavanaugh Tocci Ass. Ren. 1990 1.6 Limoureaux Pagno/ Cavanaugh Tocci Ass. Troy Savings Band Music Hall 1875 Rect ~1250 Chicago, Grand Opera House 1880 Fan 6,200 D. Adler Chicago, The Auditorium 1889 Rect* 4,273 D. Adler, L. Sullivan. *with reflected ray New York, Carnegie Hall 1891 Hshoe 2,804 1.8 W.B. Tuthill Ren. 1986 Polshek/Abraham Melzer Ren. 1989 1.7 /Kirkegaard Baltimore, Lyric Theatre 1894 Rect 2,564 T. Henry Randall Boston, Symphony Hall 1900 Rect 2,625 1.85 McKim Mead & White/W.C.Sabine W. Rawn/Kirkegaard Chicago, Orchestra Hall 1904 Hshoe 2,582 1.2 D.H. Burnham Ren. Bolt Beranek&Newman Ren. 1981 Kirkegaard Symphony Center Ren. 1997 Skidmore, Owings & Merrill/Kirkegaard Cincinnati, Emery Theater 1911 Hshoe 1,500 Ren 2001 Gartner Burdick, Bauer-Nilsen/Kirkegaard Rochester, Eastman Theater 1923 Fan 3,347 1.75 G.E. Kaelber Ren. 1972 T. Ellerbe, P.S. Veneklasen Omaha, Orpheum Theater 1925 Ren 1975 Omaha, Rose Blumkin Perf Arts Ctr 1927 John Eberson 111 Appendix 1: Some Concert Halls Santa Barbra, Fox Arlington Theater 1931 2,018 Plunkett & Edwards Ren. /Kirkegaard Cleveland, Severance Hall 1931 Hshoe 2,101 1.6 Walter & Weeks/D.C.Miller Ren.