ARCHITECTURE PROGRAM Summary Notes ROYAL CONSERVATORY of MUSIC & UNIVERSITY of TORONTO Walking Tour
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PB22.8.8 KPMB Architects
PB22.8.8 KPMB Architects 17 April 2017 Lourdes Bettencourt 2nd Floor, West Tower, City Hall 100 Queen Street West Toronto, Ontario M5H 2N2 Dear Lourdes, A Partnership of Re: 70 Lowther Avenue Corporations Bruce Kuwabara Marianne McKenna I am writing to recommend that 70 Lowther Avenue be listed and designated as a heritage Shirley Blumberg building. Principals Christopher Couse Phyllis Crawford Mitchell Hall Located on the northeast corner of Admiral Road and Lowther Avenue in the Annex Luigi LaRocca neighbourhood of Toronto, 70 Lowther Avenue is both architecturally and historically Goran Milosevic important, having been designed by Charles John Gibson (1862-1935) for Reginald Northcote in Directors Hany Iwamura 1901. Gibson was an eminent and prolific Canadian architect who designed many residences Philip Marjeram throughout Toronto in the late 19th and early 20th century. Amanda Sebris Senior Associates Andrew Dyke 70 Lowther represents a very good example of a corner house marked by tall east and south David Jesson facing gables and a longer side on Lowther Avenue that takes advantage of south light. The Robert Sims design is representative of the quality of residential design that characterized the growth of the Associates Kevin Bridgman Annex when it was a new neighbourhood subdivision north of Bloor Street. Steven Casey David Constable Mark Jaffar What is very valuable and effective about the house is how it respects the setbacks both to the Carolyn Lee Angela Lim west on Admiral Road and the south on Lowther Avenue, reinforcing the continuity of the Glenn MacMullin streetscapes and landscaped setbacks that characterize the Annex. -
A Rccaarchitecture California the Journal of the American Institute Of
architecture california the journal of the american institute of architects california council a r cCA aiacc design awards issue 04.3 photo finish ❉ Silent Archives ❉ AIACC Member Photographs ❉ The Subject is Architecture arcCA 0 4 . 3 aiacc design a wards issue p h o t o f i n i s h Co n t e n t Tracking the Awards 8 Value of the 25 Year Award 10 ❉ Eric Naslund, FAIA Silent Archives: 14 In the Blind Spot of Modernism ❉ Pierluigi Serraino, Assoc. AIA AIACC Member Photographs 18 ❉ AIACC membership The Subject is Architecture 30 ❉ Ruth Keffer AIACC 2004 AWARDS 45 Maybeck Award: 48 Daniel Solomon, FAIA Firm of the Year Award: 52 Marmol Radziner and Associates Lifetime Achievement 56 Award: Donlyn Lyndon, FAIA ❉ Interviewed by John Parman Lifetime Achievement 60 Award: Daniel Dworsky, FAIA ❉ Interviewed by Christel Bivens Kanda Design Awards 64 Reflections on the Awards 85 Jury: Eric Naslund, FAIA, and Hugh Hardy, FAIA ❉ Interviewed by Kenneth Caldwell Savings By Design A w a r d s 88 Co m m e n t 03 Co n t r i b u t o r s 05 C r e d i t s 9 9 Co d a 1 0 0 1 arcCA 0 4 . 3 Editor Tim Culvahouse, AIA a r c C A is dedicated to providing a forum for the exchange of ideas among mem- bers, other architects and related disciplines on issues affecting California archi- Editorial Board Carol Shen, FAIA, Chair tecture. a r c C A is published quarterly and distributed to AIACC members as part of their membership dues. -
2011-12 Annual Report to Industry Canada
2011-12 Annual Report to Industry Canada Covering the Objectives, Activities, and Finances for the period August 1, 2011 to July 31, 2012 and Statement of Objectives for Next Year and the Future Submitted by: Neil Turok, Director to the Hon. Christian Paradis, Minister of Industry and the Hon. Gary Goodyear Minister of State (Science and Technology) Vision: To create the world’s foremost centre for foundational theoretical physics, uniting public and private partners, and the world’s best scientific minds, in a shared enterprise to achieve breakthroughs that will transform our future. Overview of Perimeter Institute Theoretical physics seeks to understand what the universe is made of, and the forces that govern it, at the most basic level. Because the field is so fundamental, just one major discovery can literally change the world. The discovery of electromagnetism, for example, led to radio, X-rays, and all wireless technologies, and in turn catalyzed breakthroughs in all the other sciences. The discovery of quantum mechanics led directly to semiconductors, computers, lasers, and a nearly infinite array of modern technologies. Theoretical physics is the lowest-cost, highest-impact field of science. Located in Waterloo, Ontario, Perimeter Institute for Theoretical Physics was founded in 1999, the first attempt in history to strategically accelerate discovery in this most basic area of science. Supported through a visionary funding model, it unites public and private partners, and the world’s best scientific minds, in a shared quest to achieve the next breakthroughs, which will transform our future. As of July 31, 2012, the Perimeter community has grown to include: 18 full-time Faculty 12 Associate Faculty 24 Distinguished Visiting Research Chairs 38 Postdoctoral Researchers 72 Graduate students1 As a major research hub, Perimeter’s conference and visitor programs bring over 1,000 scientists to the Institute annually, catalyzing new research collaborations and discoveries across the spectrum of fundamental physics. -
Barton Myers Associates, Inc. Architects, Planners
Barton Myers Associates, Inc. Architects, Planners Tempe Center for the Arts Receives a 2008 Merit Award from the United States Institute for Theatre Technology (USITT) For Immediate Release LOS ANGELES, CA, February 13, 2008 – The United States Institute for Theatre Tech- nology (USITT) has awarded the Tempe Center for the Arts, Tempe, Arizona with a 2008 Merit Award for architectural excellence. The award will be presented at the Awards Banquet on Saturday, March 22nd at the USITT Annual Conference & Stage Expo in Houston, Texas. The mission of USITT is to actively promote the advancement of the knowledge and skills of those involved in the design, management, and technical areas of the perform- ing arts and entertainment industry. The 2008 selection panel included Thomas Payne, a founding partner of Kuwabara Payne McKenna Blumberg Architects, Christopher Hume, noted architect critic and columnist for the Toronto Star, and Richard Talaske, founder of TALASKE, a consulting firm. This is the fourth USITT award received by a Barton Myers Associates designed per- forming arts center project. Previously, the USITT honored the New Jersey Performing Arts Center, Cerritos Center for the Performing Arts and the Portland Center for the Performing Arts. This is the first USITT award for architectural partners Architekton of Tempe, Arizona who collaborated in a 50/50 partnership with Barton Myers Associates, Inc. The Tempe Center for the Arts (TCA) forms a crossroads for performing arts and park activities. The 90,000 sf facility is sited on 25.5 acres and includes a 600-seat pro- scenium theater, 200-seat studio theater, 3,400 sf art gallery, 3,000 sf multipurpose room and arts park. -
Postdoctoral Fellowship Program DIRECTORY
JACK MILLER CENTER “Partners in Higher Education for Citizenship” Postdoctoral Fellowship Program DIRECTORY JACK MILLER CENTER For Teaching America’s Founding Principles and History 1 BLUE COLOR FONTS CMYK Legacy Serif Bold Small Caps C-100 M-75 Y-0 K-0 Legacy Serif Book Italic PANTONE Reflex Blue JACK MILLER CENTER “Partners in Higher Education for Citizenship” 2 JACK MILLER CENTER “Partners in Higher Education for Citizenship” Faces Teaching the Great of the Future Ideas of the American Founding on Campus The Jack Miller Center (JMC) launched its postdoctoral fellowship program in 2008 as a result of a $1 million gift from a donor who wishes to remain anonymous. To date, 91 fellowships (one- or two-year appointments) have been awarded to 62 of our nation’s most promising young scholars who share JMC’s mission to reinvigorate education in our nation’s Founding Principles and history. Time has proven the project to be a major success. During their fellowships, these outstanding young scholars have taught over 250 courses, and their ability to impact students is only growing. Ninety-two percent of JMC’s postdoctoral fellows have secured new academic jobs, and over half of these jobs are tenure- track positions. Postdoctoral fellowships provide young professors, I wish to thank the Jack Miller Center for giving at a crucial juncture in their professional lives, with me the opportunity to do what I love. Happily, my the credentials and experience necessary to further passion converges nicely with the JMC’s ultimate their careers. Fellows have time to turn dissertations purpose: the teaching of America’s Founding into publishable manuscripts—an important first Principles. -
Governor General's Medals for Architecture
Governor General’s Medals for Architecture | Les médailles du Gouverneur général en architecture Year/Année Project/Projet Architectural firm/ Cabinets d'architectes 2020 Remai Modern KPMB Architects (Toronto, ON) and Architecture49 (Winnipeg, MB) South Haven Centre for Remembrance SHAPE Architects (Vancouver, BC) with PECHET Studio (Vancouver, BC) and Group 2 Architects (Red Deer, AB) The Dock Building Michael Green Architecture (Vancouver, BC) Polygon Gallery Patkau Architects (Vancouver, BC) Borden Park Natural Swimming Pool gh3 architecture (Toronto, ON) BahaI Temple of South America Hariri Pontarini Architects (Toronto, ON) Drummondville Library Chevalier Morales (Montreal, QC) in consortium with DMA architects (Montreal, QC) University of British Columbia Aquatic Centre MJMA (Toronto, ON) & Acton Ostry Architects (Vancouver, BC) The Springdale Library & Komagata Maru Park RDH Architects (Toronto, ON) Gilles-Vigneault Performance Hall Atelier TAG (Montreal, QC) and Jodoin Lamarre Pratte Architects (Montreal, QC) Lake Kawagama Retreat Shim-Sutcliffe Architects Inc. (Toronto, ON) RTC 03 gh3 architecture (Toronto, ON) 2018 Stade de Soccer de Montréal Saucier+Perrotte Architectes (Montreal, QC) Complexe Sportif Saint-Laurent Saucier+Perrotte Architectes (Montreal, QC) Audain Art Museum Patkau Architects (Vancouver, BC) Fort McMurray International Airport Office of Mcfarlane Biggar Architects + Designers inc. (omb) (Vancouver, BC) Fort York Visitor Centre Joint Venture between Kearns Mancini Architects (Toronto, ON) and Patkau Architects -
2010 RAIC Annual Report
2010 Annual Report Table of Contents President’s Report 1 Executive Director’s Report 3 2010 RAIC Board of Directors 6 RAIC Staff 6 Report on RAIC Activities 7 Awards 7 Honours 13 2010 Festival of Architecture 18 Professional Development 20 Practice Support 23 Advocacy 24 2010 Annual Report Communications 26 Membership 28 External Relations 28 Financial Statements of the RAIC 33 RAIC Foundation 34 2010 Foundation Awards 35 Financial Statements of the RAIC Foundation 36 Architecture Canada | RAIC – the leading voice of architecture in Canada – seeks to build awareness and appreciation of the contribution of architecture to our physical well-being and cultural development of Canada. Our mission is: • To affirm that architecture matters; 330 – 55 Murray Street • To celebrate the richness and diversity of architecture in Canada; and, Ottawa ON K1N 5M3 613-241-3600 • To support architects in achieving excellence. [email protected] | www.raic.org COVER: French River Visitor Centre | Baird Sampson Neuert Architects | photo: Tom Arban Architecture Canada | Royal Architectural Institute of Canada President’s Report My tenure as President for the past 18 months has been a very rewarding and memorable experience. First the 18 months itself was an unusual length of time to act as President for Architecture Canada | RAIC, but I have had the honour of holding the position at a time when we moved to align our Terms of Office with the fiscal year January through December. So I find myself with the opportunity to address readers for a second consecutive year, a rare if not unprecedented event. I would like first to take this opportunity to thank all my fellow architects, numerous dedicated volunteers and RAIC staff and many AIA, RAIA, RIBA, FCARM colleagues who have helped create the memories I will hold with me. -
Sugar Cube Building Description FINAL
SUGARCUBE BUILDING: MODERN MIXED-USE BUILDING REFERENCES HISTORIC NEIGHBOR Do you think it’s important for new buildings in historic districts to be sensitive to the buildings already there? The SugarCube Building, built in 2008, is named in reference to its historic neighbor, The Sugar Building, home of the Great Western Sugar Company, constructed in 1906. It was designed to fit into the Lower Downtown Historic District with its exterior elements. The SugarCube is a modern ten-story structure; a building-within-a-building, with retail on the first floor, offices on floors two through four and residential apartments on floors five through ten. Structure The building is grayish brick, wrapped by two lower structures in blond brick, and it bears contrasting colors to delineate different sections of the building. The building garnered approval from the Lower Downtown Historic Guidelines and Review Committees for its fusion of historical context and current design, development and economic criteria (Voelz Chandler). The six-story portion on the 16th Street Mall wraps around the base in a way that relates specifically to the wrapping of the adjacent Sugar Building’s ornamental façade around the corner. The transition between commercial office and residential spaces at the top of the fourth floor is marked by deeper setback of operable glazed windows within the 16th Street masonry façade. The 16th Street façade in turn references one of the mid-bands within the façade of the Sugar Building. The top of the parapet of SugarCube is set at a height that aligns with the underside of the upper cornice of the Sugar Building. -
2004 RAIC Annual Report
The Royal Architectural Institute of Canada 2004 Annual Report Table of Contents President’s Report 1 Executive Director’s Report 3 2004 RAIC Board of Directors 5 RAIC Staff 5 Report on RAIC Activities 6 Awards 6 Honours 7 2004 Festival of Architecture 11 Professional Development 12 Practice Support 13 Advocacy 15 Communications 16 Financial Statements of the RAIC 20 RAIC Foundation 21 Financial Statements of the RAIC Foundation 23 2004 Annual Report Photography The photos in this annual report are selected images from the projects receiving a 2004 Governor General’s Medal in Architecture. Project and photography credits are indicated below each photo. Cover: Nicola Valley Institute of Technology / Busby + Associates Architects – Photo: Nic Lehoux “RAIC isis thethe voicevoice forfor architecturearchitecture and its practice in Canada. It provides thethe nationalnational frameworkframework forfor thethe development and recognition of The Royal Architectural Institute of Canada architectural excellence.” 330 – 55 Murray Street, Ottawa ON K1N 5M3 Tel: (613) 241-3600 Fax: (613) 241-5750 [email protected] www.raic.org The Royal Architectural Institute of Canada President’s Report One of the important planks contained in the RAIC’s mission statement uses the obtuse expression “National Framework”. What exactly is National Framework, especially considered in the context of the architectural profession? I personally believe it is external relations, or in other words, our dealings with a myriad of regional, national and even international organizations. As president of the RAIC, I have emphasized these very relationships over the past year – this means building solid foundations with our architectural colleagues across the country and with others in the design and construction industry. -
Predictions Stephen Berry Civil War Scholarship Has Never Been in A
The Future of Civil War Era Studies: Predictions Stephen Berry Civil War scholarship has never been in a healthier place or in broader agreement on fundamentals. Was the war destructive? Yes. Total? No. Hard? Yes. Did the home front matter? Yes. But battles mattered too, right? Yes, but you’re bugging me by acting like these are two entirely different things. Did slavery cause the war? Yes. But states’ rights mattered too, right? Yes, if you mean a state’s right to protect its interest in slaves. Was the war won and lost in the west? Yes, militarily. Was it won and lost in the east? Yes, politically. Was the South modernizing? Yes. But not as quickly as the North, right? Well, maybe, but you’re bugging me again by acting like modernization (or capitalism) has only one form. Was guerrilla warfare important? Yes. But was it decisive? We don’t know yet—but it will never be ignored again. Did African Americans bring slavery down? Yes, but not without the help of the Union army. Did a divided Confederacy bring itself down? Yes, but again, not without the help of the Union army. (The Yankees, as Pickett famously said of his own defeat, had something to do with it.) Did the North fight the war with one hand tied behind its back? No, it simply had a bigger job to do, and besides, when you’re fighting a war against yourself, you want to win by as little as possible. And that’s why the war evolved? And that’s why the war evolved. -
By Barton Myers Associates, Inc
@steel_book 020 8/9/04 5:14 PM Page 80 88 3 STEEL HOUSES CHAPTER NAME 88 @steel_book 020 8/9/04 5:14 PM Page 82 House and Studio at Toro Canyon Montecito, California Design/Completion 1997/1999 HOUSE AND Barton and Vicki Myers 40 acre mountain site Family residence of 6,000 square feet in 4 STUDIO AT structures; garage, guest house, main residence, and studio/archive Glass, steel, concrete, aluminum, water TORO CANYON, The House at Toro Canyon is a residence sited in a secluded mountain canyon in Montecito, with Montecito panoramic views of the ocean and the Channel Islands to the south and mountain peaks to the An interview with Barton Myers by Suzanne Myers north. A creek runs the length of the site, through native oaks and rich ochre sandstone, forming a 1 serene Southern California landscape. The siting strategy was to make a series of smaller, discrete Q: Can you talk about finding the site and how you originally decided to build a house in interventions, thus preserving and enhancing the Santa Barbara? natural landscape of the site. Barton Myers: Vicki and I were very happy living in the Hollywood Hills. We had an extraordinary, circa 1928 house there, with great views over Los Angeles and the Hollywood “To conserve the beauty of the landscape and save Bowl. But I wanted to do something myself, something new. It seemed like the timing was its trees, Myers...decided to put his studio at the good, and Vicki was very supportive of the idea. We had originally thought about building top of the steep slope, a guest house and garage something in Hawaii and had gone through the whole process of trying to find land there, below, and the main house on a level pad between. -
Architecture of the Great Society Assessing the GSA Portflio of Buildings Constructed During the 1960S and 1970S
������������������������ ���������������������������������������� ������������������������������ �������������������������������� ��������������s ������������������������������ ������������������������������������������������� ��������������� ���������������� ������������� ����������������������������� ������������������������ ������������������������������������ �������������������� ����������������������������������������� ��������������������������������� ���������������������������������������� �������������������������������������� Architecture of The Great Society Assessing the GSA Portflio of Buildings Constructed during the 1960s and 1970s 1 The Context for Discussion 7 A Conversation with Experts 17 A Consensus on the Issues 27 Appendix I List of Forum Attendees 35 Appendix II Forum Agenda 41 Appendix III List of GSA Buildings Constructed between 1960 and 1980 U.S. General Services Administration Written by: Thomas Walton, Ph.D. Professor, School of Architecture & Planning The Catholic University of America Washington, D.C. For More Information, Contact: Office of the Chief Architect Public Buildings Service U.S. General Services Administration 1800 F Street, NW Washington, DC 20405 202.501.1888 February 2001 Architecture of the Great Society The Context for Discussion The Context for Discussion The 1960s and 1970s was the era of great Mod ern architecture. Designers explored the aes thetic with creativity and enthusiasm. Patrons- from trend-setting individuals to growing corporations to the institutions that shape society