An Examination of Female Indigenous Australian
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An Ethnography of Health Promotion with Indigenous Australians in South East Queensland
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/292140373 "We don't tell people what to do": An ethnography of health promotion with Indigenous Australians in South East Queensland Thesis · December 2015 CITATIONS READS 0 36 1 author: Karen McPhail-Bell University of Sydney 25 PUBLICATIONS 14 CITATIONS SEE PROFILE Available from: Karen McPhail-Bell Retrieved on: 25 October 2016 “We don’t tell people what to do” An ethnography of health promotion with Indigenous Australians in South East Queensland Karen McPhail-Bell Bachelor of Behavioural Science, Honours (Public Health) Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy School of Public Health and Social Work Queensland University of Technology 2015 Key words Aboriginal, Aboriginal Medical Service, Australia, colonisation, community controlled health service, critical race theory, cultural interface, culture, ethnography, Facebook, government, health promotion, identity, Indigenous, Instagram, mainstream, policy, postcolonial theory, public health, relationship, self- determination, social media, Torres Strait Islander, Twitter, urban, YouTube. ii Abstract Australia is a world-leader in health promotion, consistently ranking in the best performing group of countries for healthy life expectancy and health expenditure per person. However, these successes have largely failed to translate into Indigenous health outcomes. Given the continued dominance of a colonial imagination, little research exists that values Indigenous perspectives, knowledges and practice in health promotion. This thesis contributes to addressing this knowledge gap. An ethnographic study of health promotion practice was undertaken within an Indigenous-led health promotion team, to learn how practitioners negotiated tensions of daily practice. -
1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania It Is 1968, Rural Western Austra
1 Picturing a Golden Age: September and Australian Rules Pauline Marsh, University of Tasmania Abstract: In two Australian coming-of-age feature films, Australian Rules and September, the central young characters hold idyllic notions about friendship and equality that prove to be the keys to transformative on- screen behaviours. Intimate intersubjectivity, deployed in the close relationships between the indigenous and nonindigenous protagonists, generates multiple questions about the value of normalised adult interculturalism. I suggest that the most pointed significance of these films lies in the compromises that the young adults make. As they reach the inevitable moral crisis that awaits them on the cusp of adulthood, despite pressures to abandon their childhood friendships they instead sustain their utopian (golden) visions of the future. It is 1968, rural Western Australia. As we glide along an undulating bitumen road up ahead we see, from a low camera angle, a school bus moving smoothly along the same route. Periodically a smattering of roadside trees filters the sunlight, but for the most part open fields of wheat flank the roadsides and stretch out to the horizon, presenting a grand and golden vista. As we reach the bus, music that has hitherto been a quiet accompaniment swells and in the next moment we are inside the vehicle with a fair-haired teenager. The handsome lad, dressed in a yellow school uniform, is drawing a picture of a boxer in a sketchpad. Another cut takes us back outside again, to an equally magnificent view from the front of the bus. This mesmerising piece of cinema—the opening of September (Peter Carstairs, 2007)— affords a viewer an experience of tranquillity and promise, and is homage to the notion of a golden age of youth. -
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
What Killed Australian Cinema & Why is the Bloody Corpse Still Moving? A Thesis Submitted By Jacob Zvi for the Degree of Doctor of Philosophy at the Faculty of Health, Arts & Design, Swinburne University of Technology, Melbourne © Jacob Zvi 2019 Swinburne University of Technology All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. II Abstract In 2004, annual Australian viewership of Australian cinema, regularly averaging below 5%, reached an all-time low of 1.3%. Considering Australia ranks among the top nations in both screens and cinema attendance per capita, and that Australians’ biggest cultural consumption is screen products and multi-media equipment, suggests that Australians love cinema, but refrain from watching their own. Why? During its golden period, 1970-1988, Australian cinema was operating under combined private and government investment, and responsible for critical and commercial successes. However, over the past thirty years, 1988-2018, due to the detrimental role of government film agencies played in binding Australian cinema to government funding, Australian films are perceived as under-developed, low budget, and depressing. Out of hundreds of films produced, and investment of billions of dollars, only a dozen managed to recoup their budget. The thesis demonstrates how ‘Australian national cinema’ discourse helped funding bodies consolidate their power. Australian filmmaking is defined by three ongoing and unresolved frictions: one external and two internal. Friction I debates Australian cinema vs. Australian audience, rejecting Australian cinema’s output, resulting in Frictions II and III, which respectively debate two industry questions: what content is produced? arthouse vs. -
'Noble Savages' on the Television
‘Nobles and savages’ on the television Frances Peters-Little The sweet voice of nature is no longer an infallible guide for us, nor is the independence we have received from her a desirable state. Peace and innocence escaped us forever, even before we tasted their delights. Beyond the range of thought and feeling of the brutish men of the earli- est times, and no longer within the grasp of the ‘enlightened’ men of later periods, the happy life of the Golden Age could never really have existed for the human race. When men could have enjoyed it they were unaware of it and when they have understood it they had already lost it. JJ Rousseau 17621 Although Rousseau laments the loss of peace and innocence; little did he realise his desire for the noble savage would endure beyond his time and into the next millennium. How- ever, all is not lost for the modern person who shares his bellow, for a new noble and savage Aborigine resonates across the electronic waves on millions of television sets throughout the globe.2 Introduction Despite the numbers of Aboriginal people drawn into the Australian film and television industries in recent years, cinema and television continue to portray and communicate images that reflect Rousseau’s desires for the noble savage. Such desires persist not only in images screened in the cinema and on television, but also in the way that they are dis- cussed. The task of ridding non-fiction film and television making of the desire for the noble and the savage is an essential one that must be consciously dealt with by both non- Aboriginal and Aboriginal film and television makers and their critics. -
Full Thesis Draft No Pics
A whole new world: Global revolution and Australian social movements in the long Sixties Jon Piccini BA Honours (1st Class) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2013 School of History, Philosophy, Religion & Classics Abstract This thesis explores Australian social movements during the long Sixties through a transnational prism, identifying how the flow of people and ideas across borders was central to the growth and development of diverse campaigns for political change. By making use of a variety of sources—from archives and government reports to newspapers, interviews and memoirs—it identifies a broadening of the radical imagination within movements seeking rights for Indigenous Australians, the lifting of censorship, women’s liberation, the ending of the war in Vietnam and many others. It locates early global influences, such as the Chinese Revolution and increasing consciousness of anti-racist struggles in South Africa and the American South, and the ways in which ideas from these and other overseas sources became central to the practice of Australian social movements. This was a process aided by activists’ travel. Accordingly, this study analyses the diverse motives and experiences of Australian activists who visited revolutionary hotspots from China and Vietnam to Czechoslovakia, Algeria, France and the United States: to protest, to experience or to bring back lessons. While these overseas exploits, breathlessly recounted in articles, interviews and books, were transformative for some, they also exposed the limits of what a transnational politics could achieve in a local setting. Australia also became a destination for the period’s radical activists, provoking equally divisive responses. -
Australian Aboriginal Verse 179 Viii Black Words White Page
Australia’s Fourth World Literature i BLACK WORDS WHITE PAGE ABORIGINAL LITERATURE 1929–1988 Australia’s Fourth World Literature iii BLACK WORDS WHITE PAGE ABORIGINAL LITERATURE 1929–1988 Adam Shoemaker THE AUSTRALIAN NATIONAL UNIVERSITY E PRESS iv Black Words White Page E PRESS Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au Previously published by University of Queensland Press Box 42, St Lucia, Queensland 4067, Australia National Library of Australia Cataloguing-in-Publication entry Black Words White Page Shoemaker, Adam, 1957- . Black words white page: Aboriginal literature 1929–1988. New ed. Bibliography. Includes index. ISBN 0 9751229 5 9 ISBN 0 9751229 6 7 (Online) 1. Australian literature – Aboriginal authors – History and criticism. 2. Australian literature – 20th century – History and criticism. I. Title. A820.989915 All rights reserved. You may download, display, print and reproduce this material in unaltered form only (retaining this notice) for your personal, non-commercial use or use within your organization. All electronic versions prepared by UIN, Melbourne Cover design by Brendon McKinley with an illustration by William Sandy, Emu Dreaming at Kanpi, 1989, acrylic on canvas, 122 x 117 cm. The Australian National University Art Collection First edition © 1989 Adam Shoemaker Second edition © 1992 Adam Shoemaker This edition © 2004 Adam Shoemaker Australia’s Fourth World Literature v To Johanna Dykgraaf, for her time and care -
Australian Indigenous Petitions
Australian Indigenous Petitions: Emergence and Negotiations of Indigenous Authorship and Writings Chiara Gamboz Dissertation Submitted in fulfillment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of Arts and Media Faculty of Arts and Social Sciences October 2012 ORIGINALITY STATEMENT 'l hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the proiect's design and conception or in style, presentation and linguistic expression is acknowledged.' Signed 5 o/z COPYRIGHT STATEMENT 'l hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or digsertation in whole or part in the Univercity libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertiation. -
'Up the New Channels'
VOLUME V ❖ ISSUE 2: UQ CENTENARY ❖ 2011 ❖ 75–86 An interdisciplinary journal for the study of history, philosophy, religion, and classics ‘Up the new channels’ STUDENT ACTIVI S M IN BRI sba NE DURING AU S TR A LI A ’S SIXTIE S Jon Piccini This paper seeks to locate the development of Brisbane’s New Left student movement within a growing body of transna- tional studies on ‘the sixties.’ In particular, it focuses on the interrelation between global issues such as the Vietnam War and the local realities of Queensland under the supposedly oppressive and philistine Country-Liberal government, and the role this played in cultivating a radical practice during the sixties and seventies. Appropriations of urban space, both on and off-campus, were vital to youth activists fashioning oppositional identities within the parameters of this transnational mediation. Foco Club, headquartered in what was then Trades Hall, provided a place for youth entertainment and political involvement on an otherwise culturally-sterile Sunday night, while students’ continued attempts to redefine The University of Queensland as a space for struggle, saw a variety of interlinked contestations with the state, administration and other, less radical, students. An important, if overlooked, period of Brisbane’s youth history is thus contextualised, placing the city firmly within a developing narrative of the transnational sixties. Oh yes, we all know that young people are hedonistic and naive, and perpetually dissatisfied. But the joke is that the dissatisfaction is starting to be articulated.1 n 1970, several dozen Brisbane activists collectively published a wide-ranging assault on the capitalist Iuniversity, using as a case study their base at The University of Queensland. -
'A Pretty Decent Sort of Bloke': Towards the Quest for an Australian Jesus
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 10 Original Research ‘A pretty decent sort of bloke’: Towards the quest for an Australian Jesus Author: From many Aboriginal elders, such as Tjangika Napaltjani, Bob Williams and Djiniyini 1,2 Jason A. Goroncy Gondarra, to painters, such as Arthur Boyd, Pro Hart and John Forrester-Clack, from Affiliation: historians, such as Manning Clark, and poets, such as Maureen Watson, Francis Webb and 1Department of Systematic Henry Lawson, to celebrated novelists, such as Joseph Furphy, Patrick White and Tim Winton, Theology, Whitley College, the figure of Jesus has occupied an endearing and idiosyncratic place in the Australian University of Divinity, imagination. It is evidence enough that ‘Australians have been anticlerical and antichurch, Melbourne, Australia but rarely antiJesus’ (Piggin 2000:163). But which Jesus? In what follows, I seek to listen to ²Department of Practical what some Australians make of Jesus, and to consider some theological implications of their Theology, Faculty of Theology contributions for the enduring quest for an Australian Jesus and Religion, University of Pretoria, South Africa Keywords: Aboriginal Australians; art; Australia; Christology; culture; Jesus; land; myth; religion; symbols. Description: Dr Goroncy is participating in the research project, ‘Gender Studies and Practical Who is this man? Whose is this man? Theology Theory Formation’, directed by Prof. Dr Yolanda Questions that will not go away Dreyer, Department of Aboriginal Australians have seen in Jesus ‘the life-giving Creator Spirit [taking on] human form’ Practical Theology, Faculty of Theology, University of (The Rainbow Spirit Elders 2012:59) and the embodiment of the spiritual sapience of their ancestors. -
The Aboriginal Struggle & the Left
The Aboriginal Struggle & the Left Terry Townshend 2 The Aboriginal Struggle & the Left About the author Terry Townsend was a longtime member of the Democratic Socialist Party and now the Socialist Alliance. He edited the online journal Links (links.org) and has been a frequent contributor to Green Left Weekly (greenleft.org.au). Note on quotations For ease of reading, we have made minor stylistic changes to quotations to make their capitalisation consistent with the rest of the book. The exception, however, concerns Aborigines, Aboriginal, etc., the capitalisation of which has been left unchanged as it may have political significance. Resistance Books 2009 ISBN 978-1-876646-60-8 Published by Resistance Books, resistanceboks.com Contents Preface...........................................................................................................................5 Beginnings.....................................................................................................................7 The North Australian Workers Union in the 1920s and ’30s.....................................9 Comintern Influence..................................................................................................12 The 1930s....................................................................................................................15 Aboriginal-Led Organisations & the Day of Mourning............................................19 Struggles in the 1940s: The Pilbara Stock Workers’ Strike........................................23 The 1940s: Communists -
Article 61402 57882Baea7237b
Critical Literary Studies, Vol. II, No. 1, Autumn and Winter 2019-2020 Mahdi Javidshad1 Ph.D. in English Language and Literature, Shiraz University, Iran Amirhossein Nemati (Corresponding Author)2 Graduate Student of English Language and Literature, University of Tehran, Iran DOI: https://www.doi.org/10.34785/J014.2020.213 Received: January 30, 2020 Reviewed: February 27, 2020 Accepted: March 10, 2020 Abstract The aim of the present paper is to explore selected poems of Oodgeroo Noonuccal, the national poet of the Australian Aborigines, in the light of Homi K. Bhabha’s postcolonial theories. Using a descriptive research methodology, the present study examines the way Noonuccal’s poetry fashions resisting discourse in contemporary Australia. First of all, the introductory notes on postcolonial approach, colonial history of Australia and Noonuccal are presented and then postcolonial key terms including Hybridity, Third Space and Otherization are employed to read the selected poems with the purpose of highlighting the anticolonial inclinations in them. Throughout the study, Third Space which comes as a result of hybrid cultures is emphasized as a background for reflecting and reinforcing Aboriginal tendency in Australia. The valiant attempts waging the anticolonial struggles in Oodgeroo Noonuccal’s poetry include expounding a view of history from the perspective of the colonized, pointing to the disappearance of Aboriginal culture and tradition and their revival, protesting against the states’ unjust policies the regarding the Aborigines, putting an end to Otherization, and issuing a call for a just integration of blacks and whites. Keywords Post-colonialism; Oodgeroo Noonuccal; Hybridity; Third Space; Otherization 1 [email protected] 2 [email protected] 39 | Hybridity in Australia 1. -
December 2017 CONTENTS EDITORIAL FIONA DORRELL
impriNorthern Territory Writers’ Centrent Journal | December 2017 CONTENTS EDITORIAL FIONA DORRELL FEATURES On Sunday morning of the NT The Walpiri women’s appearance Ali Cobby Eckermann: inspiring Writers’ Festival that took place in the Festival, further recounted outsiders | Candy Royalle in Alice Springs this year, people in this issue in a transcription Imprint Those fifty words might live in gathered as Walpiri women from by Georgia Curran, alongside sentences | Beth Sometimes Yuendumu sat on the ground and alongside other strong Indigenous oiled and painted one another up in programming was easily a highlight Agustinus Wibowo: impressions of NORTHERN TERRITORY WRITERS’ CENTRE JOURNAL preparation for the launch of their for 2017. Mention should also be Alice | Dina Indrasafitri new songbook, Yurntumu-wardingki made of the sand story told in Book in a Day | Katherine Region of juju-ngaliya-kurlangu yawulyu Ngaanyatjarra by Lizzie Marrkilyi Writers (Batchelor Institute Press). There Ellis who sat regal on the red Sharing Warlpiri Women’s Yawulyu was a livestream beginning soon in ground beneath a desert sky and Songs the Gallery Room connecting the captivated her listeners. Special ABOUT BOARD OF MANAGEMENT launch to other audiences around the thanks to my colleagues Dani Imprint is a publication of the President Territory. From the sidelines, someone Powell and Shrike O’Malley for their INTERVIEWS NT Writers’ Centre. It is devoted Professor Martin Jarvis OAM (Darwin) tentatively reminded the group of time intelligence and passion in putting The Delhi Walla | Mayank Austen Soofi to NT writers and writing. Vice-president constraints; Valerie Napaljarri Martin, together this Festival. Dr Adelle Sefton-Rowston (Darwin) Writing Memoir | Patti Miller in her navy beanie with the blue and Secretary & Public Officer In looking back over 2017, many EDITORIAL & PRODUCTION red pompom, took charge.