B'nai Mitzvah Handbook
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Bar and Bat Mitzvah Temple Israel Sanctuary
Temple Israel Sanctuary The Ark, which is the central focus of the sanctuary, houses the Torah scrolls. Its doors MEMPHIS, TENNESSEE are carved with the Burning Bush. This represents a particularly moving moment in the early history of our people, when Moses accepted God’s mission and led the Jewish people out of Egypt to Sinai. The brilliantly hued tapestry within the Ark represents Bar and Bat Mitzvah the form of the Ark doors. The Hebrew letter Shin,which signifies the word Shaddai, meaning God, is sculpted into the center of the Ark doors. The term bar/bat mitzvah means son/daughter of mitzvah. According to Judaism, at the age of 13 an individual can now take on additional religious The Ten Commandment Tablets appear above the doors of the Ark. They represent the privileges and responsibilities. Mitzvot, literally commandments, are the fulfillment of God’s promise to Moses at the Burning Bush and are the guiding precept responsibilities of a Jew. Before reaching the age of bar or bat mitzvah, for the daily life of every Jew. The Eternal Light, symbolic of the Jew’s ongoing spirit, is children voluntarily perform mitzvot. Followingbar/bat mitzvah, mitzvot placed above the Tablets. From its form, a torch, we infer light permeating darkness, become obligatory. In this regard, the idea of fulfilling the commandments just as the Torah has illuminated the life of every Jew throughout the ages. suggests accepting responsibility as an adult. This is sacred and deserving of The stone mosaic wall on either side of the Ark symbolizes the wings of an angel. -
Aliyah L'torah
Halachically Speaking Volume 3 Issue 3 Compiled by Moishe Dovid Lebovits Reviewed by Rabbi Ben-zion Schiffenbauer Shlita Piskei Horav Yisroel Belsky Shlita Aliyah L’Torah Reviewed by Horav Yisroel Belsky Shlita Sponsored לרפואה שלמה חנה חיה בת מזל "לז נ יענטא בת ישראל חיים "זל נ משה בן יששכר בעריש נ"זל יעקב אריה ב ן שבתי לז" נ רב משה בן הרב ראובן לז" נ חנינה בן רב חיים יהודה לז" נ חוה בת רב משה יהודה Moshe Rabbeinu established a requirement to lain on Monday, Thursday, Shabbos and Yom Tov .1 Ezra established a requirement that three people should get aliyos, and at least ten pesukim should be read. 2 Although some poskim say the requirement to lain is d’oraisa ,3 most poskim say it is d’rabbanan .4 The poskim also discuss if krias hatorah is an obligation on the tzibbur 5 or on the individual. 6 Some say that on Monday and Thursday it is an obligation on the tzibbur , and on Shabbos it is an obligation on the individual. 7 The minhag is that women do not have an obligation to listen to krias hatorah .8 Furthermore, according to some poskim , young children also do not have an obligation to listen to krias hatorah 9 (obviously, they should not be allowed to run around the shul and make it impossible for the adults to hear the laining ). One who receives an aliyah should have in mind to connect his neshoma with Hashem through the aliyah . 10 One should not be makpid on which aliyah he gets. -
Australian Olim Survey Findings Report
MONAMONASH SH AUSTRALAUSTRALIAN IAN CENTRECENT FORRE FOR JEWISJEH WCIIVSIHLI CSAIVTILIIOSNA TION GEN17 AUSTRALIAN JEWISH COMMUNITY SURVEY AUSSIESJEWISH EDUCATION IN THE IN PROMISEDMELBOURNE LAND:ANDREW MARKUS , MIRIAM MUNZ AND TANYA MUNZ FINDINGS FROM THE AUSTRALIAN OLIM SURVEY (2018- 19) Building S,Bu Caildiunlgfi eS,ld Cacampulfieulsd campus 900 Dandenong900 Dandenong Road Road Caulfield CaEausltf iVIeldC Ea31s4t5 VI C 3145 www.monwww.ash.emodun/aarstsh/.aecdjuc / arts/acjc DAVID MITTELBERG AND ADINA BANKIER-KARP All rights reserved © David Mittelberg and Adina Bankier-Karp First published 2020 Australian Centre for Jewish Civilisation Faculty of Arts Monash University Victoria 3800 https://arts.monash.edu/acjc ISBN: 978-0-6486654-9-6 The photograph on the cover of this report was taken by David Bankier and has been used with his written permission. This work is copyright. Apart for any use permitted under the Copyright Act 1968, no part of it may be reproduced without written permission from the publisher. Requests and inquiries concerning reproduction rights should be directed to the publisher. CONTENTS ACKNOWLEDGEMENTS ................................................................................................................................................. 1 AUTHORS ........................................................................................................................................................................ 2 EXECUTIVE SUMMARY ................................................................................................................................................. -
Chicago Conference Shabbaton 2019 March 10-11 March
Chicago Conference Shabbaton Co-sponsored by the Department of Jewish Studies of McGill University, the Cantors Assembly, the American 2019 March 10-11 March 8-9 Conference of Cantors, Spertus Institute for Jewish Learning and Leadership, KAM Isaiah Israel, Congregation Rodfei Zedek, Mishkan Chicago, The University of Chicago Newberger Hillel Center, the Women Cantors’ Network, and Reconstructing Judaism. PRESENTING SPONSORS: i Acknowledgements We are honored to dedicate this conference and Shabbaton to the memory of the gifted Jewish musicologist Dr. Judith Kaplan Eisenstein (1909-1996), z”l. We thank the members of our conference We thank the members of our Shabbaton planning committee: planning committee: Cantor Matthew Austerklein Cantor Miriam Eskenasy Cantor David Berger Ms. Shirley Holbrook Dr. Eric Caplan Ms. Christine Kelner Dr. Judah Cohen Mr. Douglas Kelner Ms. Mili Leitner Cohen Ms. Joan Pomaranc Rabbi Joshua Feigelson Cantor David Berger Cantor Benjie Ellen Schiller Rabbi Anna Levin Rosen Ms. Jane Susswein Cantor Rachel Rosenberg Mr. Daniel Goldman Cedarbaum, Chair Mr. Daniel Goldman Cedarbaum, Chair ii Sunday, March 10, 2019 AT SWIFT HALL ON THE UNIVERSITY OF CHICAGO CAMPUS, 1025 EAST 58TH STREET, CHICAGO, IL 60637 10:00-11:00 Roundtables and Workshops (Concurrent Sessions) Present at the Creation: Debbie Friedman and the Birth of a New American-Jewish Song Jeff Klepper Listening to Otherness in Singing Elie Holzer A New Piyyut Collection for Communal Singing Jack Kessler Hasidic Music: Spiritual Heights and Worldly Challenges -
The Performativity of the Torah Scroll in Jewish Ritual
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-6-2021 The Communal Roots of the Tree of Life: The Performativity of the Torah Scroll in Jewish Ritual Joseph Maybloom CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/735 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE COMMUNAL ROOTS OF THE TREE OF LIFE: THE PERFORMATIVITY OF THE TORAH SCROLL IN JEWISH RITUAL by Joseph Maybloom Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Theatre, Hunter College The City University of New York May 5, 2021 May 5, 2021 Dr. Claudia Orenstein Date Thesis Sponsor May 5, 2021 Dr. Mira Felner Date Second Reader Table of Contents Acknowledgements..........................................................................................................................ii Introduction: The Torah as/in Ritual………………………………………………………………1 Chapter One: Constructing the Torah: A Divine Performance…………………………………..15 Chapter Two: (Re)Enacting the Covenant in the Seder K’riat Ha’Torah………………………...28 Chapter Three: Grieving an Object(ive) Loss: The Ritual Burial of a Sefer Torah…………….....44 Conclusion: Returning the Torah to the Ark…………………………………………………......59 Bibliography……………………………………………………………………………………..64 Maybloom ii Acknowledgements I owe a debt of gratitude to many for their help and support in bringing this thesis to life. First, a tremendous thank you to Dr. Claudia Orenstein for providing me so many opportunities to grow at Hunter over the past few years and for overseeing this thesis. -
Israel in the Synagogue Dr. Samuel Heilman, Professor of Jewish Studies and Sociology, City University of New York
Israel in the Synagogue Dr. Samuel Heilman, Professor of Jewish Studies and Sociology, City University of New York Israel in Our Lives is a project sponsored by The CRB Foundation, The Joint Authority for Jewish Zionist Education Department of Jewish Education and Culture in the Diaspora, and The Charles R. Bronfman Centre for the Israel Experience: Mifgashim. In cooperation with Jewish Education Service of North America and Israel Experience, Inc. Israel In Our Lives Online was funded in part through a generous grant from the Joint Program for Jewish Education of the Jewish Agency for Israel and the Ministry of Education and Culture of the State of Israel. The editors would like to thank all the authors, advisors, and consultants of the Israel In Our Lives series— educational leaders who have brought their considerable insights and talents to bear on this project. In addition to those already mentioned in these pages, we extend our appreciation to those who helped in shaping the project concept: Dr. Zvi Bekerman, Gidon Elad, Dr. Cecile Jordan, Rachel Korazim, Clive Lessem, Caren Levine, Dr. Zev Mankowitz, Dr. Eliezer Marcus, & Susan Rodenstein. Part 1 While no one would suggest that the synagogue and Israel are duplicates of one another - and indeed the differences between them are legion - they have in this generation increasingly represented (especially for North American Jewry) two important, parallel symbols of Jewish identity. This is because both are special "places" in which being a Jew constitutes an essential pre-requisite, perhaps even a sine qua non, for affiliation. Additionally, both are places where one expects to find Jews in the overwhelming majority and in charge, where Jewish concerns are paramount, and where Hebrew is spoken. -
Beth Shalom B'nei Mitzvah Handbook
Beth Shalom B’nei Mitzvah Handbook Ariel Edery Lynn Calnek Rabbi Director of Religious School Lisa Sharp Torah Trope Trainer Table of Contents A History of Bar/Bat Mitzvah 4 The Bar/Bat Mitzvah Program 5 Requirements for Becoming a Bar/Bat Mitzvah 5 Eligibility 5 Education 5 Additional Education Requirements 5 Sponsorship of a Kiddush 5 Financial Obligation 6 Setting the Date 7 B’nei Mitzvah Timeline 8 Responsibilities of the Bar/Bat Mitzvah student 9 Individualized Lessons 9 D’Var Torah 9 Responsibilities of Parent(s) 10 Mitzvah Project 12 The Bar Mitzvah Ceremony 13 Photography 13 Mazel Tov! Congratulations on reaching this milestone in your student’s life. The ceremony to come will change the status of an individual from a student to an adult in the eyes of the Jewish community. You, as a family, are about to experience one of the most significant spiritual adventures of your lifetime. This is a highly emotional journey and, as such, will be filled with some anxiety, but mostly joy. This handbook is designed to relieve some of the anxiety and to increase the joy of the Bar/Bat Mitzvah experience. Although the congregation will do everything possible to prepare the student, family cooperation is essential. Together we can make this joyous occasion a cherished memory in the life of your family. Please read through this handbook, and use it as a reference book often. May this be only one of many family simchas (joyous moments) we will share with you! Rabbi Edery Lynn Calnek In the Beginning: A History of Bar/Bat Mitzvah "Bar Mitzvah" literally means "son of the commandment." "Bar" being the Hebrew term for "son" and "Mitzvah" being the Hebrew term for "commandment". -
Ethnicity and Faith in American Judaism: Reconstructionism As Ideology and Institution, 1935-1959
ETHNICITY AND FAITH IN AMERICAN JUDAISM: RECONSTRUCTIONISM AS IDEOLOGY AND INSTITUTION, 1935-1959 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY By Deborah Waxman May, 2010 Examining Committee Members: Lila Corwin Berman, Advisory Chair, History David Harrington Watt, History Rebecca Trachtenberg Alpert, Religion Deborah Dash Moore, External Member, University of Michigan ii ABSTRACT Title: Ethnicity and Faith in American Judaism: Reconstructionism as Ideology and Institution, 1935-1959 Candidate's Name: Deborah Waxman Degree: Doctor of Philosophy Temple University, 2010 Doctoral Advisory Committee Chair: Lila Corwin Berman This dissertation addresses the development of the movement of Reconstructionist Judaism in the period between 1935 and 1959 through an examination of ideological writings and institution-building efforts. It focuses on Reconstructionist rhetorical strategies, their efforts to establish a liberal basis of religious authority, and theories of cultural production. It argues that Reconstructionist ideologues helped to create a concept of ethnicity for Jews and non-Jews alike that was distinct both from earlier ―racial‖ constructions or strictly religious understandings of modern Jewish identity. iii DEDICATION To Christina, who loves being Jewish, With gratitude and abundant love iv ACKNOWLEDGMENTS This dissertation is the product of ten years of doctoral studies, so I type these words of grateful acknowledgment with a combination of astonishment and excitement that I have reached this point. I have been inspired by extraordinary teachers throughout my studies. As an undergraduate at Columbia, Randall Balmer introduced me to the study of American religious history and Holland Hendrix encouraged me to take seriously the prospect of graduate studies. -
Torah Weekly
J U N E 1 9M, A2Y0 280, |2 0S2H0E |L AECMHO |R P A G E 1 Congregation Beth Sholom TORAH W EEKLY Learning Initiative ז"ל A Project of the Linda Mitgang To sponsor, please click here The Spies & Pete Seeger ZMANIM Candle-lighting 8:10 pm BY RABBI KENNETH HAIN Mincha 7:00 pm [email protected] 8:18 pm Shacharit Hashkama 7:45 am Apparently one the the consequences of the Coved 19 pandemic Shacharit Sephardic 8:45 am has been the dramatic increase in American Jews wanting to make Shacharit Joel Shiff/Main 9:15 am Aliyah. According to the Jerusalem Post more American Jews have Teen Minyan 9:45 am applied to immigrate to Israel in May than any single month over 8:15 pm the last two decades. In fact the Jewish Agency has been receiving Mincha some 1000 calls a week to provide assistance for new immigrants. Shiur with R. Miller 8:30 pm Maariv 9:15 pm The term – “Aliyah” - is clearly derived from this week’s parsha. Shabbos Ends 9:20 pm The word appears repeatedly as the descriptive term for travel to Israel, e.g. “They ascended (vayaalu) and searched the land”. IN THIS ISSUE That is tragically followed by: “But the men who had ascended 1 The Spies & Pete Seeger, R. Hain (alu) with him said: we cannot ascend (laalot)…” This word appears throughout the entire Tanach as the primary expression of the 2 Standing On The Fringes: Where desire to return to Israel and has been the dream that animated The True Power Is, R. -
Sermon Slam- Cantor Linda Sue Sohn
Temple Aliyah Shavuot 2016 Sermon Slam Cantor Linda Sue Sohn In Parashat Vayeishev in Genesis chapter 39, Joseph is sold to Potiphar in Egypt. All goes well for Joseph until Potiphar’s wife casts her eye on him and tries to seduce him. ”.He refused“ וַיְמָא ֵ֓ ן ׀The text continues When we hear the unmistakably different sound of the Shalshelet trop, it’s definitely an attention-getter. Dr. Joshua Jacobson, the pre-eminent authority on cantillation with whom I studied at Hebrew College, writes in his book “Chanting the Hebrew Bible - The Art of Cantillation” that Shalshelet means “chain” and seems to describe both its shape - “a chain of three arrowheads piled on top of one another” - as well as the coutour of its melody. When found, it always appears on the first word of a verse. Dr. Jacobson insists that as part of the system of punctuation that trop plays, the Shalshelet trop is merely a place holder for another trop - Segol - which is never found on the first word as it must always be preceded by a Zarka trop. He sees no reason to associate the Shalshelet’s appearance with the dramatic context of the text. In other words, “Nothing here to see, folks - move along - move along!” However, much as I revere and respect Dr. Jacobson’s work, the fact remains that the elaborate musical tradition for chanting Shalshelet gets one’s attention and seem to invite the listener to look at what’s going on in the text. The Talmud and other respected sources give us midrashim that emphasize the repetitive nature of the action taking place. -
2015 Retreat Choveret/Booklet
Chaverim, Welcome to the Adat Shalom 2015 Retreat. We are looking forward to a welcoming, meaningful, community-based weekend. We have put together this booklet to help you in your planning and enjoyment. It contains The program for the entire weekend, including Room numbers for each event Map of the 4H grounds Handouts for each of the sessions (excluding some which will be handed out at the session itself) While we certainly hope no one needs them, Anne Mazonson and John Togut are our medical “go-to” team in case of medical emergency. They are both MD’s and have graciously offered to be available. Please contact either one of us if you need them and have trouble locating where they are. For that matter, contact either one of us with any questions, needs or concerns that arise over the weekend. Have a wonderful time. Enjoy yourself and our amazing community! Fran and Ruth 2015 RETREAT PROGRAM Friday 3:30-5:30 Registration & get settled 5:30 Kabbalat Shabbat Musical Service Fairfax Picnic Shelter 6:30-7:30 Dinner 7:30 Learning/ Singing Hebrew Songs (or putting young kids to bed) Conference Center Auditorium 8:15 Session 1: “What, When and Where is Torah?” Text study and small group discussions- Rabbi Fred Conference Center Auditorium Concurrent youth program: “Hang out in the desert with Moses and the 12 tribes”- Rabbi Julie and Marilyn Price, master teacher, storyteller and puppeteer Conference Center Library (lower level) 9:30 Good night to all Saturday 7:00 Yoga– Sue Dorfman In yoga, the most difficult pose is not the most twisty, bendy posture. -
Home to Havdalah Saturday, January 28
Chai Lights The Newsletter of Congregation Beth Shalom Home to Havdalah Saturday, January 28 Fundraising dinner hosted in the homes of CBS leaders, with dessert and Havdalah together at CBS Board of Directors 2016–2017 President From the Shalshelet and 2017 Jana Uslan Rabbi’s Desk VP Administration The Shalshelet musical Debby Nelson trope is the most rare of all Torah VP Education cantillation. Coveted by many a B’nai Linda Westover Mitzvah student, it appears only four VP Religious Practices times in the entire Torah. The word Sheree Meyer Shalshelet is usually translated as VP Membership “chain” yet the root is Shalosh - Holly Ilfeld three. Perhaps the connection is that VP Finance a chain requires a minimum of three Joel Birch links. The musical sound of the Shalshelet is unforgettable: a thrice repeating VP Programming/Fundraising arpeggio. Lori Nalangan Shalshelet, however goes far beyond how we chant a word in Torah; it VP Operations can be call for our best behavior. In Torah Shalshelet is carefully placed upon Marty Berbach words suggesting a turbulent moment in someone’s life and how the person Financial Secretary responded. In order to merit Shalshelet, things have to be pretty dicey. Ron Simon Shalshelet first appears in the story of Lot escaping from Sodom and Treasurer Gomorrah. The Shalshelet informs us how difficult it was for Lot to turn away Phil Spilberg from his homeland as it was exploding from G-d’s wrath. Despite the trauma, Recording Secretary Lot faced the sorrow, was resolute and kept walking toward a new life. Diane Weber Shalshelet next announces the torn loyalty faced by Eliezer, Abraham’s Immediate Past President servant when he finds the perfect young woman, Rebekkah, to become wife to Tivon Schardl Abraham’s son, Isaac.