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Vii Concurso Internacional De Piano Paloma O'shea Miembro De La «Federation Desconcours Internationaux De Musique», Ginebra

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Vii Concurso Internacional De Piano Paloma O'shea Miembro De La «Federation Desconcours Internationaux De Musique», Ginebra “y X> r- VII CONCURSO INTERNACIONAL DE PIANO PALOMA O'SHEA MIEMBRO DE LA «FEDERATION DESCONCOURS INTERNATIONAUX DE MUSIQUE», GINEBRA. PROGRAMA Santander, 23 de Julio al 5 de Agosto 1982 PATROCINADO POR EL MINISTERIO DE CULTURA DIRECCION GENERAL DE MUSICA Y TEATRO _ ENTE PUBLICO DE RADIO TELEVISION ESPAÑOLA DIPUTACION REGIONAL DE CANTABRIA AYUNTAMIENTO DE SANTANDER UNIVERSIDAD INTERNACIONAL MENENDEZ PELAYO CONSERVATORIO PROFESIONAL DE MUSICA DE CANTABRIA FUNDACION SANTILLANA FUNDACION GULBENKIAN * EN COLABORACION CON EL FESTIVAL INTERNACIONAL DE SANTANDER PRESIDENTA DE HONOR S.A.R. la Infanta Dona Margarita de Borbon. Duquesa de Soria Her Royal Highness Princess Margarita de Borbon,Duchess of Soria El. concurso internacional de piano me trae el recuerdo lejano de mis manos pecadoras so­ bre el piano de la Universidad Internacional de Santander. Lo que hoy es realidad magni- fica me hubiera parecido entonces un sueño imposible. Felicito de todo corazón al Concur­ so Internacional de-piano Paloma O’Shea por su labor, creciente cada año en interés y en exigencia. LEOPOLDO CALVO SOTELO Presidente del Gobierno The President of the Government SOLEDAD BECERRIL Ministra de Cultura The Minister of Culture JUAN HORMAECHEA Alcalde de Santander The Mayor of Santander EL CONCURSO INTERNACIONAL DE PIANO EN SU VII CONVOCATORIA Estamos ante la celebración del Concurso Internacional convocado por séptima ve\con el nombre de Paloma O ’Shea, bajo cuyos auspicios ha seguido su ascendente trayectoria a partir de 1974 en que ella lo fundara con ilusión doblada de voluntady eficacia, lo que le ha permitido la espléndida realidad presente; la de esta noble competición cuyo prestigio nadie desconoce en cualquier latitud del mundo donde es sabida la importancia actual de estos bancos de pruebas que en el dominio de la interpretación musical son los concursos inter­ nacionales, verdaderos laboratorios que han dado lugar a importantes descubrimientos enri- quecedores del panorama artístico de nuestros días. Repasando el historial de prácticamente todos los pianistas de las últimas generacio­ nes, encontramos indefectiblemente la cita del premio o de los premios obtenidos, dato consig­ nado como máxima credencial de su valía. Esta constatación que años atrás no representaba más que un dato en la mayoría de los casos sólo vagamente orientador, ahora es imprescindi­ ble para impulsar una carrera de concertista y escalar las posibilidades de ser presentado ante los grandes auditorios y las exigencias de la crítica. Actualmente ya son cinco los artistas que anotan en su palmarés la cita de haber obte­ nido la recompensa máxima en el concurso de Santander; Ruriko Rikuchi, Marioara Tri- fan, Huseyin Sermet, Ramzj Yassay Josep Colom, representantes de Japón, Norteamérica, Turquía, Egipto y España. Pero hay muchos otros a los que al haber participado en el certa­ men aún sin haber conquistado el primer galardón se han aproximado tanto a este objetivo o han obtenido otras destacadas recompensas que tal resultado les ha valido para apoyarles en la ardua aventura que significa la vida del concertista, para afirmar tácitamente sus posibi­ lidades o para consolidar su naciente fama, puesto que en cada convocatoria se ha visto que acudían muchos pianistas formados ya, con bien ganada autoridad. El Concurso Paloma O ’Shea es todavía joven, con menos de una década de historia, pero ésta ha sido tan fecunda que, manteniendo felizmente todos los ímpetus y la vitalidad propias de la naturaleza juvenil, no le ha faltado ni rigor, ni la seriedad en el criterio que ha inspirado su organización, propios de la plenitud en una iniciativa serena, lucidamente madurada. Este Premio Internacional de Piano está ya en la línea de los primeros de Europa y como tal está considerado. Gracias a la munificencia de quien le da su nombre, por la pro­ bidad generosa de las personalidades y entidades patrocinadoras del mismo y la colaboración de diversos organismos oficiales del Estado y de Santander, las recompensas son substancio­ sas, elevándose en conjunto a más de tres millones de pesetas. Para el ganador del Primer Premio en concreto, además de una dotación de 1.000.000 de pesetas, se le ofrece lo que equivale a un lambimiento artístico importante que dudo pueda proponer ningún otro concurso; en España, entre otros, conciertos con las orques­ tas más importantes españolas en el Teatro Real de Madrid, en el Palau de la Música de Barcelona, Festivales de Granada) Santander, además de una gira por el país en las salas más importantes, asimismo una gira por Europa en países como Alemania, Austria, Fran­ cia, Checoslovaquia, Hungría, Polonia,) otra gira por Estados Unidos) América Latina. A ello se añade la grabación de un disco. Las perspectivas para los jóvenes pianistas son alentadoras, lo que explica la elevada participación que ha tenido este concurso cupo interés no queda circunscrito en la celebración de las diferentes eliminatorias. El premio Paloma O 'Shea está estrechamente vinculado con la ciudad de Santander) su realidad cultural a través del Conservatorio Jesús de Monaste­ rio, la Universidad Internacional Menénde\Pela)o, el Festival Internacional de la Música en la Plat¿t Porlicada donde tiene efecto el concierto decisorio de los últimamente clasifica­ dos con la Orquesta de la Radio Televisión Española, este año dirigida por Miguel Angel Góme^Martíne^ El verano pasado ha tenido lugar lo que)a será norma: curso en el año sin concurso. Tiene caracteres de prcconcurso especialmente para los jóvenes españoles. La experiencia ha sido bien afortunada: mañana) tarde los profesores Malcon Frager) Joa­ quín Soriano reunieron un selecto grupo de pianistas jóvenes) un numeroso público de o)en- tes. Para el año 198 i han dado)a su conformidad Paul Badura Skoda) Joaquín Achú- Y durante la quincena del certamen, para mejor templam# de las preocupaciones) los nervios de cuantos se someten a las pruebas, se respira una atmósfera de comprensión) compa­ ñerismo en el grupo cosmopolita de los concursantes, de consideración) estímulo por parte de los jurados) de solícitas atenciones prodigadas por los comités ejecutivo) organizador. Todo ello enmarcado en la belle-qi suave) el ambiente animado sin crispaciones propio del verano santanderino que parece invitar al goce pleno de la música en sus diferentes vertientes. Xavier Monrsalvatg Siempre recordamos ii Manuel Valcárcel que volcó su vida entera para este concurso sobre cuyos papeles, como abrazándolos, falleció." COMITE DE HONOR PRESIDENTA VICEPRESIDENTE FUNDADOR Manuel Vaicárcel. Académico Correspondiente de Bellas Artes VICEPRESIDENTES COMITE DE HONOR DEL VII CONCURSO . Director General Director ( Cantabria Ayuntamiento Director Director del Conservatorro Profesronal Cantabria limo. Sr. Director Provincial de Cultura Hermanos Casanucva Piñeiro COMITE EJECUTIVO Exorno. Sr. D. Santiago Corral Excma. Sra. Dña. Soledad Diaz de Bustamante y Quijano PRESIDENTA FUNDADORA Sr. D. Jesús Fernández de Miguel Paloma O'Shea VICEPRESIDENTE Y DIRECTOR MUSICAL Sres. Maxper Familia de los Excmos. Sres. Pereda Pérez pÄSirs, Juan González Bedoya Jesús Pindado Manuel González Santamaría Roberto Pía José Luis González Sobral Juan A. Prieto Rodríguez Pedro Gutiérrez Abella Rafael Puyana Mercedes Hermosa Humberto Quagliata Pablo Hojas Rafael Quero Leopoldo Hontañón Pedro Robles Ricardo Hontañón Ramón Rodamilans Enrique de la Hoz Alfredo Rodríguez Antonio Iglesias Julio Rodríguez José Manuel Infiesta Carlos Rodríguez Cobo Pilar Iturburu Antonio Rodríguez Moreno Juan Jáuregui Antonio Ros Marbá José Antonio Laínz Fernando Ruiz Coca M.a Teresa Liaño Sabino Ruiz Jalón Martín Lobera Andrés Ruiz Tarazona Fernando López L. de Tejada José Saavedra Amparo Marcano Antony Sabat Tomás Marco Charo Sampedro Antonio Mariscal Jesús Samperio Miguel A. Martín Proarán Juan Antonio Sandoval Manuel Martín Yanarelli José Ramón San Juan Mariano Martínez Pedro Santaolalla Antonio Martínez Guerrero Andrés de Santiago Leandro Mateo Beatriz Santo Domingo Jesús Maza Ignacio de Saralegui M.a Teresa Molina Salvador Seguí Xavier Montsalvatge Alfonso Serrano Inés M.a de la Mora Ana Serrano Arturo Moreno Eduardo Simón Pereira Pablo Morillas • Enrique Soroa de las Cuevas Teodoro Moscoso Luis Soroa de las Cuevas Paco Muñoz Julián José Soto José A. Nieto Dalda Daniel Stéfani José M.a Nogales Tosé Luis Suárez Tejerizo Angel Obregón , Emilio Tarrero Eduardo Obregón Germán Tejerizo Robles Carlos Ocenda María Torres Josephine O’Connell Mariano Zúñiga Angel Olea Francis Pardo y todos los medios de difusión Luis Pereira Leal J. R. Pérez Clotas Juan Manuel Pérez Gallego Manuel Peris Gómez PRUEBAS DEL CONCURSO COMPETITION TRIALS PREMIOS - PRIZES FINALISTAS DE LOS CONCURSOS ANTERIORES i FINALISTS OF PREVIOUS COMPETITIONS 11 i 1 VII CONCURSO INTERNACIONAL DE PIANO PALOMA O’SHEA La índole cabalística (VII Concurso} del número siete, propone la ideación sobre la célula musical —pianistas— a una progresión orgánica del magno arte de los sonidos. Hemos reiterado, hoy de nuevo, que la presencia en Santander de sensibilidades internacionales —concursantes fervientes— es una universalidad cierta, integrando, por la mejor vía, a nues­ tra ciudad, en el espíritu noble del progreso contemporáneo. Hacer y quehacer de artistas, lodo ese bullir vivificante, que anima la Magdalena, bienalmenle, en sus veranos, es la mejor significación al margen de otros problemas inoperan­ tes y mostrencos, denominador común de las crisis de este siglo XX, ya caduco. El estilo es el hombre (Buffon); y el estilo, expresión propia de lo
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