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Program Schedule and Abstracts 43rd Annual Meeting Joint with the American Musicological Society November 7-8, 14-15, 2020 Program Schedule and Abstracts Saturday, November 7 All times are in CST. *Denotes joint session/meeting on SMT Platform Red Room Blue Room Green Room Orange Room Joint Sessions (AMS Site) 9:00 AM Morning Meditation 10:00 AM CHINESE MUSIC AND FORCES, ENERGY, AND METER AND TIME POSTER WORK AND FAMILY CHINESE MUSIC THEORY BALANCE SESSION INTEREST GROUP MEETING Ya-Hui Cheng, Chair Sarah Marlowe, Chair Rebecca Jemian, Chair The Cultural Binds of Tonal A Performative Perspective of Connoted Semibreves in Pre- Function Voice Leading Franconian Theory Anna Yu Wang Peter Franck Kaho Inoue The Disunity of Ancient Bach’s Energetic Shapes Generative Meter and Phrase- Chinese Music Theory John Reef Rhythmic Multivalence in Lars Christensen Three Slavic Folk Tunes Balancing, Not Grant Sawatzky Balance/Imbalance: The “Melodic Center of Mass” as a Temporal Techniques in the Time-Dependent, Continuous Serial Music of Roberto Substitute for Atemporal, Gerhard Discrete Inversional Axes Rachel Mann Tobias Tschiedl Rhythmic Cycles and Ostinati as Formal Process in the Music of Tigran Hamasyan Scott C. Schumann Analyzing Drum Patterns and Drum Pattern Changes in Twenty-First Century Mainstream Pop David Geary 11:00 AM FRAUGHT MAHLER EARLY MUSIC ANALYSIS POST-1945 MUSIC ANALYSIS INTERSECTIONS INTEREST GROUP INTEREST GROUP BETWEEN MUSIC THEORY Seth Monahan, Chair MEETING MEETING AND ITS “OTHERS” Structural Self-Reflection as Philip Ewell, Chair Formal Determinant: Pure Memory and Mahler’s Becoming a Major Country: Symphony no. 5 Modal Binaries in Imperial Emma Soldaat Japan Liam Hynes-Tawa 2 Saturday, November 7 Red Room Blue Room Green Room Orange Room Joint Sessions (AMS Site) 11:00 AM “What Are We Trying to The “Rondo” and the (Cont.d) Preserve?” Vernacular Music “Burleske” in Mahler’s Rondo- Theory in the Barbershop Burleske Harmony Society Sam Reenan Clifton Boyd Fugitive Music Theory: Outlining a Diverse Network of Practices and Practitioners Marc Edward Hannaford 12:00 PM CONTRAPUNTAL GESTURE AND FORM POSTER SESSION MUSIC COGNITION INNOVATIONS TRANSFORMATION IN INTEREST GROUP INSTRUMENTAL Catrina S. Kim, Chair MEETING Christoph Neidhöfer, Chair PERFORMANCE Felix Mendelssohn’s What’s New in the Ars nova? Edward Klorman, Chair Dominantized Tonics Ryan Taycher Michael Baker Sound Structures and Naked Mean Counterpoint and Fire Gestures in Cecil Taylor’s Some Perfect Authentic Temperamental Choices in the Solo Piano Music Cadences are More Perfect than Early Baroque Mark Micchelli Others Evan Campbell Poundie L. Burstein Performing Te: Form and “Dissonation” of Tonal Gesture in Dai Fujikura’s neo Synthesizing the Tonal and Materials in Vivian Fine’s Ultra- for Solo Shamisen Rhetorical Dramas of Franz Modernist Compositions Toru Momii Clement’s D-Minor Violin Alexandrea Jonker Concerto Tim Cutler and Sam Bivens Phrase-Rhythmic Norms in Classical Expositions: A Corpus Study of Haydn’s and Mozart’s Piano Sonatas Joseph Chi-Sing Siu The Medial Subphrase in the Eighteenth-Century Spanish Style: Characteristics, Function, and Variants Bryan Stevens 3 Saturday, November 7 Red Room Blue Room Green Room Orange Room Joint Sessions (AMS Site) 1:00 PM ON ROTATIONAL FORM MUSICAL EXPERIENCE IN MUSIC THEORY RUSSIAN MUSIC THEORY TIME AND SPACE PEDAGOGY INTEREST INTEREST GROUP Steven Vande Moortele, Chair GROUP MEETING MEETING Aaron Harcus, Chair “Rituals of Circularity”: On the Conceptual Underpinnings of Conceptualizing Musical Rotational Form Narrative Space: A Michael J. Puri “Phenomenological” Journey through Chopin’s Nocturne in Formal Process as Reanimation F-sharp Minor, Op. 48/2 of the Past in Enrique Dorian A. Mueller Granados’s “Epílogo: Serenate del Espectro” Music Phenomenology in the Audrey Jane Slote Princeton School Scott Gleason The Sonata-Fugue Hybrid in Haydn’s Early Symphonies Music Analysis as Esoteric Carl Burdick Activity: Viktor Zuckerkandl at Eranos Daphne Tan 2:00 PM GARY KARPINSKI’S AURAL ANALYSIS OF MUSIC FOR REDISCOVERING OPERA: INTEREST GROUP ON 2:00 – 3:50 PM SKILLS ACQUISITION: ITS DANCING THE POLITICS OF FORM, IMPROVISATION INFLUENCE TWENTY SEMIOTICS, AND MEETING WELCOME BREAK AND YEARS POST-PUBLICATION Chris Stover, Chair REPRESENTATION COFFEE RECEPTION AND FUTURE DIRECTIONS The Hidden Influencers of Knar Abrahamyan, Chair Cynthia I. Gonzales, Chair Jazz: An Analysis of Eddie Daniel Shanahan, Respondent Brown’s BS Chorus Yayoi Uno Everett, Respondent Brenna J. Langille Gary Karpinski’s Aural Skills The (Attempted) Subversion of Acquisition: Listening Skills Loving out Loud: Romantic Dissonance in Opera by the Timothy Chenette Coupling in Early Sound Films First Empire (1928-1933) Calvin Peck Gary Karpinski’s Aural Skills Eric McKee Acquisition: Sight Reading Secularizing Soviet Armenia: Cynthia I. Gonzales A Corpus Study of Metric Enacting Power Dynamics Dissonance in Salsa through Operatic Topoi Gary Karpinski’s Aural Skills Rebecca Simpson-Litke Knar Abrahamyan Acquisition: Cognition of Aural Skills Pulse Dissonance in Colombian Sounding Chosŏn: Form and Leigh VanHandel Currulao Class Struggle in North Korea’s Lina Sofia Tabak Sea of Blood Stephen Johnson 4 Saturday, November 7 Red Room Blue Room Green Room Orange Room Joint Sessions (AMS Site) 3:00 PM 2:00 – 3:50 PM WELCOME BREAK AND COFFEE RECEPTION (CONTINUED) 3:30 PM 3:30 – 5:00 PM 3:30 – 5:00 PM GRADUATE STUDENT GRADUATE STUDENT WORKSHOP WORKSHOP Analysis of Music and the Theorizing Categorically: Film Musicalized Moving Image Music and Beyond Anna Gawboy Scott Murphy 5:00 PM 6:00 PM 6:00 – 7:30 PM LISTEN AND UNWIND 5 Sunday, November 8 All times are in CST. *Denotes joint session/meeting on SMT Platform Red Room Blue Room Green Room Orange Room Joint Sessions (AMS Site) 9:00 AM MORNING MEDITATION SESSION 10:00 AM MICRORHYTHM AND HISTORY OF THEORY TRANSFORMATIONAL GLOBAL DISPLACEMENT IN HIP- AND SERIAL TECHNIQUES INTERCULTURALISM AND HOP AND FUNK Maryam A. Moshaver, Chair POSTER SESSION MUSICAL PERIPHERIES AND ANALYSIS OF WORLD Anne Danielsen, Chair Where Zarlino Got His Listener Richard Cohn, Chair Russell O’Rourke MUSIC INTEREST GROUP Functions of Microrhythm in N-dimensional Ski-hill Graphs JOINT MEETING Hip-Hop Flow “In which it is evident that and Complex Meters Ben Duinker perception is always deceived”: Kája Lill Pythagorean Rationality and The Role of Beat Two in Funky Descartes’ “Clear and Distinct Reconsidering Negative Grooves Ideas” Harmony: Melodic Dualism in Michael Bruschi David E. Cohen Bárdos’ Scalar Schemata M.A. Coury-Hall Metric Feel and Form in Blinded by “Nature”: Walter “Superstition”: Analyzing Young’s “Essay on Rythmical Schubert, Schoenberg, and Stevie Wonder’s Beat “Pockets” Measures” (1790) Some Extensions to Cohn’s Fred Hosken Carmel Raz SUM-Class System David Orvek Mapping Schnittke’s Sequences in Bonded Uniform Triadic Transformation Spaces Lauren Hartburg George Theophilus Walker: A Unique, African-American, Voice in Twelve-Tone Music Jack Boss and Tim S. Pack 11:00 AM SALVATORE SCIARRINO’S SCHUBERT AND CHOPIN SCHEMAS, FRAMES, AND 11:00 AM – 12:30 PM NOVEL FORMS: ORGANIC PARADIGMS POSTER WORKSHOP IDEALS AND Sam Ng, Chair SESSION HISTORIES OF MUSIC MULTILINEAR (Hyper)metrical Games in TEMPORALITIES Janna Saslaw, Chair PEDAGOGY: TECHNIQUES, Schubert’s Early Piano Sonatas INSTITUTIONS, Orit Hilewicz, Chair Stephen Gomez-Peck EPISTEMOLOGIES Emiy Dolan, Fanny Gribenski, Joshua Navon, Benjamin Steege, Anicia Timberlake, Michael Weinstein-Reiman, Lindsay Wright 6 Sunday, November 8 Red Room Blue Room Green Room Orange Room Joint Sessions (AMS Site) 11:00 AM Robert Hasegawa, Respondent Form-Functional Displacement Complicating the Modal GLOBAL 11:00 AM – 12:30 PM (Cont.d) in Schubert’s Sonata Forms Paradigm with the Music of INTERCULTURALISM AND WORKSHOP Imperceptible Beginnings and Caitlin Martinkus William Byrd MUSICAL PERIPHERIES Inescapable Endings: Megan Kaes Long AND ANALYSIS OF WORLD HISTORIES OF MUSIC Suspended and Enhanced Analyzing Chopin’s Fourth MUSIC INTEREST GROUP PEDAGOGY: TECHNIQUES, Temporality in the Ballade Through a Two- What Kind of Linear Theory is JOINT MEETING INSTITUTIONS, Semanticized Form of Salvatore Dimensional Lens Schema Theory? EPISTEMOLOGIES Sciarrino David Falterman Gilad Rabinovitch (CONTINUED) Christian Utz (CONTINUED) Spectral Fission in Barbershop Gestural Time and Harmony Grundgestalt in Sciarrino’s Jordan Lenchitz Recitativo Oscuro Antares Boyle Tracing Music Theory’s (un)Shifting Frames: A Natural Through Chaos: Conceiving A Language Processing Approach New Organicism in the Music Tom Johnson and Megan of Salvatore Sciarrino Lavengood Mingyue Li 12:00 PM GENDER, DISABILITY, VOICE LEADING SPACES JAZZ INTEREST GROUP AUTOGRAPHS AND POLITICS, AND POPULAR AND TRANSFORMATION MEETING ARCHIVAL DOCUMENTS MUSIC INTEREST GROUP Robert L. Wells, Chair MEETING Karen Fournier, Chair Collection Space: Systematizing Female-Fronted Death Metal: Parsimonious Transformations Expressing Alternative in French Scalar Tonality Femininities in Sound and Matthew Kiple Image Lori Burns Generic (Mod-7) Approaches to Chromatic Voice Leading Rhythmic Techniques in Leah Frederick Signed Rap Anabel Maler and Robert Parsimony in Microtonal Music Komaniecki Greg Hartmann Abe Road: The Beatles in Linguistic Simulacrum as Political Parody in Japan Noriko Manabe 7 Sunday, November 8 Red Room Blue Room Green Room Orange Room Joint Sessions (AMS Site) 1:00 PM THE PERIOD AND CYCLIC RETHINKING WHAT DANCE AND MOVEMENT HISTORY OF THEORY FORM IN THE COUNTS
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