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An Illustrative List of Pending Cases of Renewal of Repertory Grant for the Year 2016-17 (As on 19.04.2018)

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An Illustrative list of Pending Cases of Renewal of Repertory grant for the year 2016-17 (As on 1 !0"!201#$ The fund to the following listed organization will be released only after submission/clearance of pending UC’s/deficiencies reflected against their names and also further subject to reflecting the names of organizations on NGO Darpan portal i.e. ngodarpan.gov.in – Search NGOs. %ote& 1. All the grantee organizations mentioned above are requested to furnish the requisite documents/UC’s in prescribed format reflecting against their name to N ! "ith a cop# to $.Arts ection at the earliest "ithout further dela#. %. National chool of Drama (N !'( Delhi is requested to go through the )les/papers submitted b# the grantee organizations and send the pending UC’s / other relevant documents as mentioned against the grantee organizations immediately. *. Concerned Officers/Organisations are also requested to underta-e the ph#sical inspection of organisation "ithout further dela# and send the inspection report to $.Arts.. ection urgently. /. 0he above list is illustrative and not exhaustive hence the de)ciencies mentioned and the actual number of grantee organizations ma# var#. S.No. Name of the Organization & Inspection UC pending Availability Address due of Unique ID of NGO Darpan Portal 1. Changkiu Bagang VFMC, 11-6/2015-BTI Ok Bebo Colony Seppa, District East 26/10/2015 Kameng, Arunachal Pradesh, 790102 2. Angana, Yes 11-249/2013- Ok C/o Pramod Barman, P.ARTS Khanamukh, P.O. Dharapur, 6/2/2014 Kamrup, Assam, 781133 3. Dapon The Mirror, Yes 10-500/2016- Vill-Jalah-Nabhanga, Udalguri P.ARTS (BTAD), Assam, 784521 13/12/2016 11-525/2016- P.ARTS 6/10/2016 10-196/2016- S.No. Name of the Organization & Inspection UC pending Availability Address due of Unique ID of NGO Darpan Portal P.ARTS 29/06/2016 4. Seagull, 11-132/2015- House No. 14, Juroni Path, R G P.ARTS Baruah Road, Guwahat, Assam, 22/09/2015 781005 5. BA (A Cultural Organization), ok Ok House No. 16, Hiyar Ghar, Kabarsthan Path, Dwarandha, Sixmile, P.O. Khanapara, Guwahati, Dist. Kamrup Metro, Assam, 781022 6. Panchasur, 9-37/2016-S&F Ok C/o Probin Kumar, Saikia Sundar 14/12/2016 Path, H.No. 4, Gita Nagar, Guwahati, Kamrup, Assam, 781021 7. Association of Kundigira Art & 9-202/2015-S Ok Culture, 29/12/2015 P.O.-Bordeori, Via-Dikrong 9-23/2016-S&F (Narayanpur), Dist.-Lakhimpur, 14/12/2016 Assam, 784164 10-197/2016- P.ARTS 29/06/2016 8. Saptarshi Folk Culture Academy, 9-44/2016-S&F Ok 14/12/2016 Vill-Singri, P.O-Singi, Dist- 10-320/2016- Sonitpur, Assam, 784110 P.ARTS 26/09/2016 10-355/2016- P.ARTS 28/09/2016 9. Badungduppa (A Socio-Cultural 10-195/2016- Ok Society), P.ARTS Village: Rampur, Post Office: 29/06/2016 Bardamal, District: Goalpara, 9-25/2016-S&F Assam, 781320 14/12/2016 9-203/2015-S&F 7/9/2016 10. Macbeth Drama, Yes 10-150/2016- Ok Vill. Ratanpur, P.O. & Dist. P.ARTS Dhemaji, Assam, 787057 26/09/2016 9-34/2016-S&F 14/12/2016 11-323/2016- P.ARTS 18/02/2016 10-356/2016- P.ARTS S.No. Name of the Organization & Inspection UC pending Availability Address due of Unique ID of NGO Darpan Portal 28/09/2016 11. Srimanta Sankardev Krishti Yes 10-354/2016- Ok Bikash Kendra, P.ARTS P.O. Sankardev Nagar, Near Sub- 28/09/2016 DvnI H.Q., Dist. Nagaon, 10-259/2015- Assam, 782442 P.ARTS 23/09/2015 12. Ashirwad Rangmandal, Ok Ok Kali Asthan Chowk, Near Rotary Blood Bank, Begusarai, Bihar, 851101 13. Ahuti Natya Academy, Yes 10-07/2016- Ok Ward No.-19, Vill- Kaithma, P.ARTS Near Gupta Bandh, Begusarai, 20/1/2016 Bihar, 851129 10-330/2016- P.ARTS 27/09/2016 10-132/2015- PARTS 9/9/2015 14. Sanskritik Vikas Kendra, 10-322/2016- ok Vill-Ramdiri, Tola-Lawaharchak, P.ARTS Distt.-Begusarai, Bihar, 851129 27/09/2016 10-333/2016- P.ARTS 27/09/2016 9-89/2016-S&F 15/12/2016 10-108/2015- P.ARTS 21/07/2015 15. Navodit, Yes Ok Ok Hari Shankar Gupta, Chandni Chowk, Near Durga Mandir, Vishnupur, Begusarai, Bihar, 851129 16. Magadh Kala Vikash Manch, Yes Ok Not Chitragupt Nagar Pokhariya, available Ward No.-37, Begusarai, Bihar, 851101 S.No. Name of the Organization & Inspection UC pending Availability Address due of Unique ID of NGO Darpan Portal 17. Raaga (An Association of Art, Yes 10-332/2016- Ok Education and Social Welfare ), P.ARTS H/o A.K. Srivastav, Near 27/09/2016 Yashoda Apartment, B.S.E.B. Colony, Shastri Nagar, Patna, Bihar, 800023 18. Bharat Natya Kala Kendra, 10-54/2016- Ok Jaya Prakash Colony, P.ARTS Madhubani, Purnea, Bihar, 3/3/2016 854301 10-328/2016- P.ARTS 27/09/2016 19. Shakuntala Seva Sadan, Ok At-Ishwar Nagar, P.O.+P.S.- Dhamdaha, Purnea, Bihar, 854205 20. Bitiya Rani, 10-290/2016- Ok At-Gomti, PO-Bishunpur P.ARTS Titidha, Dist.-Vaishali, Bihar, 26/09/2016 844502 9-58/2016-S&F 15/12/2016 9-216/2015-S 30/12/2015 9-19/2015-S&F 18/05/2015 21. Divine Social Development Yes 9-223/2015-S Ok Organization, 30/12/2015 Kamlawati Bhawan, High Court 9-20/2015-S&F Colony, Brahmpur, 18/05/2015 Phulwarisharif, Patna, Bihar, 11-109/2015- 800004 P.ART 22/09/2015 10-84/2015- P.ARTS 28/05/2015 22. Aakash Ganga Rang Chaupal 9-53/2016-S&F Ok Association, 15/12/2016 At-Chakiya, PO-B.T.P.S., PS- 11-118/2015- Barauni, Dist. Begusarai, Bihar, P.ARTS 851116 22/09/2015 10-73/2015- P.ARTS 14/05/2015 S.No. Name of the Organization & Inspection UC pending Availability Address due of Unique ID of NGO Darpan Portal 23. Manthan Kala Parishad, Ok Ok Birjuji Ka Hata, Chhoti Badalpura, Khagaul, Patna, Bihar, 801105 24. Prerna (Janwadi Sanskritik Ok Morcha), 403, C-1, Farhan Enclave, Ashiana Road, Samanpura, Raja Bazar, Patna, Bihar, 800014 25. Kala Jagran, 9-67/2016-S&F Ok Sundari Bhawan, New Bengali 15/12/2016 Tola, Devi Asthan, Patna, Bihar, 800001 26. Surangama Kala Kendra, Ok Ok Chakbasu, P.O. Ramma, Muzaffarpur, Bihar, 842002 27. Sootradhar, 10-83/2015- Ok Jamaluddin Chak, PO-Khagaul, P.ARTS Patna, Bihar, 801105 28/05/2015 28. Pancham, Yes Ok Ok D-1/D-101, D.D.A. Janta Flats (Kondli-Gharoli), Mayur Vihar Phase-III, Delhi, Delhi, 110096 29. New Retina Arts and Theatre Previous year Ok Not Cultural Society, available C-60, Jhilmil Colony, Delhi, inspection 110095 report not received 30. Odissi Natya Sala, Ok Ok E-30, Anandlok Society, Mayur Vihar, Phase-I, Delhi, 110091 31. Dance Maestro Pt. Sambhu Ok Ok Maharaj Cultural Organization (Regd.), Navsanjeevan Apartment, C-801, Sector-12, Plot-1, Dwarka, South-West Delhi, Delhi, 110078 32. Dishaa Creative Dance Group, Previous year Ok Ok B-5, Dharma Apartment, Plot No. 2, IP Extn., East Delhi, inspection Delhi, 110092 report not received 33. Renaisstance Theatre Society, Previous year 11-301/2015- Not F-9/B-1, Gali No.-4, IIIrd Floor, P.ARTS available Samaspur Garden, Pandav inspection 29/12/2015 Nagar, Delhi, 110091 report not received S.No. Name of the Organization & Inspection UC pending Availability Address due of Unique ID of NGO Darpan Portal 34. Abhigyan Natya Association, 10-08/2016- Ok D-45/A, Pandav Nagar, Opp. P.ARTS Mother Dairy, Delhi, 110092 20/1/2016 11-300/2015-P.A 24/09/2015 35. Delhi Panchavadya Trust (Regd), 9-115/2016 S & Ok F F-115/S-3, Dilshad Colony, 30/01/2017 Delhi, 110095 36. Darpan (Music Society of Ok Not Kairana Gharana), available D-73, Welcome, Seelampur, North East Delhi, Delhi, 110053 37. Natya Ballet Centre, 10-341/2016- Ok 60, Golf Links, New Delhi, P.ARTS Delhi, 110003 27/09/2016 38. Kalaashish, Ok Ok 35, Anand Lok, New Delhi, Delhi, 110049 39. Atelier Theatre Society, 10-226/2016- 680, Floor 3, Mukherjee Nagar, P.ARTS Delhi – 110009 22/08/2016 9-6782015-S 30/03/2016 11-313/2015- P.ARTS 24/09/2015 40. Anart Foundation, 11-382/2015- Ok 341/5A, Devendra Park Society, P.ARTS B/H Atithi Restaurent, Bodakdev, 24/09/2015 Ahmedabad, Gujarat, 380054 10-39/2016- P.ARTS 03/03/2016 10-453/2016- P.ARTS 21/11/2016 41. Darpana Academy of Performing 10-96/2015- Ok Arts, P.ARTS Usmanpura, Ahmedabad, 15/06/2015 Gujarat, 380013 S.No. Name of the Organization & Inspection UC pending Availability Address due of Unique ID of NGO Darpan Portal 42. Soormilan Unnati Trust, 10-297/2016- Not “Dhwani”, P.ARTS available B/h.Tanmay Complex, Near 26/09/2016 Bhaikaka Statue, At & Post Vallabh Vidyanagar, Dist. Anand, Gujarat, 388120 43. Saptak Cultural Society, 9-307/2015-S ok H.No. 409, Chinyot Colony, 31/12/2015 Near Railway Line, Rohtak, 10-300/2016- Haryana, 124001 P.ARTS 26/09/2016 9-198/2016-S&F 15/12/2016 44. Navjyoti Sangeet Kala Manch, Ok Not No. 1209, Sector-31, Gurgaon, available Haryana, 122001 45. Active Monal Cultural Yes Ok Ok Association, Shanti Niwas, Near Raju Bekari, Gandhinagar Kullu, District Kullu, Himachal Pradesh, 175101 46. Luka Pather Centre, 9-215/2016-S&F Ok Yechgam, Budgam, Kashmir, 15/12/2016 Jammu and Kashmir, 191111 47. Kashmir Performers Collective, 9-213/2016-S&F Ok Shah-i-Hamdan Mohalla, Kursu, 15/12/2016 Rajbagh, Srinagar, Jammu and 11-30/2016-BTI Kashmir, 190008 26/12/2016 48.
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    Note: This sheet is applicable for uploading the particulars related to the unclaimed and unpaid amount pending with company. Make sure that the details are in accordance with the information already provided in e-form IEPF-2 CIN/BCIN L72200KA1999PLC025564 Prefill Company/Bank Name MINDTREE LIMITED Date Of AGM(DD-MON-YYYY) 17-JUL-2018 Sum of unpaid and unclaimed dividend 696104.00 Sum of interest on matured debentures 0.00 Sum of matured deposit 0.00 Sum of interest on matured deposit 0.00 Sum of matured debentures 0.00 Sum of interest on application money due for refund 0.00 Sum of application money due for refund 0.00 Redemption amount of preference shares 0.00 Sales proceed for fractional shares 0.00 Validate Clear Proposed Date of Investor First Investor Middle Investor Last Father/Husband Father/Husband Father/Husband Last DP Id-Client Id- Amount Address Country State District Pin Code Folio Number Investment Type transfer to IEPF Name Name Name First Name Middle Name Name Account Number transferred (DD-MON-YYYY) 49/2 4TH CROSS 5TH BLOCK MIND00000000AZ00 Amount for unclaimed and A ANAND NA KORAMANGALA BANGALORE INDIA Karnataka 560095 54.00 23-May-2025 2539 unpaid dividend KARNATAKA 69 I FLOOR SANJEEVAPPA LAYOUT MIND00000000AZ00 Amount for unclaimed and A ANTONY FELIX NA MEG COLONY JAIBHARATH NAGAR INDIA Karnataka 560033 72.00 23-May-2025 2646 unpaid dividend BANGALORE ROOM NO 6 G 15 M L CAMP 12044700-01567454- Amount for unclaimed and A ARUNCHETTIYAR AKCHETTIYAR INDIA Maharashtra 400019 10.00 23-May-2025 MATUNGA MUMBAI MI00 unpaid
  • Satabarshe Sombhu Mitra

    Satabarshe Sombhu Mitra

    Satabarshe Sombhu Mitra UGC Sponsored National Seminar on the Life and Work of Sombhu Mitra Organised by The Bengali and the English Departments of Chandraketugarh Sahidullah Smriti Mahavidyalaya In Collaboration With The Bengali Department of Amdanga Jugalkishore Mahavidyalaya From 22-8-2015 to 23-8-2015 At ‘Uttaran’, B.D.O Office, Deganga Block Debalaya (Berachampa) 743424 Call for Paper It is indeed difficult to overstate the influence of Sombhu Mitra on both the modern Bengali group theatre and the commercial theatres alike. If Nabannna, which came out in 1948 broke new grounds in many ways, Char Adhyay {1951) followed by Raktakarabi (1954), Bisarjan (1961) and Raja (1964) showed the way in which a Tagore play, hitherto widely denounced as unstageable because of its abstractions, can be performed with success on stage without making any substantial departure from the source. While through Tagore’s plays, he was trying to find an expression of the complete man in all contexts of history, Mitra’s Dashachakra (1952) and Putul Khela (1958), adaptations of Ibsen’s An Enemy of the People and Doll’s House, being specimens of the earliest such adaptations for the modern stage, clearly contributed among other playwrights to resist any tendency of cultural insularity of the Bengali stage, though suiting the themes for the dominantly middle class Bengali audience. His translation of Sophocles for the first time for the Bengali stage created new interest in classical drama and set the stage for many such future adaptations. Mitra was always aware of the potentialities of the indigenous forms of drama and Chand Boniker Pala (1978), which was written at a later phase of his life and was meant more for audio presentation than for the stage, takes up a well known story from a Mangalkavya and treats it with a subliminal intertextual link with the Orpheus theme to lend it with themes and motifs at once contemporaneous and eternal for all ages and all times.
  • Setting the Stage: a Materialist Semiotic Analysis Of

    Setting the Stage: a Materialist Semiotic Analysis Of

    SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception.