Rose Schwietz,Ajay Shukla’
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List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Curtain Goes up on National School of Drama's 21St Bharat Rang Mahotsav
Curtain goes up on National School of Drama’s 21st Bharat Rang Mahotsav By : Editor Published On : 2 Feb, 2020 12:00 AM IST INVC NEWS New Delhi, The 21st edition of the Bharat Rang Mahotsav (BRM) – the annual theatre festival organised by the National School of Drama (NSD) is all set to bring an assortment of plays, interactive sessions, and other cultural events to cheer up winter afternoons of theatre enthusiasts in the Capital. The inaugural function for BRM 2020 kick started at the Kamani auditorium with Panchvadyam -- a South Indian devotional music. The dignitaries present on the occasion included Chief Guest Prof. Vidushi Rita Ganguly, eminent theatre artist and vocalist, Guest of Honour Dr. Mohan Agashe, renowned theatre and film personality and Special Guest Ms. Nirupama Kotru, IRS, Joint Secretary, Ministry of Culture, Govt. of India among others. The function was presided over by Dr. Arjun Deo Charan, Acting Chairman, NSD Society. Prof. Suresh Sharma, Director In-charge, National School of Drama, welcomed the guest at the inaugural function and appreciated all the participants from National & International theatre fraternity who came all across. Also, he specially expressed his gratitude to the Actor Amol Palekar who came & graced the occasion by presenting his play at the inauguration ceremony. He also said through the years, Bharat Rang Mahotsav has presented some masterpieces from the world of theatre. The idea is to reach out to a much wider set of audiences with works from post-modern and regional theatre. We hope to highlight the importance of theatre and plays and promote the culture of appreciating various forms of performing arts. -
Global Humanities Institute Report on Learning Opportunities for the Humanities in China, India and El Salvador July 1, 2013 Gr
Global Humanities Institute Report on Learning Opportunities for the Humanities in China, India and El Salvador July 1, 2013 Greg Malveaux, PhD Coordinator, Study Abroad Professor, English Montgomery College 51 Mannakee Street Rockville, MD 20805 [email protected] The Global Humanities Institute is a new globalization project of Montgomery College, funded in part through a challenge “Bridging Cultures” grant by the National Endowment of the Humanities. Our purpose is to support the systematic integration of other cultures and countries to the study of the humanities. Our project includes faculty training and support of teaching, cultural community engagement, research and scholarly work, and scholarly exchanges abroad as we travel to China, India, and el Salvador. We invite you to join us as we work to meet the imperative goal of preparing students for a global future. To help us meet our challenge, contact the Montgomery College Foundation at (240) 567-7900 or go to www.montgomerycollege.edu/onlinegiving. TABLE OF CONTENTS Page Background ................................................................................................................... 3 STATE OF HUMANITIES AND GLOBAL HUMANITIES IN CHINA .................................... 3 Current Theories and Curriculum ........................................................... Anti-poverty Theory ....................................................................... Poor Theory .................................................................................. -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
Curtain Goes up on National School of Drama's 21St Bharat
Curtain goes up on National School of Drama’s 21st Bharat Rang Mahotsav The annual theatre festival, that will open with veteran actor-director Amol Palekar’s KUSUR, will showcase a mix of Indian and international plays New Delhi, February 1: The 21st edition of the Bharat Rang Mahotsav (BRM) – the annual theatre festival organised by the National School of Drama (NSD) is all set to bring an assortment of plays, interactive sessions, and other cultural events to cheer up winter afternoons of theatre enthusiasts in the Capital. The inaugural function for BRM 2020 kick started at the Kamani auditorium with Panchvadyam — a South Indian devotional music. The dignitaries present on the occasion included Chief Guest Prof. Vidushi Rita Ganguly, eminent theatre artist and vocalist, Guest of Honour Dr. Mohan Agashe, renowned theatre and film personality andSpecial Guest Ms. Nirupama Kotru, IRS, Joint Secretary, Ministry of Culture, Govt. of India among others. The function was presided over byDr. Arjun Deo Charan, Acting Chairman, NSD Society. Prof. Suresh Sharma, Director In-charge, National School of Drama, welcomed the guest at the inaugural function and appreciated all the participants from National & International theatre fraternity who came all across. Also, he specially expressed his gratitude to the Actor Amol Palekar who came & graced the occasion by presenting his play at the inauguration ceremony. He also said through the years, Bharat Rang Mahotsav has presented some masterpieces from the world of theatre. The idea is to reach out to a much wider set of audiences with works from post-modern and regional theatre. We hope to highlight the importance of theatre and plays and promote the culture of appreciating various forms of performing arts. -
A Complete Profile of Rangroop
MMMAJOR PRODUCTIONS OF RANGRANG----ROOPROOP SINCE THE INCEPTION: Total Name Of The Year No. Of Drama By Directed By Production Shows 1969-70 Michhil 12 Goutam Mukherjee Goutam Mukherjee 1972-73 Akay Akay Sunya 9 Goutam Mukherjee Goutam Mukherjee 1979-80 Kanthaswar 151 Goutam Mukherjee Goutam Mukherjee Sanskrit play: Banabhatta; Adaptation : 1982-83 Kadambari 50 Goutam Mukherjee Dr. K.K. Chakraborty Story: Subodh Ghosh 1984-85 Andhkarer Rang 62 Script: Sima Mukherjee Goutam Mukherjee Story: O’Henry Do. Prahasan 62 Script: K.K. Chakraborty Goutam Mukherjee Story: O’Henry 1987-88 Clown 110 Script: K.K. Chakraborty Goutam Mukherjee 1988-89 Bikalpa 74 Sima Mukhopadhyay Goutam Mukherjee Dwijen Banerjee & 1991-92 Bhanga Boned 130 Sima Mukhopadhyay Saonli Mitra 1992-93 Tringsha Shatabdi 5 Badal Sarkar Kaliprosad Ghosh 1993-94 Boli 11 Tripti Mitra Sima Mukhopadhyay 1994-95 Je Jan Achhey 187 Sima Mukhopadhyay Sima Mukhopadhyay Majhkhane Sima Mukhopadhyay 1996-97 24 Abanindranath Tagore Aalor Phulki & K K Mukhopadhyay Panu Santi Sima Mukhopadhyay Krishna Kishore 1998-99 53 Cheyechhilo (Story: Ramanath Roy) Mukhopadhyay 1999- Aaborto 27 Sima Mukhopadhyay Sima Mukhopadhyay 2000 2000-01 Sunyapat 34 Sima Mukhopadhyay Sima Mukhopadhyay Drama: Olwen Wymark 2002-03 Khnuje Nao 37 Adaptation: Swatilekha Sengupta Rudraprasad Sengupta Je Jan Achhey 2003-04 Majhkhane 32 Sima Mukhopadhyay Sima Mukhopadhyay (Revive) 2004-05 Sesh Raksha 38 Rabindranath Tagore Sima Mukhopadhyay Sima Mukhopadhyay 2005-06 He Mor Debota 10 (Story: Deborshee Sima Mukhopadhyay Saroghee) -
Debasish Chakraborty,Ota Shogo’
Anil Saha’s ARSHINAGAR Director: Debasish Chakraborty Playwright: Anil Saha Director: Debasish Chakraborty Group: Tala Dhrupad Natya Sanstha, Hooghly Language: Bengali Duration: 2 hr 10 mins The Play Arshinagar speaks about love and true emotions. In this era, where love has been commoditized, this story talks about the real definition of love and the magic it can create. Chaya Kumar, son of a rich merchant has to leave his wife on the next day of his marriage for business expansion.The newly wedded bride, Lilabati, lives with her in-laws, but feels a vacuum. But the power of love brings joy in Lilabati’s life and helps her overcome the void. Director’s Note Presented in a folk form, the flight of imagination in the play soars without any bondage of religion, cast or culture. To express the language of love and fathom its power, music is a vital character in this play. Various folk songs in the traditions of Jhumur, Bhadu, Tusu, Sari, Jari and Sufi are wonderfully tuned in the atmosphere through which the story runs smoothly. Various workshops and endless brainstorming sessions on choreography, costumes, light, set and editing resulted in this brilliant play. The Director Debasish Chakraborty, a theatre student of Sri Bivas Chakraborty since 1998, is a promising director of this generation. He joined Annya, a theatre group, under the direction of Sri Bivas Chakraborty and acted in numerous plays. He started his own theatre group Dhrupad in 2002 at Serampore. He has acted in many tele-serials. He has also acted in the feature film One, directed by Birsa Dasgupta, and performs in other theatre groups of Kolkata as well. -
PROGRAMME 2013 January - February
PROGRAMME 2013 JANUARY - FEBRUARY ISTITUTO ITALIANO DI CULTURA - NEW DELHI index index 2nd January, 6:30 p.m. FILM FOCUS ON NEW ITALIAN DIRECTORS 28th – 30th January REFRESHER COURSE FOR TEACHERS OF 5th January, 2:00 p.m. RIPRENDIMI Jamia Millia Islamia University ITALIAN Tessitori Hall Good Morning Heartache New Delhi 29th January, 6:30 p.m. FILM FOCUS ON NEW ITALIAN DIRECTORS 2 - 11 January 2013 THE RAAGATAALA LAB Following in Footsteps of The Beatles 2nd February, 2:00 p.m. IL PRIMO INCARICO Jodhpur The First Assignment International Music Workshop in India Tessitori Hall 6th January, 2013,7.00 p.m. FELLINIANA SPACEMATES Kamani Auditorium Fellini’s Dream 30th January – 28th February Exhibition of works by New Delhi A theatrical journey by Teatro Potlach through Istituto Italiano di Cultura ANDREA ANASTASIO-ARADHANA SETH Federico Fellini’s world, characters and visions In the ambit of the India Art Fair 8th January 2013, 5.30 p.m. Jaipur In the ambit of Bharat Rang Mahotsav 2013 2nd February, 7:30 p.m. STELLATELLI COLLECTION Tessitori Hall Catalogue presentation In the ambit of the India Art Fair 12th January, 2013 NATURA SONORIS 6.00 p.m. Performance by Openlab Company, 1-3 February 2013 Film “AIDA”, opera by Giuseppe Verdi Bahumukh Auditorium in the ambit of Ahmedabad Director: Franco Zeffirelli New Delhi Bharat Rang Mahotsav 2013 15-17 February 2013 Fanatika Theatre Documentary Film Festival Vadodara (Baroda) 7 - 29 January 2013; 6:30pm ITALIAN FILM FESTIVAL India International Centre Films by Nanni Moretti, Mimmo Calopresti, Daniele 6th February, 6:30 p.m. -
SEAGULL Theatre QUARTERLY 244 Theatrelog Issue 29/30 Jun 2001 Acknowledgements
2 Acknowledgements 3 Introduction 7 ‘My kind of theatre is for the people’ KUMAR ROY 37 ‘And through the poetry we found a new direction’ SHYAMAL GHO S H 59 Minority Culture, Universal Voice RUDRAPRA S AD SEN G UPTA 81 ‘A different kind of confidence and strength’ Editor AS IT MU K HERJEE Anjum Katyal Editorial Consultant Samik Bandyopadhyay 99 Assistants Falling in Love with Theatre Paramita Banerjee ARUN MU K HERJEE Sumita Banerjee Sudeshna Banerjee Sunandini Banerjee 109 Padmini Ray Chaudhury ‘Your own language, your own style’ Vikram Iyengar BI B HA S H CHA K RA B ORTY Design Sunandini Banerjee 149 Photograph used on cover © Nemai Ghosh ‘That tiny cube of space’ MANOJ MITRA 175 ‘A theatre idiom of my own’ AS IT BO S E 197 The Totality of Theatre NIL K ANTHA SEN G UPTA 223 Conversations Published by Naveen Kishore 232 for The Seagull Foundation for the Arts, Appendix I 26 Circus Avenue, Calcutta 700017 Notes on Classic Playtexts Printed at Laurens & Co. 9 Crooked Lane, Calcutta 700 069 234 Appendix II Notes on major Bengali Productions 1944 –-2000 S T Q SEAGULL THeatRE QUARTERLY 244 Theatrelog Issue 29/30 Jun 2001 Acknowledgements Most of the material collected for documentation in this issue of STQ, had already been gathered when work for STQ 27/28 was in progress. We would like to acknowledge with deep gratitude the cooperation we have received from all the theatre directors featured in this issue. We would especially like to thank Shyamal Ghosh and Nilkantha Sengupta for providing a very interesting and rare set of photographs; Mohit Chattopadhyay, Bibhash Chakraborty and Asit Bose for patiently answering our queries; Alok Deb of Pratikriti for providing us the production details of Kenaram Becharam; Abhijit Kar Gupta of Chokh, who has readily answered/ provided the correct sources. -
37Th ANNUAL REPORT
UNIVERSITY OF HYDERABAD 37th ANNUAL REPORT Report on the working of the University (1 April 2011 to 31 March 2012) Prof. C. R. Rao Road Central University P.O. Gachibowli, Hyderabad – 500 046 www.uohyd.ac.in beforePages.indd 1 2/20/2013 6:59:11 PM Our Motto forms part of a verse appearing in Vishnu-Purana (1.19.41) The whole verse reads as follows : The verse also occurs in the anthology of subhasitas entitled "Sarangadharapaddhati" (No.4396). In this latter work, the source of the verse is given as Vasisthat. The verse obviously possesses an ethical-spiritual import and may be translated as follows: “That is (right) action which does not conduce to bondage (Karmabandha in the Bhagavadgita sense); that is (true) knowledge which conduces to final liberation or spiritual emancipation; (any) other knowledge implies mere skill in craft beforePages.indd 2 2/20/2013 6:59:12 PM Visitor The President of India Chief Rector The Governor of Andhra Pradesh Chancellor R Chidambaram (upto 11.01.2012) C H Hanumantha Rao (12.01.2012) Vice-Chancellor Ramakrishna Ramaswamy Pro Vice-Chancellor E. Haribabu Deans of Schools Mathematics & C.I.S. T Amaranath, Ph.D. (I.I.T., Madras) Physics C Bansal, Ph.D. (TIFR., Bombay) Chemistry M V Rajasekharan, Ph.D.(IIT, Madras) Life Sciences M Ramanadham, Ph.D. (OU, Hyderabad) Humanities Mohan G Ramanan, Ph.D. (BITS, Pilani) Social Sciences G Nancharaiah, Ph.D. (AU, Visakhapatnam) Sarojini Naidu School of Vinod Pavarala, Ph.D. (University of Pittsburgh) Arts and Communication (upto 18.03.2012) B Anandhakrishnan, Ph.D. -
FINAL DISTRIBUTION.Xlsx
Annexure-1B 1)Taxpayers with turnover above Rs 1.5 Crores b) Taxpayers falling under the jurisdiction of the State Taxpayer's Name SL NO GSTIN Registration Name TRADE_NAME 1 NATIONAL INSURANCE COMPANY LIMITED NATIONAL INSURANCE COMPANY LTD 19AAACN9967E1Z0 2 WEST BENGAL STATE ELECTRICITY DISTRIBUTION CO. LTD WEST BENGAL STATE ELECTRICITY DISTRIBUTION CO. LTD 19AAACW6953H1ZX 3 INDIAN OIL CORPORATION LTD.(ASSAM OIL DIVN.) INDIAN OIL CORPORATION LTD.(ASSAM OIL DIVN.) 19AAACI1681G1ZM 4 THE W.B.P.D.C.L. THE W.B.P.D.C.L. 19AABCT3027C1ZQ 5 ITC LIMITED ITC LIMITED 19AAACI5950L1Z7 6 TATA STEEL LIMITED TATA STEEL LIMITED 19AAACT2803M1Z8 7 LARSEN & TOUBRO LIMITED LARSEN & TOUBRO LIMITED 19AAACL0140P1ZG 8 SAMSUNG INDIA ELECTRONICS PVT. LTD. 19AAACS5123K1ZA 9 EMAMI AGROTECH LIMITED EMAMI AGROTECH LIMITED 19AABCN7953M1ZS 10 KOLKATA PORT TRUST 19AAAJK0361L1Z3 11 TATA MOTORS LTD 19AAACT2727Q1ZT 12 ASHUTOSH BOSE BENGAL CRACKER COMPLEX LIMITED 19AAGCB2001F1Z9 13 HINDUSTAN PETROLEUM CORPORATION LIMITED. 19AAACH1118B1Z9 14 SIMPLEX INFRASTRUCTURES LIMITED. SIMPLEX INFRASTRUCTURES LIMITED. 19AAECS0765R1ZM 15 J.J. HOUSE PVT. LTD J.J. HOUSE PVT. LTD 19AABCJ5928J2Z6 16 PARIMAL KUMAR RAY ITD CEMENTATION INDIA LIMITED 19AAACT1426A1ZW 17 NATIONAL STEEL AND AGRO INDUSTRIES LTD 19AAACN1500B1Z9 18 BHARATIYA RESERVE BANK NOTE MUDRAN LTD. BHARATIYA RESERVE BANK NOTE MUDRAN LTD. 19AAACB8111E1Z2 19 BHANDARI AUTOMOBILES PVT LTD 19AABCB5407E1Z0 20 MCNALLY BHARAT ENGGINEERING COMPANY LIMITED MCNALLY BHARAT ENGGINEERING COMPANY LIMITED 19AABCM9443R1ZM 21 BHARAT PETROLEUM CORPORATION LIMITED 19AAACB2902M1ZQ 22 ALLAHABAD BANK ALLAHABAD BANK KOLKATA MAIN BRANCH 19AACCA8464F1ZJ 23 ADITYA BIRLA NUVO LTD. 19AAACI1747H1ZL 24 LAFARGE INDIA PVT. LTD. 19AAACL4159L1Z5 25 EXIDE INDUSTRIES LIMITED EXIDE INDUSTRIES LIMITED 19AAACE6641E1ZS 26 SHREE RENUKA SUGAR LTD. 19AADCS1728B1ZN 27 ADANI WILMAR LIMITED ADANI WILMAR LIMITED 19AABCA8056G1ZM 28 AJAY KUMAR GARG OM COMMODITY TRADING CO. -
Ram Gopal Bajaj, the Founder of Bharangam to Be Felicitated on the Inaugural
Ram Gopal Bajaj, the founder of Bharangam to be felicitated on the Inaugural National School of Drama’s 20th Bharat Rang Mahotsav, the International Theatre Festival of India, is Back with a Bang; Gears Up to Dazzle India The International theatre festival of India, Bharat Rang Mahotsav, BHARANGAM, will kick off in New Delhi on 1st February, 2019 and culminate on 21st February, 2019 and will cover 6 cities in India with 111 shows and various allied events. A key feature of the inaugural ceremony of the festival is the felicitation of its founder Ram Gopal Bajaj, who was the Director of National School of Drama. It was his visualisation of the idea of bringing best of theatre from India and later all over the world, to help the students of NSD to see the possibilities of theatre and also an experience for the audience to absorb and be enriched. Bharat Rang Mahotsav (BRM), the annual theatre festival is organized by the National School of Drama (NSD), was established two decades ago, by Ramgopal Bajaj to stimulate the growth and development of theatre across India. Originally a national festival showcasing the work of the most creative theatre workers in India, BRM has evolved to international scope, hosting theatre groups from around the world, and is now the largest theatre festival of Asia. Till date, BRM was celebrated in New Delhi and has travelled to several cities in India, presenting an overwhelming 1787 plays, and riveted thousands of audiences who basked in the glory of heart- winning stories and superior performances.