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ANNIVERSARY SPECIAL Millenniumpost.In
ANNIVERSARY SPECIAL millenniumpost.in pages millenniumpost NO HALF TRUTHS th28 NEW DELHI & KOLKATA | MAY 2018 Contents “Dharma and Dhamma have come home to the sacred soil of 63 Simplifying Doing Trade this ancient land of faith, wisdom and enlightenment” Narendra Modi's Compelling Narrative 5 Honourable President Ram Nath Kovind gave this inaugural address at the International Conference on Delineating Development: 6 The Bengal Model State and Social Order in Dharma-Dhamma Traditions, on January 11, 2018, at Nalanda University, highlighting India’s historical commitment to ethical development, intellectual enrichment & self-reformation 8 Media: Varying Contours How Central Banks Fail am happy to be here for 10 the inauguration of the International Conference Unmistakable Areas of on State and Social Order 12 Hope & Despair in IDharma-Dhamma Traditions being organised by the Nalanda University in partnership with the Vietnam The Universal Religion Buddhist University, India Foundation, 14 of Swami Vivekananda and the Ministry of External Affairs, Government of India. In particular, Ethical Healthcare: A I must welcome the international scholars and delegates, from 11 16 Collective Responsibility countries, who have arrived here for this conference. Idea of India I understand this is the fourth 17 International Dharma-Dhamma Conference but the first to be hosted An Indian Summer by Nalanda University and in the state 18 for Indian Art of Bihar. In a sense, the twin traditions of Dharma and Dhamma have come home. They have come home to the PMUY: Enlightening sacred soil of this ancient land of faith, 21 Rural Lives wisdom and enlightenment – this land of Lord Buddha. -
Appellate Jurisdiction
Appellate Jurisdiction Daily Supplementary List Of Cases For Hearing On Monday, 26th of April, 2021 CONTENT SL COURT PAGE BENCHES TIME NO. ROOM NO. NO. HONBLE CHIEF JUSTICE THOTTATHIL B. 1 On 26-04-2021 1 RADHAKRISHNAN 1 DB -I At 11:15 AM HON'BLE JUSTICE ARIJIT BANERJEE HON'BLE JUSTICE RAJESH BINDAL 16 On 26-04-2021 2 3 HON'BLE JUSTICE ANIRUDDHA ROY DB - II At 11:15 AM HON'BLE JUSTICE I. P. MUKERJI 37 On 26-04-2021 3 6 HON'BLE JUSTICE MD. NIZAMUDDIN DB - III At 11:15 AM HON'BLE JUSTICE I. P. MUKERJI 3 On 26-04-2021 4 7 HON'BLE JUSTICE MD. NIZAMUDDIN DB - III At 11:15 AM HON'BLE JUSTICE HARISH TANDON 2 On 26-04-2021 5 9 HON'BLE JUSTICE KAUSIK CHANDA DB- IV At 11:15 AM HON'BLE JUSTICE SOUMEN SEN 17 On 26-04-2021 6 26 HON'BLE JUSTICE SAUGATA BHATTACHARYYA DB-V At 11:15 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 On 26-04-2021 7 33 HON'BLE JUSTICE ABHIJIT GANGOPADHYAY DB At 11:15 AM HON'BLE JUSTICE SUBRATA TALUKDAR 11 2 -04-2021 8 For 7 37 HON'BLE JUSTICE SUBHASIS DASGUPTA DB At 12:55 PM HON'BLE JUSTICE TAPABRATA CHAKRABORTY 28 On 26-04-2021 9 38 HON'BLE JUSTICE TIRTHANKAR GHOSH DB - VII At 11:15 AM HON'BLE JUSTICE SHIVAKANT PRASAD 9 On 26-04-2021 10 58 HON'BLE JUSTICE SUBHASIS DASGUPTA DB At 02:00 PM 9 On 26-04-2021 11 HON'BLE JUSTICE SHIVAKANT PRASAD 59 SB - II At 11:15 AM 13 On 26-04-2021 12 HON'BLE JUSTICE RAJASEKHAR MANTHA 64 SB - III At 11:15 AM 8 On 26-04-2021 13 HON'BLE JUSTICE SABYASACHI BHATTACHARYYA 84 SB - IV At 11:15 AM 26 On 26-04-2021 14 HON'BLE JUSTICE SHEKHAR B. -
Contents SEAGULL Theatre QUARTERLY
S T Q Contents SEAGULL THeatRE QUARTERLY Issue 17 March 1998 2 EDITORIAL Editor 3 Anjum Katyal ‘UNPEELING THE LAYERS WITHIN YOURSELF ’ Editorial Consultant Neelam Man Singh Chowdhry Samik Bandyopadhyay 22 Project Co-ordinator A GATKA WORKSHOP : A PARTICIPANT ’S REPORT Paramita Banerjee Ramanjit Kaur Design 32 Naveen Kishore THE MYTH BEYOND REALITY : THE THEATRE OF NEELAM MAN SINGH CHOWDHRY Smita Nirula 34 THE NAQQALS : A NOTE 36 ‘THE PERFORMING ARTIST BELONGED TO THE COMMUNITY RATHER THAN THE RELIGION ’ Neelam Man Singh Chowdhry on the Naqqals 45 ‘YOU HAVE TO CHANGE WITH THE CHANGING WORLD ’ The Naqqals of Punjab 58 REVIVING BHADRAK ’S MOGAL TAMSA Sachidananda and Sanatan Mohanty 63 AALKAAP : A POPULAR RURAL PERFORMANCE FORM Arup Biswas Acknowledgements We thank all contributors and interviewees for their photographs. 71 Where not otherwise credited, A DIALOGUE WITH ENGLAND photographs of Neelam Man Singh An interview with Jatinder Verma Chowdhry, The Company and the Naqqals are by Naveen Kishore. 81 THE CHALLENGE OF BINGLISH : ANALYSING Published by Naveen Kishore for MULTICULTURAL PRODUCTIONS The Seagull Foundation for the Arts, Jatinder Verma 26 Circus Avenue, Calcutta 700017 86 MEETING GHOSTS IN ORISSA DOWN GOAN ROADS Printed at Vinayaka Naik Laurens & Co 9 Crooked Lane, Calcutta 700 069 S T Q SEAGULL THeatRE QUARTERLY Dear friend, Four years ago, we started a theatre journal. It was an experiment. Lots of questions. Would a journal in English work? Who would our readers be? What kind of material would they want?Was there enough interesting and diverse work being done in theatre to sustain a journal, to feed it on an ongoing basis with enough material? Who would write for the journal? How would we collect material that suited the indepth attention we wanted to give the subjects we covered? Alongside the questions were some convictions. -
Copyright by Kristen Dawn Rudisill 2007
Copyright by Kristen Dawn Rudisill 2007 The Dissertation Committee for Kristen Dawn Rudisill certifies that this is the approved version of the following dissertation: BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT Committee: ______________________________ Kathryn Hansen, Co-Supervisor ______________________________ Martha Selby, Co-Supervisor ______________________________ Ward Keeler ______________________________ Kamran Ali ______________________________ Charlotte Canning BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT by Kristen Dawn Rudisill, B.A.; A.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 For Justin and Elijah who taught me the meaning of apu, pācam, kātal, and tuai ACKNOWLEDGMENTS I came to this project through one of the intellectual and personal journeys that we all take, and the number of people who have encouraged and influenced me make it too difficult to name them all. Here I will acknowledge just a few of those who helped make this dissertation what it is, though of course I take full credit for all of its failings. I first got interested in India as a religion major at Bryn Mawr College (and Haverford) and classes I took with two wonderful men who ended up advising my undergraduate thesis on the epic Ramayana: Michael Sells and Steven Hopkins. Dr. Sells introduced me to Wendy Doniger’s work, and like so many others, I went to the University of Chicago Divinity School to study with her, and her warmth compensated for the Chicago cold. -
5Th Floor, Bombay Mutual Annex, Gunbow Street, Opp
20170167437 MAHARASHTRA NURSING COUNCIL 5TH FLOOR, BOMBAY MUTUAL ANNEX, GUNBOW STREET, OPP. RESIDENCY HOTEL, OFF D. N. ROAD, FORT, MUMBAI-400001. WebSite:- maharashtranurcingcouncil.org EmailId:- [email protected] Tel No.(022) 22677993 / (022) 22677995 20/06/2017 R/MNC/REG/OPR/1718/45591 The Application For Registration/Diploma as GEN. NURSING & MIDWIFERY( 3 YRS & 6 MTHS-I ) is Received From: MISS. DIVE SANGITA BALASAHEB Number(s) of Registration/ Diploma assigned to him / her is / are Follows:- Regn No. & Date XXVIII - 54005 Date: 17/06/2017 Dip. No. & Date 183368 Date : Above Certificate(s) will be ready after 2 months and will despatch on the present address given in Registration Application. If any corrections in the Name etc. It should be brought to the notice of the council immediately Our Working hours are : 10.00 A.M. to 4.00 P.M. (EXCEPT) HOLIDAYS & SUNDAY To MISS. DIVE SANGITA BALASAHEB SHRI SHIVAJI NAGAR RAHURI FACTORY TAL-RAHURI DIST A'NAGAR 413706 9960630727 [email protected] REGISTRAR 1 201631155 MAHARASHTRA NURSING COUNCIL 5TH FLOOR, BOMBAY MUTUAL ANNEX, GUNBOW STREET, OPP. RESIDENCY HOTEL, OFF D. N. ROAD, FORT, MUMBAI-400001. WebSite:- maharashtranurcingcouncil.org EmailId:- [email protected] Tel No.(022) 22677993 / (022) 22677995 20/06/2017 R/MNC/REG/OPR/1718/45610 The Application For Registration/Diploma as REVISED AUX. NURSE MIDWIFERY (F.H.W.) is Received From: MISS. BARAF LALITA BHARAT Number(s) of Registration/ Diploma assigned to him / her is / are Follows:- Regn No. & Date XVIII - 66955 Date: 17/06/2017 Dip. No. & Date 183372 Date : Above Certificate(s) will be ready after 2 months and will despatch on the present address given in Registration Application. -
Between Violence and Democracy: Bengali Theatre 1965–75
BETWEEN VIOLENCE AND DEMOCRACY / Sudeshna Banerjee / 1 BETWEEN VIOLENCE AND DEMOCRACY: BENGALI THEATRE 1965–75 SUDESHNA BANERJEE 1 The roots of representation of violence in Bengali theatre can be traced back to the tortuous strands of socio-political events that took place during the 1940s, virtually the last phase of British rule in India. While negotiations between the British, the Congress and the Muslim League were pushing the country towards a painful freedom, accompanied by widespread communal violence and an equally tragic Partition, with Bengal and Punjab bearing, perhaps, the worst brunt of it all; the INA release movement, the RIN Mutiny in 1945-46, numerous strikes, and armed peasant uprisings—Tebhaga in Bengal, Punnapra-Vayalar in Travancore and Telengana revolt in Hyderabad—had underscored the potency of popular movements. The Left-oriented, educated middle class including a large body of students, poets, writers, painters, playwrights and actors in Bengal became actively involved in popular movements, upholding the cause of and fighting for the marginalized and the downtrodden. The strong Left consciousness, though hardly reflected in electoral politics, emerged as a weapon to counter State violence and repression unleashed against the Left. A glance at a chronology of events from October 1947 to 1950 reflects a series of violent repressive measures including indiscriminate firing (even within the prisons) that Left movements faced all over the state. The history of post–1964 West Bengal is ridden by contradictions in the manifestation of the Left in representative politics. The complications and contradictions that came to dominate politics in West Bengal through the 1960s and ’70s came to a restive lull with the Left Front coming to power in 1977. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Bengali Cinema
RITWIK GHATAK Ritwik Ghatak Cinema and I First Published 17th January 1987 Published by Ritwik Memorial Trust With support from Federation of Film Societies of India © Ritwik Memorial Trust All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical or other means, now known or hereafter invented. Including photocopying and recording, or in any information storage or retrieval system, without permission In writing from the publisher. Cover designed by Satyajit Ray Cover photograph from Jukti Takko ArGappo Photo type setting by Pratikshan Publications Pvt. Ltd Reproduced by Quali Photo Process Pvt. Ltd Printed at A O P (India) Pvt. Ltd Distributed exclusively in India by Post Box No. 12333 15 Bankim Chatterjee Street Calcutta-700 073 Branches: Allahabad. Bombay, New Delhi, Bangalore. Madras, Hyderabad. RITWIK MEMORIAL TRUST 1/10 Prince Golam Mohd Road Calcutta-700 026 The present volume is the first in the series of publications of Ritwik Ghatak's works entitled Ritwik Rachana Samagra. Contents Publisher's note 9 Acknowledgements 10 Foreword by Satyajit Ray 11 Film and 1 13 My Coming into films 19 Bengali Cinema: Literary Influence 21 What Ails Indian Film-Making 26 Some Thoughts on Ajantrik 31 Experimental Cinema 34 Sound in Film 38 Music in Indian Cinema and the Epic Approach 41 Experiment in Cinema and I 44 Documentary: the Most Exciting form of Cinema 46 Cinema and the Subjective Factor 60 Film-Making 65 Interview (1) 68 Interview (2) 77 Nazarin 81 A book review: Theory of Film 84 An Attitude to life and an Attitude to Art Appendix About Oraons (Chotonagpur) 91 Check-list 105 Publisher's Note Ritwik Ghatak's creative exercises spanned through many a medium of expression—poetry, short story, play, film. -
General Studies Series
IAS General Studies Series Current Affairs (Prelims), 2013 by Abhimanu’s IAS Study Group Chandigarh © 2013 Abhimanu Visions (E) Pvt Ltd. All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or any information storage or retrieval system or otherwise, without prior written permission of the owner/ publishers or in accordance with the provisions of the Copyright Act, 1957. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claim for the damages. 2013 EDITION Disclaimer: Information contained in this work has been obtained by Abhimanu Visions from sources believed to be reliable. However neither Abhimanu's nor their author guarantees the accuracy and completeness of any information published herein. Though every effort has been made to avoid any error or omissions in this booklet, in spite of this error may creep in. Any mistake, error or discrepancy noted may be brought in the notice of the publisher, which shall be taken care in the next edition but neither Abhimanu's nor its authors are responsible for it. The owner/publisher reserves the rights to withdraw or amend this publication at any point of time without any notice. TABLE OF CONTENTS PERSONS IN NEWS .............................................................................................................................. 13 NATIONAL AFFAIRS .......................................................................................................................... -
Credit Growth Momentum Picking Up; Budget Proposals Not to Stoke Inflation, Says
#! #! % %# ! ! ! !%# % $!#! "! !! "! JAMMU, SUNDAY, FEBRUARY 16 , 2020 VOL. 36 | NO.45 | REGD. NO. : JM/JK 118/15 /17 | E-mail : [email protected] |www.glimpsesoffuture.com | Price : Rs. 2.00 Blanket labelling of dissent as anti-national hurts ethos of democracy: Justice Chandrachud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
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception.