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2 9 th 1 22 0 2 2 NATIONAL SCHOOL OF DRAMA, NEW DELHI ino collaboration with DEPARTMENT OF ARTS & CULTURE, GOVT. OF JHARKAND presents 20th BHARAT RANG MAHOTSAV’S PARALLEL THEATRE FESTIVAL Aryabhatt, Ranchi University, Morhabadi Campus, Ranchi - 834008 6.30 pm daily 9th Feb, 6.00 pm: INAUGURATION CEREMONY Followed by the performance of MAHABRAHMAN in Hindi Wri: Premanand Gajvi, Dir: Vasant Kashikar Group: Vivechana, Jabalpur, Dur: 1 hr 30 mins 10 NAGIN TERA VANSH BADE Adpt: V K, Dir: Avtar Sahni SUN Group: Actors' Repertory Theatre, Delhi FEB Lang: Hindi, Dur: 1 hr 35 mins 11 AGNIPARIKSHA Wri: Hariram Acharya, Dir: Dilip Bhatt MON Group: Parampara Natya Samiti, Jaipur FEB Lang: Hindi, Dur: 1 hr 30 mins 12 MACBETH Wri: William Shakespeare, Dir: Israfil Shaheen TUE Group: Dept. of Theatre and Performance Studies, Univ. FEB of Dhaka, Bangladesh, Lang: Bengali, Dur: 1 hr 30 mins 13 RAKTA KALYAN Wri: Girish Karnad, Dir: Sima Mukhopadhyay WED Group: Rangroop, Kolkata FEB Lang: Bengali, Dur: 2 hrs 20 mins 14 THREE SISTERS Wri: Anton Chekhov, Dir: Rose Schwietz THU Group: One World Theatre, Nepal FEB Lang: English, Dur: 2 hrs 15 mins 15 MAYAMRIDANGA FRI Wri. & Dir: Rakesh Ghosh Group: Dum Dum Shabdomugdho Naatyokendra, FEB Kolkata, Lang: Bengali, Dur: 2 hrs Programme subject to change at short notice Bahawalpur House, Bhagwandas Road, New Delhi 110001 P: 91 11 23073647 E: [email protected], [email protected] www.nsd.gov.in Entry Free Design: Pictur Entry Cards will be available at: 1. Audrey House, Mayer's Rd | 2. Suchana Bhawan, 1st Floor, Kanke Rd | 3. P.G. Deptt. of Performing Arts, Maulana Azad Research Building, R.U. Morhabadi Campus from 6th February 2019 | Time: 10.30 am am to 5.00 pm | Children below 8 years e Str not allowed | Still photography and videography are strictly prohibited. eet Enquiries: Ajay Malkani - 0994607188, 09661510936; Pankaj Soni - 09999823655.

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Curtain Goes up on National School of Drama's 21St Bharat Rang Mahotsav
Curtain goes up on National School of Drama’s 21st Bharat Rang Mahotsav By : Editor Published On : 2 Feb, 2020 12:00 AM IST INVC NEWS New Delhi, The 21st edition of the Bharat Rang Mahotsav (BRM) – the annual theatre festival organised by the National School of Drama (NSD) is all set to bring an assortment of plays, interactive sessions, and other cultural events to cheer up winter afternoons of theatre enthusiasts in the Capital. The inaugural function for BRM 2020 kick started at the Kamani auditorium with Panchvadyam -- a South Indian devotional music. The dignitaries present on the occasion included Chief Guest Prof. Vidushi Rita Ganguly, eminent theatre artist and vocalist, Guest of Honour Dr. Mohan Agashe, renowned theatre and ﬁlm personality and Special Guest Ms. Nirupama Kotru, IRS, Joint Secretary, Ministry of Culture, Govt. of India among others. The function was presided over by Dr. Arjun Deo Charan, Acting Chairman, NSD Society. Prof. Suresh Sharma, Director In-charge, National School of Drama, welcomed the guest at the inaugural function and appreciated all the participants from National & International theatre fraternity who came all across. Also, he specially expressed his gratitude to the Actor Amol Palekar who came & graced the occasion by presenting his play at the inauguration ceremony. He also said through the years, Bharat Rang Mahotsav has presented some masterpieces from the world of theatre. The idea is to reach out to a much wider set of audiences with works from post-modern and regional theatre. We hope to highlight the importance of theatre and plays and promote the culture of appreciating various forms of performing arts.
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Global Humanities Institute Report on Learning Opportunities for the Humanities in China, India and El Salvador July 1, 2013 Gr
Global Humanities Institute Report on Learning Opportunities for the Humanities in China, India and El Salvador July 1, 2013 Greg Malveaux, PhD Coordinator, Study Abroad Professor, English Montgomery College 51 Mannakee Street Rockville, MD 20805 [email protected] The Global Humanities Institute is a new globalization project of Montgomery College, funded in part through a challenge “Bridging Cultures” grant by the National Endowment of the Humanities. Our purpose is to support the systematic integration of other cultures and countries to the study of the humanities. Our project includes faculty training and support of teaching, cultural community engagement, research and scholarly work, and scholarly exchanges abroad as we travel to China, India, and el Salvador. We invite you to join us as we work to meet the imperative goal of preparing students for a global future. To help us meet our challenge, contact the Montgomery College Foundation at (240) 567-7900 or go to www.montgomerycollege.edu/onlinegiving. TABLE OF CONTENTS Page Background ................................................................................................................... 3 STATE OF HUMANITIES AND GLOBAL HUMANITIES IN CHINA .................................... 3 Current Theories and Curriculum ........................................................... Anti-poverty Theory ....................................................................... Poor Theory ..................................................................................
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Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception.
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Curtain Goes up on National School of Drama's 21St Bharat
Curtain goes up on National School of Drama’s 21st Bharat Rang Mahotsav The annual theatre festival, that will open with veteran actor-director Amol Palekar’s KUSUR, will showcase a mix of Indian and international plays New Delhi, February 1: The 21st edition of the Bharat Rang Mahotsav (BRM) – the annual theatre festival organised by the National School of Drama (NSD) is all set to bring an assortment of plays, interactive sessions, and other cultural events to cheer up winter afternoons of theatre enthusiasts in the Capital. The inaugural function for BRM 2020 kick started at the Kamani auditorium with Panchvadyam — a South Indian devotional music. The dignitaries present on the occasion included Chief Guest Prof. Vidushi Rita Ganguly, eminent theatre artist and vocalist, Guest of Honour Dr. Mohan Agashe, renowned theatre and film personality andSpecial Guest Ms. Nirupama Kotru, IRS, Joint Secretary, Ministry of Culture, Govt. of India among others. The function was presided over byDr. Arjun Deo Charan, Acting Chairman, NSD Society. Prof. Suresh Sharma, Director In-charge, National School of Drama, welcomed the guest at the inaugural function and appreciated all the participants from National & International theatre fraternity who came all across. Also, he specially expressed his gratitude to the Actor Amol Palekar who came & graced the occasion by presenting his play at the inauguration ceremony. He also said through the years, Bharat Rang Mahotsav has presented some masterpieces from the world of theatre. The idea is to reach out to a much wider set of audiences with works from post-modern and regional theatre. We hope to highlight the importance of theatre and plays and promote the culture of appreciating various forms of performing arts.
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Debasish Chakraborty,Ota Shogo’
Anil Saha’s ARSHINAGAR Director: Debasish Chakraborty Playwright: Anil Saha Director: Debasish Chakraborty Group: Tala Dhrupad Natya Sanstha, Hooghly Language: Bengali Duration: 2 hr 10 mins The Play Arshinagar speaks about love and true emotions. In this era, where love has been commoditized, this story talks about the real definition of love and the magic it can create. Chaya Kumar, son of a rich merchant has to leave his wife on the next day of his marriage for business expansion.The newly wedded bride, Lilabati, lives with her in-laws, but feels a vacuum. But the power of love brings joy in Lilabati’s life and helps her overcome the void. Director’s Note Presented in a folk form, the flight of imagination in the play soars without any bondage of religion, cast or culture. To express the language of love and fathom its power, music is a vital character in this play. Various folk songs in the traditions of Jhumur, Bhadu, Tusu, Sari, Jari and Sufi are wonderfully tuned in the atmosphere through which the story runs smoothly. Various workshops and endless brainstorming sessions on choreography, costumes, light, set and editing resulted in this brilliant play. The Director Debasish Chakraborty, a theatre student of Sri Bivas Chakraborty since 1998, is a promising director of this generation. He joined Annya, a theatre group, under the direction of Sri Bivas Chakraborty and acted in numerous plays. He started his own theatre group Dhrupad in 2002 at Serampore. He has acted in many tele-serials. He has also acted in the feature film One, directed by Birsa Dasgupta, and performs in other theatre groups of Kolkata as well.
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PROGRAMME 2013 January - February
PROGRAMME 2013 JANUARY - FEBRUARY ISTITUTO ITALIANO DI CULTURA - NEW DELHI index index 2nd January, 6:30 p.m. FILM FOCUS ON NEW ITALIAN DIRECTORS 28th – 30th January REFRESHER COURSE FOR TEACHERS OF 5th January, 2:00 p.m. RIPRENDIMI Jamia Millia Islamia University ITALIAN Tessitori Hall Good Morning Heartache New Delhi 29th January, 6:30 p.m. FILM FOCUS ON NEW ITALIAN DIRECTORS 2 - 11 January 2013 THE RAAGATAALA LAB Following in Footsteps of The Beatles 2nd February, 2:00 p.m. IL PRIMO INCARICO Jodhpur The First Assignment International Music Workshop in India Tessitori Hall 6th January, 2013,7.00 p.m. FELLINIANA SPACEMATES Kamani Auditorium Fellini’s Dream 30th January – 28th February Exhibition of works by New Delhi A theatrical journey by Teatro Potlach through Istituto Italiano di Cultura ANDREA ANASTASIO-ARADHANA SETH Federico Fellini’s world, characters and visions In the ambit of the India Art Fair 8th January 2013, 5.30 p.m. Jaipur In the ambit of Bharat Rang Mahotsav 2013 2nd February, 7:30 p.m. STELLATELLI COLLECTION Tessitori Hall Catalogue presentation In the ambit of the India Art Fair 12th January, 2013 NATURA SONORIS 6.00 p.m. Performance by Openlab Company, 1-3 February 2013 Film “AIDA”, opera by Giuseppe Verdi Bahumukh Auditorium in the ambit of Ahmedabad Director: Franco Zeffirelli New Delhi Bharat Rang Mahotsav 2013 15-17 February 2013 Fanatika Theatre Documentary Film Festival Vadodara (Baroda) 7 - 29 January 2013; 6:30pm ITALIAN FILM FESTIVAL India International Centre Films by Nanni Moretti, Mimmo Calopresti, Daniele 6th February, 6:30 p.m.
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Rose Schwietz,Ajay Shukla’
One World Theatre, Nepal One World Theatre (OWT) is a non-profit English and Nepali language theatre company in Kathmandu, Nepal, dedicated to presenting intercultural, social justice productions, especially plays from South Asia, the Western canon, and contemporary American plays that are affordable, professional, experimental, and relevant. Anton Chekhov’s THREE SISTERS Director: Rose Schwietz Playwright: Anton Chekhov Director: Rose Schwietz Group: One World Theatre, Nepal Language: English Duration: 2 hrs 15 mins The Play The story takes place in a modern, provincial town that is in the Russian countryside and simultaneously far away from it. The three Prozorov sisters, Olga, Masha, and Irina, are celebrating the 20th birthday of Irina, the youngest. Moods are light and festive, despite this also being the first death anniversary of their father. The play is a window opening into four moments across four years of their lives, showing the emotions that humans experience in a lifetime. The sisters spend their days longing for their youth in Moscow and staving off malaise with the officers from the nearby artillery post. As the years pass, the sisters fall in and out of love, attempting and failing to create the beautiful life they dream of. Unfulfilled in work and in love, they face despair as Moscow becomes a continually more distant dream. Director’s Note Though set in a traditional 1900s provincial Russian town, this production is reimagined into a modern, less classically Russian setting to make it relevant for South Asian audiences. One thing I adore about the play is that the Prozorovs’ world is as real and full as the one we know in our daily lives, and that is the lasting beauty, and heartache, of this show.
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37Th ANNUAL REPORT
UNIVERSITY OF HYDERABAD 37th ANNUAL REPORT Report on the working of the University (1 April 2011 to 31 March 2012) Prof. C. R. Rao Road Central University P.O. Gachibowli, Hyderabad – 500 046 www.uohyd.ac.in beforePages.indd 1 2/20/2013 6:59:11 PM Our Motto forms part of a verse appearing in Vishnu-Purana (1.19.41) The whole verse reads as follows : The verse also occurs in the anthology of subhasitas entitled "Sarangadharapaddhati" (No.4396). In this latter work, the source of the verse is given as Vasisthat. The verse obviously possesses an ethical-spiritual import and may be translated as follows: “That is (right) action which does not conduce to bondage (Karmabandha in the Bhagavadgita sense); that is (true) knowledge which conduces to final liberation or spiritual emancipation; (any) other knowledge implies mere skill in craft beforePages.indd 2 2/20/2013 6:59:12 PM Visitor The President of India Chief Rector The Governor of Andhra Pradesh Chancellor R Chidambaram (upto 11.01.2012) C H Hanumantha Rao (12.01.2012) Vice-Chancellor Ramakrishna Ramaswamy Pro Vice-Chancellor E. Haribabu Deans of Schools Mathematics & C.I.S. T Amaranath, Ph.D. (I.I.T., Madras) Physics C Bansal, Ph.D. (TIFR., Bombay) Chemistry M V Rajasekharan, Ph.D.(IIT, Madras) Life Sciences M Ramanadham, Ph.D. (OU, Hyderabad) Humanities Mohan G Ramanan, Ph.D. (BITS, Pilani) Social Sciences G Nancharaiah, Ph.D. (AU, Visakhapatnam) Sarojini Naidu School of Vinod Pavarala, Ph.D. (University of Pittsburgh) Arts and Communication (upto 18.03.2012) B Anandhakrishnan, Ph.D.
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Ram Gopal Bajaj, the Founder of Bharangam to Be Felicitated on the Inaugural
Ram Gopal Bajaj, the founder of Bharangam to be felicitated on the Inaugural National School of Drama’s 20th Bharat Rang Mahotsav, the International Theatre Festival of India, is Back with a Bang; Gears Up to Dazzle India The International theatre festival of India, Bharat Rang Mahotsav, BHARANGAM, will kick off in New Delhi on 1st February, 2019 and culminate on 21st February, 2019 and will cover 6 cities in India with 111 shows and various allied events. A key feature of the inaugural ceremony of the festival is the felicitation of its founder Ram Gopal Bajaj, who was the Director of National School of Drama. It was his visualisation of the idea of bringing best of theatre from India and later all over the world, to help the students of NSD to see the possibilities of theatre and also an experience for the audience to absorb and be enriched. Bharat Rang Mahotsav (BRM), the annual theatre festival is organized by the National School of Drama (NSD), was established two decades ago, by Ramgopal Bajaj to stimulate the growth and development of theatre across India. Originally a national festival showcasing the work of the most creative theatre workers in India, BRM has evolved to international scope, hosting theatre groups from around the world, and is now the largest theatre festival of Asia. Till date, BRM was celebrated in New Delhi and has travelled to several cities in India, presenting an overwhelming 1787 plays, and riveted thousands of audiences who basked in the glory of heart- winning stories and superior performances.
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17Th Bharat Rang Mahotsav –
17th Bharat Rang Mahotsav – A Report Bharat Rang Mahotsav was established a decade ago by the National School of Drama to stimulate the growth and development of theatre across the country. Originally a national festival showcasing the work of the most creative theatre workers in India, it has evolved to international scope, hosting theatre companies from around the world, and is now the largest theatre festival of Asia. The 17th Mahotsav included several national and international performances, and various associated events in a wrap-around program. Click here for the list of plays. Snake, Love and Sexuality Ravindra Tripathi’s There are a lot of stories in Indian mythology and folklores where you find the snake or the serpent as sexual motif. Some modern plays are also based upon it. For example Girish Karnad’s play Nagmandala. The snake as sexual motif is not limited only to India. In 13th bharat rang mahotsav, the Japanese play Ugetsu Monogatari (directed by Madoka okada) also presents the snake as a charmer and lover of human being. It is story of 10th century Japan. There is a young man, named Toyoo, son of a fisherman. He lives near seashore. A beautiful woman named Manago comes to his home in a rainy night. Toyoo is attracted towards her. He also lends his umbrella and promises to meet her again in near future. After some days he goes to her house on the pretext of going back his umbrella. During that he gets intimate with her. Manago gives him a beautiful sword as a token of their relationship.
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S 13Th Bharat Rang Mahotsav Theatre Festival to Open Festival Featuring 81 Productions
Bharangam 13 – All The Plays of Bharat Rang Mahotsav Choose Your Plays before you Buy your Tickets A Still from one of the plays: Othello This year the Bharat Rang Mahotsav will be presenting a fare of 81 productions selected out of nearly 450 proposals received from across India and from around the world. Taking forward the ‘Young Experimenters’ component of last year, BRM 13 also includes productions by graduates of the school in a synthesis of experience, new energy and vision. We present the synopsis of all the plays so that you can pick and choose. 1. Play: A Wife’s Letter Playwright: Adapted from Rabindranath Tagore’s play Streer Patra Director: Neelam Man Singh Chowdhry Group: The Company, Chandigarh Language: Punjabi Duration: 1 hour and 10 minutes The protagonist is a child bride Mrinal who secretly writes poetry to assuage that dank listlessness of her routine and mundane life. She finds companionship with the cows and buffaloes in the house while fulfilling the routine chores of her household. In this monotonous universe enters Bindu, the orphaned sister of her older sister-in-law. This simple event becomes the trigger which unravels layers of experiences that are then shared and collectively explored. 2. Play: About Ram Director: Anurupa Roy Animation Visualization: Vishal Dar Group: Katkatha Puppet Arts Trust, Delhi Language: Non-verbal Duration: 55 mins As the name suggests, the performance is about Ram, the prince who is sent on a long journey far away from his home when he is exiled by his father along with his wife Sita and brother Lakshman.
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The Plays of Bharat Rang Mahotsav
Bharangam 13 – All The Plays of Bharat Rang Mahotsav Choose Your Plays before you Buy your Tickets A Still from one of the plays: Othello This year the Bharat Rang Mahotsav will be presenting a fare of 81 productions selected out of nearly 450 proposals received from across India and from around the world. Taking forward the ‘Young Experimenters’ component of last year, BRM 13 also includes productions by graduates of the school in a synthesis of experience, new energy and vision. We present the synopsis of all the plays so that you can pick and choose. 1. Play: A Wife’s Letter Playwright: Adapted from Rabindranath Tagore’s play Streer Patra Director: Neelam Man Singh Chowdhry Group: The Company, Chandigarh Language: Punjabi Duration: 1 hour and 10 minutes The protagonist is a child bride Mrinal who secretly writes poetry to assuage that dank listlessness of her routine and mundane life. She finds companionship with the cows and buffaloes in the house while fulfilling the routine chores of her household. In this monotonous universe enters Bindu, the orphaned sister of her older sister-in-law. This simple event becomes the trigger which unravels layers of experiences that are then shared and collectively explored. 2. Play: About Ram Director: Anurupa Roy Animation Visualization: Vishal Dar Group: Katkatha Puppet Arts Trust, Delhi Language: Non-verbal Duration: 55 mins As the name suggests, the performance is about Ram, the prince who is sent on a long journey far away from his home when he is exiled by his father along with his wife Sita and brother Lakshman.
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