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34. Internationales Kurzfilmfestival Hamburg 5. – 11. Juni 2018

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34. Internationales Kurzfilmfestival Hamburg 5. – 11. Juni 2018 34. Internationales KurzFilmFestival Hamburg 5. – 11. Juni 2018 3001 • B-Movie • Filmraum • Lichtmeß • Metropolis • Zeise Kinos Festivalzentrum, Gebäude H, Postgelände Kaltenkircher Platz • www.shortfilm.com 2018 JETZT KENNENLERNEN // 3D ANIMATION // VISUAL EFFECTS // // VISUALIZATION // DESIGN // 2O18 ISSN 1433-2620 > B 43362 >> 22. Jahrgang >>> www.digitalproduction.com Deutschland € 17,70 Publiziert von DETAIL Business Information GmbH Österreich € 19,– SUBMIT YOUR 1 Schweiz sfr 23,– O1:18 MAGAZIN FÜR DIGITALE MEDIENPRODUKTION JANUAR | FEBRUAR 01:2018 Fokus: WORK NOW Audio Fokus: | Zweiter Fusion in | LPE | Astrofotografie Retusche Beauty | Flame | Drohnenführerschein | 3D-Tracker-Vergleich | IMF HDR Finishing submission deadline: 30 June 2018 2O18 ISSN 1433-2620 > B 43362 >> 22. Jahrgang >>> www.digitalproduction.com Deutschland € 17,90 Publiziert von DETAIL Business Information GmbH Österreich € 19,– 2 Schweiz sfr 23,– O2:18 MAGAZIN FÜR DIGITALE MEDIENPRODUKTION MÄRZ | APRIL 02:2018 Fokus: Digitale Landschaften | Maya 2018 | Avid First | Fusion | Blender Animation Nodes 2 | Modo Retopo | Houdini | USGS in C4D | Surfacespread in | USGS | Houdini Retopo 2 | Modo Nodes Animation | Blender | Fusion First | Avid 2018 | Maya Landschaften Digitale Finishing Crash! Bam! Pft! Workshops! 01 IMF, HDR, Retusche Foleys, Fairlight und Libra- Clarisse, Fusion, Flame, und mehr fürs Finale 2FOR1: ries im Audioschwerpunkt KAUFLumion, TrackingEINS, ... LIES ZWEI! 4 194336 217709 Landscapes Editing Praxis! Digitale Landschaften Edius 9, Lesspain Kyno auf Maya 2018, Fusion, UE4, für jede Produktion Windows und Avid First Modo Retopo und mehr... FACHMAGAZIN FÜR DAS GESAMTE SPEKTRUM DIGITALER MEDIENPRODUKTION Nominated in the category “Still” 2017: “What Lies “Still” in the category Nominated Martinez, The Philippines Beneath”, Reynante VISUAL EFFECTS SAVE THE DATE ANIMATION 25/26 October 2018 VISUALIZATION & DESIGN MUNICH GAME & INTERACTIVE SCIENCE & EDUCATION #animago2018 www.animago.com animagoAWARD www.digitalproduction.com/2for1 Sponsored by: Weitere Informationen: Presented by: Funded by: T: +49(0)61 23 92 38-2 13 F: +49(0)61 23 92 38-2 14 E: [email protected] DP_IKFF_Katalog_Anzeige_67x211mm_AC_2018020_01.indd 1 20.03.18 21:59 Kanada beim 34. Internationalen KurzFilmFestival Hamburg Circles Of Confusion | Jason Britski 2017 | 6. Juni 2018 um 21:45 Uhr | 9. Juni 2018 um 19:45 Uhr Days Of Doubt | Solomon Nagler 2017 | 8. Juni 2018 um 19:30 Uhr | 9. Juni 2018 um 20:00 Uhr Fever Freaks | Frédéric Moffet 2017 | 7. Juni 2018 um 21:45 Uhr | 10. Juni 2018 um 19:30 Uhr Hot Anger | Gwen Trutnau 2017 | 6. Juni 2018 um 19:00 Uhr | 9. Juni 2018 um 17:30 Uhr Optimism | Deborah Stratman 2018 | 7. Juni 2018 um 19:45 Uhr | 9. Juni 2018 um 17:30 Uhr Plant Dreaming Deep | Charlotte Clermont 2018 | 6. Juni 2018 um 21:45 Uhr | 9. Juni 2018 um 19:45 Uhr Rupture | Yassmina Karajah 2017 | 7. Juni 2018 um 10:00 Uhr | 8. Juni 2018 um 16:30 Uhr Scaffold | Kazik Radwanski 2017 | 7. Juni 2018 um 22:00 Uhr | 9. Juni 2018 um 19:45 Uhr (Tell Me Why) The Epistemology Of Disco | John Di Stefano 1991 | 7. Juni 2018 um 19:30 Uhr | 9. Juni 2018 um 22:00 Uhr Traje De Luces | Francisca Duran 018 | 8. Juni 2018 um 21:45 Uhr | 10. Juni 2018 um 17:45 Uhr Trigger Warning | Scott Fitzpatrick 2017 | 8. Juni 2018 um 21:45 Uhr | 10. Juni 2018 um 17:45 Uhr Wolves From Above | Demelza Kooij 2017 | 6. Juni 2018 um 19:00 Uhr | 7. Juni 2018 um 10:00 Uhr St Bathans Repetitions 2016.2.1-2016.3.17 Alexandre Larose | 2016 | Installation Raumfahrt Die Botschaft von Kanada gratuliert allen Kanadischen Filmemacher/innen The Embassy of Canada congratulates all Canadian filmmakers L’Ambassade du Canada félicite tous les cinéastes canadiens Wir bedanken uns herzlich bei allen Partnern und Unterstützern! Hauptförderer Förderer Unterstützer und Ausrüster www.stilbruch.de Bücher seit Bücher seit 1878 1878 Institutionelle Partner Mo&Friese wird unterstützt von Offizielle Medienpartner Mitgliedschaften InhaltsverzeIchnIs Contents Programmplan/Festivalinfos Umschlag Schedule/Festival info Cover Grußwort des Senators 2 Welcome Note by Senator Carsten Brosda 2 Vorwort der Festivalleitung 3 Preface 3 Orte 4 Places 4 Wettbewerbe und Preise 2017 5 Competitions and awards 2017 5 Jurys 6 Juries 6 Wettbewerbe Competitions Internationaler Wettbewerb 19 International Competition 19 Deframed Wettbewerb 36 Deframed Competition 36 Deutscher Wettbewerb 51 German Competition 51 Hamburger Wettbewerb 64 Hamburg Competition 64 Flotter-Dreier-Wettbewerb 70 Three-Minute-Quickie Competition 70 Mo&Friese KinderKurzFilmFestival 78 Mo&Friese Children’s ShortFilmFestival 78 Sonderprogramme Special Programmes Galerie: Raumfahrt – Installationen 111 Gallery: Space Travel – Installations 111 Land: China 128 Country: China 128 Motiv: Disco 136 Motive: Disco 136 Labor: Rituale, Loops und Tänze 143 Lab: Rituals, Loops and Dances 143 Screenings / Events Screenings / Events Festivalzentrum Gebäude H 151 Festival Centre Building H 151 Open Air 152 Open Air 152 Big Booze Bang IV 154 Big Booze Bang IV 154 Q&A Karaoke 155 Q&A Karaoke 155 Veto Film 156 Veto Film 156 Vorfilmtest 157 Supporting Film Test 157 CineCeoil #7 – Tiocfaidh ár Mná 158 CineCeoil #7 158 The One Minutes Series: Public Justice 159 The One Minutes Series: Public Justice 159 Festivalklub-Programm 160 Club Programme 160 A Wall is a creen 162 A Wall is a Screen 162 Best of Wettbewerbe, Lieblinge, Preisträgerrolle 163 Best of Competitions, Darlings, Award Winners 163 Kneipenscreening – Klaus Wildenhahn 164 Pub Screening – Klaus Wildenhahn 164 Filme aus Verleih und Vertrieb 165 Sales and Distribution Present 165 Panels / Workshops Panels / Workshops Hamburg Short Film Sessions 2018 172 Hamburg Short Film Sessions 2018 172 Die KurzFilmSchule bei Mo&Friese 178 The ShortFilmClasses at Mo&Friese 178 Talent trifft Produzent*in 178 Talent Meets Producer 178 KurzFilmAgentur Hamburg 180 KurzFilmAgentur Hamburg 180 Register 183 Register 183 Danke! / Impressum 187 Thank You! / Imprint 187 1 Grusswort des senators Welcome Note by SeNator carSteN broSda d Das Internationale KurzFilmFestival Hamburg ist nicht nur eines der ältesten Festivals seiner Art, sondern auch eines der profiliertesten: ein Festival, bei dem konzentriert die aufregendsten aktuellen experimentellen, dokumentarischen, animierten und narrativen Kurzfilmproduktionen aus aller Welt zu sehen sind. Manche der gezeigten Filme ziehen weiter in Galerien, Museen oder zu anderen Festivals, einige machen Karriere auch jenseits des Atlantiks. In den internationalen Wettbewerben stellt das Festival Kurzfilme neben- und gegeneinander, sucht nach ästhetischen Querverbindungen oder thematischen Trends. In seinen Sonderprogram- men befasst es sich in diesem Jahr mit dem Thema ›Loop‹, was Unterschiedliches bedeuten kann, im Kern aber für die Irritation eines geschlossenen Kreislaufs steht. Das Festival zieht aus in die ›Disco‹, einen glitzernden Sehnsuchtsort und eine lustbesetzte Freiheitszone, und widmet sich im Länder- schwerpunkt China, einem Land mit zwar schwierigen Produktionsbedingungen, aber auch einer sehr lebendigen Video- und Filmkunstszene. Die filmt beharrlich gegen Widerstände und Zensur an. All das ist ein filmkünstlerisches und -politisches Angebot, auf das Hamburg stolz sein kann. Machen wir, halten wir die Augen auf, sehen wir hin! e The Hamburg International Short Film Festival is not only one of the oldest festivals of its kind, but also one of the most distinctive: The festival screens the most exciting contemporary experimen- tal, documentary, animated and narrative short film productions from all over the world. Many of these films will move on to galleries, museums or other festivals, and some will even make the leap over the Atlantic Ocean. The international competitions juxtapose and contrast different short films with an eye for aesthetic interconnections and thematic trends. This year’s special programmes focus on the ›loop‹, which can mean a lot of things but at its core stands for irritations in a closed circuit. The festi- val moves into the ›Disco‹: a glittering place of longing and a pleasurable zone of freedom. This year’s national focus throws a spotlight on China. In spite of difficult production conditions, it is the home of a very lively video and film art scene which is filming tenaciously against pushbacks and censorship. All in all, Hamburg has every reason to be proud of this range of works from the world of film art and film politics. Let’s keep our eyes open and take a look! Dr. Carsten Brosda, Kultursenator 2 v orwort der FestIvalleItung Festival DireCtors’ PreFaCe d Vor 15 Jahren schien der Fall glasklar. Die Farbe des Sternenhimmels war Türkis. Ein durch- schnittlicher Farbwert, ermittelt aus dem Licht von 200.000 Galaxien und farblich passend zu den Sehnsüchten von TUI-Tourist*innen und Wasserflaschendesigner*innen. Doch das Grünblau war ein Rechenfehler. Als zwei Astronomen aus den 200.000 Galaxien der 2dF-Durchmusterung (nur, damit wir uns richtig verstehen!) die für unsere Augen wahrnehmba- re Farbe des kosmischen Spektrums ermittelten, hatten sie den Weißabgleich vergessen. Ausge- hend vom korrekten Weißpunkt (Normlichtart E!) und für die Betrachtung im Dunkel der Nacht berechnet die Software einen anderen Farbwert. Und jetzt müssen wir tapfer sein. Er ist beige. Die Wissenschaftler stellten ebenfalls fest, dass die Farbe des Universums im Laufe der vergangenen zehn Milliarden Jahre viel weniger blau geworden ist. Das bedeutet, dass alternde, rote Sterne über- handnehmen.
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