Nfb Film Club Program
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Paul Heintzman University of Ottawa Conference Travel Funded by The
The Ecological Virtues of Bill Mason Paul Heintzman University of Ottawa Conference Travel Funded by the Reid Trust Introduction ■ Although much has been written in the last few decades about ecological virtue ethics, very little has been written on this topic from a Christian perspective (Bouma-Prediger, 2016; Blanchard & O’Brien, 2014; Melin, 2013). ■ Virtue Ethics: What type of person should I be? ■ Cultivation of certain virtues are necessary to address ecological problems (Bouma-Prediger, 2016) ■ Sometimes we see practices embodied in a person who displays what a life of virtue concretely looks like (Bouma-Prediger, 2016) ■ E.g., Mother Teresa ■ “Such people are ethical exemplars or models of virtue who inspire us to live such a life ourselves.” (Bouma-Prediger, 2016, p. 24) ■ Doesn’t give an example ■ This paper explores whether Bill Mason is an Christian exemplar of ecological virtues Bill Mason: Canoeist, Filmmaker, Artist 1929-1988 Mason Films (most National Film Board of Canada films) ■ Wilderness Treasure ■ Paddle to the Sea ■ Rise and Fall of the Great Lakes ■ Blake ■ Death of a Legend ■ Wolf Pack ■ In Search of the Bowhead Whale ■ Cry of the Wild ■ Face of the Earth ■ Path of the Paddle Series (4 films) ■ Song of the Paddle ■ Coming Back Alive ■ Pukaskwa National Park ■ Where the Buoys Are ■ The Land That Devours Ships ■ Waterwalker Ongoing Influence ■ Postage Stamp ■ 2009: Inducted posthumously into the International Whitewater Hall of Fame Writings on Mason: ■ Biography ■ Raffan (1995). Fire in the bones. ■ Canoeing ■ Raffan (1999). Being there: Bill Mason and the Canadian canoeing tradition. ■ Art ■ Buck (2005). Bill Mason: Wilderness artist from heart to hand. -
NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
Bill Mason Bill Mason Bill Mason Canadian Canoeing to Capture a Shot, Mason Would Often Invent Ways to Legend Get the Camera Into Position
Bill Mason Bill Mason Bill Mason Canadian Canoeing To capture a shot, Mason would often invent ways to Legend get the camera into position. This homemade raft and waterproof case allowed the camera to float while A Life on the Water Bill Mason was passionate about telling a story through Mason filmed himself after capsizing in rapids. film. He often used this camera, Born in Winnipeg, Manitoba, Mason (1929-1988) first taking the shot again and again to get it right. Pour prendre des vues, Mason inventait souvent des worked as a commercial artist and canoe instructor. moyens de mettre la caméra en position. Ce radeau Bill Mason avait une passion pour le cinéma comme artisanal et cet étui imperméable permettaient à After moving to the Ottawa region in 1958, Mason began moyen de raconter une histoire. Il a souvent utilisé cette la caméra de flotter pendant que Mason se filmait après caméra, une , et répétait les prises his career as a filmmaker. Working on camera and behind it, avoir chaviré dans des rapides. de vues jusqu’à ce qu’il obtienne exactement ce qu’il voulait. One of his earliest films was Paddle to the Sea (1966), a project for the National Film Board of Canada (NFB) Bill Mason was an iconic Canadian filmmaker that was nominated for an Academy Award in 1968. His other NFB films were also highly acclaimed, notably Bill Mason loved the outdoors and had a keen eye the Path of the Paddle series (1977), which teaches the in more ways than one. His canoeing and for the effects of light on a scene. -
Hitchcock/ Truffaut
January / February 2016 Canadian & International Features The Heart of Madame Sabali NEW WORLD DOCUMENTARIES special events SHORTS & ARTIST TALKS Hitchcock/ Cabin Fever: Vinylside Chat Truffaut Free Films for Kids! with Alan Zweig www.winnipegcinematheque.com January/February Staff Picks the art direction and costumes in the film, which are both colourful and creative. The most refreshing element of McKenna’s film is the complexity of his characters, more specifically Marie Brassard who was amazing as Jeannette. This middle-aged woman was given more power and freedom to explore all types of relationships within the film, unlike films where we would normally see a woman of this age for a blink of a second. McKenna’s choice of casting such a strong lead pays off with depth to the plot and this film will not disappoint. Another screening that is not to be missed is Moving Perspectives (Feb 13) ↑ Left to right: A customer (Kristy Muckosky), Dave Barber, Eric Peterson, Cecilia Araneda, Heidi curated by Leslie Supnet. I feel like this is a Phillips, Kaitlyn McBurney, Jaimz Asmundson. Photo by Leif Norman. program that, while promising to put form over content, will not fail to entertain. I asked For 12 years now, January and February luck to you in your future endeavours! I’ll Supnet for a sneak peak and I can promise at Cinematheque have meant one very miss your goofy laugh. — Jaimz Asmundson, dancing, which is rare for program that special event: Cabin Fever! Every Sunday Cinematheque Programming Director focuses on personal cinema.— Heidi Phillips, at 2 pm, this free admission series offers Cinematheque Head Projectionist a variety of family friendly classics with The touring Canada’s Top Ten Film Festival made-in-Manitoba shorts. -
Bill Mason and the Canadian Canoeing Tradition Review
When Bill Mason set off alone into the wilderness in his red canoe, many people went with him, if only in their imaginations. Now, James Raffan leads us into the heart of the vast landscape that was Bill Mason's own brilliant imagination, on a biographical journey that is entertaining, enriching and inspiring.Bill Mason was a filmmaker who gave us classics such as Cry of the Wild and Paddle to the Sea he was author of the canoeist's bible, Path of the Paddle he was the consummate outdoorsman. But few Canadians know that his gentleness and rugged self-sufficiency masked a life of great physical struggles. James Raffan reveals the private, sometimes anguished, man behind the legend. [Doc] Fire in the Bones: Bill Mason and the Canadian Canoeing Tradition Full version Get : https://seeyounexttime22.blogspot.com/?book=0006386555 When Bill Mason set off alone into the wilderness in his red canoe, many people went with him, if only in their imaginations. Now, James Raffan leads us into the heart of the vast landscape that was Bill Mason's own brilliant imagination, on a biographical journey that is entertaining, enriching and inspiring.Bill Mason was a filmmaker who gave us classics such as Cry of the Wild and Paddle to the Sea he was author of the canoeist's bible, Path of the Paddle he was the consummate outdoorsman. But few Canadians know that his gentleness and rugged self-sufficiency masked a life of great physical struggles. James Raffan reveals the private, sometimes anguished, man behind the legend. Full version Fire in the Bones: Bill Mason and the Canadian Canoeing Tradition Review Description When Bill Mason set off alone into the wilderness in his red canoe, many people went with him, if only in their imaginations. -
Beck Mason Interview, Final Copy
-The Becky Mason Interview- April 2013 The Canadian Canoe Foundation was very fortunate to recently interview one of our Canadian canoeing heroes, Becky Mason. Becky comes by her love of paddling and painting honestly. She is the highly accomplished daughter of Bill Mason, Canada’s most beloved canoeist, who also achieved great success as a commercial artist, animator, filmmaker, author and painter. Becky lives in Chelsea Quebec, and her lifestyle and art are steeped in the singular beauty of that area. We asked Becky a few questions about her art, her love of the canoe, and her thoughts on what the Canadian Canoe Foundation is doing to educate youth about the importance of our Canadian Watersheds. CCF- You are seen as a modern ambassador for canoeing, and your passion for classic solo canoeing has taken you far and wide for speaking engagements and paddling workshops. Tell us about your exciting Spring Tour of 2010, and where it took you. Becky- Our 2010 UK Tour took my husband Reid and I to Scotland, Ireland and England for 5 weeks with a final week in Sweden. It was a fabulous experience and we spent our time teaching, doing demonstrations and giving talks on canoeing. This trip really made us aware of how international "Canadian" canoeing has become and that we have the same passion for paddling as our friends across the ocean and can share our knowledge with them and vice versa. We were so enthralled with our trip that the next year, as soon as I had finished editing my Advanced Classic Solo Canoeing DVD we went back, this time to continental Europe, and did a tour of the Netherlands, Belgium, France, Germany, Italy and then England again. -
Academy Invites 774 to Membership
MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam -
Meiermovies Short Films A-Z
MeierMovies Short Films A-Z Theatrically released motion pictures of 40 minutes or less Before perusing this list, I suggest reading my introduction to short films at the beginning of my By Star Rating list. That introduction will help explain my star choices and criteria. For a guide to colors and symbols, see Key. Movie Stars Location seen (if known) Year Director A A.D. 1363, The End of Chivalry 2 Florida Film Festival 2015 2015 Jake Mahaffy A la Francaise 3 Enzian (Oscar Shorts) 2013 Hazebroucq/Leleu/Boyer/Hsien/Lorton The Aaron Case 3 Enzian (FilmSlam 5/16) 2015 Sarah Peterson Aashpordha (Audacity) FL 2 Enzian (South Asian FF) 2011 Anirban Roy Abandoned Love 2 Enzian (Brouhaha 2014) 2014 Sarah Allsup ABC FL 1 Florida Film Festival 2014 2014 Nanna Huolman Abnie Oberfork: A Tale of Self-Preservation 0 Florida Film Festival 2018 2017 Shannon Fleming Abortion Helpline, This Is Lisa 3 Florida Film Festival 2020 2019 Barbara Attie/Janet Goldwater/Mike Attie Abiogenesis 2 Enzian (Oscar Shorts) 2012 Richard Mans The Absence of Eddy Table 4 Florida Film Festival 2017 2016 Rune Spaans Acabo de Tener un Sueño (I’ve Just Had a Dream) FL 3 Love Your Shorts 2016 2014 Javi Navarro Accidents, Blunders and Calamities 1 Florida Film Festival 2016 2015 James Cunningham Accordion Player Sl 1 1888 Louis Le Prince The Accountant 0 Enzian (FilmSlam 10/15) 2015 Stephen Morgan/Alex Couch Achoo 2 Oscar Shorts 2018 2018 L. Boutrot/E. Carret/M. Creantor Acide FL 2 Orlando International FF 2020 2018 Just Philippot Acoustic Ninja 2 Enzian (Brouhaha 2016) 2016 Robert Bevis Ace in the Hole 0 Orlando Film Festival 2013 2013 Wesley T. -
2015 Catalogue
14th Annual ASHLAND INDEPENDENT FILM FESTIVAL April 9-13, 2015 ashlandfilm.org PAGE 1 CONTENTS PO Box 218 Box Office 3 Ashland, Oregon 97520 Venues 5 541.488.3823 Support AIFF 7 [email protected] Welcome 8 ashlandfilm.org Sponsors & Grantors 11 Parties 14 Rogue Award 17 Connect with #AIFF15 Sneak Preview Screening 19 twitter.com/ashlandfilm Rebel Heart Filmmaking Workshop 20 facebook.com/ashlandfilm Filmmaker TalkBack Panels 21 blog.ashlandfilm.org instagram.com/ashlandfilm Locals Only & LAUNCH Films 22 Family Films 25 Awards & Jurors 26 SAVE THE DATES! Films 29 Documentaries 30 REEL to ROGUE: October 1, 2015 Short Documentaries 49 World FIlm Week: October 2-8, 2015 Features 59 15th Annual AIFF: Shorts 68 April 7-11, 2016 The AIFF Team 84 Volunteers 86 Donors & Members 88 The 2015 Festival art was painted on Thanks 90 location by Gabriel Mark Lipper Schedule 91 Film Index 96 Graphic design by CarterWorks PAGE 2 PAGE 3 BOX OFFICE & MERCHANDISE The AIFF Box Office brought to you by MARCH 16 Tickets go on sale to Members MARCH 22 Tickets go on sale to the General Public PURCHASE TICKETS ONLINE at ashlandfilm.org No service fee thanks to Project A! TICKET PRICES Films PRE-SALE TICKETS/WILL CALL General: $13 Seniors (62+): $12 the Information Kiosk, Downtown Ashland Plaza o Students (w/valid ID): $6 t P Member Pre-sale Dates: March 16-21, 4-6pm Oregon Trail Card Holders: $5 (Box Office only) E Online ordering begins at 10am PST Special Events R Benefactor, Executive O Rebel Heart Filmmaking Workshop: Producer & Producer Monday, March 16 E $20 general/$10 student Director Tuesday, March 17 P Back on Board: Greg Louganis Fan Wednesday, March 18 L Special Screening: $15 general/$8 student Cine Thursday, March 19 W E Indie Friday, March 20 Locals Only Film Programs O ! Friend Saturday, March 21 Free (ticket required) P General Public Pre-sale Dates/Hours Filmmaker TalkBack Panels Sunday, March 22, 4-6pm Free (ticket required) Check website for additional hours Parties DURING FESTIVAL TICKETS/WILL CALL Opening Night Bash: $30 Varsity Theatre, 166 E. -
Amy | ‘Tis the Season | Meru | the Wolfpack | the Jinx | Big Men | Caring for Mom & Dad | Walt Disney | the Breach | GTFO Scene & He D
November-December 2015 VOL. 30 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 6 IN THIS ISSUE Amy | ‘Tis the Season | Meru | The Wolfpack | The Jinx | Big Men | Caring for Mom & Dad | Walt Disney | The Breach | GTFO scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review Amy HHH 2011, she died of alcohol toxicity at the age of Lionsgate, 128 min., R, 27. Drawing on early home movies, newsreel DVD: $19.98, Blu-ray: footage, and recorded audio interviews, Amy $24.99, Dec. 1 serves up a sorrowful portrait of an artist’s Publisher/Editor: Randy Pitman This disturbing, dis- deadly downward spiral. Extras include au- concerting, booze ‘n’ dio commentary by the director, previously Associate Editor: Jazza Williams-Wood drugs documentary unseen performances by Winehouse, and Copy Editor: Kathleen L. Florio about British song- deleted scenes. -
Unpacking the Canoe: Alternative Perspectives on the Canoe As a National Symbol
Kunapipi Volume 23 Issue 1 Article 18 2001 Unpacking the Canoe: Alternative Perspectives on the Canoe as a National Symbol Susan Knabe Wendy Pearson Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Knabe, Susan and Pearson, Wendy, Unpacking the Canoe: Alternative Perspectives on the Canoe as a National Symbol, Kunapipi, 23(1), 2001. Available at:https://ro.uow.edu.au/kunapipi/vol23/iss1/18 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Unpacking the Canoe: Alternative Perspectives on the Canoe as a National Symbol Abstract The association of the canoe with Canada has a long, if not necessarily exclusive, history. Basic reference guides, such as the Encyclopedia Britannica, tell us that there are ‘two main forms of canoe: that open from end to end (the modem recreational or sport Canadian canoe), propelled with a paddle having a single blade; and the kayak’ (2: 807). The sport of canoeing was popularised throughout Europe and North America during the mid-nineteenth century, primarily by a British lawyer named John MacGregor, who founded the Royal Canoe Club in London in 1865. Canoeing became an Olympic sport in 1936. Canoe racing is now designated into two categories: the Canadian canoe (nominated as Cl or C2 depending on the number of paddlers) and the kayak (K1 or K2), both of which are raced over a variety of distances.2 This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol23/iss1/18 114 Susan Knabe and Wendy Pearson SUSAN KNABE AND WENDY PEARSON Unpacking the Canoe: Alternative Perspectives on the Canoe as a National Symbol A Canadian is someone who knows how to make love in a canoe. -
Short Film Programme
SHORT FILM PROGRAMME If you’d like to see some of the incredible short films produced in Canada, please check out our description of the Short Film Programme on page 43, and contact us for advice and assistance. IM Indigenous-made films (written, directed or produced by Indigenous artists) Films produced by the National Film Board of Canada NFB CLASSIC ANIMATIONS BEGONE DULL CARE LA FAIM / HUNGER THE STREET Norman McLaren, Evelyn Lambart Peter Foldès 1973 11 min. Caroline Leaf 1976 10 min. 1949 8 min. Rapidly dissolving images form a An award-winning adaptation of a An innovative experimental film satire of self-indulgence in a world story by Canadian author Mordecai consisting of abstract shapes and plagued by hunger and poverty. This Richler about how families deal with colours shifting in sync with jazz Oscar-nominated film was among older relatives, and the emotions COSMIC ZOOM music performed by the Oscar the first to incorporate computer- surrounding a grandmother’s death. Peterson Trio. animation technology. THE SWEATER THE BIG SNIT THE LOG DRIVER’S WALTZ Sheldon Cohen 1980 10 min. Richard Condie 1985 10 min. John Weldon 1979 3 min. Iconic author Roch Carrier narrates A wonderfully wacky look at two Kate and Anna McGarrigle sing a mortifying boyhood experience conflicts — global nuclear war and a along to the tale of a young girl who in this animated adaptation of his domestic quarrel — and how each is loves to dance and chooses to marry beloved book The Hockey Sweater. resolved. Nominated for an Oscar. a dancing log driver over her more well-to-do suitors.