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Vasilisa the Beautiful and Baba Yaga by Alexander Afanasyev Book
Vasilisa the Beautiful and Baba Yaga by Alexander Afanasyev book Ebook Vasilisa the Beautiful and Baba Yaga currently available for review only, if you need complete ebook Vasilisa the Beautiful and Baba Yaga please fill out registration form to access in our databases Download here >> Hardcover:::: 28 pages+++Publisher:::: The Planet (July 15, 2017)+++Language:::: English+++ISBN-10:::: 1910880353+++ISBN-13:::: 978- 1910880357+++Product Dimensions::::8 x 0.2 x 10 inches+++ ISBN10 ISBN13 Download here >> Description: The famous Russian fairy tale about a brave girl sent by her jealous stepsisters to fetch fire from frightful witch Baba Yaga was recorded by the renowned folklorist Alexander Nikolayevich Afanasyev (1826–1871), who collected and published more than 600 Russian folk tales in the middle 19th century.The illustrations included in this edition were created in the early 20th century by Ivan Yakovlevich Bilibin, a famous Russian illustrator and stage designer, who was inspired by Slavic folklore throughout his career. He was a prominent figure in the artistic movement Mir Iskusstva and contributed to the Ballets Russes. “Vasilisa the Beautiful and Baba Yaga” is a traditional Russian fairytale retold by Alexander Afanasyev and translated into English by Post Wheeler in the 2017 edition published by Planet Books. In the story, Vasilisa is given a magic doll by her mother as she is dying. She tells Vasilisa to give the little doll some food and drink and then it will help her solve whatever problem she’s facing.Indeed, the doll saves her over and over, even when faced with the ogre Baba Yaga, who threatens to eat Vasilisa if she doesn’t do everything she’s told. -
Solar Eclipses in the Outlook of the Slavs
ics & Ae ys ro h sp p a o r c t e s T A e Prokofyev, J Astrophys Aerospace Technol 2014, 2:2 f c h o Journal of Astrophysics & n l o a DOI: 10.4172/2329-6542.1000107 l n o r g u y o J Aerospace Technology ISSN: 2329-6542 Research Article Open Access Solar Eclipses in the Outlook of the Slavs Prokofyev A* KITION Planetarium & Observatory, Kiti, Larnaca, Cyprus *Corresponding author: Alexandr Prokofyev, KITION Planetarium & Observatory, Ammochostou 9, Kiti, 7550, Larnaca, Cyprus. Tel: +357 99037440; E-mail: [email protected] Rec date: Jul 1, 2014, Acc date: Jul 26, 2014, Pub date: Aug 15, 2014 Copyright: © 2014 Prokofyev A. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Abstract The article provides an overview of descriptions of total solar eclipses in different literature forms, rites and toponyms of Slavs. It is shown that the solar eclipse had a prominent role in the worldview of the tribes. Explanations of some terms of Slavic outlook are given with suggestions for the correct terminology. A program for further investigation in Slavic and other people’s culture is proposed. Keywords: Total solar eclipse; Archeoastronomy; Mythology; Slavs; Character 'Akhet' (Figure 2) should be translated as 'eclipse' instead of Akhet; Myth of creation of the world; Myth of end of the world; 'horizon'. Then the next well-known text obtains a simple explanation. Dragon slayer; Tales During the advance of the eclipse (former translation: after sunset at the horizon) Ra joins the fight against the forces of darkness, Introduction crocodiles, snakes and so on. -
MAN in NATURE Pre-Christian Eastern Slavic Reflections on Nature
MAN IN NATURE Pre-Christian Eastern Slavic Reflections on Nature Molly Kaushal What follows is a simple account of how, in earlier times, the Eastern Slavs, particularly the pre-Christian Russians, interacted with nature. Pre-Christian slavic religion was mainly based on nature worship. Fire, Earth and Water figured prominently in its beliefs and ritual practices. The forces of nature were personified, feared, and revered, and the Slavs developed a whole pantheon of gods and goddesses. However, the three main gods of their pantheon were linked together not in a hierarchical way, but in a mutually complementary way, where each was incomplete without the other. A whole cycle of rituals revolved around various forces of nature and their personified images. The arrival of Christianity as the official religion and the establishment of the Russian Orthodox Church culminated in the banning of many folk ritual practices which were pre-Christian in origin, and in the persecution of those who practised them. Yet, a complete annihilation of earlier beliefs and practices could never be accomplished. Pre- Christian beliefs and gods exerted such a strong influence upon the Russian mind that the only way to come to terms with them was through incorporating them in the mainstream of the Christian order. Water, Fire, and the Mother Earth Goddess were, and have remained, the most powerful images of Russian religious beliefs and practices, and folk memory has remained loyal to the personified and non- personified images of these elements. According to some scholars, Rusi, or Russians as we call them, have their origins in the word Roce. -
The Russian Ritual Year and Folklore Through Tourist Advertising
THE RUSSIAN RITUAL YEAR AND FOLKLORE THROUGH TOURIST ADVERTISING IRINA SEDAKOVA This article analyzes the ritual year in modern Russia as Članek analizira praznično leto v moderni Rusiji, kot ga reflected in tourism spam letters circulated between 2005 odsevajo turistična oglasna sporočila med letoma 2005 in and 2012. These texts are the main source of data for this 2012. Tovrstna besedila so glavni vir podatkov za to študijo, study because they illustrate major tendencies in govern- saj odsevajo pomembnejše tendence vladnih, komercialnih mental, commercial, and individual attitudes towards in individualnih pogledov na ruske tradicionalne šege in Russian traditional customs and official holidays. They also uradne praznike. Prikazujejo tudi, kako se ohranja in demonstrate how local heritage is being maintained and rekonstruira lokalna dediščina in kako se pojavljajo in reconstructed, and how new myths and customs are appear- razvijajo novi miti in rituali, kot jih zahtevajo potrebe ing and developing to suit the needs of domestic tourism, a domačega turizma. special ethnographic calendrical type. Ključne besede: Rusija, praznično leto, pust, oglaševanje, Keywords: Russia, ritual year, carnival, advertising, tour- turistična antropologija, semiotika. ism anthropology, semiotics. INTRODUCTION This article focuses on the revitalization and re-invention of calendrical ritual celebrations in modern Russian provincial cities as a reciprocal process introduced by local authorities and tourist developers to motivate domestic tourists. This study touches on many sub- disciplines within anthropology, folklore, and linguistics. The topic partly fits into the anthropology of tourism, an academic discipline well established in Europe and the U.S. (core works are published in Smith 1989, Nash 1996, and Nash 2007 et al., but not yet presented in Russian academic investigation and teaching1). -
The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Siberian Federal University Digital Repository Journal of Siberian Federal University. Humanities & Social Sciences 12 (2013 6) 1857-1866 ~ ~ ~ УДК 7.046 The Problem of Mysteriousness of Baba Yaga Character in Religious Mythology Evgenia V. Ivanova* Ural Federal University named after B.N. Yeltsin 51 Lenina, Ekaterinburg, 620083 Russia Received 28.07.2013, received in revised form 30.09.2013, accepted 05.11.2013 This article reveals the ambiguity of interpretation of Baba Yaga character by the representatives of different schools of mythology. Each of the researchers has his own version of the semantic peculiarities of this culture hero. Who is she? A pagan goddess, a priestess of pagan goddesses, a witch, a snake or a nature-deity? The aim of this research is to reveal the ambiguity of the archetypical features of this character and prove that the character of Baba Yaga as a culture hero of the archaic religious mythology has an influence on the contemporary religious mythology of mass media. Keywords: religious mythology, myth, culture hero, paganism, symbol, fairytale, religion, ritual, pagan priestess. Introduction. “Religious mythology” is examined by the author of the article (Ivanova, a new term, which is relevant to contemporary 2012, p.56). The subject of the research presented religious and cultural studies, philosophy in this article is topography or conceptual space of religion and other sciences focusing on of notional understanding of the fairytale pagan correlation between myth and religion. This culture hero – the character of Baba Yaga. -
Middlesession 2017 February 28, March 21, March 22
MiddleSession 2017 February 28, March 21, March 22 Sports of Russia and Eastern Europe Trs. Dan C and Patrick DO YOU BELIEVE IN MIRACLES?! If by “miracles” you mean exploring the popular, hockey-like sports of Russia and Eastern Europe, Tr. Patrick and Tr. Dan sure do. In our middlesession group, we will learn about the “Miracle on Ice,” try out feet at ice skating, figure out and play bandy and floorball, and possibly invent our own hybrid-sport! And we’ll eat some nice food! Eastern European Folk Dance and Song Trs. Heather and Jonathan Stand up and dance! Open your mouth and sing! Come learn a variety of folk dances from different Eastern European countries. From Macedonian line dances to Czech polkas, we will explore a wide variety of dance styles. To rest our feet periodically, we will learn some traditional songs from different countries in this region, as well as learning a bit about the different countries where these dances and songs originated. We will even have one or two workshops with local dancers and musicians! Eastern European Folktale Fun Trs. Maureen and Laurie Who are the Baba Yaga, Kikimora, and Vodyanoy? In this course, you’ll learn about these and other famous characters from Eastern European folktales. You’ll explore their stories, uncover what the stories reveal about Eastern European culture, and create your own folktale-inspired project. You could choose to create a board game starring Russian fairy tale villains and heroes, a graphic novel or movie adaptation of a Ukrainian folktale, or anything else you can imagine! We’ll also visit the University of Pennsylvania to learn from an Eastern European folklore expert. -
The Secretary of the Interior
46TH CoNGREss, } HOUSE OP REPRESENTATIVES. { Ex. Doc. 3d Session. No. 40. POPULATION AND RESOURCES OF ALASKA. LET TEl{ FROM THE SECRETARY OF THE INTERIOR, TRANSMITTING A preliminary report ~tpon the populcttion, industry, and resou'rces of Alaska. •T.\XUARY 15, 18 1.-Referred to the Committee on the Census ancl ordered to be printed. DEPA.RTMENT OF THE INTERIOR, Washington, January 13, 1881. SIR: I have the honor to transmit herewith for the information of the House of Representatives a copy of a preliminary report upon the popu lation, industry, and resources of Alaska, by Ivan Petroff, esq., special agent of the census, appointed under the provisions of the eighth sec tion of the act relating to the census, approved April 20~ 1880, and the accompanying map of Alaska, together with a copy of the letter of the Superintendent of the Census, dated the 4th instant, forwarding the same to this department, and suggesting that the report be laid before Congress with reference to propositions now pending concerning the district of Alaska. The information obtained by Mr. Petroff is of great value, much of it being upon matters and concerning regions not pre\iously the subjects of investigation, and I have, therefore, to recommend that the report be printed. · Very respectfully, C. SCHURZ, Secretary. To the SPEAKER of the Hou,se of Representatives. DEP.A.RTMENT OF THE IN1'ERIOR, CENSUS OFFICE, Wctshington, Jctnuary 4, 1881. SIR: I have the honor to forward herewith a preliminary report upon ulation, industry, and resources of Alaska, by Ivan Petroff, esq., agent of this office, appointed under the provisions of the eighth of the act of April 20, 181;0. -
ETHNOLOGICA DALMATICA Vol. 8 Split 1999. Str. 7 Aba Grubo
A ager polje, oranica aginica agina žena aba grubo (domaće, seljačko) agnat rođak s očeve strane sukno; čoha od vune ili agnacija srodstvo po ocu, krvno kostrijeti; ogrtač od abe, gunj, srodstvo džuba, dušanka agnatsko srodstvo sklop društva u abadžija proizvođač predmeta od unilinearnim srodničkim abe; krojač seljačkih odijela grupama koje nazivamo abahija, abaija pokrivač obično lineage ili gens; djeca su od čohe, stavlja se ponajviše srodna samo sa obitelji svoje konjima pod sedlo; abaja majke ili samo sa obitelji svoga abandat povezati, omotati glavu oca; postoje dvije podvrste: povezačom, pokrivačom matrilinearnost i abenjača, abenjak kapa od abe patrilinearnost. Unilinearni abit odijelo, obično se misli na znači da se srodstvo računa redovničko samo po majci, ili samo po ocu. adet običaj, navika, tradicija; Kod matrilinearnosti šerijatsko pravo, običajno međusobno su srodni, tj. pravo kod islamskih naroda spadaju u isti lineage sve žene, advenat, advent došašće, dolazak; muškarci i djeca koji mogu vrijeme od oko šest tjedana svoje podrijetlo po ženskoj prije Božića (početak crkvene liniji svesti na istu pramajku, godine); sastoji se od četiri dakle preko svoje majke, bake, nedjelje koje neposredno prabake itd. Agnatsko srodstvo prethode blagdanu Božića je pri svom postanku identično adventska košulja lanena košulja, sa društvenim uređenjem ranih djevojka je nosi u svečane dane ratara i stočara. i u korizmi agrluk oprema (otkupnina) što je aerska gromovina zračna mlada dobiva od mladoženje nepogoda, tuča, oluja povodom svadbe po -
Baba Yaga Story
This learning pack does not focus on specific objects in the Library’s collections. Instead it uses the traditional story of Baba Yaga to encourage children to think creatively about unusual objects in any exhibition. It can be used as part of a self-guided visit to Curious Objects, or in other museums or galleries. Magical Objects – Key Stage 1: English Contents of this learning pack Background information Retelling of the Baba Yaga story Visual aids to print for use during the story Story refrain card to print Activity sheet for use in the exhibition A3 game board for use in the classroom or at home Background information Suggestions for retelling the Baba Yaga story This story has been adapted by library staff from a traditional Russian folk tale to focus on three magical objects, each described by two adjectives. We suggest collecting a range of objects and/or printed images and giving each one to a child. Ask the children to hold up their image or object when it is mentioned in the story. If you cannot find the objects listed, use the photos of them instead. Objects: Blue silk scarf, Little wooden comb, Bright red ribbon, Pestle and mortar, Glass bottle. All the children can join in the rhyming refrain which is printed at the end of the story text. 1 Retelling of the Baba Yaga Story The story of Baba Yaga and Vasilisa the Brave Once, long ago, on the edge of a deep dark forest there lived a little girl named Vasilisa. She lived in a cottage with her father who loved her very much. -
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Advances in Social Science, Education and Humanities Research (ASSEHR), volume 312 International Conference "Topical Problems of Philology and Didactics: Interdisciplinary Approach in Humanities and Social Sciences" (TPHD 2018) Between Folklore and Literature: Mastery of A.N. Tolstoy-Storyteller (on the 135th anniversary of the writer) Varvara A. Golovko Evgenia A. Zhirkova Dept. of History of the Russian literature, theory of Dept. of History of the Russian literature, theory of literature and criticism literature and criticism Kuban State University Kuban State University Krasnodar, Russia Krasnodar, Russia [email protected] [email protected] Natalya V. Svitenko Dept. of History of the Russian literature, theory of literature and criticism Kuban State University Krasnodar, Russia [email protected] Abstract–The study of the interaction of traditional folk unfortunately incomplete project of the author, set of folk culture and professional art, folklore and literature for more tales. After the publication of the lyric collections, readers than a century is considered to be one of the main directions of became acquainted with the cycle “Magpie’s Tales”, first humanitarian knowledge. The article is devoted to the analysis of published by the St. Petersburg Publishing House “Public the author’s transformations of Russian folklore in the “fairy- Benefit” in 1910. tale” works of Alexei Nikolaevich Tolstoy (1883-1945). The relevance of the research is determined by the special role of Many times for different literary collections, the author has folklore images, motifs and plot patterns in the writer's works. rewritten the cycle “Magpie’s Tales”. In the Complete Works, The folklore-mythological aspect of the works of the “third” the authors of the comments note that “in 1923, when the State Tolstoy is less studied by scholars, although in a number of works Publishing house published a collection of fairy tales and about the writer there are judgments about the general influence poems by A. -
The Housing Policies in Socialist Yugoslavia 287
2 Analize • For our comrade Ivan Radenković Publisher: Center CZKD - Center for Cultural Decontamination Birčaninova 21, Belgrade For the publisher: Borka Pavićević Editors: Vida Knežević, Marko Miletić Technical editor: Anica Stojanović Introduction: Vida Knežević and Marko Miletić Analyses: Domagoj Mihaljević, Artan Sadiku, Mario Reljanović, Borovo Group (Sven Cvek, Snježana Ivčić, Jasna Račić), Lidija K. Radojević and Ana Podvršič, Boris Postnikov, Iskra Krstić, Ivan Radenković and Maja Solar, Ivana Vaseva, Isidora Ilić and Boško Prostran (Doplgenger), Rade Pantić, Ines Tanović and Boriša Mraović (Crvena), Tanja Vukša and Vladimir Simović Research and art works: Borovo Group (Sven Cvek, Snježana Ivčić, Jasna Račić), Mario Reljanović, Srđan Kovačević, The Workers’ Video Club – Zrenjanin, Lidija Radojević and Ana Podvršič, Boris Postnikov, Vigan Nimani, Iskra Krstić, Irena Pejić, Milivoje Krivokapić (Culture Center Punkt), Milica Lupšor, Bojan Mrđenović, Filip Jovanovski, Contemporary Art Center of Montenegro (Nađa Baković), Doplgenger, Crvena, Majlinda Hoxha, Miloš Miletić and Mirjana Radovanović (KURS) Translation and proofreading: Novica Petrović, Andrew Hodges, Jelena Mandić, Elizabeta Bakovska, Iskra Krstić Design and layout: Andreja Mirić This publication is illustrated with details from exhibition visualizations by KURS (Miloš Miletić and Mirjana Radovanović) Printed by: Standard 2, Belgrade Print run: 600 We Have Built Cities for You On the contradictions of Yugoslav socialism Belgrade, 2018 6 Introduction: 11 ..... Vida Knežević and Marko Miletić, We Have Built Cities for You: On the Contradictions of Yugoslav Socialism Analyses: 29 ..... Domagoj Mihaljević, In search for the lost future 47 ..... Artan Sadiku, From the Core to the Periphery: On the Aesthetic Form of Workers 61 ..... Mario Reljanović, The normative position of trade unions and the ideals of selfmanagement 81 .... -
Pagan Beliefs in Ancient Russia. by Luceta Di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc
1 Pagan Beliefs in Ancient Russia. By Luceta di Cosimo, Barony Marche of the Debatable Lands, Aethelmearc. [email protected] ©2006-2017 Slavic mythology is a difficult subject. The historical evidence is fragmented, with many conflicting sources and multiple later literary inventions. This is a brief reconstruction of ancient Russian mythology. The first archaeological findings that can be attributed to Slavs date to approximately 6th c. AD. The origins of Slavs are still debated. The pagan Slavic society was an oral society. Christianity, which introduced writing, was more concerned with eradication rather than preservation of pagan beliefs. No one really tried to preserve and record whatever remained, until late period. Then, there is some evidence recorded from the Germans who visited Russia in 18th c., but a lot of it is based on the written 15thc. sources, rather than eyewitness accounts. The 19th c. Europe saw renewed interest in folklore, and combined with rise of nationalism and need for developed mythos, a lot of what was left was recorded, but a lot was altered to make it more palatable, and questionable things (especially with fertility rituals) were edited out as not to besmirch the emerging national character. During the Soviet time, the study of any religion was problematic, due to mandatory atheism. Eventually, the study of the early Slavic traditions was permitted, and even encouraged, but, everything had to pass stringent censorship rules, and could not contradict Marxist-Leninist philosophy. So, people who had the material (in the USSR) could not publish, and people who actually could publish (in the West) did not have access to the materials.