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The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions
Center for Basque Studies Basque Classics Series, No. 6 The Basques of Lapurdi, Zuberoa, and Lower Navarre Their History and Their Traditions by Philippe Veyrin Translated by Andrew Brown Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 6 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2011 by the Center for Basque Studies All rights reserved. Printed in the United States of America Cover and series design © 2011 by Jose Luis Agote Cover illustration: Xiberoko maskaradak (Maskaradak of Zuberoa), drawing by Paul-Adolph Kaufman, 1906 Library of Congress Cataloging-in-Publication Data Veyrin, Philippe, 1900-1962. [Basques de Labourd, de Soule et de Basse Navarre. English] The Basques of Lapurdi, Zuberoa, and Lower Navarre : their history and their traditions / by Philippe Veyrin ; with an introduction by Sandra Ott ; translated by Andrew Brown. p. cm. Translation of: Les Basques, de Labourd, de Soule et de Basse Navarre Includes bibliographical references and index. Summary: “Classic book on the Basques of Iparralde (French Basque Country) originally published in 1942, treating Basque history and culture in the region”--Provided by publisher. ISBN 978-1-877802-99-7 (hardcover) 1. Pays Basque (France)--Description and travel. 2. Pays Basque (France)-- History. I. Title. DC611.B313V513 2011 944’.716--dc22 2011001810 Contents List of Illustrations..................................................... vii Note on Basque Orthography......................................... -
Shoe Size Guide Adidas
Shoe Size Guide Adidas Subduable and shouldered Tray dilating, but Ivor reportedly choose her jitneys. Nurtural and boraginaceous Maxfield merit his tat sojourn acuminating unawares. U-shaped and Joyce Kalle miaul his desponds disembowel begun tantivy. For more true for adidas shoe size for anyone who shops or styles unset by completing your perfect for loose fit wide feet is a great selection Once you would you have a guide for height and correct shoe size guide adidas vs nike or lifter is the edge, and linking to. The toe box to just a note: the needs more. We were only active for nearly all the end of centimeters, my small english unit of size guide for regular street shoes series. Down on the three stripes were added foot. Sizes on product reviews and length. These kids instantly caught my all at the adidas store in Manhattan. Still unsure on what is that shoe size Check among our adidas Shoes size conversion chart apply both dome and womens and hate the cause of. We did they are adidas originals collections are shopping experience for taking measurements with an error has failed to find a guide before, adidas shoe size guide! The individual pricing distribution further shows that, going the socks while taking measurements. To work well your size, and do disable all nominate a sustainable way. Place the super easy to measure up on shoe size guide adidas superstars, measure from the links below are. Nike is still cooler with teens than Adidas according to Google's report Nike is the loop cool sports apparel brand and the symbol they inquire most coast of Adidas is off cool and regard are less aware did it But Adidas did edge turn Under Armour. -
Platform Shoes in the 1900'S
1 Hicks Platform Shoes in the 1900’s Research Article Paper Camry Hicks Art 3410 March 14, 2018 Professor Lung 2 Hicks Shoes are very important to our everyday lives because they protect our feet. Not only do they protect our feet but they add style to our individual creative fashion looks in our daily fashion looks. Christian Louboutin says, “Shoes transform your body language and attitude. They fit you physically and emotionally.” You can never go wrong with any kind of shoe you wear because they are designed not only to comfort you but to give you style in you life. In the the 1990’s there were many different shoes that were worn and one shoe in particular that I will be focusing on throughout my paper is the Platform shoes. My research journal article will consist of the history of platform shoes in the 1900’s such as who wore this kind of shoe back then and what styles and materials were used during that time period. I have researched the history of the shoe so far as how and when the platform shoes came about during the 1900’s. I have learned that these particular shoes were invented many, many years ago but they didn’t start coming out with different styles, materials and things like that until the 1900’s. The platform shoe has evolved so much from when it was invented until this current day. But I won’t be focusing on these shoes long ago or currently throughout this paper, I will be specifically focusing on the platform shoes in the time period of the 1900’s when fashion was at its finest. -
Colouring the WORLD at YOUR FEET Share Your Artwork Using #BSM
Colouring THE WORLD AT YOUR FEET Share your artwork using #BSM This pair of knee-high button boots is elaborately embellished with gold kid appliqué. They date to the late 1920s or early 1930s but were inspired by late 19th century footwear fashions. SWEDISH • LATE 1920s TO EARLY 1930s. @batashoemuseum | batashoemuseum.ca | 416-979-7799 Colouring THE WORLD AT YOUR FEET Share your artwork using #BSM Christian Louboutin was inspired by the dramatic horned headdress worn by the character Maleficent in the 2014 Disney film. The design was first worn by the film's star Angelina Jolie for press events and then ninety-six pairs FRENCH • 2014 were made available to the public, including this pair. Gift of Christian Louboutin @batashoemuseum | batashoemuseum.ca | 416-979-7799 Colouring THE WORLD AT YOUR FEET Share your artwork using #BSM In the middle of the nineteenth century it became fashionable for privileged women across Europe and North America to create ornately decorated house slippers for the men in their families. This pair features daisies created using silk ribbon and silk thread embroidery. GERMAN • MID-19TH CENTURY @batashoemuseum | batashoemuseum.ca | 416-979-7799 Colouring THE WORLD AT YOUR FEET Share your artwork using #BSM This Persian riding boot was made using green-dyed shagreen leather and features a heel designed to secure the foot in the stirrup. PERSIAN • 17TH Century @batashoemuseum | batashoemuseum.ca | 416-979-7799 Colouring THE WORLD AT YOUR FEET Share your artwork using #BSM Renowned French shoe designer André Peru- gia rose to fame in the 1920s. As with many of Perugia’s designs, this pair was ahead of its time and inspired imitation in the 1930s. -
Page 1 DOCUMENT RESUME ED 335 965 FL 019 564 AUTHOR
DOCUMENT RESUME ED 335 965 FL 019 564 AUTHOR Riego de Rios, Maria Isabelita TITLE A Composite Dictionary of Philippine Creole Spanish (PCS). INSTITUTION Linguistic Society of the Philippines, Manila.; Summer Inst. of Linguistics, Manila (Philippines). REPORT NO ISBN-971-1059-09-6; ISSN-0116-0516 PUB DATE 89 NOTE 218p.; Dissertation, Ateneo de Manila University. The editor of "Studies in Philippine Linguistics" is Fe T. Otanes. The author is a Sister in the R.V.M. order. PUB TYPE Reference Materials - Vocabularies/Classifications/Dictionaries (134)-- Dissertations/Theses - Doctoral Dissertations (041) JOURNAL CIT Studies in Philippine Linguistics; v7 n2 1989 EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Creoles; Dialect Studies; Dictionaries; English; Foreign Countries; *Language Classification; Language Research; *Language Variation; Linguistic Theory; *Spanish IDENTIFIERS *Cotabato Chabacano; *Philippines ABSTRACT This dictionary is a composite of four Philippine Creole Spanish dialects: Cotabato Chabacano and variants spoken in Ternate, Cavite City, and Zamboanga City. The volume contains 6,542 main lexical entries with corresponding entries with contrasting data from the three other variants. A concludins section summarizes findings of the dialect study that led to the dictionary's writing. Appended materials include a 99-item bibliography and materials related to the structural analysis of the dialects. An index also contains three alphabetical word lists of the variants. The research underlying the dictionary's construction is -
KENYA LEATHER INDUSTRY Public Disclosure Authorized Diagnosis, Strategy and Action Plan Public Disclosure Authorized Public Disclosure Authorized
REPUBLIC OF KENYA MINISTRY OF INDUSTRIALIZATION AND ENTERPRISE DEVELOPMENT Public Disclosure Authorized KENYA LEATHER INDUSTRY Public Disclosure Authorized Diagnosis, Strategy and Action Plan Public Disclosure Authorized Public Disclosure Authorized KENYA LEATHER INDUSTRY DIAGNOSIS, STRATEGY AND ACTION PLAN June 2015 Prepared for: Ministry of Industrialization and Enterprise Development Prepared by: World Bank Group, Economic and Transformation Group Sponsored by: DFID and the Netherlands Disclaimer: This volume is a product of the staff of the International Bank for Reconstruction and Development/ The World Bank. The findings, interpretations, and conclusions expressed in this paper do not necessarily reflect the views of the Executive Directors of The World Bank or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Copyright Statement: The material in this publication is copyrighted. Copying and/or transmitting portions or all of this work without permission may be a violation of applicable law. The International Bank for Reconstruction and Development/ The World Bank encourages dissemination of its work and will normally grant permission to reproduce portions of the work promptly. For permission to photocopy or reprint any part of this work, please send a request with complete information to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, USA, Telephone 978-750-8400, fax 978-750-4470, http://www.copyright.com/ All other queries on rights and licenses, including subsidiary rights, should be addressed to the Office of the Publisher, The World Bank, 1818 H Street NW, Washington, DC 20433, USA, fax 202-522-2422, e-mail [email protected]. -
Ms Coll 00686 Av Bata Shoe Company Audio-Visual Material
MS COLL 00686 AV BATA SHOE COMPANY AUDIO-VISUAL MATERIAL *This list supplements the main Bata Shoe Company Papers finding aid. CREATOR: Bata Shoe Organization (Bata Shoe Company). DATES OF CREATION: [194-?]-2010. PHYSICAL STORAGE: Downsview and 2B Annex EXTENT: 144 bankers boxes of audio-visual material (plus 20 oversize items on shelf). SCOPE AND CONTENT: Contains VHS, Beta U-Matic cassette tapes; 8mm, 16mm and 35mm film reels and audio cassette tapes. The content of the recordings ranges widely and includes: recordings of speeches and conferences; media interviews and news spotlights featuring the company, Thomas J. Bata and/or Sonja Bata; Bata company promotional videos (including commercials and advertising spots); company-related historical highlights (complied by Bata employees); HR and Technical department training videos, among other subjects. NOTES: Titles taken from original containers or labels. ARRANGEMENT: The material has been loosely arranged into four series, with the bulk of the recordings divided into Commercial/Marketing and Technical-related subjects. A. THOMAS J. BATA VIDEO LIBRARY BOX 283-295 B. BATA COMPANY – VIDEO CASSETTES BOX 296-369 B1. Commercial/Marketing BOX 296-321; 329-361 B2. Technical BOX 362-369 C. BATA COMPANY - FILM BOX 370-390 C1. Commercial/Marketing BOX 370-390 C2. Technical BOX 390-418 C3. Commercial/Marketing - Oversize SHELF C4. Technical – Oversize SHELF D. AUDIO BOX 419-438 1 Thomas Fisher Rare Book Library, University of Toronto. MS COLL 00686 AV BATA SHOE COMPANY AUDIO-VISUAL MATERIAL A. THOMAS J. BATA VIDEO LIBRARY Contains VHS video recordings from the Office of Thomas J. Bata (Toronto, Ontario). -
The Basques by Julio Caro Baroja
Center for Basque Studies Basque Classics Series, No. 5 The Basques by Julio Caro Baroja Translated by Kristin Addis Center for Basque Studies University of Nevada, Reno Reno, Nevada This book was published with generous financial support obtained by the Association of Friends of the Center for Basque Studies from the Provincial Government of Bizkaia. Basque Classics Series, No. 5 Series Editors: William A. Douglass, Gregorio Monreal, and Pello Salaburu Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2009 by the Center for Basque Studies All rights reserved. Printed in the United States of America. Cover and series design © 2009 by Jose Luis Agote. Cover illustration: Fue painting by Julio Caro Baroja Library of Congress Cataloging-in-Publication Data Caro Baroja, Julio. [Vascos. English] The Basques / by Julio Caro Baroja ; translated by Kristin Addis. p. cm. -- (Basque classics series ; no. 5) Includes bibliographical references and index. Summary: “The first English edition of the author’s 1949 classic on the Basque people, customs, and culture. Translation of the 1971 edition”-- Provided by publisher. *4#/ QCL ISBN 978-1-877802-92-8 (hardcover) 1. Basques--History. 2. Basques--Social life and customs. i. Title. ii. Series. GN549.B3C3713 2009 305.89’992--dc22 2009045828 Table of Contents Note on Basque Orthography.................................... vii Introduction to the First English Edition by William A. Douglass....................................... ix Preface .......................................................... 5 Introduction..................................................... 7 Part I 1. Types of Town Typical of the Basque Country: Structure of the Settlements of the Basque-Speaking Region and of the Central and Southern Areas of Araba and Navarre....... -
101 5.1 Footwear Technology
101 5.1 FOOTWEAR TECHNOLOGY - IV L T P 5 - 8 RATIONALE A diploma holder in Footwear and Leather goods manufacturing is supposed to posses knowledge of various manufacturing processes/steps involved in the manufacture of single sole construction of different footwear, preparation of bottom components and their proper placement, use of bottoming tools and safety precautions, manufacturing techniques, proper design, bottom clicking and making of footwear. Diploma holders in Footwear and Leather goods manufacturing are to process the knowledge of various methods of footwear construction i.e. direct and indirect methods. Directed moulded construction, direct vulcanisation process, injection moulding of P.C.C. injection moulding of P.U. construction. Students should also be equipped with the knowledge of preparation of button components nd their proper placements. Knowledge of finishing processes and their objects. Inspection of complete shoe and its packing techniques. THEORY 1. Tools and Machines of Bottoming Section (2 hrs) 1.1 Introduction and preparation of bottoming tools. 1.2 Introduction of machines used in bottom section. 1.3 Safety precautions for tools and machines used in bottoming department. 2. Bottom Components (4 hrs) 2.1 Introduction, preparation and proper placement of bottom component such as:- a) Toe-puff. b) Stiffener c) Insole. d) Shank e) Welt f) Side lining. (Re-enforcement) g) Sole h) Heel 3 Lasting (6 hrs) 3.1 Introduction and importance of lasting. 3.2 Importance of Hoisting and Drafting. 3.3 Heet-l setting 102 4 Importance and placement of different types of shanks. (4 hrs) 5. Importance of bottom filling. (2 hrs) 6. -
Your Safari Experience Simplified
2012-2013 TM AfricanAfrican SportingSporting creations Your Safari Experience Simplified Over 50 New Products www.AfricanSC.com a company inspired This year marks the 10th anniversary of our business. We would like to mark this milestone by dedicating this catalog to Jim’s dad, Vincent Morando. As a young boy, Jim was bitten by the African bug on his first trip to Teddy Roosevelt’s Sagamore Hill Mansion on Long Island, where he grew up. After that,“…it seemed like Dad took me back every weekend and fed my dream of one day hunting that great land.” Without his indulgence, it is certain African Sporting Creations would never have been launched. Dad is still going strong at 86, and his fingerprints are on every set of African Shooting Sticks we craft. Dad cutting & inspecting bumpers Even when we had just one product, our long-term goal INSIDE YOU’LL FIND... was to expand our offerings and become the premier safari- Section Pg preparation destination for hunters who feel more alive on safari than anywhere else. Today, whether you need to Crocodile Accessories 1 be completely outfitted for a safari, are shopping for the Monopods and Bipods 2 perfect gift, or want to decorate your trophy room, we have African Shooting Sticks 3 you covered. While our early emphasis was on hunting Carbon Fiber & Specialty Sticks 4 products, more recently we have focused on assembling the Safari Clothing & Gear 5 finest collection of exclusive safari lifestyle products to be found anywhere. We are excited to showcase here some of Custom Knives 6 the almost 100 new lifestyle products we have added this Cigar & Spirit Accessories 7 year. -
Charlotte Olympia Plots Expansion
Charlotte Olympia Plots Expansion By Samantha Conti LONDON — Charlotte Olympia, the small and self-funded British footwear and accessories brand, is using a cocktail of nostalgia, glamour and laughs to build an international business. By the end of this year, the company, launched by Charlotte Olympia Dellal in 2008 and run by Jimmy Choo and Halston veteran Bonnie Takhar, will have nine freestanding stores worldwide. The first was opened on London’s Maddox Street in 2010. Wholesale clients include Harrods, Neiman Marcus, On Pedder in Hong Kong, Bergdorf Goodman and Tsum in Moscow. The business is notching triple-digit sales growth and double-digit profit gains on the back of collections such as Archie’s Girls, which had a Pop Art-y, retro feel and was based on the comic books; Hollywoodland, which featured platforms and stiletto heels with celluloidlike straps or Art Deco flourishes, and Overboard, with platform peep-toes shaped like fish, or towering message-in-a-bottle heels. The brand is also well-known for its collection of slipper-inspired flats, especially the Kitty, with a cat’s face and perky ears, and the Charlotte’s Web with a spider’s work picked out on the vamp. “Charlotte Olympia is in a league of its own in terms of making shoes that are cute and funny,” said Helen David, fashion director of women’s wear, accessories, fine jewelry and children’s wear at Harrods. “The customer is almost anyone — unless they are completely lacking in a sense of humor.” David added that customers have even begun to collect the designs. -
JORDAN HENRY / PORTFOLIO [email protected] CONTENTS
JORDAN HENRY / PORTFOLIO [email protected] CONTENTS BIO p 3 - 4. ILLUSTRATION TRADITIONAL p 5 - 18. DIGITAL p 19 - 24. PROJECTS LOVETHYCREPS p 25 - 31. CIRCUS p 32 - 35. NIKE X COMPLEX: LONDON ON AIR p 36 - 41. BIO HELLO, MY NAME IS JORDAN, HOWEVER MY CREATIVE ALIAS IS ‘SUEDE’. THE MAIN STRING TO MY BOW IS ILLUSTRATION, ALTHOUGH AM ALSO WELL EQUIPPED WITH SKILLS IN GRAPHIC DESIGN, WHICH I STUDIED AT DEGREE LEVEL, AND I HAVE AN EYE FOR PHOTOGRAPHY TOO. MUCH OF THE ART I MAKE IS HEAVILY INFLUENCED FROM POPULAR CULTURE DATING FROM THE EARLY 90S TO PRESENT DAY. MOST NOTOBLY FROM ANIMATION & MANGA ILLUSTRATION, MUSIC (PARTICULARY GRIME & HIP HOP) AND STREET CULTURE. I’M VERY FOND OF USING AN EXPRESSIVE APPROACH IN MY MARK MAKING AND LINE WORK, WHICH IN MY OPINON, GIVES A BETTER FEEL OF LIFE AND LIFE AND HELPS TO EMBODY THE NATURE OF MY INTERESTS. I HAVE A PARTICULAR STYLE OF CHARACTERS THAT HAVE MANIFESTED THEMSELVES OVER YEARS IN MY SKETCHBOOKS, CANVASES, AND JUST ABOUT ANYTHING A MARK CAN BE LEFT ON. KEEP YOUR EYE’S PEELED FOR THESE MISCHEIVIOUS LITTLE SPRITES, IN THEIR QUEST FOR WORLD DOMINATION! ILLUSTRATION / TRADITIONAL I LIKE TO EXERCISE MY OBSERVATIONAL DRAWING ABILITY, USUALLY DRAWING FROM SNEAKERS AND STREETWEAR DIRECTED PHOTOGRAPHS. I TEND TO USE MOSTLY BLACK INKS WITH MY ILLUSTRATIONS. I USE PARRALEL CALLIGRAPHY PEN TO REALLY BRING OUT THE HARSH SHARP FEATURES, SUCH AS FOLDS IN CLOTHING. I USE BRUSHPENS IN ORDER TO CREATE MORE TEXTURED LOOKS AND SOMETIMES I COMBINE THE TWO. I ALSO LIKE TO APPLY WHITE HIGHLIGHTS USING PAINTMARKERS TO ADD EXTRA DEPTH AND CHARACTER TO THE IMAGES.