Melissa Del Sol

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Melissa del Sol [email protected] | 609.792.5302 | melissadelsol.com Hair/Eyes: Brown | Height: 5’2” | Voice: Soprano w/ Belt | AGMA INDUSTRIALS Marketo Presenter Studio B Films David Collier ThousandEyes Doctor Translucent Studios Josh Mehler HP Printer Focus Group Member Emotion Studios Paul Lundahl PRINT Nest Retail Shopper John McNeil Studio Kim Le Liboux Cisco Marketing Long Productions Brian Long THEATER / DANCE (Partial List) Theater Beyond Therapy Prudence Shelton Theater Matthew Shelton West Side Story Teresita, Anita u/s Mountain Play Jay Manley Ragtime Jewish Immigrant, Chorine Heritage Theatre Festival Robert Chapel Damn Yankees Lost Souls Dancer, Ensemble Heritage Theatre Festival Robert Chapel San Francisco Opera | Corps Dancer (Lawrence Pech, Dance Master) Dream of the Red Chamber Dancer (swing) San Francisco Opera Stan Lai Connecticut Ballet | Principal Dancer (Brett Raphael, Artistic Director) Corelli Ted Thomas / Frances Ortiz Contemporary Love Lessons Mitzi Adams Love Trio (Jazz) The Nutcracker Brett Raphael Snow Queen Pas de Deux, Spanish / Mirlitons Lead Dance Alive National Ballet I Principal Dancer (Kim Tuttle, Artistic Director) Aeia Bridled Rick Tjia (Cirque du Soleil) Principal (Contemporary) Carmina Burana Tom Pazik Lady in Green, Harlot, Nun Cleopatra: A Rock Ballet Kim Tuttle Principal Rhapsody in Blue Judy Skinner Principal (Contemporary) Robin Hood Kim Tuttle Bess (Classical Pas de Deux) Sincerely Kim Tuttle “I Believe,” “Hound Dog,” “Mambo Italiano” A Streetcar Named Desire Kim Tuttle Stella (Pas de Deux) Who Cares? George Balanchine “I’ll Build a Stairway to Paradise” EDUCATION & TRAINING B.A. Drama + B.A. Studio Art, University of Virginia M.S. Management, University of Florida Voice Peter Maleitzke (ongoing), Erin Neff Acting Richard Seyd (ongoing), Lauren English (ongoing), Meryl Shaw, Robert Weinapple, Matthew Shelton Dance Boston Ballet (summers), Richmond Ballet (summer, merit scholarship), South Jersey Ballet School, (ongoing: Alonzo King LINES Dance Center, San Francisco Ballet School, City Ballet School) Other 23andMe (Creative Manager), Laurie Arons Special Events (Events Manager), Amino (Ops Manager) SPECIAL SKILLS Acting Improv, Ballet / Pointe, Jazz, Hip Hop, Contemporary Dance, Partnering, Choreography, Dance Improv, Teleprompter Experience, Spanish, Valid Driver’s License, Beginning: Tap, Violin, Piano, Figure Skating .

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Dance, American Dance
DA CONSTAANTLYN EVOLVINGCE TRADITION AD CONSTAANTLY NEVOLVINGCE TRADITION BY OCTAVIO ROCA here is no time like the Michael Smuin’s jazzy abandon, in present to look at the future of Broadway’s newfound love of dance, American dance. So much in every daring bit of performance art keeps coming, so much is left that tries to redefine what dance is behind, and the uncertainty and what it is not. American dancers Tand immense promise of all that lies today represent the finest, most ahead tell us that the young century exciting, and most diverse aspects of is witnessing a watershed in our country’s cultural riches. American dance history. Candid The phenomenal aspect of dance is shots of American artists on the that it takes two to give meaning to move reveal a wide-open landscape the phenomenon. The meaning of a of dance, from classical to modern dance arises not in a vacuum but in to postmodern and beyond. public, in real life, in the magical Each of our dance traditions moment when an audience witnesses carries a distinctive flavor, and each a performance. What makes demands attention: the living American dance unique is not just its legacies of George Balanchine and A poster advertises the appearance of New distinctive, multicultural mix of Antony Tudor, the ever-surprising York City Ballet as part of Festival Verdi influences, but also the distinctively 2001 in Parma, Italy. genius of Merce Cunningham, the American mix of its audiences. That all-American exuberance of Paul Taylor, the social mix is even more of a melting pot as the new commitment of Bill T.
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David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts,
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Ballet Instructors 2012/2013
BALLET INSTRUCTORS 2012/2013 MARION CHAEFF, DIRECTOR received her professional training at American Ballet Theatre in New York under world renowned teachers: Alexandra Danilova, Igor Schwezoff, Anatole Vilzak, Ludmilla Schollar, Yurek Lazovsky and Valentina Pereyaslavec. She received her teacher's training in Vienna, Austria and is accredited to teach the Bolshoi School (Moscow Choreographic School) syllabus. After dancing professionally, she directed her own School and company in Oakland, New Jersey for 9 years and currently is Artistic Director of San Jose Ballet Association, a non-profit performing organization. RIMA CHAEFF, DIRECTOR began her studies with her mother and was later a government sponsored scholarship student in Vienna, Austria for 3 years studying with Irina Borovska-Musil. She has studied with Rosella Hightower in Cannes, Zurich Opera Ballet, Saile Academy in Sydney, Australia, Boston Ballet and in New York with Sulamith Messerer, David Howard and the Joffrey School. She completed 3 years in the professional division of San Francisco Ballet School and danced in their Nutcracker and Showcase performances. She appeared as soloist with San Jose Dance Theatre and toured Europe with Ballet San Jose as Principal dancer. She is presently dancing with Pacific Ballet Theatre. She has created original roles with choreographers Lawrence Pech, Audrey King and Harold Lang and danced the roles of Giselle, Odette in Swan Lake, Nikiya in La Bayadere, and leading roles in Les Sylphides and Paquita. BRIANNE ACKROYD danced professionally for 7 years in companies in West Germany and toured in France and Sweden. She holds a teaching degree in Ballet and Character Dance from the Hanover University of Music and Theatre and is a member of R.A.D., London.
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Ginger Thatcher and Phillip Broomhead Set for Faculty at Goh Ballet Academy's Summer Program in Vancouver, 7/7-8/9
Ginger Thatcher and Phillip Broomhead Set for Faculty at Goh Ballet Academy's Summer Program in Vancouver, 7/7-8/9 GINGER THATCHER, former principal dancer of the Cleveland Ballet and former soloist of the Lar Lubovitch Dance Company, and PHILLIP BROOMHEAD, former principal dancer of the Royal Ballet and the Houston Ballet, will members of the faculty for the Goh Ballet Academy's Summer Program in Vancouver, Canada from July 7-August 9, 2014. GINGER THATCHER began her professional dance career as an apprentice with the Houston Ballet. She later joined the Cincinnati Ballet and in 1981 joined the Cleveland Ballet, rising to the rank of principal dancer. Ms. Thatcher's repertoire with the Cleveland Ballet included principal roles in ballets by George Balanchine (Agon, Concerto Barocco, The Four Temperaments, Serenade, Theme and Variations), Dennis Nahat (Brahms Quintet, Cannonade, Celebration and Ode, Contra Concerti, In Concert, In Studio D, Ontongeny, Pas de Dix, Quicksilver, Slavonic and Hungarian Dances, Some Times, Summerscape, Wu T'ai Shih), Murray Louis (By George), Daniel Levans (Concert Waltzes), Louis Falco (Escargot), Leonide Massine (Gaite Parisienne), David Lichine (Graduation Ball), Kurt Joos (The Green Table), Antony Tudor (Lilac Garden), Ian Horvath (Ozone Hour, Piano Man), Agnes de Mille (Rodeo, Three Virgins And A Devil), and Jose Limon (The Moor's Pavane, There Is A Time). Ms. Thatcher has also received acclaim for her performances in classical pieces such as Don Quixote Pas de Deux, The Nutcracker, Bluebird Pas de Deux, and the Prelude in Fokine's Les Sylphides. From 1991-93 Ms. Thatcher danced with the Lar Lubovitch Dance Company and danced roles in American Gesture, Concerto 622, Symphonie Concertante, and Waiting For The Sunshine.
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Too Hot to Handel Cincinnati Ballet's the Nutcracker Les Ballets
Too Hot to Handel November 29, 30 2003 Cincinnati Ballet's The Nutcracker December 5-14 2003 Les Ballets Africains February 27 2003 Dance Theatre of Harlem March 4-7, 2003 DETROIT Home of Michigan Opera Theatre David DiChiera, General Director DAIMLERCHRYSLER DaimlerChrysler Corporation Fund Copyright 2010,2003-04 Michigan Dance Series Opera Theatre No one can guarantee success. But knowing how to rehearse for it certainly helps. With over 250 relationship managers dedicated to one-on -one service, a full array of the latest financial products, and an emphasis on helping local businesses succeed, the Standard Federal Commercial Banking team makes sure your needs are always front and center. For more information, call 1-248-822-5402 or visit standardfede ralbank.c om . True Possibility. Standard Federal Bank ABN AMRO standardfederalbank.com ©2003 Standard Federal BankNA Copyright 2010, Michigan Opera Theatre Sur ender to Love DETROIT OPERA HOUSE . HOME OF MICHIGAN OPERA THEATRE ]B~VO 2003-2004 The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Winer CONTRIBUTORS Dr. David DiChiera, General Director Matthew S. Birman, Editor Laura Wyss cason Michigan Opera Theatre Staff PUBLISHER ON STAGE Live Publishing Company TOO HOT TO HANDEL. .4 Frank Cucciarre, Design and Art Direction Program ............ .5 Blink Concept &: Design, Inc. Production Artist Profiles .................. ... ...... .6 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Rackham Symphony Choir ..... .. .............. .7 Marygrove College Chorale and Soulful Expressions Ensemble 7 Physicians' service provided by Henry Ford Medical Center. Too Hot to Handel Orchestra ... .... .... ........ 7 THE NUTCRACKER .9 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House.
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CAC Annualreport 2000-01.Pdf
TABLE OF CON T EN T S Year in Review 5Budget Year of the Arts Arts in Education Infrastructure Development Mar keting Partnerships Research Communications Poet Laureate Recognition Awards Grant Programs 30Program Descriptions & Grantee Highlights Appendices 51Award Winners Financial Status Grantees 2000-20012000-2001 Annual Report Governor Davis Senate President pro Tem Burton Assembly Speaker Wesson State Capitol Sacramento, California Dear Governor Davis, Senate President pro Tem Burton, Assembly Speaker Wesson: It is my pleasure to transmit the Annual Report for the Fiscal Year 2000-2001 of the California Arts Council. For the past twenty-five years, the Arts Council has nurtured and expanded the creative capital in California, awarding more than 20,000 grants in all of California’s 58 counties. 2001 marked a year-long visibility campaign celebrating the agency’s silver anniversary, saw the launch of major new initiatives in Arts Education and Multicultural Arts, as well as expansion in programs to increase the organizational capacity and stability of arts groups. The programs and activities highlighted in this report illustrate the Arts Council’s commitment to promoting the highest quality art made available to all Californians, and its work in supporting the value and positive impact of the arts to our economy, the education and job preparation of our students, and to the civic life of our communities. Barry Hessenius Director California Arts Council 1300 I Street, Suite 930 Sacramento, CA 95814 www.cac.ca.gov Director’s Statement he California nonprofit arts field is of Arts Day as part of the national celebration in experiencing a period of tremendous October of Arts & Humanities Month.
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Lar Lubovitch Dance Company
Chris Callis Lar Lubovitch Dance Company Lar Lubovitch, Artistic Director Richard J. Caples, Executive Director Company: Clifton Brown, Elisa Clark, Nicole Corea, Attila Joey Csiki, Reed Luplau, Jason McDole, Brian McGinnis, Laura Rutledge, Katarzyna Skarpetowska Apprentice: Anthony Bocconi Jack Mehler, Lighting Designer Maxine Glorsky, Production Stage Manager Leticia D. Baratta, Company Manager Program North Star Little Rhapsodies -Intermission- Crisis Variations -Intermission- The Legend of Ten Thursday, October 11 at 7:30 PM Friday, October 11 at 8 PM Saturday, October 12 at 2 PM Saturday, October 12 at 8 PM This performance is part of the Artist & Audiences Changing Lives program. 12/13 Season | 3 PROGRAM North Star (1978) Choreography: Lar Lubovitch Music: Philip Glass, North Star Costumes: Clovis Ruffin Lighting: Jack Mehler Original Lighting: Craig Miller Staging: John Dayger Ensemble: Full Company Quartet: Anthony Bocconi, Nicole Corea, Reed Luplau, Brian McGinnis Quartet: Attila Joey Csiki, Jason McDole, Laura Rutledge, Katarzyna Skarpetowska Solo: Elisa Clark Solo: Clifton Brown & Ensemble The Lubovitch company acknowledges the generous support for the reconstruction and touring of North Star, which was made possible by “American Masterpieces: Dance,” an initiative of the National Endowment for the Arts, administered by the New England Foundation for the Arts. “Etoile Polaire” music composed by Philip Glass and produced by Philip Glass & Kurt Munkacsi. Copyright 1977. Dunvagen Music Publishers, Inc. Used by permission. Choreography copyright© Lar Lubovitch 1978. -Pause- Little Rhapsodies (2007) Choreography: Lar Lubovitch Music: Robert Schumann, Symphonic Etudes, Opus 13 Costumes: Ann Hould-Ward Lighting: Jack Mehler Dancers: Attila Joey Csiki, Reed Luplau, Brian McGinnis Initial support for Little Rhapsodies was provided by Irwin Kroot & Anthony Catanzaro, and by Peter Schamel and the Lisa & Steve Cundall Family Charitable Trust, in honor of Broadway Cares/Equity Fights AIDS.
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July 1-30, 2010
An Appalachian SummerJuly 1-30, Festival2010 APPALACHIAN STATE UNIVERSITY | BOONE, NORTH CAROLINA Janis Ian & Karla Bonoff JULY 1 Summer Exhibition Celebration JULY 2 Distinguished Faculty Concert JULY 3 “Me & Orson Welles“ Film, JULY 5 The Broyhill Chamber Ensemble JULY 7, 14, 25 Amy Sedaris JULY 9 The Golden Dragon Acrobats JULY 10 Eastern Festival Orchestra with Barry Douglas JULY 11 “Vanya on 42nd Street“ Film, JULY 12 Lar Lubovitch Dance Company JULY 16 Patti LuPone JULY 17 Eastern Festival Orchestra with Tianwa Yang JULY 18 “Every Little Step“ Film, JULY 19 John Pizzarelli JULY 22 Wild & Scenic Film Festival JULY 23 Rosen Sculpture Walk & Competition JULY 24 Blood, Sweat & Tears JULY 24 “Under the Same Moon“ Film, JULY 26 Jazz Beneath the Stars at Westglow JULY 29 Ralph Stanley & Cherryholmes JULY 30 ON AND AROUND THE CAMPUS OF APPALACHIAN STATE UNIVERSITY, BOONE, NC JULY 2010 CALENDAR OF EVENTS FIND US ON: An Appalachian Summer Festival SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Triad Stage Janis Ian Summer Distinguised Bus Trip: & Exhibition Faculty “Providence Karla Celebration Concert Gap” Bonoff: at the 8PM, RCH PAGE 42 PAGE 93 Songs of a Turchin Basic Batik 27 Generation1 2 3 Workshop 8PM, FA PAGE 77 Center 7PM, TCVA PAGE 100 PAGE 103 Dinner, Show Film Broyhill Belk Lecturer Amy Golden Dragon & Fireworks “Me and Orson Anne Acrobats Chamber Sedaris 8PM, FA PAGE 67 Welles” 8PM, FA PAGE 95 at Westglow 8PM, FA PAGE 110 Ensemble Whisnant Resort & Spa 8PM, RCH PAGE 49 3:30PM, BLIC PAGE 102 TCVA Family Day PAGE 102
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Mcgill Community for Lifelong Learning | Rory O'sullivan Music
Rory O’Sullivan Opera and Music DVD Collection McGill Community for Lifelong Learning McGill Community for Lifelong Learning | Rory O’Sullivan Music Collection Table of Contents Introduction ................................................................................................................ 3 Borrowing Procedure ................................................................................................. 4 DVD Request Form ................................................................................................... 5 Opera Collection ........................................................................................................ 6 Opera Compilations ...............................................................................................263 Orchestral and Other Works ..................................................................................287 Last Update: 28 March 2017 Page 2 McGill Community for Lifelong Learning | Rory O’Sullivan Music Collection Introduction McGill Community for Lifelong Learning is now in possession of a unique collection of opera DVDs. The family of the late Rory O’Sullivan has generously donated his personal collection for the pleasure and enjoyment of all MCLL members. Rory, through his very popular and legendary Opera Study Groups, inspired huge numbers with his knowledge, love and passion for opera. An architect by profession, Rory was born, raised and educated in Ireland. In his youth he participated in school productions of Gilbert and Sullivan operettas. This instilled
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Archiveography Overture
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CHUCHO VALDÉS and the Afro-Cuban Messengers
2 3 4 5 Perfecting the art of financial planning and putting the spotlight on your future. HB Financial Group LLC 28 Amity Street, 1C | Amherst 413-256-0677 | www.hbfinancialgroup.com Securities and Advisory Services offered through Commonwealth Financial Network®, Member FINRA/SIPC, a Registered Investment Adviser. 6 8 7 8 Supporting the arts and your healthy smile 9 10 In this Issue . 15 CHUCHO VALDÉS 21 THREE CUPS OF TEA 24 LAR LUBOVITCH DANCE COMPANY 32 SHANGRI-LA ACROBATS 36 Fine Arts Center Board and Staff 37 Friends of the Fine Arts Center 41 Evacuation Diagram 43 Patron Services Information 44 Symbols of Support 10 9 12 13 BRAVO We are proud to support the Fine Arts Center. We are dedicated to the proud tradition of supporting the businesses and communities we serve...since 1869. Member FDIC Member DIF 14 Tuesday, October 19, 2010, 7:30 PM UMass Fine Arts Center Concert Hall CHUCHO VALDÉS and The Afro-Cuban Messengers CHUCHO’S STEPS TOUR Chucho Valdés, Piano Mayra Caridad Valdés, vocals Juan Carlos Rojas Castro, Drums Lázaro Rivero Alarcón, Bass Yaroldy Abreu Robles, Percussion Carlos Manuel Miyares Hernandez,Tenor Saxophone Reinaldo Melián Álvarez, Trumpet Dreiser Durruthy Bambolé , Bata Drums and Vocals The evening’s program will be announced from the stage Sponsored by: Funded in part by the Expeditions program of the New England Foundation for the Arts, made possible with funding from the National Endowment for the Arts, with additional sup- port from the six New England state arts agencies. Thank you to Pablo Ygelsias for sharing his collection of original artwork and album covers including the work of Chucho Valdés.
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2009–2010 Season Sponsors
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