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Leeds Piano Festival 2019
LEEDS PIANO FESTIVAL 2019 2018 Competition Winner Eric Lu joins world-renowned artists Steven Osborne and Barry Douglas for annual celebration of piano in Leeds and London 28 March – 7 April 2019 Leeds College of Music, Leeds | LSO St Luke’s, London Eric Lu © Simon Wilkinson; Barry Douglas © Benjamin Ealovega; Steven Osborne © Benjamin Ealovega Extensive learning and engagement activities take piano out of the concert hall and into communities Outstanding young scholars from Lang Lang International Music Foundation also perform “Artistry of that kind is rare in pianists of any age; to find it in a 20-year-old is simply astounding.” The Daily Telegraph Following his win at the Leeds International Piano Competition in September 2018, 21-year-old pianist Eric Lu returns to ‘The Leeds’ for Leeds Piano Festival, with recitals in Leeds and London. World-renowned pianists Steven Osborne and Barry Douglas also perform recitals, with Osborne leading a masterclass with Young Scholars from the Lang Lang International Music Foundation, building on the ongoing relationship between the Foundation and The Leeds. The Festival continues the much-enriched programme of events that surrounded the 2018 Competition, allowing audiences to engage with the piano and The Leeds beyond the triennial Competition. As part of The Leeds’ commitment to developing new and exciting ways of bringing the piano to as wide an audience as possible, the Festival – successfully inaugurated in 2018 – will again comprise many learning and engagement activities, including the return of the ‘Discover the Piano: Piano Fantasia’ on 28 March - The Leeds’ biggest primary school event to date, reaching more than 1,000 schoolchildren. -
Repor 1 Resumes
REPOR 1RESUMES ED 018 277 PS 000 871 TEACHING GENERAL MUSIC, A RESOURCE HANDBOOK FOR GRADES 7 AND 8. BY- SAETVEIT, JOSEPH G. AND OTHERS NEW YORK STATE EDUCATION DEPT., ALBANY PUB DATE 66 EDRS PRICEMF$0.75 HC -$7.52 186P. DESCRIPTORS *MUSIC EDUCATION, *PROGRAM CONTENT, *COURSE ORGANIZATION, UNIT PLAN, *GRADE 7, *GRADE 8, INSTRUCTIONAL MATERIALS; BIBLIOGRAPHIES, MUSIC TECHNIQUES, NEW YORK, THIS HANDBOOK PRESENTS SPECIFIC SUGGESTIONS CONCERNING CONTENT, METHODS, AND MATERIALS APPROPRIATE FOR USE IN THE IMPLEMENTATION OF AN INSTRUCTIONAL PROGRAM IN GENERAL MUSIC FOR GRADES 7 AND 8. TWENTY -FIVE TEACHING UNITS ARE PROVIDED AND ARE RECOMMENDED FOR ADAPTATION TO MEET SITUATIONAL CONDITIONS. THE TEACHING UNITS ARE GROUPED UNDER THE GENERAL TOPIC HEADINGS OF(1) ELEMENTS OF MUSIC,(2) THE SCIENCE OF SOUND,(3) MUSICAL INSTRUMENTS,(4) AMERICAN FOLK MUSIC, (5) MUSIC IN NEW YORK STATE,(6) MUSIC OF THE THEATER,(7) MUSIC FOR INSTRUMENTAL GROUPS,(8) OPERA,(9) MUSIC OF OTHER CULTURES, AND (10) HISTORICAL PERIODS IN MUSIC. THE PRESENTATION OF EACH UNIT CONSISTS OF SUGGESTIONS FOR (1) SETTING THE STAGE' (2) INTRODUCTORY DISCUSSION,(3) INITIAL MUSICAL EXPERIENCES,(4) DISCUSSION AND DEMONSTRATION, (5) APPLICATION OF SKILLS AND UNDERSTANDINGS,(6) RELATED PUPIL ACTIVITIES, AND(7) CULMINATING CLASS ACTIVITY (WHERE APPROPRIATE). SUITABLE PERFORMANCE LITERATURE, RECORDINGS, AND FILMS ARE CITED FOR USE WITH EACH OF THE UNITS. SEVEN EXTENSIVE BE.LIOGRAPHIES ARE INCLUDED' AND SOURCES OF BIBLIOGRAPHICAL ENTRIES, RECORDINGS, AND FILMS ARE LISTED. (JS) ,; \\',,N.k-*:V:.`.$',,N,':;:''-,",.;,1,4 / , .; s" r . ....,,'IA, '','''N,-'0%')',", ' '4' ,,?.',At.: \.,:,, - ',,,' :.'v.'',A''''',:'- :*,''''.:':1;,- s - 0,- - 41tl,-''''s"-,-N 'Ai -OeC...1%.3k.±..... -,'rik,,I.k4,-.&,- ,',V,,kW...4- ,ILt'," s','.:- ,..' 0,4'',A;:`,..,""k --'' .',''.- '' ''-. -
Performance Measurement Report
THEATER SUBDISTRICT COUNCIL, LDC Performance Measurement Report I. How efficiently or effectively has TSC been in making grants which serve to enhance the long- term viability of Broadway through the production of plays and small musicals? The TSC awards grants, among other purposes, to facilitate the production of plays and musicals. The current round, awarding over $2.16 million in grants for programs, which have or are expected to result in the production of plays or musicals, have been awarded to the following organizations: • Classical Theatre of Harlem $100,000 (2009) Evaluation: A TSC grant enabled the Classical Theatre of Harlem to produce Archbishop Supreme Tartuffe at the Harold Clurman Theatre on Theatre Row in Summer 2009. This critically acclaimed reworking of Moliere’s Tartuffe directed by Alfred Preisser and featuring Andre DeShields was an audience success. The play was part of the theater’s Project Classics initiative, designed to bring theater to an underserved and under-represented segment of the community. Marketing efforts successfully targeted audiences from north of 116th Street through deep discounts and other ticket offers. • Fractured Atlas $200,000 (2010) Evaluation: Fractured Atlas used TSC support for a three-part program to improve the efficiency of rehearsal and performance space options, gather useful workspace data, and increase the availability of affordable workspace for performing arts groups in the five boroughs. Software designers created a space reservation calendar and rental engine; software for an enhanced data-reporting template was written, and strategies to increase the use of nontraditional spaces for rehearsal and performance were developed. • Lark Play Development Center $160,000 (2010) Evaluation: Lark selected four New York playwrights from diverse backgrounds to participate in a new fellowship program: Joshua Allen, Thomas Bradshaw, Bekah Brunstetter, and Andrea Thome. -
HERRICK GOLDMAN LIGHTING DESIGNER Website: HG Lighting Design Inc
IGHTING ESIGNER HERRICK GOLDMAN L D Website: HG Lighting Design inc. Phone: 917-797-3624 www.HGLightingDesign.com 1460 Broadway 16th floor E-mail: [email protected] New York, NY 10036 Honors & Awards: •2009 LDI Redden Award for Excellence in Theatrical Design •2009 Henry Hewes (formerly American Theatre Wing) Nominee for “Rooms a Rock Romance” •2009 ISES Big Apple award for Best Event Lighting •2010 Live Design Excellence award for Best Theatrical Lighting Design •2011 Henry Hewes Nominee for Joe DiPietro’s “Falling for Eve” Upcoming: Alice in Wonderland Pittsburgh Ballet, Winter ‘17 Selected Experience: •New York Theater (partial). Jason Bishop The New Victory Theater, Fall ‘16 Jasper in Deadland Ryan Scott Oliver/ Brandon Ivie dir. Prospect Theater Company Off-Broadway, NYC March ‘14 50 Shades! the Musical (Parody) Elektra Theatre Off-Broadway, NYC Jan ‘14 Two Point Oh 59 e 59 theatres Off-Broadway, NYC Oct. ‘13 Amigo Duende (Joshua Henry & Luis Salgado) Museo Del Barrio, NYC Oct. ‘12 Myths & Hymns Adam Guettel Prospect Theater co. Off-Broadway, NYC Jan. ‘12 Falling For Eve by Joe Dipietro The York Theater, Off-Broadway NYC July. ‘10 I’ll Be Damned The Vineyard Theater, Off-Broadway NYC June. ‘10 666 The Minetta Lane Theater Off-Broadway, NYC March. ‘10 Loaded Theater Row Off-Broadway, NYC Nov. ‘09 Flamingo Court New World Stages Off-Broadway, NYC June ‘09 Rooms a Rock Romance Directed by Scott Schwartz, New World Stages, NYC March. ‘09 The Who’s Tommy 15th anniversary concert August Wilson Theater, Broadway, NYC Dec. ‘08 Flamingo Court New World Stages Off-Broadway, NYC July ‘08 The Last Starfighter (The musical) Theater @ St. -
IATSE and Labor Movement News
FIRST QUARTER, 2012 NUMBER 635 FEATURES Report of the 10 General Executive Board January 30 - February 3, 2012, Atlanta, Georgia Work Connects Us All AFL-CIO Launches New 77 Campaign, New Website New IATSE-PAC Contest 79 for the “Stand up, Fight Back” Campaign INTERNATIONAL ALLIANCE OF THEATRICAL STAGE EMPLOYEES, MOVING PICTURE TECHNICIANS, ARTISTS AND ALLIED CRAFTS OF THE UNITED STATES, ITS TERRITORIES AND CANADA, AFL-CIO, CLC EXECUTIVE OFFICERS Matthew D. Loeb James B. Wood International President General Secretary–Treasurer Thomas C. Short Michael W. Proscia International General Secretary– President Emeritus Treasurer Emeritus Edward C. Powell International Vice President Emeritus Timothy F. Magee Brian J. Lawlor 1st Vice President 7th Vice President 900 Pallister Ave. 1430 Broadway, 20th Floor Detroit, MI 48202 New York, NY 10018 DEPARTMENTS Michael Barnes Michael F. Miller, Jr. 2nd Vice President 8th Vice President 2401 South Swanson Street 10045 Riverside Drive Philadelphia, PA 19148 Toluca Lake, CA 91602 4 President’s 74 Local News & Views J. Walter Cahill John T. Beckman, Jr. 3rd Vice President 9th Vice President Newsletter 5010 Rugby Avenue 1611 S. Broadway, #110 80 On Location Bethesda, MD 20814 St Louis, MO 63104 Thom Davis Daniel DiTolla 5 General Secretary- 4th Vice President 10th Vice President 2520 West Olive Avenue 1430 Broadway, 20th Floor Treasurer’s Message 82 Safety Zone Burbank, CA 91505 New York, NY 10018 Anthony M. DePaulo John Ford 5th Vice President 11th Vice President 6 IATSE and Labor 83 On the Show Floor 1430 Broadway, 20th Floor 326 West 48th Street New York, NY 10018 New York, NY 10036 Movement News Damian Petti John M. -
Dance, American Dance
DA CONSTAANTLYN EVOLVINGCE TRADITION AD CONSTAANTLY NEVOLVINGCE TRADITION BY OCTAVIO ROCA here is no time like the Michael Smuin’s jazzy abandon, in present to look at the future of Broadway’s newfound love of dance, American dance. So much in every daring bit of performance art keeps coming, so much is left that tries to redefine what dance is behind, and the uncertainty and what it is not. American dancers Tand immense promise of all that lies today represent the finest, most ahead tell us that the young century exciting, and most diverse aspects of is witnessing a watershed in our country’s cultural riches. American dance history. Candid The phenomenal aspect of dance is shots of American artists on the that it takes two to give meaning to move reveal a wide-open landscape the phenomenon. The meaning of a of dance, from classical to modern dance arises not in a vacuum but in to postmodern and beyond. public, in real life, in the magical Each of our dance traditions moment when an audience witnesses carries a distinctive flavor, and each a performance. What makes demands attention: the living American dance unique is not just its legacies of George Balanchine and A poster advertises the appearance of New distinctive, multicultural mix of Antony Tudor, the ever-surprising York City Ballet as part of Festival Verdi influences, but also the distinctively 2001 in Parma, Italy. genius of Merce Cunningham, the American mix of its audiences. That all-American exuberance of Paul Taylor, the social mix is even more of a melting pot as the new commitment of Bill T. -
Pendulum New Music: March 3, 2021
2020-21 Season Digital program Contents Click on an item to navigate to its page. The future, faster Performance program CU Presents Digital Your support matters CU Presents personnel is the home of performing arts at the University of Colorado Boulder. The mission of the University of Colorado Boulder College of Music is to inspire artistry and discovery, together. As we gather, we honor and acknowledge that the University of Colorado’s four campuses are on the traditional territories and ancestral homelands of the Cheyenne, Arapaho, Ute, Apache, Comanche, Kiowa, Lakota, Pueblo and Shoshone Nations. Further, we acknowledge the 48 contemporary tribal nations historically tied to the lands that comprise what is now called Colorado. Acknowledging that we live in the homelands of Indigenous peoples recognizes the original stewards of these lands and their legacies. With this land acknowledgment, we celebrate the many contributions of Native peoples to the fields of medicine, mathematics, government and military service, arts, literature, engineering and more. We also recognize the sophisticated and intricate knowledge systems Indigenous peoples have developed in relationship to their lands. We recognize and affirm the ties these nations have to their traditional homelands and the many Indigenous people who thrive in this place, alive and strong. We also acknowledge the painful history of ill treatment and forced removal that has had a profoundly negative impact on Native nations. We respect the many diverse Indigenous peoples still connected to this land. We honor them and thank the Indigenous ancestors of this place. The University of Colorado pledges to provide educational opportunities for Native students, faculty and staff and advance our mission to understand the history and contemporary lives of Native peoples. -
October 18, 1979
OCTO ' BE~ 18, 1979 ISSUE 353 '- _. UNIVERSITY Of MISSOURI/SAINT LOUIS - Homecoming not ready for burial "The only thing we are not Rick.Jackoway going to have is a dinner," Blanton explained. Also the tra In a grave message to UMSL ditional soccer game will not be students, a tombstone was e involved in this year's festivities. rected last week near the out This year, Blanton said, the . door basketball court. homecoming will be part of a Etched on the tombstone are spirit week from Nov. 26 to 3~. the words " R.LP./UMSLlHC/ There will be some sort of social 1979/ Do you care?" Much spec· function where the king and ulation centered over who or Queen of homecoming will be what is He. But for some people announced, he said. But the the meaning was quite clear. traditional dinner/ dance will not For the past few months there be included because of lack of has been much concern about funds. the future of homecoming at The Student Budget Commit UMSL. The tombstone caused tee, Blanton explained, cut out more vocal discussion of home dinner subsidies for all organiza coming. tions. But, to abuse an old line, the Blanton said the Second An . reports of homecomings death nual Boat Race, an intercollegate .. PAYING HOMAGE: Curious students view a grave marldng the rumored death of UMSL Homecoming are ·greatly exagerated, accord tug-of-war, and other activities activities. Despite the monument's ImpUcations, such activities will be held this year [photo by WOey ing to Rick Blanton, director ' of will be included during Spirit PrIce]. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Tickets Are Now on Sale for Jurassic World: the Exhibition North American Tour Launching in North Texas on June 18, 2021
FOR IMMEDIATE RELEASE TICKETS ARE NOW ON SALE FOR JURASSIC WORLD: THE EXHIBITION NORTH AMERICAN TOUR LAUNCHING IN NORTH TEXAS ON JUNE 18, 2021 DALLAS, Texas (APRIL 13, 2021) – Round Room Live and Cityneon announced today the launch city for the North American tour of JURASSIC WORLD: THE EXHIBITION. It will open in Dallas on June 18, 2021 at Grandscape in The Colony, just north of Downtown Dallas. Tickets are now on-sale. Information, including venue and ticketing details, can be found at JurassicWorldExhibition.com. JURASSIC WORLD: THE EXHIBITION –– produced in conjunction with Universal Parks & Resorts –– immerses audiences of all ages at a location near them in settings inspired by the groundbreaking film franchise Jurassic World from Universal Pictures and Amblin Entertainment. JURASSIC WORLD: THE EXHIBITION is an immersive 20,000-square-foot experience based on one of the biggest blockbusters in cinema history. Visitors will walk through the world-famous “Jurassic World” gates, encounter life-sized dinosaurs, and explore richly themed environments. Guests will have an upclose look at a Velociraptor, stand under a towering Brachiosaurus, and encounter the most fearsome of them all, the mighty Tyrannosaurus Rex. Guests will be able to imagine what it would have been like to walk among these breathtaking creatures and even interact with new baby dinosaurs, including “Bumpy” from the popular animated Netflix original series, Jurassic World: Camp Cretaceous, from Universal, DreamWorks Animation and Amblin Entertainment. The Jurassic World franchise has been entertaining generations of fans around the world with thrilling and awe-inspiring stories and characters for more than 25 years – from films and TV series, to video games and toys, to live action experiences and rides at Universal theme parks. -
The Trumpet As a Voice of Americana in the Americanist Music of Gershwin, Copland, and Bernstein
THE TRUMPET AS A VOICE OF AMERICANA IN THE AMERICANIST MUSIC OF GERSHWIN, COPLAND, AND BERNSTEIN DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Amanda Kriska Bekeny, M.M. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Timothy Leasure, Adviser Professor Charles Waddell _________________________ Dr. Margarita Ophee-Mazo Adviser School of Music ABSTRACT The turn of the century in American music was marked by a surge of composers writing music depicting an “American” character, via illustration of American scenes and reflections on Americans’ activities. In an effort to set American music apart from the mature and established European styles, American composers of the twentieth century wrote distinctive music reflecting the unique culture of their country. In particular, the trumpet is a prominent voice in this music. The purpose of this study is to identify the significance of the trumpet in the music of three renowned twentieth-century American composers. This document examines the “compositional” and “conceptual” Americanisms present in the music of George Gershwin, Aaron Copland, and Leonard Bernstein, focusing on the use of the trumpet as a voice depicting the compositional Americanisms of each composer. The versatility of its timbre allows the trumpet to stand out in a variety of contexts: it is heroic during lyrical, expressive passages; brilliant during festive, celebratory sections; and rhythmic during percussive statements. In addition, it is a lead jazz voice in much of this music. As a dominant voice in a variety of instances, the trumpet expresses the American character of each composer’s music. -
2016 - 2017 Season Passion
2016 - 2017 SEASON PASSION. DISCIPLINE. GRACE. Attributes that both ballet dancers and our expert group of medical professionals possess. At Fort Walton Beach Medical Center, each member of our team plays an important part in serving our patients with the highest quality care. We are proud to support the ballet in its mission to share the beauty and artistry of dance with our community. Exceptional People. Exceptional Care. 23666 Ballet 5.5 x 8.5.indd 1 8/26/2016 3:47:56 PM MESSAGE FROM THE DIRECTOR Dear Friends: Thank you for joining us for our 47th season of the Northwest Florida Ballet. This year will be the most exciting yet, as we debut the Northwest Florida Ballet Symphony Orchestra led by renowned conductor and composer, David Ott. As a non-prot 501(c)(3) organization, NFB is highly regarded for providing world-class ballet performances, training students in the art of dance, and reaching out into our community through our educational endeavors. The introduction of the NFB Symphony Orchestra only further enriches our productions and programming, adding an unparalleled level of depth that Todd Eric Allen, NFB Artistic Director & CEO no other ballet company in our area can claim. In many ways, this depth showcases NFB as a cultural mosaic arranged to represent the best of the Emerald Coast. From the facility in downtown Fort Walton Beach where we train our students to the local family attending a ballet performance for the rst time, we recognize that every facet of who we are as an organization is part of this mosaic.