sign in sign up
<<
Home , Adrianne Pieczonka, Brenda Lewis, Claramae Turner, Elliot Madore, Falk Struckmann, Helen Donath

Girls Golden West 2017 cover.qxp_Layout 1 10/19/17 1:17 PM Page 2

2017–18 SEASON

JOHN ADAMS Girls Goo le den W W O R L D eP R sE M I tE R E WHO YOU WORK WITH MATTERS Consistently ranked one of the top 25 producers at Sotheby’s International Realty nationally, Neill Bassi has sold over $133 million in this year.

SELECT 2017 SALES

Address Sale Price % of Asking Representation 3540 Jackson Street* $15,000,000 100% Buyer 3515 Pacific Avenue $10,350,000 150% Seller 3383 Pacific Avenue $10,225,000 85% Buyer 1070 Green Street #1501 $7,500,000 101% Seller 89 Belgrave Avenue* $7,500,000 100% Seller 1164 Fulton Street $7,350,000 101% Seller 2545-2547 Lyon Street* $6,980,000 103% Seller 3041 Divisadero Street $5,740,000 118% Seller 2424 Buchanan Street $5,650,000 94% Buyer 3984 20th Street $4,998,000 108% Seller 1513 Cole Street $4,250,000 108% Seller 1645 Pacific Avenue #4G* $2,750,000 97% Buyer *Sold off market

NOW ACCEPTING SPRING 2018 LISTINGS Request a confidential valuation to find out how much your home might yield when marketed by Neill Bassi and Sotheby’s International Realty.

NEILL BASSI Associate Broker

415.296.2233 [email protected] | neillbassi.com “Alamo Square Victorian Sale CalBRE#1883478

Breaks Neighborhood Record” Sotheby’s International Realty and the Sotheby’s International Realty logo are registered (or unregistered) service marks used with permission. Operated by Sotheby’s International Realty, CURBED Inc. Real estate agents affiliated with Sotheby’s International Realty, Inc. are independent contractor sales associates and are not employees of Sotheby’s International Realty, Inc.

Encore spread.indd 1 10/17/17 3:11 PM WHO YOU WORK WITH MATTERS Consistently ranked one of the top 25 producers at Sotheby’s International Realty nationally, Neill Bassi has sold over $133 million in San Francisco this year.

SELECT 2017 SALES

Address Sale Price % of Asking Representation 3540 Jackson Street* $15,000,000 100% Buyer 3515 Pacific Avenue $10,350,000 150% Seller 3383 Pacific Avenue $10,225,000 85% Buyer 1070 Green Street #1501 $7,500,000 101% Seller 89 Belgrave Avenue* $7,500,000 100% Seller 1164 Fulton Street $7,350,000 101% Seller 2545-2547 Lyon Street* $6,980,000 103% Seller 3041 Divisadero Street $5,740,000 118% Seller 2424 Buchanan Street $5,650,000 94% Buyer 3984 20th Street $4,998,000 108% Seller 1513 Cole Street $4,250,000 108% Seller 1645 Pacific Avenue #4G* $2,750,000 97% Buyer *Sold off market

NOW ACCEPTING SPRING 2018 LISTINGS Request a confidential valuation to find out how much your home might yield when marketed by Neill Bassi and Sotheby’s International Realty.

NEILL BASSI Associate Broker

415.296.2233 [email protected] | neillbassi.com “Alamo Square Victorian Sale CalBRE#1883478

Breaks Neighborhood Record” Sotheby’s International Realty and the Sotheby’s International Realty logo are registered (or unregistered) service marks used with permission. Operated by Sotheby’s International Realty, CURBED Inc. Real estate agents affiliated with Sotheby’s International Realty, Inc. are independent contractor sales associates and are not employees of Sotheby’s International Realty, Inc.

Encore spread.indd 1 10/17/17 3:11 PM November 2017 Volume 95, No. 3

Vol. 95, No. 3 • 2017–18 Season • November 2017 Jon Finck, Executive Editor Matthew Erikson, Editor Susan L. Wells, Design Consultant Paul Heppner Publisher Please e-mail comments, questions, and feedback about San Francisco Magazine to [email protected] Susan Peterson Design & Production Director

Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design

Mike Hathaway Sales Director

Amelia Heppner, Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives

Brieanna Bright, Joey Chapman, Ann Manning On the cover: Seattle Area Account Executives Anonymous Carol Yip Louise A.K.S. Clapp[e] Manuscript Sales Coordinator Collection, Box 153, Neg. # 7555 (4 x 5”) California State Library Included with the letters and documents in the Louise Clappe Collection at the California State Library is this undated photograph— perhaps Louise Clappe (“Dame Shirley”) or her niece (Genevieve Stebbins)—surrounded by the California wilderness.

Paul Heppner President FEATURES Mike Hathaway Vice President 20 Striking Gold Genay Genereux by Richard Scheinin Accounting & Office Manager The new opera Girls of the Golden West reunites the composer with director and librettist Peter Sellars and takes an unflinching look at the California Sara Keats Gold Rush. Marketing Manager Ciara Caya 41 Homeward Customer Service Representative & by Alice Miller Cotter Administrative Assistant With Girls of the Golden West, composer John Adams revisits his musical roots.

Corporate Office 44 The Dark Side of the Gold Rush 425 North 85th Street Seattle, WA 98103 by Gary Kamiya p 206.443.0445 f 206.443.1246 The crucible of the Gold Rush and its ensuing culture clash offer lessons for today. [email protected] 800.308.2898 x105 www.encoremediagroup.com DEPARTMENTS 6 Association 49 Artist Profiles 9 Message from the Board of 66 San Francisco Opera Donors San Francisco Opera 89 Your Opera Experience Encore Arts Programs is published monthly by Encore Media 11 San Francisco 90 Postlude by General Director Group to serve musical and theatrical events in the Puget 36 2017–18 Repertoire Matthew Shilvock Sound and San Francisco Bay Areas. All rights reserved. ©2017 Encore Media Group. Reproduction 38 Synopsis and Cast without written permission is prohibited.

4 SAN FRANCISCO OPERA EAPfull-page template.indd1 The way up. ©2017 City National Bank ® Call (866) 618-5242 to learn more or visit cnb.com “ my financiallifeintune.” CityN passion and is instrumental inhelpingmebringclassical passion andisinstrumental “adventures” ofclassicalmusic.CityNational shares my life oncoursesoIcanfocuscreating andsharingthe people whoIcancountontohelpkeepmyfinancial a different pieceofmusic,adifferent ensemble.Ineed So muchofmylifeisalwaysshifting; adifferent city, music toaudiencesallover theworld.Theyenjoy being a part ofwhatIdoandlove.a part Thatistheessenceofa successful relationship. City National is cnb.com/Tuned2SF Hear Michael’s at completestory Conductor, Educator andComposer TilsonMichael Thomas ational helps keep ational helpskeep The way up The way ® for me. CNB MEMBER FDIC MEMBER CNB 4/5/17 1:35 PM SAN FRANCISCO OPERA ASSOCIATION

Officers of the Board John A. Gunn Chairman Steven Menzies Vice Chairman Karl O. Mills Vice Chairman Reid W. Dennis Chairman Emeritus CHRISTMAS George H. Hume Vice Chairman Franklin P. Johnson, Jr. Chairman Emeritus WITH SOL MIO Officers of the Association Keith B. Geeslin President Lisa Erdberg Vice President Matthew Shilvock General Director & George H. Hume Treasurer Friday, December 1 Chief Executive Officer Thomas A. Larsen Secretary at 7:30pm Paul M. Crane Dorfman Executive Vice President Michael Simpson Chief Financial Officer

War Memorial Board of Directors Opera House Susan Anderson-Norby Bruce W. Hyman Randall Reynoso + Dawn Yates Black J. Burgess Jamieson Richard J. Rigg, Ph.D. Timothy Blackburn Dorothy M. Jeffries C.P. Russell Carol Franc Buck Philip M. Jelley Bill Russell-Shapiro + Jack Calhoun + Franklin P. Johnson, Jr. + Jack Schafer Annette Campbell-White Susan Graham Johnston Matthew Shilvock + ▴ Carlyn Clause, Merola Opera Timothy F. Kahn Ruth A. Short Program President ▴ Stephen S. Kahng Mrs. George P. (Charlotte) Shultz William M. Coughran, Jr. Joseph Keegan Dianne Marie Taube Paul M. Crane Dorfman + Lawrence A. Kern Mrs. David T. (Joan) Traitel Mrs. Peter W. (Jayne) Davis Mark R. Kroll Soo Venkatesan + Ira Dearing Karen J. Kubin Diane B. Wilsey + Jerome L. Dodson Thomas A. Larsen + Sharon Winslow Carol Pucci Doll Sylvia R. Lindsey Barbara A. Wolfe Shannon Eliot, BRAVO! President ▴ James Patterson McBaine Barbara Moller Ward Wonder Robert A. Ellis + Patrick McCabe Melinda Yee Franklin Lisa Erdberg + Anne G. McWilliams S. Shariq Yosufzai + Peter Fenton Mrs. Mark A. (Teresa) Medearis Dominic Nicholls Sarah Fenton Steven Menzies + + Executive Committee Member Kristina Flanagan Helen Meyer ▴ Ex Officio in concert with the Margarita Gandia Karl O. Mills + Keith B. Geeslin + Justin Moore SF Opera Orchestra Nicholas M. Graves Jane S. Mudge, Guild President CHAIRMAN’S COUNCIL: Conducted by Louise Gund + Nancy S. Mueller Reid W. Dennis John A. Gunn + Ben Nelson William W. Godward Robert Mollicone Jane M. Hartley J. Boyce Nute + Barbara K. Jackson I. Craig Henderson, M.D. Masashi Oka Franklin P. Johnson, Jr., Chairman John Hendrickson Bernard Osher + Bernard Osher Doreen Woo Ho Anne Brandeis Popkin Multi-platinum Charles Edward Hudson III Mary A. Powell New Zealand vocal trio George H. Hume + Karthik Rau Sol3 Mio will take to the War Memorial Presidents 1923 Timothy Healy 1974–84 Walter M. Baird Opera House stage for 1924–31 Robert I. Bentley 1985–90 Tully M. Friedman 1932–36 Wallace M. Alexander 1990–93 Thomas Tilton a special holiday concert. 1937–44 Robert Watt Miller 1993–95 David M. Chamberlain 1945–51 Kenneth Monteagle 1995–2002 William W. Godward 1952–68 Robert Watt Miller 2002–06 Karl O. Mills Featuring brothers and 1969–70 Prentis Cobb Hale 2006–13 George H. Hume 1971–73 William H. Orrick, Jr. 2013– Keith B. Geeslin Adler Fellow tenors Pene Pati and Amitai Pati and Chairmen of the Board their cousin 1969 Robert Watt Miller 1985–99 Reid W. Dennis Moses Mackay. 1971–82 R. Gwin Follis 1999–2008 Franklin P. Johnson, Jr. 1983–84 Richard K. Miller 2008– John A. Gunn Tickets: $20–$100 San Francisco Opera General Directors Gaetano Merola 1923–53 sfopera.com/sol3mio Kurt Herbert Adler Artistic Director, 1953–57; General Director, 1957–81; General Director Emeritus, 1982-1988 Terence A. McEwen 1982–88; General Director Emeritus, 1988-1998 Opera Box Office Lotfi Mansouri 1988–2001; General Director Emeritus, 2001-2013 Pamela Rosenberg 2001–05 (415) 864-3330 David Gockley 2006–16; General Director Emeritus, 2016- Matthew Shilvock 2016–

6 SAN FRANCISCO OPERA EXPERIENCE, DEDICATION, RESULTS. Simply the Best!

415.345.3022 | [email protected] www.NinaHatvany.com | License # 01152226

PARTNERED WITH NATALIE, AND PAUL HATVANY KITCHEN

3500 Jackson Street,San Francisco 7 BR | 6.5 BA | Spectacular Bay views | Offered at $16,000,000 This magnificent home has spectacular Bay views from every level. It is a stunning example of Bernard Maybeck’s architectural work,with extraordinary entertaining spaces, particularly a Great Room with 20’ ceilings opening into a formal dining room. There is a library and a study as well as 3 family rooms, 2 terraces and multi-car parking in the garage and driveway. The kitchen has been modernized with white cabinets and sleek stainless appliances. A wine cellar and storage area complete the amenities. Fabulous views combined with grand scale and meticulous construction make this special residence a once-in-a-lifetime opportunity for any buyer with an appreciation for superior architecture and design in a coveted Presidio Heights location. 3500Jackson.com

2747 Vallejo Street 1338 Filbert Street #D 2334 Pine Street 1948 Sutter Street San Francisco San Francisco San Francisco San Francisco Offered at $10,000,000 Offered at $4,600,000 Offered at $4,495,000 Offered at $3,400,000 2747Vallejo.com 1338Filbert.com 2334Pine.com 1948Sutter.com

Natalie Hatvany Kitchen Vanessa Hatvany Kitchen Paul Hatvany Kitchen Broker Associate Sales Associate Broker Associate 415 652 4628 415 407 5668 415 652 7285 [email protected] [email protected] [email protected] License # 01484878 License # 02016667 License # 01928433

EAP full-page template.indd 1 9/25/17 2:29 PM My wealth. My priorities. My partner.

You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help.

The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ­ind those gaps—and help you achieve what is important to you.

To learn more, please visit unionbank.com/theprivatebank or contact: Vartan Shahijanian Private Wealth Advisor [email protected] 415‚705‚7258

Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A.

EAP full-page template.indd 1 7/17/17 3:09 PM OperaNewsNov/Dec2017.qxp_OperaNews 10/25/171:51PMPage1 n eebr 1: December on treat holiday festive a for us join also will you wehope 8. December on Concertfellows tadand Dianne the in concert a sents taube theater,Atrium Adler annual our by followed pre- robertson ian by led Chorus franciscoopera San the 30 november on addition, in West, Adams’ John Crocetto;of leah premiere and world Jagde, the Brian and mance! perfor- the city,enjoy the and moves that music the for fall this us joining for you thank franciscoSan consider and plans. philanthropy giving year-end your in opera their by inspired be will you hope we donors. generous our of because only possible is franciscoSan in opera world-class and costs, our of third a only cover sales ticket wines. Sponsor,hAll wine official our and Airlines; United and Chevron Partners, Corporate our fargo;wellsSponsor, Season our to thanks special give also wewolfe. A. Barbara Manetti Maria and tad Shrem and Dianne taube,wilsey,Shrem, wattis B. funds,C. and Diane endowment Phyllis Jan osher, Barbro and Bernard Menzies, M. Steven fund, elizabeth and Burgess littlefield w.Méquet edmund Jeannik the Getty,and CatherineJohnson, franklin and Jamieson, Gordon and Ann elliott, Bialek Bertie family, Dolby the possible: do we everything makes that underwriting major the provide who sponsors pany Com-our to thanks special give and donors, and patrons our all to grateful wedeeply are place. extraordinary entertainment. thrilling emotionally for together comes that passionate community opera a an of part are such you 500th, Area the or time Bay first the for the us joining makes are you whether what of part essential an is ming program- opera’s francisco San of excellence artistic and breadth the Mackay. Moses cousin baritone their and Pati Amitai and Pene fellowtenors Adler of trio vocal zealand restored fully beauti- our of reprise the role debuts; in Dehn ellie and fabiano Michael stars 20 rising nearly with in years, time first the for stage our on presented Manon, Massenet’s productions: ipated antic- highly three with season fall and of formances per- critically-acclaimed with start great a to off is season 95th our perfor- final season. fall the of mances the to welcome froM MeSSAGe A La Traviata.La which many are calling the international classical music event of the year.the of event music classical international the calling are many which uadt , Turandot, Chairman of the Board the of Chairman Gunn A. John we complete the wecomplete hita wt Sl Mio, Sol3 with Christmas the BoArD of SAn frAnCiSCo SAn of BoArD the y ai hcny ih spr cs icuig ia Stemme, nina including cast superb a with hockney David by etrn te ltnm wr-inn new Award-winning Platinum the featuring President Geeslin B. Keith Girls of the Golden the of Girls OPERA

Drew Altizer

MA 081909october 1_6v.pdf encoremediagroup.com/programs www.creativetravelarrangers.com Creative Travel Arrangers (415) 563-6563 Dayenu GiftandBooks/JCCSF (415) 974-6772 The Rafael’s /Palace Hotel/SanFrancisco (415) 565-3263 Mezzanine Level The SanFrancisco Opera Shop Exciting OperaTours • New York York Metropolitan New Small groups with personalized service personalized with Small groups Announcing Two both tours hosted by Larry Hancock, Hancock, Larry by hosted tours both General Director of Opera San Jose San Opera of Director General • Exciting opera performances Exciting Tour Fe Opera Santa [email protected] • July 30 – August 5, 2018 5, –August 30 July Carefully planned tours Carefully for 2018 May 7 – 13, 2018 7–13, May • 650-854-4412

9

[lic# 2040042-40] 5,000 Years of Civilization Reborn

SHEN YUN’S unique artistic vision expands theatrical experience into a multi-dimensional, inspiring journey through one of humanity’s greatest treasures— the five millennia of traditional Chinese culture.

Prepare for an experience that will take your breath away.

“Breathtaking!” —Curtain Up

“Incredible… Groundbreaking!” —MSNBC

“This is the highest and the best of what humans can produce.” —Olevia Brown-Klahn, singer and musician

Tickets on Sale Now!

ShenYun.com/CA Jan 1–7 San Francisco War Memorial Opera House 888.633.6999 ALL-NEW 2018 PROGRAM Dec 26, 2017 – Jan14, 2018 Fresno | San Jose | Sacramento | Berkeley ACCOMPANIED BY LIVE ORCHESTRA

Untitled-1 1 9/21/17 2:05 PM OperaNewsNov/Dec2017.qxp_OperaNews 10/23/17 2:55 PM Page 3

nov/Dec 2017 Did You Know? SAn frAnCiSCo OPERA for next summer’s production of EWS wagner’s Ring, 415 musicians and staff N are involved on the stage or in the pit; 26 53-foot trucks are used to transport n r

U the sets; 920 liters of liquid nitrogen are B h

S used nightly for fog effects. A w w e h

t in March 1848, there were fewer than 800 t A non-native Americans in California. After M the Gold rush—the setting for John Adams’ new opera Girls of the Golden West—the population soared to 300,000 new Americans, many of them settling in boomtowns such as Downieville. Yet there were very few women among them. By 1860, adult women made up just 19% Adler Fellows Prepare for of the state’s population.

Annual Concert the cost of living was high in the remote regions of the . At the peak of the boom in 1849, an egg one of the consistent highpoints of the opera season, The Future Is Now: Adler Fellows could cost the equivalent of $25 in Concert takes place on Friday, December 8 at 7:30 p.m. for their final concert of the year, today’s money, coffee went for the Adler fellows from San francisco opera Center’s acclaimed young-artist training approximately $100 per pound, and program perform an adventurous mix of opera scenes and arias. in a change from prior boots could cost more than a miner’s concerts, this year’s program is in the war Memorial opera house. exciting young con- average monthly income. ductor James Gaffigan leads the San francisco opera orchestra. Since its inception in 1977, the prestigious Adler fellowship has nurtured the devel- in Act iii’s Cours-la-reine opment of more than 175 singers, pianists and coaches, and directors. this annual scene from Massenet’s showcase has traditionally been an opportunity to bid farewell to the young artists who Manon, Manon’s dress have completed the two- (or, in a few cases, three-) year performance residency—as well must reflect the height of as a chance to spot the next rising star. Parisian sophistication and Directed by current Adler fellow Aria Umezawa (toronto, Canada), The Future Is Now fashion. for the Company’s features sopranos Sarah Cambidge (Vancouver, Canada), Amina edris (Christchurch, new new production, director zealand), toni Marie Palmertree (fleetwood, ); tenors Pene and Amitai Pati and costume designer (Auckland, new zealand), Kyle van Schoonhoven (lockport, new York); baritone Andrew G. Vincent Boussard has Manea (troy, Michigan); bass-baritone Brad walker (lake zurich, illinois); bass Anthony created a contemporary reed (Alexandria, Minnesota); and pianists/apprentice coaches John elam (Cleburne, combination of gold netting ) and Jennifer Szeto (Calgary, Canada). this concert marks the final appearances by over a terracotta polyester- edris, Palmertree, Pene Pati, walker, reed, and Szeto as San francisco opera Adler fellows. chiffon corseted dress. the it will be James Gaffigan’s first time leading the San francisco opera orchestra, an costume was hand-painted, opportunity that he relishes. “these young singers are at an extraordinary moment in stitched, and assembled in their lives,” says the 38-year-old conductor. “in terms of their selections, they have cho- San francisco opera’s Costume Shop. sen very interesting repertoire, intelligent and meaty.” San francisco Symphony associate conductor from 2006 to 2009, Gaffigan is currently Because the set design for David chief conductor at the lucerne Symphony orchestra and guest hockney’s production of Turandot n

n abounds in unusual geometric shapes— A conductor at the netherlands radio Philharmonic orchestra. M

t many of them flying at compound r the new York native is equally versatile in opera and symphonic A

h angles—translating all of these into exact

A music, both of which, he says, provide the right balance in his r

e measurements for construction took six

V life. “i’m in such awe of what singers need to do onstage, and being so exposed up there,” he says. “what i love about opera is weeks of computer work alone. now 25 years old, the sets have undergone a that the general public doesn’t see what i am doing; i’m just sup- recent refurbishment. porting the orchestra and singers. it’s a beautiful thing for me.” for more information and to purchase tickets for The Future Is Now, call the opera Box office at (415) 864-3330 or visit SoUrCeS: SAn frAnCiSCo oPerA ArChiVeS; the SoCietY of CAliforniA PioneerS James Gaffigan sfopera.com/futureisnow.

encoremediagroup.com/programs 11 OperaNewsNov/Dec2017.qxp_OperaNews 10/23/17 2:55 PM Page 4

SAn frAnCiSCo OPERA NEWS One Ring for All

when the Ring cycle returns to San francisco opera in summer 2018, a variety The original Rheinmaidens from the 1876 world premiere of educational programs will accompany the epic undertaking. whether you are of in Bayreuth, Germany. a “Ring nut” or first-timer, there is an event right for you. The Rheinmaidens as seen in Ring 101 the Company’s 2011 ring production. new to the Ring? Begin your journey into ’s mythical world with masterful guides who introduce the story, characters, creative genius, and acclaimed francesca zam- bello production. San francisco opera Dramaturg Kip Cranna (left) leads the engaging and lively overview of the Ring, accompanied by artists, historians, and production staff. Tues- days, June 12, 19, & 23, from 11 a.m.–3 p.m. r e V A e

Ring Symposium w Y r

ready to take a deeper dive into the Ring? Join wagner scholars, Company o C artists, and production staff for in-depth presentations and discussions. The final scene from Thursdays, June 14, 21, & 28 from 11 a.m.–1 p.m. 2011’s Siegfried.

Sing Faster Join Academy-Award nominated filmmaker Jon else (left) for screenings of Sing Faster: The Stagehands’ ring Cycle. told entirely from the perspective of union stagehands, Sing Faster documents the efforts needed to mount and present wagner’s Ring cycle over the course of four nights and more than 17 hours of onstage performance. Thursdays, June 14, 21, & 28 from 2–3:30 p.m.

Ring Forum San francisco opera and the wagner Society of northern California present three Ring lecture r e V

events. learn about the inception and evolution of wagner’s theatre, how various A e

concepts of the Ring have developed around the globe, the various endings that could have brought w Y r

the cycle to its conclusion, and more. Saturdays, June 16, 23, & 30 from 10 a.m.–3:30 p.m. o C

Ring Community Day Join the San francisco opera education Department and opera Guild for a multi- generational and interactive day exploring the Ring. Programming will intro- duce this timeless and fabled journey to a new generation of wagner fans. the Ring Community Day includes first Act early childhood programming, exploration workshops for families, Sing-A- Story, and more. Saturday, June 9 from 10 a.m.– 5 p.m.

for more information, please email Community Programs Manager Alyssa Stone at [email protected]. r e V A e w Y

Wotan (Mark Delavan) r o

and the Valkyries from C the Company’s 2011 ring.

12 SAN FRANCISCO OPERA OperaNewsNov/Dec2017.qxp_OperaNews 10/23/17 2:55 PM Page 5 r e z i t l A w e r Meet Adam Broidy and lisa Bullard D

with the opening of the 2017–18 Season, San francisco opera welcomed a new chief information officer and director of market- ing. Previously technology consultant for the recently re-opened Curran theatre and chief technology officer for the Brooklyn Academy of Music (BAM), Adam Broidy replaces Jarrod Bell as Cio. Among his many achievements, “Adam successfully led the search for a new ticketing/box office system and managed the redesign of sfcurran.com,” said Chief financial officer Michael Simpson. in his free time, Adam serves as board vice-president of the local contemporary company Post: and trains in acrobatics at Circus Center. lisa Bullard, formerly of the Philadelphia orchestra, is San francisco opera’s new director of marketing, succeeding Marcia lazer who retired in July after 11 years with the Company. “lisa impressed us all with her incisive thinking, her care for the total Celebrating audience experience, and her energetic belief in the power of opera to connect people,” said General Director Matthew Shil- Dianne and vock. “we’re grateful to welcome her at a particularly dynamic time for the Bay Area as we look to build exciting bridges between opera and our community.” tad taube San francisco opera Guild presents An Evening on the Stage honoring longtime San francisco opera and opera Guild supporters Dianne and opera Shop recommendations tad taube. Co-chaired by Arlene inch and Danielle lane, this special gala read more about the inspiration for John Adams’ new opera event also celebrates the close of San Girls of the Golden West: the California history classic The francisco opera’s fall repertory sea- Shirley Letters, a collection of 23 letters by louise Clappe son and rings in the holiday season. penned under the name “Dame Shirley,” describing the on Monday, December 4, 2017, the rugged conditions and clash of evening starts at 6 p.m. with cocktails cultures in the gold mining in the lobby of the war Memorial camps from 1851 to 1852. opera house. A sumptuous onstage thoughtful and engaging, dinner, prepared by McCalls Catering & John Adams’ autobiography events with décor by J. riccardo Bena- Hallelujah Junction recounts vides, is followed by dancing to the his creative journey from new music from the local band notorious. england childhood to finding neiman Marcus Union Square returns his compositional voice in the as the evening’s presenting sponsor. Bay Area. he also writes articu- individual tickets for An Evening on lately of musical works such as the Stage are priced at $1,250, $2,500, and Doctor $5,000, and $7,500; seating is lim- Atomic and their larger cultural ited. Proceeds will benefit San fran- context. cisco opera Guild’s signature the Metropolitan opera’s education and community programs, 2012 Grammy-winning DVD of Wagner’s Ring cycle which reach more than 50,000 stu- (Deutsche Grammophon) features an all-star cast of Bryn ter- dents annually throughout northern fel, Jonas Kaufmann, Deborah Voigt, Jay hunter Morris, California. for tickets and more infor- Stephanie Blythe, eva-Maria westbroek, and eric owens. mation, contact San francisco opera and fabio luisi lead the Metropolitan opera Guild at (415) 565-3204. orchestra and Chorus in a production by robert lepage.

encoremediagroup.com/programs 13 Find the key to your perfect home

Whether it's Jazz or Classical, every great song needs a conductor, a frontman....or a frontwoman; someone to keep the timing right and make sure no one misses a beat. Buying real estate in the Bay Area is no dierent. Bonnie Spindler is your frontwoman. A top producer selling real estate in the Bay Area for over 25 years. Much more than just a Realtor, she’s a mentor.

Bonnie Spindler All Time Top Residential Sales Agent at Zephyr Real Estate 415.706.6660 / 415.474.4445 [email protected] www.bonniespindler.com

LIC# 01175723

EAP full-page template.indd 1 10/13/17 10:03 AM Get in the Know November 2017.qxp_Getintheknow 10/20/17 9:12 PM Page 2

BEFORE YOU GO GET “IN THE KNOW” San Francisco Opera and its affiliates are pleased to offer a wealth of educational resources to help you get “in the know” for each opera performance. For information on these and other resources, visit sfopera.com/learn.

E-OPERA NEWSLETTER OPERA TALKS San Francisco E-Opera subscribers are the first to know about Before every performance, charismatic scholars present a the latest performances, special events, and educational 25-minute overview of the opera with insights on the music, opportunities. Keep up-to-date on featured artists, special composer, and historical background. Talks begin 55 minutes ticket offers, advance program notes, and other insider prior to curtain. Visit sfopera.com/operatalks. information by signing up at sfopera.com/eopera. Manon: Marcia Green INSIGHT PANELS Turandot: robert Hartwell renowned artists and personalities from the world of opera, Girls of the Golden West: clifford cranna including cast members and directors from the productions, share behind-the-scenes insights and experiences during informal panel discussions presented by San Francisco Opera CONNECT WITH US ON FACEBOOK, Guild. Visit sfopera.com/insights. TWITTER, YOUTUBE, AND INSTAGRAM

OPERA PREVIEW LECTURES San Francisco Opera Guild chapters present lectures that bring renowned musicologists to communities throughout the greater Bay area, offering an in-depth look into the Follow San Francisco Opera on Facebook, Twitter, and instagram! season’s upcoming . Visit sfopera.com/previews. You’ll get sneak peeks about upcoming events, special performances, and more. Like us at facebook.com/sfopera, OVERTURE: OPERA WORKSHOPS FOR ADULTS and follow us at twitter.com/sfopera and instagram.com/sfopera. San Francisco Opera hosts interactive workshops for adults and don’t forget to check out our YouTube channel, featuring about the journey of creating opera. Newcomers and performance excerpts, artist interviews, and more at seasoned opera-goers learn the process from the ground up youtube.com/sfoperamedia. and experience San Francisco Opera behind-the-scenes. Visit r E sfopera.com/discover-opera. i z a r F c i r

FAMILY PROGRAMS E San Francisco Opera offers family programs, including movie screenings and interactive workshops, throughout the year and all over the Bay area. Visit sfopera.com/discover-opera.

CHECK OUT SAN FRANCISCO OPERA’S BLOG Our blog, Backstage at San Francisco Opera, offers unique insight into the company, with entries from the principal singers, chorus, and orchestra musicians to the creative teams for each opera and the many talented people who don’t take a bow on stage. Visit sfopera.com/blog.

OPERA HOUSE TOURS Discover the magic that goes into creating an opera production with a backstage tour of the War Memorial Opera House led by a Guild volunteer docent. Tours occur only on selected dates in small groups; reservations required. E-mail [email protected] or call the San Francisco Opera Guild at (415) 551-6353 to leave a message. For group tours contact Lynn Watson at [email protected]. $20 for general admission.

encoremediagroup.com/programs 15 Memoriam Nov 2017.qxp_OperaNews 10/24/17 1:18 PM Page 1

In MeMorIaM c e l

d KORALJKA LOCKHART, a

K Administrator and Editor r T e

P as a multifaceted spokesperson for San Francisco opera, Kori lockhart spent more than four decades imparting an encyclopedic knowledge of the art form and the company. Born in 1932 in dubrovnik, croatia, lockhart lived and worked in rome for several years before moving to San Francisco and becoming music director for San Francisco’s KKHI classical radio station. She worked for San Francisco opera beginning in 1970 to 1974 as a publicity assistant and press rep- resentative, returning to the company in 1981 as director of pub- JIŘÍ BĚLOHLÁVEK, Conductor lic relations. In 1986, she became the publications editor, a an artist of tremendous integrity and soul, Jiří Bělohlávek was a position she held until 2001. afterward, she assumed a new part- leading interpreter of central european repertoire, particularly time role as San Francisco opera’s archivist, creating the online music of his czech homeland. Under his baton, San Francisco performance archive. “Kori was tough, loyal, authoritative,” opera audiences were treated to commanding performances of remembers critic Martin Bernheimer. “She produced fact sheets leos Janáček’s The Makropulos Case in 2010 and the same that made some critics, including this one, seem smarter than composer’s Jenůfa in 2016. He was also featured in the farewell truth might dictate. She was profoundly missed when she retired, gala for General director david Gockley in 2016, leading the San seriously mourned when she died.” Francisco opera orchestra and renée Fleming, nadine Sierra, d r

and Sasha cooke in the final trio from ’ Der a w Rosenkavalier. “at his only rehearsal, he stepped onto the podium o H n

and without a single word led the orchestra and singers in a sub- e K lime reading of the piece. His enjoyment of the music was appar- ent, and we were all caught up in the moment together,” recalls orchestra violinist leslie ludena. “In him, the world lost a truly inspirational conductor, musician, and person, one we are very grateful to have known.” n a

T LEE BLAKELEY, Stage Director y

o one of the leading opera directors r of his generation, lee Blakeley trag- ically died in august from a heart attack, just a few days shy of his NICOLAI GEDDA, Tenor 46th birthday. as a dramaturg, along with his bright, silvery voice, Swedish tenor nicolai Gedda translator, and broadcaster, he had enjoyed a long career—he sang well into his 70s—and an excep- a strong association with compa- tional versatility that encompassed Italian, German, French, and nies in his native U.K. and at the russian repertoires. at San Francisco opera, Gedda performed Santa Fe opera where he had created four productions in recent on three occasions: the title role of auber’s Fra Diavolo (1968), years: Madama Butterfly, Les Pêcheurs de Perles, The Grand Duchess the Italian Singer in (1971), and (pictured here) of Gérolstein, and Rigoletto. In 2015, he directed San Francisco chevalier des Grieux in Manon (1971). as a recording artist, opera’s memorable Sweeney Todd, which had originated at the Gedda left a vast treasure trove for posterity. “nicolai Gedda’s Théâtre du châtelet in Paris where he had staged a number of personality was towering and gentle all at once,” shares director american musical theater works. “I was always impressed by his Francesca Zambello who worked with the legendary tenor toward singular viewpoint, his brilliant readings on text and music, and the end of his career, in a Florida Grand opera production of his total passion for the craft of directing,” says Sweeney Todd Tales of Hoffmann in 1980. “aside from the voice that was so assistant director Shawna lucey. “He had so much more to give stylish and elegant, he always sported a handsome smile to opera audiences and artists, and I will forever mourn his loss.” match his understated Swedish demeanor.”

16 SAN FRANCISCO OPERA Memoriam Nov 2017.qxp_OperaNews 10/24/17 1:18 PM Page 2

We honor the members of San Francisco Opera that we lost this past year. r e Z BRENDA LEWIS, Soprano CHARLOT D. MALIN, I T l over the course of a long and diverse Philanthropist a w e career, Brenda lewis sang on Broadway, San Francisco opera Guild President r d starred in new operas by from 2014 to 2016, charlot Malin left and Jack Beeson, and performed an unforgettable mark on the philan- regularly at and the thropic life of San Francisco. Born and Metropolitan opera. She was a guest raised in norway, charlot became a artist at San Francisco opera for two successful Bay area real estate execu- seasons in the early 1950s, singing a tive and designer. with her husband, characteristically wide array of roles, Greg, she ran Troon Pacific, Inc., from Mozart (cherubino and donna which specializes in environmentally- elvira) to Strauss ( and the Marschallin) and Puccini (Suor sustainable residences in the Bay angelica and Musetta). after retiring from the stage, lewis area. In addition, she nurtured an directed productions at the new Haven opera Theatre and taught early love for the arts, having attended at the Hartt School in Hartford, conn., sharing her wisdom and her first opera in oslo at age seven legacy with generations of young singers. where her father’s aunt and her cousin sang in Aida. She was a pas- KRISTINE JEPSON, Mezzo-soprano sionate benefactor to SFMoMa, as as a young artist performing with the San Francisco opera cen- well as to the opera. according to Guild President Jane Mudge, ter and western opera Theater in the early 1990s, Kristine Jepson “She was an incredible champion of our Guild education pro- was destined for great things. after small parts in the company’s grams, striving to bring opera to the youth of today.” Suor Angelica, Elektra, , and Lulu, she stepped up to the lead role of Sister Helen Prejean (with Susan Graham) in the world premiere production of Jake Heggie’s Dead Man Walking in 2000. “Kris had a thrilling, vast, powerful voice, flawless tech-

nique, and profound y H T r

dramatic skill onstage. a c She was clear as a bell c M e

and you understood c n e r

every word and every r e intention,” says Heg- T gie. “She was also unbelievably fast and accurate when learning a role: I never heard her sing a false note in Dead Man Walking or any other opera she performed, and she TAMAKI McCRACKEN, Chorus knew everyone else’s a member of the opera chorus for 25 consecutive seasons, parts, too!” as com- mezzo-soprano Tamaki Mccracken sang with the company from mitted to new work as 1970 to 1994. She was joined on the war Memorial opera House she was to her beloved stage by her husband, robert Mccracken, whom she met while Mozart and Strauss, studying music at the Music and arts Institute in San Francisco; Jepson created the role they were invited together to audition for San Francisco opera of Kitty oppenheimer and were accepted into the chorus at the same time. according for the San Francisco to her daughter Kathy, Tamaki was always so thankful for her time opera world premiere at the opera, though she also enjoyed her “outside” work at of John adams’ Doctor Tiffany & co. She can be seen in the 1981 academy award-win- Atomic in 2005 (seen ning documentary In the Shadow of the Stars, particularly in the here). footage of Verdi’s Macbeth.

encoremediagroup.com/programs 17 B:8.625” T:8.375” S:7.375” B:11.125” T:10.875” S:9.875”

We care for the city that helped you start a new chapter.

Our liver and kidney transplant survival rates are among the best in the country. When you call this city home, you call CPMC your hospital.

cpmc2020.org

EAP full-page template.indd 1 10/10/17 4:08 PM

40855 Version:01 03-28-17 hr 40855_SFEncore_BStore 1 SF Ballet-Encore_Bookstore Saved at 03-28-2017 from by Printed At None

Job info Approvals Fonts & Images Job 40855 Art Director Fonts Client Sutter Health Copywriter Helvetica Neue LT Std (75 Bold, 45 Light), Media Type Magazine Account Mgr Helvetica Neue (Bold) Live 7.375” x 9.875” Studio Artist Trim 8.375” x 10.875” Proofreader Images Bleed 8.625” x 11.125” Pubs SF Ballet Notes Inks SF Encore Cyan, Magenta, Yellow, Black None Memoriam Nov 2017.qxp_OperaNews 10/24/17 1:18 PM Page 3

In MeMorIaM continued n a

LYNN McKEE, Electrician M d e I

affectionately nicknamed “the r F

Ghost,” lynn Patrick McKee began n e with San Francisco opera in 1975, K was promoted to assistant master electrician in 1983, and was the company’s master electrician from 1987 until his retirement in 2004. during his time, which intersected with the tenures of four general directors, he helped build an incredi- ble lighting crew, while also overseeing the transition from man- ual lighting controls to a computerized system. McKee is remembered warmly by his former colleagues. “I know that after the tears stop that we will smile and remember all of the kooky, awkward, fantastically funny things that he did, and that when things were bad, either at work or at home, he stood by your side KURT MOLL, Bass and told you it’s going to be okay,” shares war Memorial opera Born in Buir, Germany, bass Kurt Moll established himself in Ger- House Technical director John Boatwright. many’s regional opera houses during the early 1960s before emerging on the international scene with debuts at the Bayreuth WILLIAM PYNCHON, Violinist Festival (1968), San Francisco opera (his first U.S. performance an active member of the Bay area music in 1974), Milan’s (1974), and the Metropolitan opera community, both as a performer and (1978). renowned for his warm, expressive voice and portrayal of teacher, william Pynchon played in the San many roles, Moll was known to San Francisco audiences for his Francisco opera orchestra’s first violin sec- Gurnemanz in (1974, 1988, and, seen here, 2000), King tion for over 30 years. He studied with Marke in (1974), Baron ochs in Strauss’ Der naoum Blinder, ’s teacher and Rosenkavalier (1985), and osmin in Mozart’s Die Entführung aus San Francisco Symphony concertmaster, dem Serail (1990). “His singing of Gurnemanz in the 1988 Parsifal and later joined the San Francisco Sym- is something that will live with me always,” recalls former Princi- phony as assistant concertmaster in 1957. He also served in the pal Guest conductor Patrick Summers. “It was the kind of same position with the San Francisco opera orchestra from 1974 singing that changes the air of the building forever.” until his retirement in 1998. Fondly remembered by his colleagues, Pynchon left a warm and lasting legacy with the orchestra. EUGENE NAHAM, Chorus Tenor eugene naham sang as a tenured CHERYL “RUSTY” ROLLAND, member of the San Francisco opera cho- Philanthropist rus from 1968 to 1980 and continued in rusty rolland was a board member of the extra chorus until 1990. In 1971, he the Merola opera Program for almost was one of the solo Footmen in the com- three decades and served two terms pany’s Der Rosenkavalier, which starred as its president. among her accom- Sena Jurinac as the Marschallin, christa plishments, she helped create the ludwig as octavian, and Helen donath as Merola career Grants, which provide a Sophie. an air Force veteran, naham served in combat in Korea, way for young artists to continue their Japan, and the Philippines before singing in San Francisco. careers. rusty was a passionate sup- (among his many outside gigs, he twice sang the national porter of classical music and worked anthem at candlestick Park.) Born in Fort worth, Texas, he spent with many other arts organizations, his final years in the neighboring city of arlington. including chanticleer and the Metropolitan opera national council auditions. “She was a true gift to opera,” remembers For more detailed information on artists Merola Board chair Jayne c. davis. “Her knowledge and enthusi- and their performances at San Francisco opera, asm for the art form revealed an extraordinary depth of feeling. visit archive.sfopera.com. we will miss her dearly.”

encoremediagroup.com/programs 19 Girls Golden West 2017 articles.qxp_GGW 2017 10/25/17 1:21 PM Page 1

B Y R I C H A R D S C H E I N I N

Striking Gold s e g a m i N a m e g d i r B / a N a c i r e m a N r e t s e w k r a w e N r e t e P Premiering at San Francisco Opera on November 21, John Adams’ girls of the golden west takes an unflinching look at the California Gold Rush.

n the summer of 1851, a 32-year-old New englander named coarse diaper for a table napkin,” she wrote in one of many letters Louise amelia clappe arrived with her physician husband in to her sister back east, “and an old shovel as a grill to cook on.” Ithe remote Northern california mining town of rich Bar, Yet, she declared, “this strange life fascinates me.” about 200 miles northeast of san Francisco on the north fork of the Published under the pseudonym “dame shirley,” her collected Feather river. thoroughly educated, she was immediately struck by letters have come to be regarded as a cornerstone of 19th-century this alien world; the majesty of its landscape stood in contrast to california literature and now have been set to music by composer the hard-scrubbed and often brutal life she faced. those gold- John adams. Girls of the Golden West reunites him with director obsessed miners! they were filled with vim and violence—hard and librettist Peter sellars and receives its world premiere this workers who gambled, brawled, and got hammered at the end of month at san Francisco Opera. “i wanted not to just sit on my lau- the day. Poor Louise! How ridiculous that she should have to use “a rels this year,” says adams who turned 70 in February. “i wanted to

20 SAN FRANCISCO OPERA Girls Golden West 2017 articles.qxp_GGW 2017 10/25/17 1:22 PM Page 2

come out with a major work. it made for chaos”—he spent a solid Her opulent voice can evoke the moon emerging from behind a six months on the road, conducting or attending a worldwide array cloud, and she has a way of turning every aria into its own dra- of 70th birthday programs—“but i’m glad i did it.” matic world. she first sang for adams in 2014 at an audition in Like dame shirley, adams is a transplanted new englander— new York; he immediately offered her major roles in three produc- thoroughly educated at Harvard—who migrated to California and tions of his works, including this one. “i think my learning curve had his life cracked wide open by the change. He described Califor- has had to be high, just because of the people i’m working with,” nia’s seductive and mind-bending effects in Hallelujah Junction: she says of adams and sellars. “The vocal demands that John Composing an American Life, his 2008 memoir. He also depicted puts on his singers are really high, but it actually has encouraged them musically in The Dharma at Big Sur, a 2003 orchestral work me to not fret about my voice so much, to just kind of lay out the that explodes with light, as if recreating adams’ first gaze at the material in a very clear and direct way so it becomes about the pacific in 1971. Yet unlike dame shirley, he never left California. storytelling. i don’t think John knows the positive impact that adams became a dyed-in-the-wool Berkeley-ite and, since 1979, the singing his music has had on me over the past year.” owner of a cabin in the sierra mountains, down the road There are no grand divas in the Girls of the Golden West cast; all from rich Bar and the town of downieville where much of the the singers are in their 20s and 30s. san Francisco opera general action in Girls of the Golden West unfolds. He has spent summers director matthew shilvock likens them to the young gold rush there with his wife and children, hiking the hills and valleys; his cell characters they depict: “people of big emotions, of big ambitions, phone is loaded with photos of whitewater and bluffs. and to his on the cutting edge of life and making exploratory strides in the delight—like Leoš Janáček composing The Cunning Little Vixen or world. This is a cast that’s exploring John’s new music together, writing —he now finds himself “writ- just as their characters were exploring the northern California ing something in my own backyard, a California opera” based upon frontier. You feel the energy of possibility. i think it’s one of the the real words and stories of the people of the gold rush. most exciting casts that we’ve assembled.” sellars has given adams quite a storyline, weaving the libretto Bullock has been a muse for adams in composing his new from a trove of period sources: miners’ diaries, newspaper work. But the very idea of the opera belongs to sellars who was accounts, speeches, poems, the observations of mark Twain, and asked several years ago to direct a La scala production of puc- original gold rush song lyrics. But shirley’s effervescent prose is a cini’s La Fanciulla del West. Based on the 1905 david Belasco play critical through line and key inspiration for adams’ endlessly coloris- The Girl of the Golden West (Belasco’s father was a forty-niner), it tic score, to be conducted at the War memorial opera House by takes place in a gold rush mining camp and saloon. . The composer marvels at her words, recalling how sellars, who might have been an investigative reporter in she raises her eyes up and sees “the never-enough-to-be-talked- another life, began sleuthing through 19th-century source materials about sky of California…like an immense concave of pure sapphire.” and was turned off by the opera’s sugar-coated approach to his- “aah, it gives me the goose pimples,” he practically moans. tory. puccini’s opera left out the juicy stuff: the fact that gold rush “it’s such beautiful language.” miners were white, black, Chinese, mexican, Hawaiian, French, shirley’s words will be sung by the extraordinary young egyptian. They came from everywhere in search of the new el soprano Julia Bullock who makes her san Francisco opera debut. dorado. What’s more, some had recorded their experiences, touching on themes that continue to drive political discourse in the n a

m 21st century: matters of race, immigration, and vigilante justice, p o

r not to mention the whole question of who is a “real american.” g d

i Turning down La scala, sellars wondered if a “real” gold rush v a d s e g a m i n a m e g d i r B

Left: Prospectors in the Sierra Nevada, 1849

Top and right: The bars of gambling saloons were a meeting place for settlers of different ethnicities, seen in both David Gropman’s Act I set and in an 19th-century engraving.

encoremediagroup.com/programs 21 Girls GoldenWest2017articles.qxp_GGW10/25/171:21PMPage3 t a B e f o i C t l o w t t c t 22 o s t t t a l i O o w i a i i o s i a d r s n d h h o i e h e b o c a b n p b p h p f a n h o m

a a t r

x p e e

e e

e x o m t o - r

d i s s s e é e l i e m s s t c y a a b a n a d

e e G n e n t

e u

e r â r d

v e

p o s s c

B h e

e r t e a d e a a o n s i r o s w

t e t e i l l t a n o ,

i m

r N i l e e s

r , a m c t

i

i a D c s f d n r m a c y t l

r m a s e i e s n t

v

o s y y w a h e l c e e a

r r s w a J i m t s t

l SAN FRANCISCO OPERA v

a b e

n

s s o o l i d

y c r e

o a a t c n e i s h

e g “

s a l a o a g

s h ’ ” e p o f p h

o t f

r s g i v m

o

J

n i s u f o

s n i u r

r

h c r g w e c h o . a n e a f n R

t e n h y t k l

e s o e r

t d h h u b n l t d y e h i v h r i s d n a o i s

g s i i h r i a

s d t f t a

t n

e a

j o p i l

t

b i a n l o

s u e d h ; e d e l s t p ’ t v

. l

p p

t

g s n

o t e b d r t e

d

c s n G i i c r i

a e i h r T a

h t n i s f t a r

r

r r

e t y r o a e g c t L e e e , l n i t o p e e i h

e i o c i g s e y i .

e n

d m

n h m n

n o o o x m n n

a , d r m c n a e u l t e o

l s d ” g t

d H e

e a g

l n . u s u c t

n r

s l b s

r t d a s

i

a

a e o d s f

D i h

i e e h B u r , i s g t

d i e o y

e m n c e n w ,

s n l

i e a e r h a r

i ” e e p g

t e s u a e e

,

r d e s d 2 e

t

n s n r o b

e n d

e

e h

l o a W e , l c o t t

F

r

0 d

l c p a

” t a l d

u R

d h c r

i p a a h t t a n o l a

b r s

a f t

0 i n r

, h e a d

t

a r o

e a i i s g r d t e l m ” i e a n f e o e r n s

n s a s t n 5 h e

N a n

d

r h c

s d

t e F x a t t o c

g o ’ e p

s a m

t d e m e t c h c o a s

u s c t 1

r i a o e h o f ( i l e f t s p o

e

o

a i

9

l m g c o

e n n

b m h n s v n s a a m e n D s

a K g d c

e f n y n

o 8 m o a a e o i c h e

o r d r

e n 1 o t e c

l o n t c s o 7 s s o e n p r d o . s i m

a t 9 i w d

e h l d l m n

i c m a

B

r i , e c

r

e a e l i “ o a r

s s B , d t

a a l a . d e s u

g t n

r t e i : r h s w y ” O c s a p i s m o “ t t m c t e

e r t h a i h

a s m t s y s h

o “

v ,

y s e u w r r

r

n s r H v

p e o n c e ’ , , i

s e o p i ) a

e r s s c

s

d o e i

A e t s h i

ff a O e u c

. d o l r t d

p

d e a o y s s m

h n i s n a n r l n e e h r

p

t s N s c

r l e r , e

o o p u i “ l a i o a u t e r r

t i

o i v e h

a

u l o t t y l n s g , o “ o u s e n e s d . e m d o t n s g t h e

t t t

t n . h b e e e t

r d

r r e fi ’ h h

t

s t i n h ( e y a a r o t a

w y i r

b d

v r e u

w s r

t

e

c o i a

t . n

s i v l s ; w n c i c o s w

i e

t n

s h t , i

r r c h n b i i u t i f

i t

d o

t

a

t

t e e k ” i d

w o . h g t i w h h a a h t g

e y s o h

s e s n

s

i g n h w i s u . i n o n H

e

n e o

i

o t

a

“ t l c

r d e s B s

t i o “ e h p u o r

p

o t o g i u t a t n s h h r a

i e

t

f e t m e a h a n e k d t m o w p t e n u

D t l h a g u

h a l d h o c r n o

s e r e r e t w i l l s k l d , e

i n , o e o a u

s h d e e e a

t e p

t . d

o a c e e d b

r

a n m o h t p t n c r n s r r

o i r

O t e

e p

h i l e s j e t

s a n

t t i

n

e n ’ l u t f r r n a r o h s i c t e a

t a o . s a e

l a

p i d n r a t d

h d g t

, s b r p h g e i r n

a a r s k a a

l h e

a s

i o

t a

e e i l a s a a o w i a o e r n e A a t d i n r

f 1

e

r

n n ff

r

e e s s o s e g d r

u o l 9 a l

l h

t b s

s s s a t i a d a

s

t F

s

p c o r

t a f t o 9 1 ” p s

u o i y o e o N n l

w

t r e t i

t

n m w u 8 m

o h c

e o 1 h w h e a r i o g l L

t d a n d b i

s 5 p r v i a

c

n i s r h n

e t y i e p w x i e n

s s a 1 t m r e a i g u

d c a h l e

n o o

e

c o o r

l

,

c t . o m d g

r e o s b a

g

o a l n w n n ) i t d

t d a a r u e s r u s v n h u h

y t t m c o b p v i e

e i o n r a h u a

h h c c e e e s a

e o e e b e e o i l r l x l w i n p d h n o o d l h l e l s e e e s s s s y s r r r r t , - - - - f

steFaN cOHeN c L g C i B a G g n o i e n a e a r i s m f r d l a l p t n o a l : s n s i p t T w v r o s t e a o e G : h t e t r C s f o i a e q e t o e r s 1 o u f h n J r C A n o s 8 e f o h d i 5 o g o c a h o u 3 t u r b n I n f t c o n A t e c I y h l t o o l d s y e o l d r i w e a f e n n a n t g f m c t a e w o l t r s e i s s a o r f w e a s n n i s i n t t . h EAP full-page template.indd 1 8/11/17 2:13 PM TICKETS ON SALE NOW

CHRISTMAS WITH SOL MIO FRIDAY, DEC 1 • $20–$100 Don’t miss this special holiday concert by this multi- platinum New Zealand vocal trio in their Bay Area debut!

MASSENET MANON Nov 4–22 Bright lights, lavish parties. But at what price?

PUCCINI TURANDOT Nov 18–Dec 9 What is like ice, but burns like fire?

WORLD PREMIERE JOHN ADAMS GIRLS OF THE GOLDEN WEST Nov 21–Dec 10 THE FUTURE IS NOW “ The most eagerly anticipated new opera of the Adler Fellows Concert season!” –The New York Times FRIDAY, DEC 8 • $30–$80 Enjoy an evening of unforgettable music with the renowned TICKETS START AT $26 2017 Adler Fellows in their final concert of the year. sfopera.com (415) 864-3330

Photos: Turandot/Cory Weaver; Sol3 Mio/Dominic Nicholls; 2017 Adler Fellows/Matthew Washburn. Girls Golden West 2017 articles.qxp_GGW 2017 10/25/17 1:21 PM Page 4 N e H O c N a F e t s N e H O c N a F e t s

forty-niners is driven by similar expectations. songs and choruses alternate throughout “when i read about Uber or Facebook being the work: “it’s a bit of a show,” adams says. “i valued in the billions of dollars, i think that’s certainly wasn’t going to depict such a spar- expressive of some completely irrational part tan, simple, almost crude life with extravagant of the human collective psyche,” he says. straussian orchestration. so i started out with Yet adams himself has grown obsessed an orchestra that should sound just as simple with gold, or at least the gold rush. His and slightly rough-edged as i would imagine N shelves at home are lined with books about e life would be out there. i added an accordion H O

19th-century california history, and he has c and a guitar, just to give it a little flavor.” N a

spent much of the last two years digesting F He doesn’t tip his own hat too much, so e t sellars’ source materials. the librettist s Bullock helps him out. “John writes great panned and sifted, isolating the essentials. Left to right: From an August tech rehearsal tunes,” she says, describing his melodic there’s dame shirley, of course, but also for Act II, soprano Julia Bullock with crew and lines as “crystalline, truly some of the most mark twain’s Roughing It and The Gold Rush chorus; composer John Adams and beautiful lyric material you can imagine.” Diary of Ramón Gil Navarro, an argentinian- librettist/director Peter Sellars; “Golden Girls” and, as always, adams writes for the dance. chilean entrepreneur with a poetic streak J'Nai Bridges (Josefa Segovia), Hye Jung Lee every one of his operas has dance at its who sized up gold’s fatal allure thusly: “You (Ah Sing), and Bullock (Louise Clappe). center; his music cannot stand still. and turn the mine into your lover and give it your here, neither can the forty-niners who after soul, your thoughts and your existence, as if it were a young girl being on their knees all day leap to their feet as a way of reclaiming who had driven you crazy.” their humanity. choreographer John Heginbotham has created a as the gold rush turned ugly and “outsiders” were stripped of wild ten-minute fandango to crown the miners’ Fourth of July cele- their claims, Navarro became one of its victims. in the libretto, his bration. we also get to meet Lola montez, the irish actress, dancer, story overlaps with another historical account, that of a young and courtesan, who spent a portion of the 1850s in gold country. mexican woman named Josefa segovia who worked as a waitress Lorena Feijóo, former with , in downieville. Harassed by a drunken white miner on July 4, 1851, here enacts the “spider dance,” montez’s salacious calling card. she stabbed him in self-defense and was summarily put on trial by in the end, opera is about storytelling and adams knows how a mob of forty-niners who hanged her the next day from a bridge to tell a tale. over the Yuba river. “Narrative gives him this forward motion that just totally electri- adams had known for years about what he calls “the down- fies the music,” says sellars. “i just think of John as making a movie ieville tragedy.” “there’s a plaque right in town,” he shrugs. He with music—with close-ups, wide shots, and fast cutting. His sense passed the story along to sellars who wove it into his storyboard. of music is cinematic in the sense of being all-enveloping and com- the gold rush song lyrics—largely pulled from a 1850s com- pletely about this incredible speed and momentum and intoxicating pendium called Put’s Original California Songster—injected addi- emotional life. and humor, which you get all the time with John. tional local material into the proceedings. “so am i am excited to be doing this project?” sellars asks. “i in their time, the lyrics were sung to popular melodies like am thrilled and grateful to whatever stork dropped this opera “Pop goes the weasel” and “camptown races.” that wasn’t down our chimney.” going to work, so adams wrote his own propulsive tunes. He calls them “kind of upbeat and at times rowdy.” in later scenes, they Richard Scheinin is a writer for the Bay Area News Group. He has are infused with an aggressive energy that he found “almost written for gQ and rolling stone magazines and is the author of shocking” when the male chorus sang through parts of the score Field of screams: the dark Underside of america’s National during august rehearsals. Pastime (W.W. Norton), a history of baseball.

encoremediagroup.com/programs 25 Barbara Bream, joined in 2011

Smarter Sized LIVING Less is more. Downsizing is the new smart sizing. Minimize to maximize. Just ask Barbara. After all, her parents lived here. In fact, the painting she’s holding once hung in their apartment; it now lives in her spacious apartment. St. Paul’s Towers is the East Bay’s most appealing Life Plan Community and offers maintenance-free living, weekly linen service, and extensive amenities that give her the freedom to do what she wants— aerobics, walking, and the theater. See why 94% of our residents highly recommend living here. To learn more, or for your personal visit, please call 510.891.8542.

100 Bay Place Oakland, CA 94610 stpaulstowers-esc.org A not-for-profit community owned and operated by Episcopal Senior Communities. License No. 011400627 COA #92 EPSP725-01TI 060117

EAP full-page template.indd 1 10/3/17 3:28 PM Adlers Nov 2017 Book 3.qxp_Adlers 10/18/17 3:59 PM Page 2

ADLER PROGRAM SPONSORS 2017 ADLER FELLOWS The Charles D. & Frances K. Field Fund The Geoffrey C. Hughes Foundation, Inc. San Francisco Opera’s Artists-in-Residence Barbara K. Jackson Anonymous, Founded in 1977 as the San Francisco Affiliate Artists Opera program, Adler Fellowships are two-year in memory of Lotte & Stephen Zuber performance-oriented residencies for classical music’s most promising young artists. Now in its 40th year, this internationally acclaimed training program has launched the careers of many of the ADLER AFFILIATE SPONSORS artists working on and off stage this season. We are grateful to all of our Adler Sponsors for their Darla & Richard Bastoni support, received from August 1, 2016 through September 15, 2017. For more information on Anne Gray Mary & Craig Henderson sponsorship opportunities and Adler events, please call (415) 565-3225. Bill Medigovich Maya D. Meux, MD Soprano Tenor Sheila Wishek SARAH CAMBIDGE PENE PATI Vancouver, Canada Auckland, New Zealand ADLER PROGRAM First-year Adler Second-year Adler ENDOWMENT GIFTS Sponsored by Sponsored by Phyllis Edwards Scholarship Fund Peggy & Boyce Nute Lucia Bogatay & William Randolph Hearst Thomas D. Wickens*; Annette Campbell-White & Young Artists Fund Kia Ora Foundation; The Claramae Turner Hoffmann & Barbara K. Jackson Frank Hoffmann Endowment Fund The Diana Dollar Knowles Fund Soprano Bass for Emerging Artists AMINA EDRIS ANTHONY REED Lorry I. Lokey Christchurch, New Zealand Alexandria, Minnesota Ralph R. Michaelis Estate Second-year Adler Third-year Adler Anna & Frederick Schubert Sponsored by Sponsored by Annette Campbell-White & Mrs. James K. McWilliams FRIENDS OF THE ADLERS Kia Ora Foundation; Brigid S. Barton Frances K. & Charles D. Field Dr. Phyllis B. Blair Foundation Chris & Jennifer Brahm Joyce and William Brantman Foundation Coach & Pianist Coach & Pianist Alan R. & Sally J. Brudos JOHN ELAM JENNIFER SZETO Ms. Carlyn Clause & Cleburne, Texas Calgary, Canada Mr. Alexander L. Brainerd First-year Adler First-year Adler Janet & Lloyd Cluff Sponsored by Sponsored by Leonard & Marie Collins TKTK Robert Epstein & Amy Roth; Denise Cutler Frances K. & Charles D. Field Peter & Jayne Davis Foundation Lisa Erdberg & Dennis Gibbons Barbara B. Friede Donald & Patricia Frischmann Bernice E. Greene Baritone Stage Director Dr. H. Nona Hungate ANDREW G. MANEA ARIA UMEZAWA Barbara E. Jones, Toronto, Canada Troy, Michigan in memory of William E. Jones First-year Adler First-year Adler Fred & Beth Karren Sponsored by Sponsored by Jeannie Kaufman Robert & Julie Dickson Barbara M. Ward & The Honorable Roy L. Wonder* Victoria Kirby Laurie Kottmeyer & Bianca Duarte Ms. Katharine Lange Mr. John E. Lee Sylvia R. Lindsey Soprano Tenor Bernice Lindstrom, TONI MARIE PALMERTREE KYLE VAN SCHOONHOVEN in memory of John W. Lindstrom Fleetwood, Pennsylvania Lockport, New York Mr. & Mrs. Laurence R. Lyons Second-year Adler First-year Adler Ellen & Paul McKaskle Sponsored by Sponsored by Miss Vivienne E. Miller James A. Heagy, The Diana Dollar Knowles Mr. D. G. Mitchell in memory of Jayne Heagy; Fund for Emerging Artists Soo & Raj Venkatesan Alice Ames Morison & Dr. Oakley Hewitt Milton Mosk & Thomas Foutch Patricia Nottingham Neil & Elsa S. Pering Tenor Bass-baritone Mr. Glenn H. Reid AMITAI PATI BRAD WALKER Barbara J. Ross Auckland, New Zealand Lake Zurich, Illinois Bob & Terri Ryan First-year Adler Second-year Adler Deborah & Paul Sagues Sponsored by Sponsored by San Francisco Opera Guild Annette Campbell-White & Karen J. Kubin; San Francisco Opera Guild/ Kia Ora Foundation; Teresa & Mark Medearis; East Bay Chapter Barbara K. Jackson Mr. Felipe R. Santiago & Judith B. and Joseph Workman Mr. Barry T. Joseph Anonymous (3)

* deceased

encoremediagroup.com/programs 27 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:49 AM Page 6

YOUNG PROFESSIONALS AT SAN FRANCISCO OPERA

San francisco opera has two fantastic opportunities for young professionals between the ages of 21–40. whether you’re interested in discounted tickets, invitations to rehearsals or exclusive events, we invite you to get involved! BRAVO! CLUB ORPHEUS n r e e h z i o t l C A n A w f e e r t S D

BrAVo! ClUB is a dedicated community of over 1,000 Bay Area orpheus members form a dynamic community of young donors young professionals ages 21–40 who enjoy exploring and who share a passion for opera and a belief in its future. every gift learning about opera together. Members have access to to orpheus enables San francisco opera to create, innovate, discounted tickets, as well as educational and social events and share this remarkable art form with the widest possible throughout the year, while helping to build the future audience audiences. orpheus gifts are eligible to be matched, which for San francisco opera. Memberships cost $75/person or makes that much more of a difference! Join orpheus and lead $125/couple and include the following benefits: the next generation of opera supporters.

DISCOUNTED TICKETS GREAT PERKS exclusive access to $42 Dress in addition to a variety of social and Circle and $58 orchestra seats networking events for young donors, through BrAVo! tix. members enjoy complimentary memberships to both BrAVo! ClUB FREE AND and the Medallion Society, with DISCOUNTED ADMISSION benefits including complimentary enjoy educational and social subscription series parking, ticket events, exclusive performances, exchanges, and invitations to artist meet-and-greets, and more. exclusive events and rehearsals. t o i r l

OPENING NIGHT GALA e e z i t

n MAXIMIZE YOUR IMPACT Members can purchase tickets to l o A n Make a membership gift between n BrAVo! ClUB’s annual w e A r h $500 and $1,500, depending on your D S celebration of the new season. age between 21–40, and your gift could be eligible for a match of up to 2017 BrAVo! ClUB Board of Directors: 5 to 1 through the orpheus Matching Shannon eliot (President), Xanadu Bruggers, Katie Bryant, fund*. Arif Damji, laura Della Guardia, laurie Diab, leah fine, Alex Jakle, nicole Jiam, rachel Bier lem, Kari lincks, Anjali Menon, *The Orpheus Matching Fund is generously provided by Karen J. Kubin, Alex Petalas, Susan walker, and Victoria weatherford. Lisa P. Lindelef, Emily Hsi, and Michael Barrientos. Additional support for Orpheus provided by Mr. Benjamin Gregorski.

for information or to join: for more information or to join: [email protected] Sandra Chien at (415) 565-6461 or [email protected] sfopera.com/bravo sfopera.com/orpheus

28 SAN FRANCISCO OPERA Devo Book 3 2017.qxp_Layout 1 10/19/17 11:47 AM Page 1

SPONSOR SPOTLIGHT John A. & Cynthia Fry Gunn Y H T R A C C M E C N E R R E T

nce again, the unprecedented generosity of Cynthia Investment Managers. He joined the firm in 1972, the year and John Gunn has set the stage for a dazzling he received his MBA from Stanford Business School and Oseason at San Francisco Opera. Since 2002, when married Cynthia, who graduated from Stanford with an A.B. John joined the Opera Board, the couple has underwritten in political science in 1970. Early in her career, Cynthia was numerous productions and provided exceptional support for the editor and director of The Portable Stanford book series many of the Company’s innovative endeavors. for ten years. She edited twenty-eight books by Stanford pro- In September 2008, the Gunns made a historic commit- fessors on a vast array of topics, including Economic Policy ment—believed to be the largest gift ever made by individuals Beyond the Headlines by George Shultz and Ken Dam. to an American opera company—to help fund the signature In addition to their support of San Francisco Opera, the projects of then-General Director David Gockley, including Gunns are active members of the community. John is the new operas and productions, multimedia projects, and out- chair of the advisory board for the Stanford Institute for reach programs. This season, the Gunns’ inspired generosity Economic Policy Research (SIEPR), serves as a trustee of is helping make possible five productions—Turandot, Elektra, Stanford University, and is Vice Chairman of the board of Manon, Girls of the Golden West, and the Ring cycle. Stanford Hospital Care. Cynthia is an overseer of Stan- John shared his considerable insights at the 2014 confer- ford’s Hoover Institution, a member of the advisory board ence of OPERA America, the national service organization of Family and Children Services, and serves on the boards for opera. As he told attendees, “Opera is a dynamic art form of the Lucile Packard Foundation for Children’s Health and and all of us play a role in keeping it vital. We must expand the San Francisco Fine Arts Museums. our repertoire and our audiences, and strive for financial flex- Opera lovers are grateful to Cynthia and John, and ap- ibility. And we depend on donors to keep opera alive.” plaud their commitment to keeping San Francisco Opera John is the former chairman and CEO of Dodge & Cox a leading-edge company.

encoremediagroup.com/programs 29 EAP full-page template.indd 1 7/28/17 12:03 PM Devo Book 3 2017.qxp_Layout 1 10/19/17 11:48 AM Page 2

SPONSOR SPOTLIGHT

Joan and David Traitel/Great Singers Fund (Sponsors, Michael Fabiano, Manon; Nina Stemme, Turandot) “Without great singers, opera is not all it could be,” says San Francisco opera board member Joan traitel. “that’s why my husband and i approached David Gockley with the idea of creating a special way of supporting singers exclusively.” the result was the Great Singers Fund, launched by the traitels in 2008 to provide San Francisco opera with enhanced support to attract the world’s best singers. Joan, a member of the opera’s board of directors since 1998, and her husband David were production sponsors for several years before founding the Great Singers Fund. “the Fund makes a difference in the quality of opera in San Francisco,” Joan explains. “Michael Fabiano is one of the most thrilling voices in opera today, and i have loved every performance of his in San Francisco. and to have the tremendous nina Stemme back here after her triumphant Brünnhilde in our 2011 Ring cycle will be a real treat for audiences. i hope people see the relationship between the Great Singers Fund and this season’s fantastic lineup. your support truly can make a difference! these amazing artists make an evening special, and at the end you walk away happy.” n e

Burgess and Elizabeth Jamieson (Company Sponsor and Production Sponsor, K o Turandot) L n e t S

Libby and Burgess Jamieson have made an extraordinary commitment to San Francisco i R opera for over three decades by supporting traditional, classical productions. their K continuing enthusiasm for beloved, classic operas has assured an enduring place on the War Memorial opera House stage for such applauded and memorable works as: Die Meistersinger, Il Trittico, La Bohème, Madama Butterfly, Turandot, , and La Traviata. Both Libby and Burgess consider their sustained support of the arts, especially the San Francisco opera association, as a means of ensuring important cultural, traditional links for the next generations’ listening appreciation. to ensure its musical enjoyment here again, Burgess says that: “Libby and i are pleased to bring Turandot back to San Francisco this season in this beautifully sung opera. in one of his final performances as a 10-year veteran of the company, San Francisco opera Music Director, nicola Luisotti, masterfully conducts a superbly assembled orchestra and cast of singers.” With over 45 years of experience in private and public investment management, Burgess is active on the San Francisco opera’s board of directors and its investment committee. S i R

R Bernard and Barbro Osher (Production Sponsor, Turandot) o

M a native of Maine, Bernard osher became involved with San Francisco opera as a subscriber ” y t

t nearly fifty years ago, shortly after moving here from new york. He and his wife Barbro, a native of o c

S Sweden, have supported every aspect of the company’s work, from artist appearances to “ y

a production facilities. established in 1977, the Bernard osher Foundation has funded virtually every R major arts organization in the area, including youth programs. Higher education initiatives include community college support, osher Lifelong Learning institutes on 119 campuses nationwide, and osher centers for integrative Medicine at several of the nation’s leading teaching hospitals, and at the Karolinska institute in Stockholm, Sweden. Bernard is a longstanding member of the opera’s board of directors, serving on the chairman’s council. Barbro is Honorary consul General of Sweden in San Francisco, and serves as chairman of the Board of the osher Foundation.

San Francisco Opera Guild (Production Sponsor, Turandot) San Francisco opera Guild provides dynamic artistic engagement and education opportunities for Bay area students, teachers, adults and the extended community through award-winning programs that include opera à la carte, Sing a Story, Book to Bravo, Voices for Social Justice, Summer conservatory and our exciting new year-round opera Scouts program for teens. Founded in 1939, San Francisco opera Guild believes the life lessons drawn from creative expression are the foundation of confidence, integrity and compassion. our engagement and education programs extend the impact of opera, bringing it center stage in the life of the community. every year, the Guild’s fundraising events give voice to the potential of more than 50,000 students in nearly 200 schools throughout northern california providing the benefits of arts education, as only opera can deliver. San Francisco opera Guild’s education Fund ensures the continuation of these vital programs. San Francisco opera Guild is a proud supporter of San Francisco opera and a Production Sponsor of Turandot.

encoremediagroup.com/programs 31 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:48 AM Page 3

SPONSOR SPOTLIGHT

Diane B. Wilsey (Opening Weekend Grand Sponsor, Turandot) Longtime San Francisco opera board member, patron and opera Ball supporter, Dede Wilsey believes deeply in the transformative power of the arts, particularly the multi-faceted world of opera. Says Dede, “it’s a marvelous spectacle. From the voices and pageantry to the scenery, costumes, and acting, opera fills the senses and takes you to another place.” She also believes fervently that such experiences should be available to all. “We work hard to make events open to the public at no cost,” she explains. “and because a love of any art form starts at a young age, we take opera into the schoolroom.” thanks to Dede’s generosity, opera enthusiasts of all ages have much to celebrate. as opening Weekend Grand Sponsor for the twelfth consecutive year, she is supporting the opening production of the 2017–18 Season, Turandot, the celebratory floral arrangements that graced the War Memorial opera House on September 8, and the free, annual Opera in the Park concert at Sharon Meadow on September 10. Dede’s leadership support was critical in of the Wilsey center for opera, a dynamic, intimate new space at the Veterans Building, which opened in spring, 2016. the center consolidates the company’s activities onto the War Memorial campus, enabling San Francisco opera to engage in exciting new programming and education work. Dede’s philanthropic commitment to the community extends to many organizations. She is president of the Fine arts Museums. She serves on the boards of the San Francisco Ballet, Grace cathedral, the War Memorial, and is a lifetime trustee of UcSF. R e (Production Sponsor, Girls of the Golden West)

z Jane Bernstein and Bob Ellis i t L

a Jane Bernstein and Bob ellis, a member of San Francisco opera’s board of directors since 2001, W e

R have long been supporters of contemporary opera. Production sponsorships for the company D have included Douglas Moore’s The Ballad of Baby Doe, ’s Saint Francois d’Assise, and San Francisco opera’s first commission from John adams, , in addition to the 2011 premiere of Francesca zambello’s production of Wagner’s Ring. So it was no surprise when they were early advocates for this new work celebrating Mr. adams’ 70th birthday. Bob reflects, “We are grateful to San Francisco opera for the unique opportunity to support John adams and Peter Sellars not once but twice as they create new operas that elevate great events in history through art. Doctor Atomic and now Girls of the Golden West challenge us all to experience these special people and their times with provocation and delight.” Bob also serves on the boards of opera Parallèle as well as opera america, the national service organization for professional opera companies.

National Endowment for the Arts (Production Sponsor, Girls of the Golden West) Girls of the Golden West is supported by a grant from the national endowment for the arts. established by congress in 1965, the nea is the independent federal agency whose funding and support gives americans the opportunity to participate in the arts, exercise their imaginations, and develop their creative capacities. through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector, the nea supports arts learning, affirms and celebrates america’s rich and diverse cultural heritage, and extends its work to promote equal access to the arts in every community across america. San Francisco opera is grateful to the nea for its long-time partnership and commitment to the work we do on stage.

The Andrew W. Mellon Foundation (Production Sponsor, Girls of the Golden West) Founded in 1969, the andrew W. Mellon Foundation endeavors to strengthen, promote, and, where necessary, defend the contributions of the humanities and the arts to human flourishing and to the well-being of diverse and democratic societies by supporting exemplary institutions of higher education and culture as they renew and provide access to an invaluable heritage of ambitious, path-breaking work. additional information is available at mellon.org. “We are deeply honored to partner with the Mellon Foundation on the creation of vanguard new works such as Girls of the Golden West,” says General Director Matthew Shilvock. “the Foundation has been a phenomenal partner in the company’s exploration of new works including The Bonesetter’s Daughter, Two Women, and Dolores Claiborne.”

32 SAN FRANCISCO OPERA HIDEAWAY. Find yourself.

Overlooking the famous Big Sur coastline, Tickle Pink Inn attracts travelers from around the world to experience this unforgettable ocean view hideaway. With our gracious elegance and 35 luxuriously-appointed rooms and suites, Tickle Pink Inn has a name to remember and a view you will never forget.

RESERVATIONS (866) 655-0370 • WWW.TICKLEPINKINN.COM • 155 HIGHLAND DRIVE, CARMEL, CA 93923

TPI-250 Tickle Pink Inn Ad_SF Opera_Final.indd 1 4/12/17 1:35 PM Untitled-8 EAP full-page 1 template.indd 1 4/13/179/8/17 11:1311:52 AM Devo Book 3 2017.qxp_Layout 1 10/26/17 12:11 PM Page 4

DONOR SPOTLIGHT

s Jan Shrem explains, “For Maria, it is all about the artists. Though I had loved opera Afor years before I met her, it was Maria who Jan Shrem & opened my eyes to the dedication and sacrifice of the artists.” Jan and Maria are providing Maria Manetti Shrem significant support for opera artists through the establishment of three major funds. Through the Great Interpreters of Italian Opera Fund, they support many classic works of the Italian repertoire, including this season’s Turandot and La Traviata. Through the Conductors Fund, the continued appearances of Maestro Nicola Luisotti and other Italian conductors are assured at San Francisco Opera, and through the Emerging Stars Fund, Jan and Maria help bring some of opera’s most exciting rising talents to the stage. Finally, they are providing production sponsorship support for Manon this season. Maria, born in Florence, Italy, says, “Opera has been one of my greatest passions since I was 13 years old.” When she saw Madama Butterfly at San Francisco Opera starring Renata Scotto in 1974, they had an emotional backstage meeting. “She was so far from home and so grateful to be able to N

speak Italian with me—we both cried. I began to understand the A G R E

challenging life of opera artists. Since then, I have been motivated N O L

to do what I can to welcome artists when they are working in E O San Francisco.” Jan concurs, “They dedicate their lives for our Z pleasure, and their artistry elevates our lives.” The Emerging Stars of San Francisco Opera’s 2017–18 season include virtuoso singers like Aurelia Florian, Atalla Ayan, Ryan McKinny, Julia Bullock, Davóne Tines, and Soloman Howard. Also featured are returning Company favorites Ellie Dehn, David Pershall, J’Nai Bridges, Hye Jung Lee, Elliot Madore, and Paul Appleby. What does it take to be an Emerging Star? In the Shrems’ view, a beautiful voice, a good ear, strong acting skills, and the ability to perform from the heart. At the end of the 2017–18 season, one artist will be selected for his or her superlative season Top: Maria Manetti Shrem and Jan Shrem performance by a process that includes the general public. Bottom: Maria Manetti Shrem, Renée Fleming, and Jan Shrem General Director Matthew Shilvock states, “Maria and Jan have an incredible sensitivity to the needs of artists and a passion for seeing young artists succeed and grow into the next generation of stars. It is a pleasure to partner with them on the Emerging Stars program and to celebrate the finest voices making an impact on the world. San Francisco Opera has always been one of the great nurturers of new voices, and this program helps us take that even further.” “It is immensely satisfying to support San Francisco Opera in this way. We can appreciate the benefits of our philanthropy here and now as we enjoy these young, exciting artists and become their friends.” Maria feels that artists want “friends” in the audience and she and Jan are pleased to know that their presence gives artists greater confidence. “We hope others will join us in contributing to these funds and these friendships.” Jan says, “Opera is what brought us together, and it will always be central to our lives. It is a joy to share in Maria’s overwhelming enthusiasm. And it is important to ensure that San Francisco Opera has the support and stability it deserves to continue its transformative work.”

34 SAN FRANCISCO OPERA From dress rehearsals and panel discussions with artists to backstage tours and more, take part in unique experiences while supporting the art form you love. Your gift helps deliver thrilling productions, immersive education experiences, vital training for the next generation of opera stars, free community events and so much more.

Help make magic! Visit sfopera.com/donate or call (415) 565-3212.

Photo by Martynas Aleksa RepertoireBookw32017.qxp_Repertoire 10/26/17 12:12 PM Page 1

SAN FRANCISCO Opera 2017–18 REPERTORY TurandOT The ring Of The niBelung richard Wagner September 8, 12, 15, 21, 24, 30; november 18, 25, 28; June 12–17, June 19–24, June 26–July 1 december 3, 6, 9 Production of the Ring made possible, in part, by: Production made possible, in part, by: Dr. & Mrs. William M. Coughran; Bertie Bialek Elliott; Keith & Priscilla Geeslin; John A. & Cynthia Fry Gunn; Opening Weekend Grand Sponsor Diane B. Wilsey; Sylvia & John Hughes; Edmund W. & Jeannik Méquet Littlefield Fund; John A. & Cynthia Fry Gunn; Bernard & Barbro Osher; Bernard & Barbro Osher; Betty & Jack Schafer; Burgess & Elizabeth Jamieson; Jan Shrem & Maria Manetti Shrem; Jan Shrem & Maria Manetti Shrem; San Francisco Opera Guild; The Thomas Tilton Production Fund; Barbara A. Wolfe; and United Airlines. and United Airlines.

Major support also provided by: elekTra The Conductors Fund, the Emerging Stars Fund, and richard Strauss the Great Interpreters of Italian Opera Fund, all established by Jan Shrem & Maria Manetti Shrem. September 9, 13, 17, 19, 22, 27 The Great Singers Fund, established by Joan & David Traitel Production made possible, in part, by John A. & Cynthia Fry Gunn.

Company Sponsors The Dolby Family Bertie Bialek Elliott la TraviaTa Ann & Gordon Getty John A. & Cynthia Fry Gunn September 23, 26, 28; October 1, 3, 6, 8, 11, 14, 17 Burgess & Elizabeth Jamieson Production made possible, in part, by Chevron. Mr. & Mrs. Franklin P. Johnson, Jr. Edmund W. & Jeannik Méquet Littlefield Fund Steven M. Menzies Bernard & Barbro Osher ManOn Jan Shrem & Maria Manetti Shrem Dianne & Tad Taube Phyllis C. Wattis Endowment Funds november 4, 7, 10, 16, 19, 22 Diane B. Wilsey Production made possible, in part, by Barbara A. Wolfe John A. & Cynthia Fry Gunn; and Jan Shrem & Maria Manetti Shrem.

Season Sponsor Corporate partners

girlS Of The gOlden WeST WOrld preMiere Music by John adams libretto by peter Sellars San Francisco Opera is supported, in part, by a grant november 21, 24, 26, 29; december 2, 5, 7, 10 from Grants for the Arts. Production made possible, in part, by: John A. & Cynthia Fry Gunn; Bertie Bialek Elliott; All performances feature English supertitles. Jane Bernstein & Bob Ellis; Leslie & George Hume; Repertoire, casts, dates, and ticket pricing are subject to change. The Andrew W. Mellon Foundation; and an award from the National Endowment for the Arts. Box Office (415) 864-3330 • sfopera.com

36 SAN FRANCISCO OPERA Girls Golden West 2017 title page.qxp_Girls 2017 11/8/17 12:28 PM Page 1

John Adams GIRLS OF THE GOLDEN O N I WEST C I L A E N I T S I R H C

SAN FRANCISCO This production is made possible, in part, by: John A. & Cynthia Fry Gunn; Bertie Bialek Elliott; OPERA Jane Bernstein & Bob Ellis; Leslie & George Hume; The Andrew W. Mellon Foundation; Matthew Shilvock, and an award from the National Endowment for the Arts. General Director Ms. Bullock, Mr. Tines, Mr. Appleby, Ms. Lee, Mr. McKinny, Ms. Bridges, and Mr. Madore’s appearances are made possible by Nicola Luisotti, the Jan Shrem & Maria Manetti Shrem Emerging Stars Fund. Music Director Additional funding is provided by: Caroline H. Hume Endowed Chair Stephen & Choongja Kahng; Gladyne Kenderdine Mitchell; and Norby Anderson. The November 29 performance is sponsored by United Airlines. The December 5 performance is sponsored by Meyer Sound.

encoremediagroup.com/programs 37 Girls Golden West 2017 Cast Synopsis.qxp_Synopsis 11/8/17 4:55 PM Page 1

SYNOPSIS GIRLS OF THE GOLDEN WEST The events and characters in the opera are drawn from miners’ ballads, the letters of the writer Louise Clappe (“Dame Shirley”), the diary of Ramón Gil Navarro, the memoirs of fugitive slaves, poems by Chinese immigrants (Songs of Gold Mountain), Shakespeare, Mark Twain, the Argentine poet Alfonsina Storni, a speech by Frederick Douglass, biographies of Lola Montez, and the works of the preeminent 19th-century California historians Hubert Howe Bancroft and Josiah Royce. Most of the incidents depicted actually occurred during the Gold Rush, in 1851, in Rich Bar and in Downieville, on the first Fourth of July in the new state of California. ACT I up to the holiday stage to sing her ballad. She has come to Amer- Scene 1: On the Road to the Sierra The hard-luck miner Clarence ica looking for a rich husband, and is determined to one day save epitomizes the “driving, vigorous, restless population” of young enough money to buy a farm. Joe Cannon is proud to be openly men invading Gold Country. Recently arrived from New England, acknowledged as her secret husband, but is then suddenly afraid. Dame Shirley rides a mule on her way to Rich Bar with her hus- As Joe escapes, the angry crowd turns on Ah Sing and her Asian band Fayette. She is an enthralled and astute observer of land- friends, yelling, “Get out, yellow skins, get out.” Clarence tries to scapes and people, and one of the rare women in these parts. defuse the crisis, presenting the glamorous and shameless dancer After falling off her mule, she transfers to a wagon driven by the Lola Montez, performing her notorious “Spider Dance.” fugitive slave Ned Peters, now a Black cowboy moving west. Scene 3: The Whipping Macbeth’s “Is this a dagger I see before Scene 2: Encounter with Indian Women Dame Shirley and Ned are me?” soliloquy becomes a vivid reality for Clarence, as he contem- haunted by an unexpected sighting of a group of Indian women. Dame plates mass murder. Josefa can hear cries and shouts outside her Shirley describes them as “wretched creatures” and “Macbethian cabin. A group of Chileans are whipped, their heads shaved, and their witches” and is both challenged and moved by their nakedness, the ears cut off by vigilantes. Dame Shirley is repulsed by the violence. beauty of their limbs, and the warm, unguarded look in their eyes. Ned, in indignation and righteous fury, rises up to address the mob. Scene 3: Rich Bar At the bar of the Empire Hotel, the miner Joe Scene 4: The Stabbing Dame Shirley pleads for Ned’s life before Cannon sings his heart out, telling his friends the story of his girl- he is taken away. She is left to lament the loss of her only true friend in Missouri, who threw him over for a butcher with red hair. friend, whose beautiful voice will never be heard again in these Ah Sing, a vivacious young Chinese prostitute, helps him forget mountains. Josefa asks her lover Ramón to stay with her. She feels his sorrows. She sizes him up and decides he is the perfect man the weight of the world on her heart, a world that is exploding to help her realize her future ambitions. Panicking in the face of around her. She knows she and Ramón are targets, and that she her expectations, Joe runs out into the night. will not live long. Ramón asks her to marry him. Josefa repeats over and over to Ramón that she is not allowed to cry. Her father and Scene 4: Late Night at the Empire The miners are totally addicted to grandfather never cried. Joe Cannon arrives, drunk and lost in the gambling, making fortunes, and hopelessly ruining themselves, night dark. Ah Sing is out in the night, looking for him. Joe, fully armed, after night. Ramón and Josefa work the tables. He deals, she is there rips through the cloth door of Ramón and Josefa’s cabin and drags to attract the crowd: “Without a girl, there can be no hotel, without a Josefa away. He tries to rape her. Locked in a violent struggle, Josefa beautiful one, there can be no business.” Joe is a particularly drunk, stabs him with his own knife. He dies within hours. aggressive customer and his crude advances towards Josefa trigger an ugly incident. Josefa and Ramón remember an afternoon far outside Scene 5: The Hanging A mob gathers around Josefa’s cabin. She the city when their love was dangerous, fresh, and unobserved. faces them, calm, dignified, beautifully dressed, wearing her finest jewelry. At her hasty trial, no one speaks up to defend her. She Scene 5: Coronation Dinner Shirley describes her tiny, primitive asks God to forgive her persecutors. She is condemned to death. log cabin, royally appointed with discarded cans, bottles, boards, The entire town is present for the . and claret cases. Ah Sing appears in a new dress, in a new apart- ment. When she was a little girl, she was sold for $10, and now Epilogue On her last day at Rich Bar, Dame Shirley surveys the she has bought her freedom for $700. Joe, her dream husband, detritus of sardine cans, jars, and broken bottles that line the river- will make a future possible. Ned prepares a “coronation dinner” banks, all dusted with a light covering of snow. She lifts her eyes to for Shirley, “the Queen.” Shirley is overwhelmed with the stature behold the purple beauty and majesty of the old mountains and and bearing of this profound and beautiful man. “the wonderful and never-enough-to-be-talked-about sky of Califor- nia” which “drops down upon the whole in fathomless splendor.” ACT II Scene 1: The Raven Himself The Fourth of July in Downieville begins Personnel: 7 principal singers, 1 principal dancer, 26 male with the miners performing Shakespeare’s Macbeth with the role of choristers, 11 supernumeraries, 4 corps dancers; 49 total Lady Macbeth assayed by Dame Shirley herself. Money rains upon the stage as miners throw nuggets and gold dust. An Independence Day Orchestra: 3 flutes (1 doubling on piccolo), 2 oboes, 1 English horn, fandango cloaks the plot of white miners to massacre large numbers 2 clarinets (1 doubling E-flat clarinet), 1 bass clarinet, 2 bassoons, of Mexicans, Chileans, and Peruvians. Many Mexicans have already 1 contrabassoon, 4 horns, 3 trumpets (1 doubling piccolo trumpet), left town, giving up their claims. This is California, “a land made up of 3 trombones, 2 percussion (cowbells, almglocken, bass drum, strange things, of random luck, and cruel magic.” snare drum, whip, cymbals, tam-tam, temple blocks), 1 piano, Scene 2: Downieville Fourth of July As screams are heard from 1 guitar, 1 accordion, 40 strings; 67 total Mexicans being clubbed and robbed by Americans, Ah Sing steps

38 SAN FRANCISCO OPERA Girls Golden West 2017 Cast Synopsis.qxp_Synopsis 11/9/17 11:35 AM Page 2

Conductor WORLD PREMIERE Grant Gershon* Opera in two acts by John Adams Director Libretto by Peter Sellars drawn from original sources Peter Sellars A San Francisco Opera co-commission and co-production with Set Designer the and Dutch National Opera, Amsterdam David Gropman* Costume Designer Rita Ryack* Lighting Designer GIRLS OF James F. Ingalls Choreographer THE GOLDEN WEST John Heginbotham* (Sung in English with English supertitles) Sound Designer Mark Grey Associate Set Designer CAST Reid Thompson* (in order of appearance) Chorus Director Clarence Ryan McKinny* Ian Robertson Dance Master Dame Shirley Julia Bullock* Lawrence Pech Fayette Kai Brothers Fight Director Dave Maier Ned Peters Davóne Tines* Assistant Directors Roy Rallo Joe Cannon Paul Appleby Shawna Lucey Ah Sing Hye Jung Lee Assistant Conductor Joseph Marcheso Ramón Elliot Madore Musical Preparation Josefa Segovia J’Nai Bridges John Churchwell, Laura Poe, Maureen Zoltek, Fabrizio Corona Lola Montez Lorena Feijóo Prompter Prostitutes; dancing girls; cowboys; Chinese, Chilean, and Mexican miners Robert Mollicone Stage Manager * San Francisco Opera debut Darin Burnett Assistant Stage Managers Thea Railey, Becki Smith, Jayme O’Hara, Jenny Harber Costume Supervisor ACT I Jai Alltizer Rich Bar, California; 1851 Head of Wig and Makeup —INTERMISSION— Jeanna Parham ACT II Presented by arrangement with Hendon Downieville, Fourth of July Music, Inc., a Boosey & Hawkes company, publisher, and copyright owner.

TUESDAY, NOVEMBER 21, 2017 AT 7:30 PM FRIDAY, NOVEMBER 24 AT 7:30 PM The performance will last approximately three hours and 15 minutes. SUNDAY, NOVEMBER 26 AT 2 PM WEDNESDAY, NOVEMBER 29 AT 7:30 PM Latecomers may not be seated during the performance after the lights have dimmed. Patrons SATURDAY, DECEMBER 2 AT 7:30 PM who leave during the performance may not be re-seated until intermission. TUESDAY, DECEMBER 5 AT 7:30 PM THURSDAY, DECEMBER 7 AT 7:30 PM The use of cameras, cell phones, and any kind of recording equipment is strictly forbidden. SUNDAY, DECEMBER 10 AT 2 PM Please turn off and refrain from using all electronic devices.

encoremediagroup.com/programs 39 GGW 2017 articles.qxp_GGW 2017 11/8/17 2:40 PM Page 2

B Y A L I C E M I L L E R C O T T E R RICHARD WAGNER

in Girls of the Golden West, composer John adams revisits his musical roots l l e h

Through myth we find humanity c t i M a t

Witness this timeless tale unfold in San Francisco Opera’s spectacular production t e r a

directed by Francesca Zambello. Acclaimed Wagnerian conductor g r a

leads an extraordinary international cast featuring Evelyn Herlitzius (Brünnhilde), M Greer Grimsley (Wotan), Daniel Brenna (Siegfried), Karita Mattila (Sieglinde), Brandon Jovanovich (Siegmund) and Falk Struckmann (Alberich). irplanes en route from the east to the west coast begin bling in places where there were no trails over mounded diggings their descent just ahead of the Sierra Nevada range. left by gold miners. “i am in my own spiritual territory now,” he they soar over the west-slanting mountain slopes wrote of the high Sierra in a journal during the summer of 1984. Cycle 1—June 12–17, 2018 A above the canyons of california’s wild rivers. On a more northerly adams, who is 70, has composed dozens of orchestral and Cycle 2—June 19–24, 2018 route you might see lake tahoe and the ridges that extend from chamber works, two large-scale oratorios, and five operas that Cycle 3—June 26–July 1, 2018 the Sierra crest to the valley by Marysville, california. along one of engage topics as wide-ranging as the Nixon-Mao encounter, ter- those ridges is a small formation, haskell Peak, beneath which rorism, the New and Old testament, nuclear weapons, ancient rests John adams’ cabin, just north of Downieville. in the mid- indian folklore, and, now, the experience of women in the mining PACKAGES ON SALE NOW 19th century it was a treeless landscape, thousands of acres camps of his beloved Sierra. his musical idiom—subtle and com- logged in the service of gold mining. Nearly two centuries later sfopera.com • (415) 864-3330 the scars of mining remain visible, but the trees have grown back Alice Miller Cotter is a musicologist who specializes in American opera. and the rivers run clear. in 1976 adams found himself here, ram- She is a visiting lecturer at the University of California, Berkeley. OPERAsfopera.com/ring BOX OFFICE Mon 10am–5pm, Tue–Sat• (415) 10am–6pm 864-3330

Ring illustration: Mission Minded. Photo: Cory Weaver. MATTHEW SHILVOCK NICOLA LUISOTTI General Director Music Director Photo: Lithuanian National Opera production of Manon/Martynas Aleksa GGW 2017 articles.qxp_GGW 2017 11/8/17 2:40 PM Page 2

B Y A L I C E M I L L E R C O T T E R

in Girls of the Golden West, composer John adams revisits his musical roots l l e h c t i M a t t e r a g r a M

irplanes en route from the east to the west coast begin bling in places where there were no trails over mounded diggings their descent just ahead of the Sierra Nevada range. left by gold miners. “i am in my own spiritual territory now,” he Athey soar over the west-slanting mountain slopes wrote of the high Sierra in a journal during the summer of 1984. above the canyons of california’s wild rivers. On a more northerly adams, who is 70, has composed dozens of orchestral and route you might see lake tahoe and the ridges that extend from chamber works, two large-scale oratorios, and five operas that the Sierra crest to the valley by Marysville, california. along one of engage topics as wide-ranging as the Nixon-Mao encounter, ter- those ridges is a small formation, haskell Peak, beneath which rorism, the New and Old testament, nuclear weapons, ancient rests John adams’ cabin, just north of Downieville. in the mid- indian folklore, and, now, the experience of women in the mining 19th century it was a treeless landscape, thousands of acres camps of his beloved Sierra. his musical idiom—subtle and com- logged in the service of gold mining. Nearly two centuries later the scars of mining remain visible, but the trees have grown back Alice Miller Cotter is a musicologist who specializes in American opera. and the rivers run clear. in 1976 adams found himself here, ram- She is a visiting lecturer at the University of California, Berkeley.

encoremediagroup.com/programs 41 GGW 2017 articles.qxp_GGW 2017 11/8/17 2:40 PM Page 3 S

e plex—is as expansive as the glacial erratics and valley floors of the Pacific rim. it’s v i h

c also an ideal vehicle for staging histories that continue to inform the present. r a

a in each of their collaborations, adams and director Peter Sellars chose operatic r e

P subjects that seek to make sense of our current world. the interlacing of real O

D blood and larger mythological significance frames the contexts of Nixon in China S N r a a r e (1987), The Death of Klinghoffer (1991), and Doctor Atomic (2005). For each opera g M N N

O the creators extracted material from news headlines and documentary sources, as a t e S J u

a well as from ancient and allegorical texts. adams’ scores themselves embrace this O v h a tension between immediacy and antiquity. his music can at once suggest striking

S headline imagery (the exaggerated repetitions of Nixon’s “News” aria) and evoke

e

v i

h opera’s conventional past (the aria as a space for atemporal introspection). inter-

c

r a locking rhythms and pulsating strings make us conscious of the here and now. But

a

r e then adams, too, calls upon archaic musical gestures—ritualistic choruses in P

O

D Klinghoffer, the lament motif in Doctor Atomic—to give scope and meaning to the

N S

a r r a action and characters onstage. his opera texts and music play with the paradox of e g

M N memory, namely the way the past is updated as new realities unfold. O N

t a S e J u Many tributaries have informed adams’ compositional approach: a lifetime of lis-

O a

v h a tening to jazz, musical theater, and pop music; the models of Wagner, Schoenberg, and cage; and the landscapes that occupy his memory. he told me, “you know, i can’t really think about my music in terms of time’s arrow or some sort of evolution that makes perfect sense. i don’t even think that Stravinsky’s evolution made perfect sense. it went in all these crazy directions. he discovered something and got influ- enced by Bach and then by Webern and then by gesualdo.” in early works like Shaker Loops (1978) adams began mapping onto his minimalist scaffolds musical fragments drawn from the scores he was teaching or conducting at the time—Mahler, Sibelius, late Beethoven. he became a highly intuitive composer, bound less by labels devised a r e

P by critics than inside and outside those categories all at once. it was opera, however, O

D that gave his musical style a larger frame. N a r While composing Harmonielehre (1984–85), an orchestral commission by the San g N

O Francisco Symphony, adams developed a harmonic technique that would propel the t S

u writing of Nixon in China. he realized the potential of the technique in the expressive O

h dimensions of ’s libretto. the score for Nixon explores the elaboration of consonant surfaces into dissonant reveries alongside events in the text. “you tell everything about the emotional and psychological personality of your characters and about the direction of the action through your use of harmony,” he said. given opera as a compositional platform, adams shifted his working methods accordingly. “i discovered that i was driven by the literary impulse. i can’t work unless i have a great text,” he said. For Klinghoffer, adams let goodman’s imagery of the achille lauro event guide the music. he composed specifically to the rhythms of her poetry, always sketching his harmonies first and then setting one word, one phrase at a time. For adams, this was “the intuitive process at work,” reflective of a certain type of pres- ence—contemplative, always intimate—with the material. a decade later while writing Doctor Atomic, he, too, closely followed Sellars’ libretto, a compilation of documentary

y sources. the result was a woven tapestry of taped industrial war sounds, swirling musi- h t r

a cal particles, and darkly hued harmonies that lend the words of J. robert Oppenheimer c c and edward teller a sense of ambiguity-turned-certainty about impending atrocity. in El M e c Niño (2000), (2006), and The Gospel According to the Other Mary N e r

r (2012), adams likewise spent his creative energies feeling out the shapes and structures e t of the texts. he recalled, “tammy Mumford, who sang in Other Mary, sings a passage at Creative collaborators John Adams and the very end describing Mary going into the sepulcher and not finding Jesus. She told Peter Sellars over the years: from the 1988 me that ending a phrase on ‘sepulcher’ was the perfect syllable for her to sing that low Edinburgh Festival rehearsals for Nixon in china; D-flat. i thought, you know, these things matter so much.” a 1987 press conference with Nixon in china Over the last decade adams’ musical textures have become denser, more complex. librettist Alice Goodman at Houston Grand Opera; together again for the 2005 world premiere of in a series of works—City Noir (2009), Absolute Jest (2012), Other Mary (2012), Saxo- Doctor atomic at San Francisco Opera. phone Concerto (2013), Scheherazade.2 (2014)—he sustains tension in a manner that departs from earlier styles, saturating his scores with otherworldly orchestral colors and

42 SAN FRANCISCO OPERA GGW 2017 articles.qxp_GGW 2017 11/8/17 2:41 PM Page 4

“My first impulse was that the sound and the orchestration should be as simple and as homely as the tools these miners used. It wouldn’t have been right to evoke their lives with lavish orchestration or with the sort of high-tech electronic sound world I created for Doctor atomic.”

fierce lyrical passages. Formal structures get lost in themselves. But in Girls of the Golden West (2017), the text—drawn from letters, newspaper sources, and original folk songs of the early 1850s—imparted another musical agenda. “What makes this opera unique for me is the influence of the gold rush lyrics, because structurally they’re as simple as can be,” adams said. “you can’t take language this simple and this frank and set it to overly complex music. it needs to have music that respects its own simplicity. My first impulse was that the sound and the orchestration should be as simple and as homely as the tools these miners used. it wouldn’t have been right to evoke their lives with lavish orchestration or with the sort of high-tech electronic sound world i created for Doctor Atomic. i wanted someone banging on a cowbell and the orchestra playing just really simple, stark music. So that ended up being a very large aspect of the piece’s DNa.”

adams’ embrace of musical simplicity in Girls of the Golden West recalls his own descrip- S

i k

tions of composing his first opera. “ever since starting the sketches for Nixon in China,” he r O

t r

wrote in December 1985, “i have been aware that the only way to treat this subject is with e

B M

great simplicity…the ‘simple’ dogma of Mao…the homely emotions of Pat and Dick.” the a structural arc of Nixon would entail a large-scale transformation of “simple” music—ascend- l ing scales and patterned repetitions—into more complex contrapuntal layers. in Nixon, he found a dramatic counterpart to his developing style. in Girls of the Golden West, he found a dramatic counterpart to a musical language that, in a sense, was like a return home. adams’ intimate knowledge of the Sierra inspired more than musical productivity in Girls of the Golden West. it encouraged him to observe new details about both the structures of his music and the topography of his Northern california homeland. “you look at the mountain range or the Pacific crest trail and you see these ups and downs and flat areas and jagged shapes, and you’re reminded that this is what musical form is: shapes, not in space but in musical time,” he said. adams originally intended to start the opera with an orchestral panorama inspired by William Brewer’s description of the view from atop Mount Shasta: “a perfect wilderness of mountains extending all the way to the Pacific,” Brewer wrote in the N

1860s. But it ended up being the sharp and witty words of Dame Shirley, the pioneer woman e h O

whose letters describe the natural beauty of the Sierra and the harsh life of the mining camps, c N a

that motivated the composition from beginning to end. “i love Dame F e t

Shirley,” adams said. “i feel like i know her so well: her humor, her incredible S humanity, her ability to see something good in a person, the way she describes the empire hotel and the crooked boards, the sign and the food that they eat.” She was the muse that got him going. the etymological origin of the word music stems, of course, from the ancient greek Muses who represented the arts, inspiration, and all embrac- ing knowledge. it’s no coincidence that the Muses were also the daughters of Memory (Mnemosyne). through the Shirley letters, adams located deep in his own memory an old wisdom acquired through years of hiking the crest between the Sierra Buttes and Mount elwell. “i had to really use my imagina- tion when i wrote Nixon in China,” he said, “but i didn’t have to here.” For S

him, music and memory exist side by side, over the diggings and through e v i h

the trees. c r a S M a From top to bottom: Adams conducting at the Kennedy Center for the Performing Arts D a N

in Washington, D.C.; with Sellars at a rehearsal for girls of the golden West; h O Adams near his cabin by Haskell Peak, circa 1976. J

encoremediagroup.com/programs 43 GGW 2017 articles.qxp_GGW 2017 11/8/17 2:41 PM Page 5

B Y G A R Y K A M I Y A y t e i c O S l a c i r O t S i h a i N r O F i l a The Dark SIde c of the GOld Rush

he california gold rush is one of those rare historical (Spanish-speaking residents of california), some Mexicans from the events whose extraordinary intensity at once made it a northern states, smaller numbers of chileans and Peruvians, and a touchstone of character and brought to the surface scattering of others. Surface gold was relatively plentiful, the dig- deep-seated societal stereotypes and prejudices. young american gings were not too crowded, and life in the mining camps was Tmen who had had little or no exposure to different cultures, races, mostly peaceful. But this rousseauian phase of the gold rush was or ethnicities suddenly found themselves literally rubbing shoulders soon replaced by a more hobbesian version. in 1848, when Presi- in the diggings with Mexicans, blacks, indians, chinese, French, dent Polk confirmed that there really was gold in california, and the chileans, and others from all over the world. as Girls of the Golden world, including 80,000 yankees, rushed in, the situation began to West reveals, all too often they responded with a mixture of selfish- take a darker turn. as gold became scarcer and the competition ness and nativism. the philosopher Josiah royce wrote in his clas- more cutthroat, racism and nativism became increasingly common. sic 1886 book California: A Study of American Character, “Nowhere even before explicit bigotry emerged, the gold fields were hardly else, save perhaps as conqueror in Mexico itself, did the american a melting pot. ethnic and racial stereotypes were so commonplace show so blindly and brutally as he often showed in early california they did not raise an eyebrow: Mexicans were seen as lazy and vio- his innate intolerance for whatever is stubbornly foreign.” lent, chinese clannish and mendacious, blacks intellectually infe- actually, relations between the various national and ethnic rior, Jews grasping and averse to physical labor, irish thuggish and groups in california were largely peaceful during the first year after drunken, French sexually depraved, and so on. But these stereo- gold was discovered in January 1848. this is because, initially, the types did not necessarily run very deep. in the early days of the gold rush was really the gold trickle. Only about 4,000 yankees gold rush, many white american miners worked without incident made it to distant california that year, joining 1,300 californios next to Mexicans, blacks, and others. But when the gold got

44 SAN FRANCISCO OPERA GGW 2017 articles.qxp_GGW 2017 11/8/17 2:39 PM Page 6

Yankee encounters with “others” in the diggings— whether Spanish speakers, Indians, Chinese, blacks, or Europeans— all too often ended in unjust expulsions and, sometimes, violence.

scarcer, such prejudices grew stronger. and even when they were Coronel were typical. He and his party were successfully prospect- not fully believed, they served to justify self-interested actions. ing in the foothills, when posters appeared warning “foreigners” the first victims were Spanish speakers. many white american to leave the mines. meanwhile, five foreigners were accused of miners shared the jingoist sentiments that had become stealing gold in a nearby camp. two of them, a frenchman and a widespread after the recently concluded mexican-american war, Chilean who were unable to understand a word of the charges and they were outraged that “foreigners,” mainly latinos but also against them, were hanged by a drunken mob. the camp there- french, Chinese and other non-citizens, were taking gold that they after was called Hangtown. it was California’s first lynching. Sadly, thought was rightfully theirs. the first official attempt to exclude as Girls of the Golden West shows, it would not be its last. latinos from the gold fields took place Coronel and his group headed to a in January 1849 in Panama, where 300 Left: Charles Nahl’s 1856 illustration “Bogue Ejecting remote river, but even there they were americans found themselves stranded the Squatters” from the old block’s Sketch-book. chased off by 100 gringos who on their way to el dorado. a rumor Below: A circa 1849 image of Chinese immigrants working in announced that the entire riverbed spread that “foreign plunderers” from the gold fields; Mexican immigrant Josefa Segovia was belonged exclusively to americans who South and Central america had hanged in Downieville, California on July 5, 1851. would tolerate no “foreigners.” the removed $4 million in gold from Cali- yankees made no distinction between fornia, leaving little for “true citizens” the Californios, some of whose ances- / S

like themselves. a mass meeting was e tors had arrived in California in 1769, r u t

called, after which gen. Persifor f. C and newly-arrived mexicans, Chileans, i P

Smith, who was headed to monterey n and Peruvians. they lumped them all a C i

to command the army, issued an ille- r together as “greasers.” e m

gal declaration stating that any non- a anti-foreign and anti-Spanish senti- k r

citizen who dug for gold on public a ment culminated in what one historian w land would be considered a tres- e called “one of the most original if n r e

passer. all 300 americans present t benighted laws ever passed in a Cali- e P

supported the declaration. / fornia legislature”—the foreign min- n S e o

anti-latino sentiments had already i ers’ tax of 1850. this statute, one of g t a C e m i

begun to run high in the mines, in part l the first passed by the California legis- l n o a

because many mexicans and Chileans C lature after California became a state, m e e t g had far greater mining expertise than a imposed a draconian $20 a month fee d v i i r r b their white counterparts. Smith’s P on all foreign miners. although declaration provided legal cover. the fee was later reduced, and that spring, vigilantes at Sutter’s the act repealed in 1851, the mill drove away large numbers damage was done; it drove an of mexicans, Chileans, and Peru- estimated 10,000 mexicans vians. on the fourth of July, from the mines. the bill’s spon- there was another anti-latino sor was a virulent texas-born outburst on the Sacramento racist and state senator named river, after which 1,000 victims, thomas Jefferson green, who mostly Chileans, poured into had been run off the yuba river San francisco, many headed for because he was using black home. in fact, Smith’s decree slaves to mine, and who once was not only illegal but factually said he could “maintain a better

wrong—non-citizens were con- y stomach at the killing of a mexi- r a r b

sidered guests and were legally i can” than at the crushing of a l e

allowed to mine on public lands. t body louse. a t

officials disavowed it, but the S California’s native peoples a i n

damage had been done. r fared even worse than the Span- o f i

the travails of a Californio l ish-speakers. yankee miners a schoolteacher named antonio C exploited them mercilessly as

encoremediagroup.com/programs 45 GGW 2017 articles.qxp_GGW 2017 11/8/17 2:41 PM Page 7 S e g a M i N a M e g D i r B /

Clockwise from top left: Approximately S e r u

one-quarter of all cowboys on the t c i

western frontier were African American, P N a

immortalized in this circa 1880 c i r photograph; born into slavery in 1854, e M a

Nat Love became a Wild West legend k r a

before dying in Los Angeles in 1921; W e

an 1860 clash of settlers and Native N r e

Americans in the Sierra Nevada. t e P

workers, in some cases trading them a cup of sugar for a cup of gold. they S

were held in complete contempt: one e g a

relatively cosmopolitan forty-niner M i N

wrote of them, “a more filthy and dis- a M e

gusting class of human beings you g D i cannot well conceive…they seem to r B /

be only a few degrees removed from e g a t

brutes.” From such attitudes to cold- N i v blooded slaughter, it was only a short . t . step. as early as 1849, whites began J clearing indians from the diggings, and organized killing expeditions soon followed. Many whites realized that the state’s original inhabitants were being dealt with unjustly, but such sentiments were almost always couched in terms of resignation. in an 1851 speech to the state legisla- ture, the first elected governor of cali- S

fornia, Peter Burnett, said, “a war of e g a

extermination would continue to be M i N

waged between the two races until a M e

the indian race becomes extinct.” g D i although Burnett said this was a r B /

source of “painful regret,” he con- h S l cluded, “the inevitable destiny of the e W N

race is beyond the power and wisdom e k

of man to avert.” the genocidal cam- © O paigns waged against california indi- t O h

ans over the next three decades, in P which men, women, and children were often gunned down like big game in a safari, constitute one of burlesques on humanity” from mining. another miner’s tax was the blackest pages in american history. passed, this time targeting chinese. like latinos and indians, chi- the chinese, who began mining in large numbers relatively late, nese were routinely harassed and driven out of the diggings. were also subject to the dominant prejudices of the time. in this Blacks also faced widespread bigotry. california became a free case, however, it might be more accurate to speak of ignorance state in 1850, but there were plenty of pro-slavery southerners in the than of prejudice, at least at first. Most white forty-niners had never mines. Most white miners were opposed to southerners like met a chinese person, and had no idea what to make of them. But thomas Jefferson green using slaves in the diggings, but more out curiosity soon turned to animosity, again driven by fear of competi- of self-interest than moral opposition. the color line that ruled tion, and exacerbated by the huge cultural and linguistic gulf american society did not end in the diggings. Black miners were between the two groups. the chinese tried to avoid direct con- often confined to segregated boarding houses, and white miners frontation with the white miners, but yankee rage boiled over in would frequently chase them off their claims. however, the picture 1852, when the people of the southern mining town columbia held could be more nuanced. an english observer wrote, “in the mines a mass meeting in which they passed resolutions forbidding “these the americans seemed to exhibit more tolerance of Negro blood

46 SAN FRANCISCO OPERA GGW 2017 articles.qxp_GGW 2017 11/8/17 2:41 PM Page 8

music dance theater 2017/18 Cal Perform ances SEASON As gold became UNIVERSITY OF CALIFORNIA, BERKELEY scarcer and the competition The Hard Nut more cutthroat, racism Mark Morris Dance Group Music by Tchaikovsky (The Nutcracker); by Mark Morris and nativism became Colin Fowler, conductor; Members of the Berkeley Symphony increasingly common. Piedmont East Bay Children’s Choir, Ensemble; Robert Geary, founding artistic director First Bay Area Performances in 5 years!

than is usual in the states…owing partly to the exigencies of the unsettled state of society…and to the important fact that a n----r’s dollars were as good as any “A boldly perfected other.” Marysville’s first saloon and gam- masterpiece.” bling house advertised that it was open —Theaterweek to all, “with no regard to distinction of color.” Sometimes whites and blacks partnered together; one white family “Waves of happy stood up for black miners when a laughter greet The drunken mob tried to drive them out. Hard Nut from curtain- it’s far from an idyllic picture. yet as up to curtain-down.” Girls of the Golden West eloquently —The New York Times depicts, the gold rush was much more than a tale of unrelenting nativism and racism. the prevalence of those dark, all-too-human forces cannot be denied. But to see the argonauts as a bunch of members with pickaxes would be ahistorical. like all of us, they were shaped by the attitudes, beliefs, “You’ve never seen a and prejudices of their time, and the Nutcracker quite like anarchic, greed-driven universe of the this before.” mining camps allowed those prejudices —The Huffington Post to blossom. the diggings were a great crucible, a test of character. Some arg- onauts failed the test; others proved to Dec 15–24 be made of the highest mettle; most fell ZELLERBACH HALL in between. the gold rush was a Shakespearean saga, a portrait of humanity in all of its splendor and degradation, its nobility and folly. and the lessons it holds are as important, and painful, in 2017 as they were in 1849.

Gary Kamiya is the author of cool gray city of love: 49 views of San Francisco and the executive editor of San Francisco Magazine. His history column, “Portals of Season the Past,” appears every other Saturday in Sponsor: the San Francisco chronicle. calperformances.org

encoremediagroup.com/programs 47 GGW 2017 articles.qxp_GGW 2017 11/8/17 2:41 PM Page 9

B Y M A R L E N E S M I T H - B A R A N Z I N I

Louise Clappe and “Dame Shirley” in the Golden West

he cry of “gold!” in california and its aftermath is a well-told tale. as the word spread, San Francisco—so recently the pueblo called yerba Buena—experienced “an orgy of growth,” as historian roger lotchin saw it. By early 1849 the population was perhaps 2,000; at the start of 1850, it had S l increased tenfold, and hundreds of ships and smaller vessels crowded the water W

a T r and wharves. One of these ships, the Manilla, arrived in January 1850, heavy M i J

F with cargo. it carried five passengers from New york. O y

S in this party were Fayette clapp, 25, a newly trained doctor; his bride of one e t

r year, louise amelia (Smith) clapp, 30 (who would eventually spell her name u O

c “clappe”); two of her younger sisters; and alfred clapp, a relative of Fayette. San Francisco was overrun with optimists. Makeshift tents dotted the hill- sides, and wooden storefronts, hotels, and boarding houses went up quickly. the family found lodging, and Dr. clapp welcomed patients. through the winter and spring of 1850, the family witnessed several devastating fires—possibly arson— which leveled entire city blocks. louise declared the city “built one day and burnt the next,” a place mad with “the mineral obsession.” People’s intellects grew “languid and dull,” she wrote, “hearing of ‘gold, gold, nothing but gold.’” yet the gold mines were not to be avoided. One year in San Francisco was more than enough for Fayette. cool, rainy winter gave way to foggy, chilly summer. Often the weather or his health seemed to leave him unwell, and soon his new acquaintances began encouraging him to go inland, where it was sunny and drier. Some recommended a new mining camp called rich Bar, 200 miles to the northeast. a thousand people were already there, but no doctors. Fayette was keen on this news and impatient to depart. Mrs. clapp agreed that “as the health of his purse was almost as feeble as that of his body, [this] was not a bad idea.” Fayette left for the Sierra in June 1851, with the understanding that if his health improved and conditions were suitable, he would return for his wife. While she awaited his decision, louise went to a ranch near Marysville, where she began writing. Soon, Stephen Massett, editor of the Marysville Herald, was publishing her essays and poetry. When Dr. clapp’s letter arrived saying he would come for her, louise was elated. and she would seize the opportunity to chronicle this event that held the world transfixed. her education—and fate—made it possible. louise was born on July 28, 1819, in elizabethtown, New Jersey. her father, Moses Smith of amherst, Massachusetts, was a distin- guished mathematician. in 1827, he and her mother, lois (lee) Smith, moved their young family back to amherst. tragically, both parents died during the 1830s. through their estate, louise completed her formal education. in 1839, when she was 20, a stagecoach journey brought louise and the noted editor, diplomat, and “man of letters” alexander h. everett (1792–1847) into contact. conversation led to friendship and exchanges of lengthy letters (sometimes in French) that continued for eight years. everett’s letters included his travels, public lectures, politics, and especially literature. he encouraged louise to observe and write. he also sent her his published Essays and Miscellany (1845), a volume that included an essay on Mme. de Sévigné of Paris

Above: A possible likeness of Louise Clappe, created from family photographs, including images from the Clappe Collection in the California State Library, Sacramento. Right: A circa 1864 image of settlers traversing Strawberry Valley in the Sierra Nevada. By the end of the Gold Rush, California’s population soared to 300,000 Americans.

48 SAN FRANCISCO OPERA GGW 2017 articles.qxp_GGW 2017 11/8/17 2:41 PM Page 10

For 15 months, in 23 detailed letters, she vividly, humorously, and compassionately captured every aspect of mining life, from its technology to its ethnic diversity, to drinking and celebrations, fortunes found and squandered, crime and punishment, as well as the wild beauty of the river canyon and the rugged redwood slopes that rose to 6,000 feet above it.

(1626–1696). everett urged louise to read de Sévigné’s letters to her daughter, telling his young friend that “the only literature of any value is that which grows indirectly out of the real action of society....” alexander everett died in china in early 1847. louise preserved his 46 letters all her life. She and Fayette clapp were married in September 1848. in September 1851, writing from her log cabin on a branch of the North Fork of the Feather river, louise chose the nom de plume “Dame Shirley,” created from her childhood nickname and the image of dame as a mature, educated woman. the express man arrived monthly bringing mail and supplies, and left carrying Dame Shirley’s recently composed letters to her sister Mary Jane, “Molly,” in amherst. For 15 months, in 23 detailed letters, she vividly, humorously, and compassionately captured every aspect of mining life, from its technology to its ethnic diversity, to drinking and celebrations, fortunes found and squandered, crime and punishment, as well as the wild beauty of the river canyon and the rugged redwood slopes that rose to 6,000 feet above it. the winter of 1852 promised heavy snow. it was time to depart. louise, transformed by her experience, and Fayette returned to San Francisco. in 1854 she became a school teacher and her “Shirley letters” appeared serially in a new literary magazine, The Pioneer. in 1857, the clapps divorced. after retiring from teaching in 1874, louise moved to S e g

New york city, close to her niece genevieve Stebbins, a a M pioneer in body language arts. louise spoke publicly on i N a M

art, architecture, and literature. later, as she grew frail, e g D she went to New Jersey, where two nieces of the writer i r B

Bret harte cared for her until her death on February 9, / g 1906—a few weeks before the great earthquake toppled i u / e v

the city she called home for a quarter-century. i h c

in 1922 her Shirley Letters from the California Mines, r a y

1851–1852 were published in a fine-press volume by r O t S

printer thomas russell. a decade later, uc Berkeley i h

mining engineer carl Wheat read and republished l a S r

them, with commentary, in several editions. With the e v i N

1948 california gold rush centennial, more readers, u including history students, discovered them. today they are a primary resource in california history studies. louise amelia knapp Smith clappe left us before she would know all this. But in her “letter twentieth,” dated September 4, 1852, as she mused on the poetry of John Milton, Dame Shirley reflected that she too would gladly “write something which the world would not willingly let die.”

Marlene Smith-Baranzini is the editor of the Shirley letters from the california Mines, 1851–1852 (Heyday).

encoremediagroup.com/programs 49 GGW 2017 articles.qxp_GGW 2017 11/8/17 2:41 PM Page 11

B Y J O A N N L E V Y S e g y a r M a

INVENTING LOLA i r B N i a l M e e “Oh, you must see her! She’s continually new, continually changing, constantly creative!” r g u D t i c r So Franz liszt declared, perfectly describing ireland-born eliza gilbert, now calling herself i P B i / N lola Montez, a Spanish dancer from Seville, daughter of an impoverished noble Spanish fam- i i t t r S O ily, widow of a slain war hero. O g i l a g

in 1844, when the hot-tempered beauty seduced liszt, her pretty feet had twirled her across e a D D stages in london, Dresden, Berlin, Warsaw, Danzig, and St. Petersburg, her talent less for dance Lola Montez, aka the . a than notoriety. the brief affair with liszt ended, rumor had it, when he slipped from the hotel Countess of Landsfeld, in a where he and lola were staying, paid the manager not to unlock the room for twelve hours, and painting commissioned by Bavaria’s King Ludwig I. made his getaway. No matter. lola, only 23, found bigger fish to fry. Bavaria’s king ludwig, instantly besotted, showered her with jewels, money, a mansion, servants. he so adored her feet, she gave him an alabaster model of one on a yellow marble pillow. he wrote her, “heart of my heart… i covered it in kisses.” he could deny her nothing. When she begged for a title, he gave it. in 1846, lola became countess of landsfeld. in 1848, she added Mrs. george heald to her growing list of names by marrying a wealthy young englishman. his disapproving aunt, peg- ging lola for a gold-digger, discovered the bride’s teen-aged marriage to lt. thomas James—and a divorce prohibiting remarriage. charged with bigamy, lola fled to France. in 1851, beset by creditors, she sailed for america. her reputation preceded her. an alarmed Boston newspaper editor wrote: “thousands of american ladies, it is expected, will rush to see one who possesses in a remarkable degree no artistic talent, and who has acquired notoriety by her shameless dissoluteness of character. the exhibition…is an insult for american society….” as P. t. Barnum famously said, there’s no such thing as bad publicity. lola successfully toured the east, then, in 1853, headed for california. her first week at San Francisco’s american theatre netted her $16,000. One critic, describing her famous spider dance, thought it humorous: The music, a slow measured but fascinating amalgamation of , , march, mazurka and jig, conforms admirably to the step. The spi- ders accumulate and the danseuse stamps. They appear in myriads—eleven-legged nondescripts with two heads and no eyes; hairy monsters with fire-clawed feelers and nimble shanks. They crawl and sprattle about the stage, invading the fringes of Miladi’s petticoats and taking such unwarrantable liberties that the spectator imagines an inextricable mass of cobwebs and enraged spiders, and would sympathize with the demoi- selle, but she seems to take it so easily herself that one quickly jumps to the conclusion that she is enough for them. It is Lola versus the spiders. After a series of examinations and shaking dresses, she succeeds in getting the imaginary intruders away—apparently stamps daylight out of the last 10,000, and does it with so much naïveté that we feel a sort of satisfaction at the triumph. The picture winds up with Lola’s victory, and she glides from the stage overwhelmed with applause, and smashed spiders, and radiant with particolored skirts, smiles, graces, cobwebs and glory. Next stop: Mission Dolores, to marry an american she’d met aboard ship, Patrick Purdy hull. the 33-year-old bride advised the officiating priest that her name was Maria Dolores eliza rosana landsfeld heald and her age was 27. in Sacramento, beginning her tour of california’s interior, raucous laughter greeted lola’s performance. She angrily signaled the conductor to stop the music, then scolded her audience: “give me your trousers and take my skirts, you’re not fit to be called men!” they hooted her from the stage. the next night she received enthusiastic applause, but the local newspaper editor was suspicious: “the house might be called full, but in looking it over we could distinguish only a few, a very few, of our citizens present. to strangers, impelled by mere curiosity, and the free use of free tickets, is she indebted for an audience.” insulted, lola challenged him to a duel. ignored, she continued on to Marysville, and then to grass valley, where she ended her tour, bought a cottage on Mill Street, and sent Patrick Purdy hull packing with the wish that he “trouble her no more.” For two years, likely her happiest, she gardened, collected pets, enjoyed mountain outings, hosted traveling performers and children’s christmas parties. the blue-eyed beauty, once famously fond of threatening critics with pistols and horsewhips endeared herself to the townspeople with kindness and philanthropy. then, restless again, she left for australia where she performed in Sydney, Melbourne, and adelaide. On her return, the accidental ship- board death of her young manager apparently sapped the last of lola’s flamboyance. Following a brief visit to california she went east where, embracing spiritualism, she parlayed her ability at charming curtain speeches into a final career as a touring lecturer. While living in reduced circumstances in New york she suffered a stroke, followed by pneumonia. the illness took her from life’s stage in January of 1861. She was 40 years old. the once infamously renowned lola Montez is buried in Brooklyn, beneath a headstone bearing an incorrect birthdate and a name she never used: Mrs. eliza gilbert.

JoAnn Levy is the author of they Saw the elephant: Women in the california gold rush and other titles.

Background: Lola Montez Dancing in Front of King Ludwig I MuSée De la ville De PariS, MuSée carNavalet, PariS, FraNce / archiveS charMet / BriDgeMaN iMageS

50 SAN FRANCISCO OPERA RHODA GOLDMAN JOHN ADAMS album Splitting Adams by Alarm Will Sound PLAZA (Worcester, and Q2 Music’s “Meet the Composer” Massachusetts) podcast, featuring Chamber Symphony Composer and Son of Chamber Symphony alongside As a composer, interview tracks; Scheherazade.2 with Leila conductor, and Josefowicz and the St. Louis Symphony creative thinker, John on Nonesuch Records; the Deutsche Adams occupies a Grammophon release of The Gospel unique position in the According to the Other Mary featuring the world of American music. His works, both ; City Noir and operatic and symphonic, stand out among Saxophone Concerto with the St. Louis contemporary classical compositions Symphony; the Grammy Award–winning for their depth of expression, brilliance album featuring Harmonielehre and Short of sound, and the profoundly humanist Ride in a Fast Machine and the premiere nature of their themes. Works spanning recording of Absolute Jest paired with Grand more than three decades have entered Pianola Music, both with the San Francisco the repertoire and are among the most Symphony; and the Nonesuch DVD of the performed of all contemporary classical Metropolitan Opera’s production of Nixon music, among them Harmonielehre, in China conducted by the composer. Shaker Loops, Chamber Symphony, Doctor Atomic Symphony, Short Ride in a Fast JULIA BULLOCK Machine, and his Violin Concerto. His (St. Louis, Missouri) stage works, all in collaboration with Dame Shirley director Peter Sellars, include Nixon in Soprano Julia Bullock China (1987), makes her San (1991), El Niño (2000), Doctor Atomic Francisco Opera (2005), A Flowering Tree (2006), and the debut as Dame Passion oratorio The Gospel According to Shirley in the world At Rhoda Goldman Plaza, thethe Other staff, Mary cuisine, (2012). Adams programs, received premiere of Girls of the 1993 Grawemeyer Award for his Violin the Golden West. Later this season, she and services allow me to doConcerto, what I as love—like well as the 2003 volun Pulitzer- joins Dutch National Opera in Simon teering for my amazing Giants.Prize forAnd composing the convenient On the Transmigration McBurney’s production of The Rake’s of Souls, commissioned by the New York Progress, makes a Santa Fe Opera debut Lower Pac Heights address Philharmonicmakes this to unsurpassedcommemorate the first as Kitty Oppenheimer in a new Peter anniversary of 9/11. He has been awarded Sellars production of John Adams’ Doctor assisted living and memory honorarycare community doctorates from my Harvard, home Yale, Atomic, and performs in a North American team. For your personal visit,Northwestern connect University, with Candiece, Cambridge recital tour to Atlanta, Berkeley, Boston, University, the Juilliard School, and the Kansas City, and New York, among other 415.345.5072 or [email protected] Academy of Music, where he has cities. Recent highlights include concerts Living recently been appointed as a Visiting with Gustavo Dudamel leading the Los Professor of Composition. A provocative Angeles Philharmonic, Andris Nelsons Well With writer, he is author of the highly-acclaimed and the Boston Symphony Orchestra, SM autobiography Hallelujah Junction and is Marin Alsop and the Baltimore Symphony Assistance a contributor to the New York Times Book Orchestra, Alan Gilbert and the New Review. As a conductor, Adams appears York Philharmonic, Simon Rattle and Is My with the world’s major orchestras in the London Symphony Orchestra, David programs combining his own works with Robertson and the Sydney Symphony, and Independence. a wide variety of repertoire ranging from Michael Tilson Thomas conducting the San Beethoven and Mozart to Ives, Carter, Francisco Symphony. Bullock has recorded For your personal visit, Zappa, Glass, and Ellington. In recent Doctor Atomic, conducted by the composer, seasons, he has conducted the Berlin with the BBC Symphony Orchestra and connect with Candiece, Philharmonic, Royal Concertgebouw garnered wide international recognition 415.345.5072 or Orchestra, London Symphony Orchestra, in the title role of The Indian Queen at Symphony, Los Angeles the Perm Opera House, the Bolshoi, and [email protected]. Philharmonic, and the orchestras of . Shaped by artistic partner Encore Seattle, Cincinnati, Atlanta, and Toronto. Peter Sellars, truly inspired performances 2180 Post Street Barbara GoldmanAdams is currently Creative Chair of were achieved in summer 2016 at the Ojai San Francisco, CA the Los Angeles Philharmonic. Recent Music Festival with Roomful of Teeth and rgplaza.org recordings of his work include the podcast the International Contemporary Ensemble 1/3 Page Vertical Founded by Jewish Family and Children’s Services and Mount Zion Health Fund RCFE# 385600125 2.25” w x 9.875” h / 4 Color

encoremediagroup.com/programs 51

CLIENT RGP PUB Encore REF NO RGP745-01cg - Barbara Goldman AD TYPE 1/3 page vertical, 4C SPECS 2.25” w x 9.875” h / 4 Color ISSUE 9/20 - 10/15/17 MAT’LS DUE 8.15.17 VERSION 1 AGENCY RESIN CONTACT Tim Paschke – 415 987 4274 in ’s and in the world premiere of Josephine Baker: A Portrait, composed and arranged Reach Your Highest by Tyshawn Sorey with accompanying Business Potential poetry by Claudia Rankine.

• Make getting reviews a breeze DAVÓNE TINES • Show up higher in search results (Orlean, Virginia) • Appear in “near me” searches Ned Peters Bass-baritone Davóne www.real.review Tines’ performances in the 2017–18 season include his San Francisco Opera debut in John Adams’ Girls of the Golden West, a debut at the Opéra National de Paris in Kaija Saariaho’s Only the Sound Remains, and a Brooklyn Academy of Music debut in Crossing by Business, meet Matthew Aucoin. Other appearances of the season encompass Oedipus Rex at the box office. Baltic Sea Festival conducted by Esa-Pekka Salonen and both Das Paradies und die Peri and Beethoven’s Ninth Symphony Encore connects businesses and brands to the best with the Los Angeles Philharmonic led by Gustavo Dudamel. Past highlights of arts & culture in Seattle and the Bay Area.. include Adams’ El Niño with the London Symphony Orchestra as well as with the Los Angeles Philharmonic, Saariaho’s From fashion and finance to dining and diamonds, True Fire with the Orchestre National smart business-owners know Encore is the best de France, and a program exposing the Music of Resistance by Crumb, Eastman, way to get their brand in the spotlight. Shaw, and Shostakovich with conductor Christian Reif leading members of the San Francisco Symphony at SoundBox. On the opera stage, Tines made debuts at Lisbon’s Teatro Nacional de São Carlos in Oedipus Rex led by Leo Hussain and at the Finnish National Opera in Only the Sound Remains directed by Peter Sellars. National Learn more at encoremediagroup.com. Sawdust brought to the stage for: A Tuesday, a ceremony of music and dance created and administered by Davóne Tines with his collaborator, Helga Davis, during which the audience was invited to witness and face collective and individual Music To Save Our Endangered Lands II engagements of mortality and fear in the Saving the places that make the East Bay special context of racialized police brutality. Tines San Francisco Opera Orchestra musicians Janet Popesco Archibald, Emil Miland and pianist graduated from and Margaret Fondbertasse are generously donating proceeds from the sale of their new received a Master of Music degree from CD to John Muir Land Trust. Now available in the Opera Shop and at jmlt.org. the Juilliard School.

jmlt.org

52 SAN FRANCISCO OPERA PAUL APPLEBY (South Bend, Indiana) Joe Cannon Following a summer season that featured Paul Appleby in his Festival d’Aix- en-Provence debut as Tom Rakewell in The Rake’s Progress by director Simon McBurney, the tenor returns to San Francisco Opera for the world premiere of Girls of the Golden West. Later in the 2017–18 season, he performs at Dutch National Opera, revisiting McBurney’s production of The Rake’s Progress. On the stage of the Metropolitan Opera, the tenor has bowed as Tom Rakewell, Belmonte in Die Entführung aus dem Serail, David in Die Meistersinger von Nürnberg, and in the lead role of Brian in the North American premiere of ’s Two Boys Highlights from recent seasons also include Bénédict in Béatrice et Bénédict at the Palais Garnier, Jonathan in a new production of Saul at the Festival, Fritz in The Grand Duchess of Gérolstein at the Santa Fe Opera, and Ferrando in Così fan tutte at . He has collaborated with many of the world’s leading conductors including Gustavo Dudamel, Manfred Honeck, James Levine, , and David Zinman. Appleby made his San Francisco Opera debut in 2015 as Tamino in .

HYE JUNG LEE (Seoul, Korea) Ah Sing Korean soprano Hye Jung Lee made her San Francisco Opera debut as Madame Mao in John Adams’ Nixon in China. She returned to the Company the following year to sing Olympia in Tales of Hoffmann. In 2015, Lee joined the ensemble of Theater Kiel in Germany where she has performed Gilda from Rigoletto, Zerbinetta from , Queen of the Night from Die Zauberflöte, Susanna from Le Asian Art Museum 200 Larkin Street Chong Moon-Lee Center San Francisco, CA 94102 Nozze di Figaro, Ortlinde from Die Walküre, for Asian Art and Culture www.asianart.org Amor from Orphée et Eurydice, and Woglinde from Das Rheingold, among other roles. Recent seasons have also taken her to New Zealand Opera for Madame

encoremediagroup.com/programs 53 Operatic Mao and Saarländisches Staatstheater Wiesbaden, returns to the Santa Fe Opera Paintings in Saarbrücken for Queen of the Night. as J. Robert Oppenheimer in John Adams’ Other career highlights include the role Doctor Atomic, and makes his role debut by Barbara Fracchia of Papagena from Die Zauberflöte, Lisa in the title role of Eugene Onegin at Hawaii from La Sonnambula at Florida Grand Opera Theatre. Opera, and Queen of the Night at Dayton Opera. Lee has appeared as a soloist in J’NAI BRIDGES Mozart’s Mass in C minor in 2009 with the (Lakewood, St. Cecilia Orchestra and Chorus at Issac Washington) Stern Auditorium in Carnegie Hall. The Josefa Segovia following year, she returned to Carnegie Having made her Hall, singing as a soloist in Bach’s San Francisco Opera . An alumna of the debut in 2016 as Bersi Merola Opera Program, Lee is a graduate in Andrea Chénier, of Indiana University, Seoul National mezzo-soprano University, and the Mannes College J’Nai Bridges is quickly becoming one of Music. In 2013, she was a national of the most sought-after talents of her semifinalist in the Metropolitan Opera generation. Season highlights include National Council Auditions. her return to San Francisco Opera in the world premiere of John Adams’ Girls of RYAN McKINNY the Golden West and engagements with (Los Angeles, Opera Zürich, Los Angeles Philharmonic, California) the Philadelphia Orchestra, BBC Clarence Symphony, and Kalamazoo Symphony. Past Performing for the engagements include leading roles at the first time at San Los Angeles, Vancouver, San Diego, Lyric Francisco Opera Opera of Chicago, and Wolf Trap Operas as Clarence in and soloist engagements with the NDR Girls of the Golden Symphony Orchestra, National Symphony West, bass-baritone Ryan McKinny Orchestra, New York Philharmonic, and recently performed as Oregon Symphony. Bridges has received in John Adams’ Nixon in China with the a 2018 Sphinx Medal of Excellence and a Los Angeles Philharmonic, Amfortas 2016 Richard Tucker Career Grant, won in Parsifal at the Bayreuth Festival, and the 2016 Francisco Viñas and 2015 Gerda Bernstein’s Arias and Barcarolles with Lissner Competitions, and represented Michael Tilson Thomas and the San the U.S. at the BBC Cardiff Singer of the Francisco Symphony in celebration of World Competition. She is an alumna the composer’s 100th birthday. Last of the Curtis Institute of Music and season, he returned to Washington School of Music. In 2016, National Opera as Figaro in Le Nozze di Bridges completed a three-year residency Figaro, Hawaii Opera Theatre as Stanley with the distinguished Patrick G. and Kowalski in André Previn’s A Streetcar Shirley W. Ryan Opera Center at Lyric Named Desire, and Houston Grand Opera Opera of Chicago. Highlights of her tenure as Gunther in Götterdämmerung. Other there included Ines in Il Trovatore, Vlasta recent engagements include Donner in Mieczysław Weinberg’s The Passenger, and Gunther in Der Ring des Nibelungen Flora in La Traviata, Rosina in Il Barbiere di at Washington National Opera, his first Siviglia, and in the world premiere European performances of the title role of Bel Canto by Jimmy López. of Der Fliegende Holländer, the title role of Rigoletto at Houston Grand Opera, Jochanaan in Salome at the Santa Fe Opera Manon and New Orleans Opera, and Stanley 36 x 18, oil on canvas Kowalski to Renée Fleming’s Blanche DuBois in A Streetcar Named Desire at . In the 2017–18 season, he makes his role debut as Mandryka in a new production of at Staatstheater

54 SAN FRANCISCO OPERA HALL WINES PROUDLY SUPPORTS

HALLWINES.COM | 707.967.2626 | 401 ST. HELENA HWY. S, ST. HELENA, CA | #ARTOFCABERNET

HALL_OperaPoster2017_AD.indd 1 7/19/2017 9:28:33 AM EAP full-page template.indd 1 7/19/17 1:43 PM ad proofs.indd 1 7/7/14 11:10 AM Proud to ELLIOT MADORE PETER SELLARS (Toronto, Canada) (, Support Ramón Pennsylvania) Baritone Elliot Librettist and Director the Arts in Madore made his Peter Sellars is San Francisco Opera one of the most debut in 2015 as powerful forces San Francisco Anthony Hope in in the performing Sweeney Todd. His arts, known for recent engagements include Mercutio in groundbreaking interpretations of classic Roméo et Juliette with the Metropolitan works. Whether it is Mozart, Handel, Personal attention Opera and Santa Fe Opera; Reinaldo Shakespeare, , or the 16th- Arenas in the world premiere of Jorge century Chinese playwright Tang Xianzu, thoughtful litigation Martin’s Before Night Falls at Florida Grand Peter Sellars strikes a universal chord with final resolution Opera; Pelléas in Pelléas et Mélisande with audiences. Sellars has staged operas at Munich’s ; Belcore the Glyndebourne Festival, Lyric Opera Our goal is to preserve our LAW FAMILY in L’Elisir d’Amore with Lyric Opera of of Chicago, Netherlands Opera, Opéra client’s dignity and humanity. Kansas City; Harlekin in Ariadne auf Naxos National de Paris, , San in Zurich, Munich, and Paris; Figaro in Francisco Opera, Metropolitan Opera, with the Metropolitan and the Santa Fe Opera, among others, Opera; and the title role of establishing a reputation for bringing 20th- FA M I LYLAW G R OUP, P. C . with Opera Philadelphia, the Glyndebourne century and contemporary operas to the Festival, and Opera Theatre of Saint Louis. stage, including works by Olivier Messiaen, 575 Market Street, Suite 4000 During the 2017–18 season, he appears , and György Ligeti. San Francisco, CA 94105 as Germano in La Scala di Seta at Zurich Inspired by the compositions of Kaija 415.834.1120 Opera, The Cat/Grandfather Clock in Saariaho, Osvaldo Golijov, and , www.sflg.com L’Enfant et les Sortilèges with the Berlin he has guided the creation of productions Philharmonic, and as Pelléas with the of their work that have expanded the Bremen Kammerphilharmonie. He also repertoire of modern opera. Sellars has returns to the Tanglewood Music Festival been a driving force in the creation of many to sing Bernstein’s Songfest with the new works with longtime collaborator Boston Symphony Orchestra. composer John Adams, including Nixon in China, The Death of Klinghoffer, El Niño, LORENA FEIJOO´ Doctor Atomic, A Flowering Tree, and The (Havana, Cuba) Gospel According to the Other Mary. Recent Lola Montez projects include a production of The Indian Making her San Queen, combining Purcell’s music, text, Francisco Opera and dance, and a concert staging of Pélleas debut last month et Melisande with the Berlin Philharmonic. as Solo Dancer in In 2015 Sellars collaborated with flex La Traviata, award- dance pioneer Reggie Gray and a group winning dancer of 21 dancers from the New York City flex Lorena Feijóo trained at Escuela Nacional community to create Flexn, a powerful work de Ballet de Cuba. She performed confronting issues of social injustice in with Ballet Nacional de Cuba, Ballet America. Recent projects included the 70th of Monterrey, Royal Ballet of Flanders, anniversary of the for and the before joining San which Sellars was music director, a concert Francisco Ballet as a principal dancer staging of di Lasso’s Lagrime di in 1999. As a guest artist, Feijóo has San Pietro with the Los Angeles Master performed extensively, including pas de Chorale, and at the deux from at the Benois de Salzburg Festival. Sellars is a professor in la Danse Gala at the Bolshoi Theater in the Department of World Arts and Cultures Moscow in 2011; Garcia’s Majismo at the at UCLA and Resident Curator of the gala honoring José Telluride Film Festival. He is the recipient Manuel Carreño in 2011; and in American of a MacArthur Fellowship, the Erasmus Conservatory Theater’s The Tosca Project in Prize, the Sundance Institute Risk-Takers San Francisco in 2010. Award, and the Prize, and is a member of the American Academy of Arts

encoremediagroup.com/programs ONE STORY, TWO OPERAS and Sciences. He was recently honored by the American Academy in Rome and Opera CELEBRATING News magazine. GRANT GERSHON (Alhambra, California) TH Conductor BERNSTEIN’S 100 Currently in his seventeenth season as the artistic director of the Los Angeles 2|15–18 Master Chorale, Grant Gershon is making his San Francisco Opera Opera Parallèle and SFJAZZ join forces again, following the conducting debut with John Adams’ Girls 2016’s sold out Champion: An Opera in Jazz, to celebrate of the Golden West. An ardent champion the “American Voice” in opera. Honoring of new music, he has given numerous and his 100th birthday with a brand new production of world premiere performances of works by his seminal opera Trouble in Tahiti, OP ushers in another , Christopher Rouse, Esa-Pekka Salonen, and Louis Andriessen. He has 100 years of opera by pairing Bernstein with SF’s own also premiered works by John Adams, pre-eminent composer, Jack Heggie, and a production of Ricky Ian Gordon, Billy Childs, Shawn At the Statue of Venus. Kirchner, Nackkum Paik, and Don Davis, and has given American premieres of TICKETS 4 SFJAZZ.org • 866.920.5299 works by Meredith Monk, Henryk Górecki, Thomas Jennefelt, James MacMillan, Tarik O’Regan, and Mark-Anthony Turnage, among others. As resident conductor LEONARD BERNSTEIN’S of Los Angeles Opera, Gershon led the world premiere performances in 2010 TROUBLE of Daniel Catán’s Il Postino, conducted L’Allegro, il Penseroso ed il Moderato in a 2011 co-production featuring the Mark IN TAHITI Morris Dance Group, and led in 2012, Carmen in 2013, and Florencia en el Amazonas in 2014. Among other highlights, he conducted in 2013 John Adams’ The Gospel According to The Other Mary with the Los Angeles Master Chorale, the Chicago Philharmonic Orchestra, and the original cast of soloists at the Ravinia Festival; made his Santa Fe Opera debut in 2011, conducting Peter Sellars’ JACK HEGGIE’S new production of Vivaldi’s Griselda; and conducted Minnesota Opera’s world AT THE premiere of Ricky Ian Gordon’s The Grapes of Wrath and led subsequent performances of the work with Utah Opera. Most STATUE OF recently, he led performances of The Pearl Fishers, Wonderful Town, Tosca, and Les VENUS Contes d’Hoffmannat Los Angeles Opera; John Adams’ El Niño with the Los Angeles Philharmonic; and appeared with the San Francisco Symphony and National Symphony Orchestra.

This production is made possible In conjunction with: in part through the generosity of:

SAN FRANCISCO OPERA DAVID GROPMAN nomination, was My One and Only, JOHN (Los Angeles, directed by Tommy Tune. She was HEGINBOTHAM California) nominated for a second Tony for Harvey (Anchorage, Alaska) Set Designer Fierstein’s Casa Valentina, directed by Joe Choreographer Making his San Mantello. She has designed productions Making his San Francisco Opera on and off Broadway, working with such Francisco Opera debut in Girls of notable directors as Peter Sellars, Lee debut in Girls of the Golden West, Breuer, Robert Brustein, Harry Kondoleon, the Golden West, set designer David Lynne Meadow, Jerry Zaks, Dan Sullivan, choreographer and Gropman received his B.A. degree from and Sam Shepard, and for distinguished dancer John Heginbotham graduated San Francisco State University and M.F.A. playwrights Donald Margulies, Christopher from the Juilliard School in 1993, and from Yale School of Drama in stage design. Durang, Terence McNally, and Harry was a member of the Mark Morris Dance Broadway and Off Broadway credits include Kondoleon. She has been honored with Group from 1998 through 2012. In 2011, The 1940s Radio Hour, Mass Appeal, Lena the Obie Award for Sustained Excellence he founded Dance Heginbotham (DH), Horne: The Lady and Her Music, True West, in Costume Design. She has worked a performance group devoted to the and Buried Child. He also designed the extensively in regional theater as well, presentation of his dance and theatrical world premiere of Leonard Bernstein’s and spent a season as principal costume work. The company has been presented opera A Quiet Place and several pieces designer at Robert Brustein’s American and commissioned by Baryshnikov Arts for the Paul Taylor Dance Company and Repertory Theatre. hired Center, Brooklyn Academy of Music, regional theaters across the country. Ryack to design her first feature film, After Carolina Performing Arts, Jacob’s Pillow In 1982, he designed Robert Altman’s Hours, which led to further collaborations Dance Festival, the Joyce Theater, the Broadway directorial debut, Come Back with the director. Among her films with Kennedy Center, for the to the 5 and Dime, Jimmy Dean, Jimmy Robert DeNiro, she designed Wag the Performing Arts, and the Metropolitan Dean. When Altman asked him to design Dog, directed by Barry Levinson; The Fan, Museum of Arts, among others. In the film version, he began his career as directed by Tony Scott; Mad Dog and Glory, February 2017, DH premiered Lola at a production designer. In addition to directed by John McNaughton, and A Bronx the Kennedy Center, performed with designing three films for Altman, he has Tale, Robert DeNiro’s directorial debut. violinist Joshua Bell and the National enjoyed numerous collaborations with Ryack has designed costumes for six of Symphony Orchestra. In addition to DH, directors Lasse Hallström, Robert Benton, ’s films, including Apollo 13, Heginbotham is active as a freelance Steven Zaillian, Gary Sinise, James Ivory, Ransom, A Beautiful Mind, and The Grinch choreographer. Recent projects include Ang Lee, and John Wells. Gropman was Who Stole Christmas, the latter of which she Candide with the Orlando Philharmonic an Academy Award nominee for Best Art received an Academy Award nomination. (2016), Daniel Fish’s Bard Summerscape Direction, shared with set decorator Beth production of Oklahoma! (2015), Angels’ Rubino, for his work on Hallström’s The JAMES F. INGALLS Share for Atlanta Ballet (2014), and two Cider House Rules, as well as an Academy (Hartford, projects with Isaac Mizrahi: The Magic Award nominee for Lee’s Life of Pi. His Connecticut) Flute with the Opera Theatre of Saint work most recently appeared in the 2016 Lighting Designer Louis (2014) and Peter and the Wolf for film Fences, starring Denzel Washington James F. Ingalls the Guggenheim Museum’s Works and and Viola Davis. returns to San Process Series (2013), which has become Francisco Opera an annual holiday event. A frequent RITA RYACK where he has collaborator, Heginbotham has worked (Boston, designed John with numerous and diverse artists Massachusetts) Adams’ The Death of Klinghoffer and Doctor and ensembles, including Alarm Will Costume Designer Atomic, both directed by Peter Sellars. His Sound, Brooklyn Rider, Raymond Scott Making her San designs in the Bay Area include Hamlet, Orchestrette, composers Tyondai Braxton, Francisco Opera Once in a Lifetime, Marcus, Or the Secret Ethan Iverson, and Colin Jacobsen, debut in Girls of the of Sweet and The Invention of Love for vocalists and Shara Nova, Golden West, Rita American Conservatory Theatre; Onegin, puppeteer Amy Trompetter, and artist and Ryack earned a B.F.A. The 75th Anniversary New Works Festival, author Maira Kalman. He is the recipient degree at Brandeis University, studied at Sylvia, The Nutcracker and Silver Ladders at of the 2014 Jacob’s Pillow Dance Award the School of the Museum of Fine Arts San Francisco Ballet; Art Songs for Alonzo and a 2017–18 New York City Center in Boston, won a teaching fellowship in King LINES Ballet; Layla and Majnun, Choreography Fellowship. costume design at Bennington College, Platée, The Hard Nut and L’Allegro, il and received an M.F.A. from the Yale Penseroso ed il Moderato, all choreographed School of Drama. Her first Broadway by Mark Morris at Cal Performances; and musical, for which she received a Tony after the quake, Yellowman, How I Learned to Drive and The Revenger for Berkeley Repertory Theatre. He often collaborates with The Wooden Floor dancers in Santa Ana.

encoremediagroup.com/programs MARK GREY IAN ROBERTSON DAVE MAIER (San Francisco, (Dundee, Scotland) (Great Neck, New California) Chorus Director York) Sound Designer Recipient of the Fight Director Over two decades 2012 San Francisco Resident fight director as a sound designer, Opera Medal, Ian for San Francisco relationships have Robertson has been Opera, Dave Maier led Mark Grey to chorus director made his Company work closely with and conductor with debut in 2013 with such artists and organizations as John San Francisco Opera since 1987, having Les Contes d’Hoffmann. His work has Adams, Steve Reich, , Terry prepared more than 300 productions for most recently appeared in the Company’s Riley, Boosey & Hawkes Music Publishers, the Company. He was awarded the Olivier Manon, La Traviata, Elektra, Aida, Madama Peter Eötvös, , the Paul Messiaen Foundation Prize in 2003 for his Butterfly, Andrea Chénier, Dream of the Dresher Ensemble, and many others. At artistic contribution to the preparation of Red Chamber, Carmen, Don Carlo, Jenůfa, San Francisco Opera, Grey worked on the the Company’s North American premiere Die Meistersinger von Nürnberg, Sweeney 2005 world premiere of Adams’ Doctor of Saint François d’Assise. Robertson has Todd, Luisa Miller, The Magic Flute, and Atomic, as well as the world premiere of also conducted ten main stage productions Lucia di Lammermoor. Maier has directed Stewart Wallace’s The Bonesetter’s Daughter with the Company. Other North American fight scenes for American Conservatory in 2008 and the 2012 presentation of opera credits include productions with Theater, Berkeley Repertory Theatre, San Adams’ Nixon in China. Grey made history Sarasota Opera, Edmonton Opera, and Jose Repertory, Aurora Theatre, Marin as the first sound designer for the New Philadelphia’s Curtis Opera Theatre. Before Theatre Company, and Magic Theatre, York Philharmonic at Avery Fisher Hall joining San Francisco Opera, Robertson among others. He is a five-time recipient (On the Transmigration of Souls, 2002) and was head of music and chorus director of the San Francisco Bay Area Drama the Metropolitan Opera (Doctor Atomic, of Scottish Opera. He currently serves as Critics Circle Award for Fight Direction, as 2008; Nixon in China, 2011; The Death of artistic director of the San Francisco Boys well as an adjunct faculty member at the Klinghoffer, 2014; , 2015; Chorus. University of California Santa Cruz and St. Bluebeard’s Castle/Iolanta, 2015; L’Amour Mary’s College of California. He currently de Loin, 2016). His sound design creations LAWRENCE PECH teaches combat-related courses in Berkeley. have been seen and heard throughout (San Francisco, most major concert halls, HD simulcast California) theaters, and opera houses worldwide. As Dance Master a composer, Grey’s solo, ensemble, and Lawrence Pech is orchestral music has been performed in in his 22nd season SUPERNUMERARIES many venues, including the Sydney Opera as dance master Gilbert Martinez House Concert Hall, Théâtre de la Ville and resident Ely Orquiza in Paris, Barbican Centre in London, Het choreographer for San Anthony Prickett Muziektheater in Amsterdam, Carnegie Francisco Opera. He has created period Anthony Sabedra Hall’s Zankel Hall, Philharmonie Hall in and interpretive on more than Fernando Sanchez-Riera Warsaw, UNESCO Palacio de Bellas Artes 60 productions with the Company. Pech Derrick Scott in Mexico City, Symphony Hall in Phoenix, received his formal training from American Carlos Suarez Disney Hall and Royce Hall in Los Angeles, Ballet Theatre (ABT) and was invited by Miles Walls Atlanta Symphony Hall, as well as at to join that company Irving Wiltshire the Ravinia, Cabrillo, OtherMinds, Perth in 1980. In 1986, he joined San Francisco Frank Zepeda International, Great Lakes, and Spoleto Ballet, where he became a principal dancer festivals. In 2016, his opera Frankenstein in 1989. Pech founded two of his own debuted at the Théâtre Royal de la dance companies and has choreographed Monnaie. A 35-minute symphonic version more than 50 , 30 musicals, and of the opera has been commissioned numerous self-produced evenings of music and premiered by the Atlanta Symphony and dance around the world. Special thanks to Sierra Nevada and co-commissioned by the Berkeley Brewing Company for consent Symphony. to use its logo and sign; and to the Library of Congress for permission to use photographs in the Edward S. Curtis Collection and “San Francisco / S.F. Marryat, delt,” (M.& N. Hanhart Chromo Lith, and Frank Marryat; London: M.& N. Hanhart Chromo Lith. Impt., ca. 1850, item #92522389), visible on Ah Sing’s bedspread in Act I, Scene 5.

SAN FRANCISCO OPERA COW HOLLOW | $11,550,000 RUSSIAN HILL | $6,850,000 Exquisite Beaux Arts 6bd/5ba, 3-level residence. Bay and Golden Golden Gate, Alcatraz and Bay views. Prestigious full-floor Gate views. Stunning architectural details. BayViewBeauxArts.com 4bd/4.5ba with garage, storage, and doorman. 1090Chestnut.com Janet Feinberg Schindler 415.265.5994 Deborah Svoboda 415.999.2004

RUSSIAN HILL | $6,500,000 GLEN ELLEN | $4,750,000 Beautifully renovated 3bd/3ba, grand half-floor co-op with Unique contemporary estate on approx. 24 acres situated in the panoramic Bay and landmark views. 1100UnionViews.com Glen Ellen hills above Sonoma Valley. 12550Henno.com Gregg Lynn 415.901.1780 Holly Bennett 707.484.4747

SONOMA | $3,500,000 MONTEREY HEIGHTS | $2,995,000 Custom home nestled in acres of vineyards. Well-designed space Elegant estate with 4bd/3ba, large garden, spacious deck, and with 4bd/3.5ba. Vineyard views. CovetedCarrigerRoad.com panoramic ocean views. Indoor/outdoor living. 20Maywood.com Chuck Lamp, Maria Marchetti 415.699.8008 Gael Bruno 415.309.9094

SAN FRANCISCO BROKERAGE | 117 GREENWICH ST., SAN FRANCISCO, CA 94111 | 415.901.1700 | SOTHEBYSHOMES.COM/NORCAL Sotheby’s International Realty and the Sotheby’s International Realty logo are registered (or unregistered) service marks used with permission. Operated by Sotheby’s International Realty, Inc. Real estate agents affiliated with Sotheby’s International Realty, Inc. are independent contractor sales associates and are not employees of Sotheby’s International Realty, Inc.

EAP full-page template.indd 1 9/26/17 1:01 PM AdministrationNovember2017.qxp_Administration 10/22/17 10:25 PM Page 1

SAN FRANCISCO Opera ADMINISTRATION

Matthew Shilvock General Director aDMINISTraTION Opera CeNTer OrCHeSTra Mark Morash, Director of Musical Studies Carrie Weick, Orchestra Librarian Nicola Luisotti Music Director, FINaNCe Tracy Davis, Orchestra Manager Caroline H. Hume Endowed Chair Chris Bragg, Administrative Director Jess G. perry, Senior Budget Manager Timothy Spears, Assistant Orchestra Jo ann McStravick, Artists’ Services and Christopher Tom, Controller Librarian/Assistant Orchestra Manager Mingsy Yan-Lau, Senior Accountant Auditions Administrator Jennifer Good Managing Director: elaine Quan, Senior Accountant César Ulloa, Master Voice Teacher pHILaNTHrOpY aND aUDIeNCeS Production Linda rodriguez, Senior Accountant Gracie Tang, Senior Accountant OperaTIONS David Odenkirchen, Director of Gregory Henkel Managing Director: annabella Tam, Payroll Administrator Philanthropy and Audiences Operations Artistic Jess Levy, Patron Data Specialist eDUCaTION Mia Farinelli, Philanthropy and Audiences Jennifer Lynch Managing Director: INFOrMaTION SerVICeS Charles Chip McNeal, Senior Associate Philanthropy and Audiences Mark Wladika, DevOps Manager Sapna patel, Program Manager, Curriculum and Programs Manager Michael Simpson Managing Director: Business Transformation alyssa Stone, Community Programs COMMUNICaTIONS Julia Inouye, Associate Director of Administration/Chief Financial paul Goetz, Systems Administrator and Department Manager Officer Steve Long, Network & Systems Communications Timmy Yuen, School Programs Manager Administrator Matthew erikson, Publications Editor emily Spitz, School Programs Sara Lee, Programmer/Analyst Jeffery McMillan, Senior Coordinator Communications Manager adam Broidy Chief Information Officer Teresa Concepcion, Communications arTISTIC alyssa Cataldi, Community Programs Associate Lisa Bullard Director of Marketing Coordinator arTISTIC aND MUSIC pLaNNING Hector armienta, Linda Baird, Jon Finck Director of Communications DeVeLOpMeNT Sean Waugh, Artistic Planning Manager and Public Affairs Nicholas Benavides, Tajma Beverly, Deanna Sherer, Music Planning erin Bregman, Joshua raoul Brody, ANNUAL GIVING Judith Frankel Deputy Director of Manager Heidi Carlsen, robert Chastain, Jennifer Jordan, Director of Annual Giving Development John Churchwell, Head of Music Staff Ilana rainero-de Haan, Assistant to the Danny Clay, Marcelle Dronkers, DONOR STEWARDSHIP Sheri Greenawald Opera Center Managing Director: Artistic patricia Drozda, Hannah Dworkin, andrew Maguire, Director of Donor Director Valentina Simi, Artist Services Lisa edsall Giglio, Kevin Gordon, Stewardship Coordinator and Assistant to the Lee Helms Interim Director of Lua Hadar, Dave Maier, rosalyn Nash, alyssa Saint, Donor Services Data Music Director Operations Virginia Nichols, Sven Olbash, Manager Manuela Galindo, Contracts and Kathleen esselstyn, Gift Accommodations Assistant Michael Orlinsky, aaron pike, Daniele McCartan Costume Director Acknowledgment Coordinator Michael Bragg, Music Planning Katherine Issel pitre, emily Shisko, Chivly Krouch, Gift Processing andrew Morgan Deputy Director of Associate and Opera Librarian alex Stein, alyssa Stone, Coordinator Development Christopher Street, Matthew Wolka, Victoria Montecillo, Development MUSIC STaFF ruth Nott Director of Education Teaching Artists Services Coordinator John Churchwell, Claire padien-Havens General Jocelyne Dienst-Bladin, Dennis INDIVIDUAL AND LEADERSHIP MUSIC OperaTIONS Director’s Associate Doubin, ronny Michael Greenberg, GIVING Bryndon Hassman, John Keenan, Clifford Cranna, Dramaturg Deborah Banks, Director of Individual Barbara rominski Director of Archives Noah Lindquist, Vito Lombardi, elkhanah pulitzer Artistic Curator, and Leadership Giving Joseph Marcheso, Mario Marra, SF Opera Lab Dana Gordon, Leadership Giving Officer robert Mollicone, Christopher Ocasek, Celine Strouts, Joo eun Lee, Leadership Giving Officer David Gockley General Director Matthew piatt, Laura poe, Sandra Chien, Senior Individual Giving Operations Associate Emeritus Stephanie rhodes, Officer Tamara Sanikidze, Maureen Zoltek aileen Tat, Individual Giving Officer CHOrUS aND BaLLeT Mcara Kirby-Fahey, Individual and eXeCUTIVe OFFICeS Jennifer Szeto, John elam, Adler Fellows Ian robertson, Chorus Director Leadership Giving Associate Fabrizio Corona, Associate Chorus Master Genevieve ennis, Executive Assistant to LaNGUaGe COaCHeS INSTITUTIONAL GIVING Jim Meyer, Chorus and Dance Manager the General Director alessandra Cattani, Italian Donna Batson, Director of Institutional Mary Finch, Assistant Chorus patricia Kristof Moy, French Giving ellen presley, Liaison to the Board of anja Strauss, German Manager/Chorus Librarian Catherine Lewis, Institutional Giving Directors Lynne Soffer, English Diction Brian Fitzsousa, Ballet Pianist Manager

58 SAN FRANCISCO OPERA AdministrationNovember2017.qxp_Administration 10/22/17 10:25 PM Page 2

LEGACY GIVING FrONT OF HOUSe Kristen eiden, Carol Wood, Lisa anderson, Darin Burnett, Mandala pham, Senior Legacy Giving Jamye Divila, House Manager Gillian Haratani, Santiago Suanes, Jodi Gage, Gina Hays, Thea railey, Officer Marialice Dockus, Head Usher Assistant Cutters Stage Managers rodney anderson, Danica Burt, Kristi Johnson, Senior Production Jose Maria Condemi, Supervisor PRINCIPAL GIVING anthony Cantello, Laurent Dela Cruz, e. reed Fisher, Shawna Lucey, Galen Till, Production Supervisor Jimmy Marcheso, roy rallo, Kristen Jones, Director of Principal Giving Martin Dias, Starsky Dias, Jonathan Drogin, Chip Heath, Manuel Gutierrez, Production Morgan robinson, Joanna Taber, Principal Giving Manager elaine Kawasaki, eileen Keremitsis, Coordinator Assistant Stage Directors anna Speaker, Principal Giving Associate paula Wheeler, Senior Milliner ryszard Koprowski, Bill Laschuk, e. reed Fisher, Jenny Harber, amy Van every, Senior Dyer Sharon Lee, Lenore Long, andrew G. Landis, Jimmy Marcheso, PROSPECT RESEARCH AND Jersey McDermott, Senior Craft Artisan Doug Luyendyk, evelyn Martinez, Jayme O’Hara, Thea railey, Becki Smith, Nicole Diascenti, Stock Coordinator STRATEGY Leontyne Mbele-Mbong, Assistant Stage Managers eliza ryus, Production Assistant Lisa Bordachar, Director of Prospect Sam Mesinger, Dale Nedelco, Valerie Spencer, Shopper Research and Strategy TeCHNICaL DIreCTION Wayne Noel, Beth Norris, Nikki anderson-Joy, Costume Assistant erik Walstad, Technical and Safety Jan padover, Julie peck, Miriam acosta, adela Cantor, Director* SPECIAL EVENTS robert remple, Bill repp, rilla alicia Castaneda, Michael evans, ryan O’Steen, Associate Technical Director* Karman Ferrell pave, Director of reynolds, robyn Sandberg, Guillermina Flores, Ting Hsueh, Special Events Kelly Smith, Stephanie Somersille, Hoa Lam Fong, aries Limon, WarDrOBe Katie Cagampan, Special Events Manager Theresa Sun, Tom Taffel, Xing-Fong Luo, romana Majovsky, Tony Gorzycki, Head of Wardrobe rebecca Scott, Special Events Associate Claire Tremblay, richard Wagner, Sonia Olivares, Steve Weiss, elaine Yee, Costume Technicians Cynthia Fusco, robert Horek, Ushers David McKain, Catherine Verdier, MarKeTING Hui Ming Wu, Show Maid eLeCTrICS Assistants Valerie York, Associate Director of Leon parsons, Master Electrician Marketing WIG aND MaKeUp Opera SHOp Michael anderson, Assistant Master Chi-Hsuan Yang, Marketing Analyst Jeanna parham, Head of Department Jay Stebley, Retail Manager Electrician ashley Joyce, Assistant Head of Kathryn appleton, Senior Marketing Karen Topp, Assistant Manager russell e. adamson III, Assistant Head Manager, Subscriptions Department Christina Martin, Administrative Assistant pamela Sevilla, Senior Marketing MeDIa FIGHT DIreCTION Dave Maier, Fight Director Sophia Smith, elisa Mack, Maur Sela, Manager, Single Tickets Jessica Shown-Morgan, Electronic Wig Assistants Steven Shear, Assistant Marketing Media Manager LIGHTING Karalynne Fiebig, ashley Joyce, Manager, Subscriptions Gary Marder, Resident Lighting Designer* Christina Martin, Foremen amy Garcia, Assistant Marketing prODUCTION Mark Hueske Thomas, Assistant elizabeth poindexter, Melanie Birch, *Senior Production Staff Member Manager, Single Tickets Lighting Designer Denise Gutierrez, Karalynne Fiebig, Megan Searcy, Marketing Coordinator, paul Timmel, Assistant Lighting Tim Santry, Connie Strayer, prODUCTION aDMINISTraTION Subscriptions Designer Christina Martin, Jeremy patfield, Production Finance alejandra Castelero, Marketing emily Clarkson, Hemsley Lighting Intern Principal Make-up Artists Director* Coordinator, Single Tickets Megan Turnquist, Lighting Intern rick Burns, Denise Gutierrez, paul Dana, Support Services Coordinator emilianne Lewis, Marketing Associate, Karalynne Fiebig, Toby Mayer, Sylvia Jiang, Production Finance prOperTIeS New Audiences and Special Events Connie Strayer, Karalynne Fiebig, Assistant Lori Harrison, Master of Properties Tanya Grant, Marketing Assistant Kerry rider-Kuhn, richard Battle, Freddy Wielandt, Assistant Master of Journeymen Properties aUDIO Tatyanna Fateyeva, elisa Mack, BOX OFFICe Doug Mitchell, Master Audio/Video Maurisa rondeau, Maur Sela, Mark Sackett, Box Office Manager, reHearSaL Engineer Debbie Fuqua, Thomas richards, Marin Venturi, Rehearsal Department Treasurer Ziggy Tomcich, Assistant Master Associates Jessica Fauver, Assistant Box Office Audio/Video Engineer Director* Kali Wilson, Rehearsal and Schedule Manager, First Assistant Treasurer THe WILSeY CeNTer FOr Opera Manager rebecca page, Medallion Society CarpeNTrY Chris Davis, Wilsey Center Head Stage Trey Costerisan, Supernumeraries and David Hatch, Master Carpenter Technician Concierge Manager Facilities Coordinator Mark Baumann, Assistant Master emily Tilles, Subscriptions Manager, Jordan amann, Rehearsal Assistant Carpenter Assistant Treasurer Zach Van pelt, Rehearsal Assistant Dr. Myron Marx, Jennifer Hughes, roberto Bonilla, Company Medical Adviser COSTUMe DeparTMeNT Seyfarth Shaw LLP, Counsel Assistant Treasurers SCeNe SHOp Jai alltizer, Costume Shop Manager Armanino LLP, ruth Van Slyke, Telephone Sales Manager Steve McNally, Scenic Artist in Charge David Doré, Senior Production John Del Bono, Shop and Warehouse Independent Public Accountants Khalil el-Kareh, Nick Gueli, Accountant Foreman Asero Insurance Services, Beverlee G. Hassid, Billy Hayes, amy ashton-Keller, Master Draper Insurance Brokers Charles McGraw, Kyle Minor, Sally Thomas, Master Tailor STaGING STaFF Cory Weaver, Official Photographer Jennifer pollack, Kristin reyda, Irene Murray, Star rabinowitz, Darin Burnett, Production Stage Yamaha is the Official Piano of Dale Whitmill, Senior Cutters Manager* San Francisco Opera Telephone Sales Assistants Cheryl Mennen, Cutter Lawrence pech, Dance Master Pianos supplied by Piedmont Piano

encoremediagroup.com/programs 59 Designmaster Headlines 2017.qxp_Headlines 8/25/17 3:37 PM Page 5

SAN FRANCISCO OPERA 2017–18 ARTISTS

ARTISTS Renée Rapier† COSTUME DESIGNERS Ian Robertson, Chorus Director Raymond Aceto Anthony Reed‡ Vincent Boussard Fabrizio Corona, Associate Chorus Master Julie Adams† Artur Ruciński* Ian Falconer , Chorus and Dance Manager Julius Ahn Martina Serafin Kaspar Glarner** Jim Meyer Paul Appleby Andrea Silvestrelli Rita Ryack* Mary Finch, Assistant Chorus Manager/ Atalla Ayan* Philip Skinner† David Walker Chorus Librarian Jamie Barton Joel Sorensen Nicole Birkland Nina Stemme LIGHTING DESIGNERS REGULAR CHORUS Daniel Brenna* Falk Struckmann* John Bishop* Buffy Baggott C. Michael Belle J’Nai Bridges Kyle van Schoonhoven*‡ James F. Ingalls Kathleen Bayler* Torlef Borsting* Robert Brubaker* Stacey Tappan Gary Marder Roberta Bowman Alan Cochran* Julia Bullock* Renee Tatum† Mark McCullough Janet Campbell Chris Corley Sarah Cambidge*‡ Davóne Tines* Thomas J. Munn Sara Colburn Christopher Filipowicz* David Cangelosi Alfred Walker* Dvora Djoraev Anders Fröhlich* Melissa Citro Brad Walker‡ VIDEO DESIGNER Mary Finch Daniel Harper James Creswell Bartek Macias* Claudia Haider Cameron Henley Leah Crocetto† CONDUCTORS Claire Kelm Christopher Jackson* Ellie Dehn Patrick Fournillier PROJECTION DESIGNERS Elisabeth Rom Lucio Michael Jankosky* Monica Dewey* Christopher Franklin* S. Katy Tucker Angela Eden Moser Ken Johnson Amina Edris‡ Grant Gershon* Jan Hartley Sally Mouzon* David Kekuewa Michael Fabiano Nicola Luisotti Sally Porter Munro Bojan Knežević* Aurelia Florian** Henrik Nánási* CHOREOGRAPHERS Erin Neff* Frederick Matthews Christine Goerke Donald Runnicles John Heginbotham* Rachelle Perry William O’Neill* Greer Grimsley Lawrence Pech Virginia Pluth* Phillip Pickens Jill Grove DIRECTORS Carola Zertuche* Laurel Cameron Porter William Pickersgill Evelyn Herlitzius* Vincent Boussard Laurel Rice Chester Pidduck* Soloman Howard* Garnett Bruce FIGHT DIRECTOR Shelley Seitz Valery Portnov Brian Jagde† John Copley Dave Maier Carole Schaffer* Ken Rafanan† Rhoslyn Jones† Anja Kühnhold** Donna Turchi Colby Roberts Brandon Jovanovich Shawna Lucey SOUND DESIGNER Mitzie Weiner Sigmund Seigel Joo Won Kang Peter Sellars Mark Grey Dan Stanley Laura Krumm† Keith Warner* Jere Torkelsen* Hye Jung Lee Francesca Zambello Andrew Truett Alexandra Loutsion* Richard Walker† * San Francisco Opera debut Elliot Madore SET DESIGNERS ** U.S. debut Andrew G. Manea‡ John Conklin † Chorus member on Leave of Absence † = Former Adler Fellow * Chorus member appearing in a Solo Role Štefan Margita David Gropman* ‡ = Current Adler Fellow Michaela Martens David Hockney  = Merola Opera Program Karita Mattila Boris Kudlička* participant (past or present) EXTRA CHORUS Ryan McKinny Vincent Lemaire Elizabeth Baker* Ben Brady Lauren McNeese Michael Yeargan Jennifer Brody Stephen Cannon* Ronnita Miller Catherine Zuber Cheryl Cain Adam Flowers Timothy Mix Katie Carlson Peter Girardôt Brian Mulligan Kristin Clayton Patrick Hagen Toni Marie Palmertree‡ Margaret Genovese Thomas Hart Amitai Pati‡ Karen Winner Huff Harlan Hays David Pershall Silvie Jensen Bradley Kynard* Adrianne Pieczonka Carolyne Anne Jordan Michael P. Eileen Meredith Mendelsohn Aimée Puentes Jim Meyer Whitney Steele Jim Monios Nicole Takesono Jess G. Perry Jacque Wilson Keith Perry * Kali Wilson Samuel Rabinowitz Pedro Rodelas Karl Saarni Jason Sarten Alexander Taite* Michael Taylor Nicholas Volkert

60 SAN FRANCISCO OPERA Nicola Luisotti, Music Director Caroline H. Hume Endowed Chair Lawrence Pech, Dance Master

FIRST VIOLIN ENGLISH HORN Dwayne Brown Brook Broughton †* Kay Stern, Concertmaster Janet Popesco Archibald Bryan Ketron †* Alysia Chang* Laura Albers, Associate Concertmaster* Michael Levine † Jamielyn Duggan Heidi Wilcox, Assistant Concertmaster CLARINET Jekyns Pelaez †* Lorena Feijóo* Jennifer Cho Jose Gonzalez Granero, Principal Alexandra FitzGibbon Dawn Harms Joanne Burke Eisler, Assistant Principal Blanche Hampton †* Mariya Borozina Anthony Striplen Rachel Speidel Little* Lev Rankov Laura O’Malley* Barbara Riccardi BASS CLARINET Chiharu Shibata † Dian Zhang Anthony Striplen Leonid Igudesman † Tenured Jennifer Hsieh BASSOON * Solo Dancer Asuka Annie Yano Rufus Olivier, Principal Daniel MacNeill SECOND VIOLIN Michael Severance Jeremy Preston, Principal Martha Simonds, Associate Principal CONTRABASSOON Beni Shinohara, Assistant Principal Michael Severance Eva Karasik Maya Cohon HORN Leslie Ludena Kevin Rivard, Co-Principal Linda Deutsch Twohy† Mark Almond, Co-Principal Craig Reiss Keith Green Heeguen Song ** Brian McCarty Lawrence Ragent VIOLA Carla Maria Rodrigues, Principal TRUMPET Sergey Rakitchenkov, Associate Principal* Adam Luftman, Principal San Francisco Opera extends its gratitude and ap- Paul Nahhas, Assistant Principal William Holmes† preciation to the following labor organizations whose Patricia Heller Scott Macomber** members, artists, craftsmen, and craftswomen Jonna Hervig John Pearson greatly contribute to our performances: Natalia Vershilova Joy Fellows TROMBONE AMERICAN FEDERATION OF MUSICIANS, LOCAL 6 Samuel Schlosser, Principal† AMERICAN GUILD OF MUSICAL ARTISTS, INC. CELLO Jeffrey Budin, Principal** David Kadarauch, Principal Donald Kennelly INTERNATIONAL ALLIANCE OF THEATRICAL STAGE Thalia Moore, Associate Principal* David Ridge EMPLOYEES, LOCAL 16 Peter Myers, Assistant Principal THEATRICAL WARDROBE UNION, LOCAL 784, Nora Pirquet TUBA/CIMBASSO I.A.T.S.E. Emil Miland Zachariah Spellman MAKE-UP ARTISTS AND HAIR STYLISTS UNION, Victoria Ehrlich LOCAL 706, I.A.T.S.E. Ruth Lane TIMPANI John Burgardt THE ART DIRECTORS GUILD & SCENIC, TITLE AND BASS GRAPHIC ARTISTS LOCAL 800 Joseph Lescher, Principal PERCUSSION UNITED SCENIC ARTISTS LOCAL USA – 829, Jonathan Lancelle, Associate Principal Richard Kvistad, Principal/Associate Timpani I.A.T.S.E. Steven D’Amico, Assistant Principal Patricia Niemi BOX OFFICE AND FRONT OF HOUSE Shinji Eshima EMPLOYEES UNION, LOCAL B-18 Mark Drury HARP Olga Ortenberg-Rakitchenkov FLUTE Julie McKenzie, Principal LIBRARIAN Patricia Farrell Carrie Weick Stephanie McNab Timothy Spears, Assistant

PICCOLO ORCHESTRA MANAGER Stephanie McNab Tracy Davis Timothy Spears, Assistant OBOE Mingjia Liu, Principal * Principal for one or more fall season operas Deborah Henry, Assistant Principal† † Leave of absence Deborah Shidler** ** Season substitute Janet Popesco Archibald

encoremediagroup.com/programs 61 Company headshots NOvember 2017.qxp_Headshotpages 10/20/17 5:41 AM Page 1

SAN FRANCISCO OPERA ORCHESTRA

Kay Stern Laura Albers Heidi Wilcox Jennifer Cho Dawn Harms Mariya Borozina Barbara Riccardi Concertmaster Associate Concertmaster Assistant Concertmaster First Violin First Violin First Violin First Violin

Leonid Igudesman Asuka Annie Yano Jeremy Preston Martha Simonds Beni Shinohara Eva Karasik Leslie Ludena First Violin First Violin Principal Associate Principal Assistant Principal Second Violin Second Violin Second Violin Second Violin Second Violin

Linda Deutsch Craig Reiss Carla Maria Rodrigues Sergey Rakitchenkov Paul Nahhas Patricia Heller Jonna Hervig Second Violin Second Violin Principal Associate Principal Assistant Principal Viola Viola Viola Viola Viola

Natalia Vershilova Joy Fellows David Kadarauch Thalia Moore Peter Myers Nora Pirquet Emil Miland Viola Viola Principal Associate Principal Assistant Principal Cello Cello Cello Cello Cello

Victoria Ehrlich Ruth Lane Joseph Lescher Jonathan Lancelle Steven D’Amico Shinji Eshima Mark Drury Cello Cello Principal Associate Principal Assistant Principal Bass Bass Bass Bass Bass

62 SAN FRANCISCO OPERA Company headshots NOvember 2017.qxp_Headshotpages 10/20/17 5:41 AM Page 2

SAN FRANCISCO OPERA SAN FRANCISCO OPERA ORCHESTRA CONTINuED

Julie McKenzie Patricia Farrell Stephanie McNab Mingjia Liu Deborah Henry Janet Popesco Deborah Shidler Principal Flute Flute & Piccolo Principal Assistant Principal Archibald Oboe Flute Oboe Oboe Oboe & English Horn Regular Substitute

Jose Gonzalez Joanne Burke Eisler Anthony Striplen Rufus Olivier Daniel MacNeill Michael Severance Kevin Rivard Granero Assistant Principal Clarinet & Principal Bassoon Bassoon & Co-Principal Principal Clarinet Clarinet Bass Clarinet Bassoon Contrabassoon Horn

Mark Almond Keith Green Brian McCarty Lawrence Ragent William Klingelhoffer Adam Luftman William Holmes Co-Principal Horn Horn Horn Horn Principal Trumpet Horn Regular Substitute Trumpet

John Pearson Scott Macomber Samuel Schlosser Jeffrey Budin Donald Kennelly David Ridge Zachariah Spellman Trumpet Trumpet Principal Trombone Principal Trombone Trombone Trombone & Tuba/Cimbasso Regular Substitute Regular Substitute Bass Trombone

John Burgardt Richard Kvistad Patricia Niemi Olga Ortenberg Tracy Davis Carrie Weick Timothy Spears Timpani Principal Percussion & Percussion Rakitchenkov Orchestra Manager Librarian Assistant Orchestra Associate Timpani Harp Manager & Librarian

Most photos by John Martin. Not pictured: Lev Rankov, Dian Zhang, and Jennifer Hsieh, First Violin and Maya Cohon, Second Violin

encoremediagroup.com/programs 63 Company headshots NOvember 2017.qxp_Headshotpages 10/20/17 5:42 AM Page 3

SAN FRANCISCO OPERA REGULAR CHORUS

Kathleen Bayler Sara Colburn Dvora Djoraev Mary Finch Claire Kelm Elisabeth Rom Lucio Angela Eden Moser Soprano Soprano Soprano Soprano Soprano Soprano Soprano

Rachelle Perry Virginia Pluth Carole Schaffer Mitzie Kay Weiner Buffy Baggott Roberta Bowman Janet Campbell Soprano Soprano Soprano Soprano Mezzo-Soprano Mezzo-Soprano Mezzo-Soprano

Sally Mouzon Sally Munro Erin Neff Laurel Porter Laurel Rice Shelley Seitz Claudia Siefer Mezzo-Soprano Mezzo-Soprano Mezzo-Soprano Mezzo-Soprano Mezzo-Soprano Mezzo-Soprano Mezzo-Soprano

Donna Turchi C. Michael Belle Alan Cochran Chris Corley Daniel Harper Christopher Jackson Michael Jankosky Mezzo-Soprano Tenor Tenor Tenor Tenor Tenor Tenor

Phillip Pickens Chester Pidduck Colby Roberts Sigmund Seigel Dan Stanley Andrew Truett Richard Walker Tenor Tenor Tenor Tenor Tenor Tenor Tenor

64 SAN FRANCISCO OPERA Company headshots NOvember 2017.qxp_Headshotpages 10/20/17 5:42 AM Page 4

SAN FRANCISCO OPERA REGULAR CHORUS CONTINuED

Torlef Borsting Anders Fröhlich Cameron Henley Ken Johnson David Kekuewa Frederick Matthews Ken Rafanan Baritone Baritone Baritone Baritone Baritone Baritone Baritone Leave of Absence

Jere Torkelsen Christopher Filipowicz Bojan Knežević William O’Neill William Pickersgill Valery Portnov Baritone Bass Bass Bass Bass Bass

Most photos by John Martin. Carole Schaffer and Claudia Siefer photos by Pamela Dale.

SAN FRANCISCO OPERA CORPS DANCERS

Brook Broughton Blanche Hampton Bryan Ketron Michael Levine Rachel Speidel Little Jekyns Pelaez Chiharu Shibata

encoremediagroup.com/programs 65 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:50 AM Page 8

LEADERSHIP CIRCLE

Leadership Circle donors provide an extraordinary level of financial support to San Francisco Opera each season, with gifts ranging from $25,000 to $1,000,000 and greater. We are proud to recognize the philanthropy of these individuals.

COMPANY SPONSORS PLATINUM CIRCLE GOLD CIRCLE Bernice Lindstrom, $1,000,000 AND ABOVE $50,000 TO $99,999 $25,000 TO $49,999 in memory of The Dolby FamilyA Norby Anderson Eleonore Aslanian, John W. Lindstrom Bertie Bialek Elliott Dr. & Mrs. Robert Baer in memory of Edward Aslanian Dr. & Mrs. H. H. Loomis, Jr. A Jennifer Coslett MacCready Ann & Gordon Getty Mr. & Mrs. Joachim Bechtle Mr. Brian G. Atwood & Susan & Philip Marineau John A. & Cynthia Fry GunnA Helen Berggruen Ms. Lynne H. Edminster A Nion McEvoy & Burgess & Elizabeth Jamieson Athena & Timothy Blackburn Yat-Pang & Helina Au Jack Calhoun & Trent NorrisA Leslie BerrimanA Franklin & Catherine Johnson Richard C. Barker A Ms. Annette Campbell-White & A Teresa & Mark Medearis Edmund W. & Jeannik Méquet Darla & Richard Bastoni Dr. Ruediger Hiro & Betty* Ogawa Littlefield Fund David Bertoni Naumann-Etienne Julian & Willie Sue Orr Steven M. Menzies Betty & Fred Bialek Ms. Maria Cardamone & Gertrud & Harold* A. Parker Dawn Yates Black Bernard & Barbro Osher Mr. G. P. Matthews Carol Potter Peckham Lucia Bogatay & A Jan Shrem & Paul & Valerie Crane Dorfman Anne B. Popkin A Thomas D. Wickens* Maria Manetti Shrem Richard H. Davis, PhD Ms. Karen Richardson & A Dianne & Tad Taube Robert & Julie Dickson Edward Paul Braby, M.D. Mr. Jon RubinsteinA A Phyllis C. Wattis Jerome L. & Thao N. DodsonA Romana D. Bracco Chandra & Michael RuddA A Endowment Funds Carol & Dixon DollA Carol Franc Buck Drs. Corazon & Diane B. WilseyA Mr. & Mrs. Noel Fenton Mr. & Mrs. David Chamberlain Martin Sanders Barbara A. WolfeA Peter Fenton John & Sherry Chen Felipe R. Santiago & Kristina Flanagan Mrs. Marion Moore CopeA Barry T. Joseph CHAIRMAN’S CIRCLE Mr.* & Mrs. Arthur J. Fritz, Jr.A Robert & Laura Cory Ms. Leslie Schilling $500,000 TO $999,999 Mary & Nicholas Graves Peter & Jayne Davis Christopher & Trudi Seiwald Reid & Peggy Dennis Ms. Vivian M. Stephenson* & Keith & Priscilla GeeslinA Mary & Craig Henderson Bruce Hyman & Simone Quarré Bob Epstein & Amy Roth Ms. Margarita Gandia Sylvia & John Hughes Barbara K. Jackson Lisa Erdberg & Dennis Gibbons Mr. & Mrs. James R. SwartzA Anonymous Stephen & Choongja Kahng Concepción S. & Michelle & William Tai William & Gretchen Kimball Irwin Federman Bob Tandler & Valli Benecsch PRESIDENT’S CIRCLE Fund Charles D. Goodman Soo & Raj Venkatesan $250,000 TO $499,999 Diana Dollar Knowles Ms. Wanda Lee Graves Barbara M. Ward & The Jane Bernstein & Bob Ellis Foundation Anne Gray Honorable Roy L. Wonder* Mrs. John Maxwell Bryan Dr. Susan Kroll & Mrs. Clelia M. Gray Ms. Christina & Dr. Elizabeth DeBruin Warren Dr. & Mrs. William M. Coughran Mr. Mark R. Kroll Michael A. Harrison & Ronald & Emely Weissman Leslie & George Hume Karen J. Kubin Susan Graham Harrison Mr. & Mrs. Peter Magowan Wl Harper & Peter Liu Betty & Jack Schafer Jane & David Hartley A Mr. & Mrs. Burton J. McMurtry The Brayton Wilbur Foundation Mr. & Mrs. David T. Traitel James A. Heagy, Mrs. James K. McWilliamsA James & Beth Wintersteen Anonymous in memory of Jayne Heagy Nancy S. MuellerA Mr. Allan Wong Stephen & Diane Heiman Akiko Yamazaki & Jerry Yang DIAMOND CIRCLE Marina & Ben Nelson The Oshman Family Foundation Doreen Woo Ho & James Ho Dr.* & Mrs. John A. Zderic $100,000 TO $249,999 Norman & Janet Pease Marie & Palmer Hotz Mr. Barry Zigas, A Robert Mailer Anderson & Ms. Betty A. Prien Mr. & Mrs. C. Bradford Jeffries in memory of A Nicola Miner Dr. & Mrs. Richard RiggA Anne & Timothy Kahn Art & Irma Zigas Lui Family The Roberts FoundationA Mr. Lawrence A. Kern Mr. & Mrs. Stephen Zilles Mr. & Mrs. J. Patterson McBaineA Charles P. Russell Laurie Kottmeyer & Anonymous (4) Gladyne Kenderdine Mitchell Denise Littlefield Sobel Bianca Duarte Arthur & Toni Rembe Rock Roselyne Chroman SwigA Dr. & Mrs. John LavorgnaA Sharon & Clark Winslow S. Shariq Yosufzai & Brian James Ms. Noelle M. Leca & Anonymous Anonymous (2) Mr. Michael D. Moradzadeh

* deceased A indicates Series A Box Holder

66 SAN FRANCISCO OPERA Devo Book 3 2017.qxp_Layout 1 10/19/17 11:51 AM Page 9

MEDALLION SOCIETY

San Francisco Opera gratefully recognizes the commitment and generosity of our Medallion Society members, who have made gifts between $3,000 and $24,999.

Kristina Flanagan, Elaine McKinley & Kit Durgin Constance Goodyear Baron Mr. Michael M. Garland & Mr. & Mrs. Theodore Lee President, 2013–Present Bill Medigovich & Barry C. Baron, M.D. Ms. Virginia A. Coe John & Sandra Leland Cathy MacNaughton, Mr. Alex Mehran Frederick & Kathryn Baron Dr. Nanette Gartrell & Mary Lemmon President, 2008–2013 Christine Miller & Johanna & Tom Baruch Dr. Dee Mosbacher, Ph.D., Ms. Miranda Leonard Mrs. Harry Wetzel*, Gary Glaser Michael Bassi & Christy Styer M.D. Mark & Debra Leslie President, 1995–2003 Diane Compagno Miller Frank S. Bayley Candace & Vincent Gaudiani Harry S. & Eileen Lewis Kurt Tristan Geselbracht & Mr. J. S. Lichty, Jr. & Diane B. Wilsey, Miss Vivienne E. Miller Nordin & Donna Blacker Karl & Kristen Mills Francisco Guevara Dr. Darryl L. Raszl President, 1988–1994 Arnold & Barbara Bloom Phyllis Moldaw Mrs. Corwin Booth Arlene & Doug Giancoli David & Lillian Lieberman Harriet Meyer Quarré*, Brian Muirhead Ms. Barbara BrownA Mrs. Rolf Gille, Raymond Lifchez Founding President, Paul Nordine Alan R. & Sally J. Brudos in memory of Rolf Gille Lisa P. Lindelef 1983–1987 Sally & Craig Nordlund Elissa Buie & Dave Yeske Ann & Daniel Girard Sylvia R. Lindsey Mrs. William H. Orrick, Jr. & Rike & Klaus Burmeister Dr. & Mrs. Harvey W. Glasser Drs. May Loo & SILVER CIRCLE Diana V. Rogers Mrs. John C. CallanA David Gockley & William Thurston $15,000 TO $24,999 Marie Kendrick Otto Frances Campra Linda Kemper Mr. Neil MacPhail Stefan & Nataly Arnon Foundation Mr. & Mrs. Lyman H. CaseyA Dr. Erica Goode & Betty Maddux, Brigid S. Barton Mrs. Carol E. Parker & Park & Joan Chamberlain Hon. Barry Goode in memory of Ed Koester Mark & Judy Bednar Dr. Gerhard H. Parker Jeffrey Chambers & Geoffrey & Marcia Green Arlee & Paul* Maier Dr.* & Mrs. Joseph Bernstein Mrs. George A. PopeA Andrea Okamura Bernice E. Greene Charlot* & Gregory Malin Nawaf & Susan Bitar Mr. & Mrs. Ms. Carolyn ChandlerA Drs. Christine Guthrie & Lori & David Marquardt Jared & Claire Bobrow Robert Redfern-West John Abelson Anne Marie & Ms. Helen Cheng A A Dr. Sean P. Bohen & Mr. Glenn H. Reid Mr. & Mrs. W. S. Child Mrs. Peter E. Haas Stephen Massocca Mrs. Tanum Davis Bohen Mr. & Mrs. John S. RenardA Sunlin & Priscilla Chou Lyndsey Harrison George & Marie McKinney Mr. & Mrs. Philip Bowles Louise H. Renne & Maureen Clarke Mr. Richard B. Hechler & Dennis J. McShane, M.D. & A Michael & Marilyn Cabak Paul A. Renne Janet & Lloyd Cluff Ms. Malin Giddings Hon. Richard S. Gordon Lorna Meyer Calas & Mrs. William C. Robison Leonard & Marie Collins Dr. M. Henry Heines & James R. Meehan Ms. Katherine Fines Maya D. Meux, MD Dennis Calas Bob & Terri Ryan Mr. Jon Cosby & Martha & Michael Helms Mr. Robert B. Mison Frank & Pat Carrubba Deborah & Paul Sagues Ms. Kathi Gwynn Mr. & Mrs. Warner Henry Ann-Marie Mix Julia Frohlich Cherry The Honorable & Michael & Jean Couch Austin & Sara Hills Justin Moore Michèle Beigel Corash & Mrs. George P. Shultz Mr. Vincent Cracchiolo* Mr. & Mrs. Kedreth C. Hogan Don & Rene Morgan Laurence Corash Raj Singh & George & Susan Crow A Brian & Rene Hollins Alice Ames Morison & Alice Corning & Renata Anderson Drs. John & Lois Crowe Richard Massey* Mr. Ron Holloway & Dr. Oakley Hewitt Abraham & Marian Sofaer John Cullison & Diana Kissil Ms. Susan Costello Mr. Doug Hammerich Ronald D. Morrison Shirley Soong Denise Cutler Jeffrey N. Dauber & Ms. Antonia Patricia Hotung Milton Mosk & Ms. Vina Spiehler Yogen K. & Peggy Dalal Marc A. Levin Emily Hsi Thomas Foutch Mrs. Joyce Stupski Dandelion, Shirley Davis & Paul Sack Dr. & Mrs. David Huchital Steve & Betsy Moulds Mr. & Mrs. Craig Sullivan in honor of Dana & Robert Emery Charles & Brandi Hudson Robert Munday & Mr. & Mrs. James S. Tunnell Pamela Rosenberg Ms. Jacqueline Evans Don H. Watson Kimberly M. Hughes Evamarie Doering Sakurako & William Fisher Timothy D. Dattels & Judith Hunt Dr. Lois Levine Mundie Sheila Wishek Kristine M. Johnson Edward Frank & Judith B. & Joseph Workman Arlene Inch Heidi Munzinger & A Marvin Dennis Sarah Ratchye Diane & Howard Zack Patricia & Philip Jelley John Shott Dr. Alper Garren* Mary L. desJardins Mary & Russell Johnson Janet Napolitano Lida & Alejandro Zaffaroni Mr. Orlando Diaz-Azcuy Mr. & Mrs. John Goldman Peter & Donna Zuber Ms. Mitzi Johnson Steven Ng & Mark Posner Mr. & Mrs. J. Philip DiNapoli Susan & Eric Johnston Peggy & Boyce Nute Ms. Susan K. Hoerger Ward & Diane Zumsteg Mr. Peter Dinkelspiel Michael Kalkstein & Mr. David Oldroyd Candace Zander Kahn Anonymous (3) Jeannie Kaufman Donna Dubinsky & Susan English Judy O’Young, M.D. & Jack Klingelhofer Leonard Shustek Ms. Mary Kay Kane Gregg Hauser INTERMEZZO Mr. Randall E. Laroche & Donald & Janice Elliott Fred & Beth* Karren Ms. Deepa Pakianathan & Mr. David Laudon $10,000 TO $14,999 Admiral James O. Ellis, Jr. & Mrs. Mark O. Kasanin Mr. Phillip Pemberton Sheila & Thomas Larsen Linda & Andrew Ach Dr. Elisabeth Paté-Cornell Jeffrey & Anne Marie Katz Robert Peck AM & Norman T. Larson Mr. Paul B. Althouse Jacqueline & Barbara & Ron Kaufman Yvonne von Hartel AM Tom Lockard & Dr. Ross Armstrong Christian P. Erdman Mr. & Mrs. Neil & Elsa S. Pering Dr. Alix Marduel Greer & Veronica ArthurA Mr.* & Mrs. Wesley J. Fastiff William W. Klaproth Marianne H. Peterson Yasmin & Oren Lukatz Dr. Nancy L. Ascher Ms. Heather A. Findlay Robert & Linda Klett Maria PitcairnA Dr. Timothy J. Marten, M.D. James & Cheryl Babcock Doris Fisher Tobias & David & Joy Powell & Ms. Mary C. Heylin Mr. & Mrs. Paul Bancroft Dr. Julita Fong Liliana Kunze Briseño Peggy & Peter Preuss Patrick McCabe Ms. Marcia Barinaga & Timothy & Virginia Foo Bill & Jeanne Landreth Mr. Gordon Radley Ellen & Paul McKaskle Mr. Corey Goodman Mr. Paul Gantz Mr. John E. Lee Sally Rench

* deceased A indicates Series A Box Holder

encoremediagroup.com/programs 67 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:51 AM Page 10

MEDALLION SOCIETY continued James & Sheryl Reuben Mr. Charles D. Mann Clark & Elizabeth Callander Mrs. Patricia Gumbel Ted Lehmann & Angele & Michael Rice Deborah Marion, Tax CPA & Dr. James M. Campbell Mrs. Simone G. Haas & Catherine Lehmann Barbara Roach Joe Losch Iris S. Chan Mr. Scott A. Zumsteg Anne & Allan Lerch Deborah Romer & Ernie Mieger Ms. Janice Chang Helen & Dr. Glenn Hakanson Mr. Fred M. Levin & William Tucker Dr. Judy C. Miner Josephine Chen Hadley Dale Hall & Ms. Nancy Livingston, Barbara J. Ross Mr. David Moreton Vicky Kwoh Ching & L. Warde Laidman The Shenson Foundation Elizabeth Boardman Ross Margaret & Frank Morrow Wu-Chung Hsiang R. Hamilton Cathy Lindahl Mr. James Ross Mr. Karl Nygren Frederick S. Chung & Mr. Peter Hanauer Barry & Marie Lipman Mrs. Afie RoyoA Ms. Suno Osterweis Kimberly Chun Mr. Kevin Harrington Richard & Cynthia Livermore James Sabry & Maxwell G. Paley & Mr. Rudy Ciuca Mr. & Mrs. Dr. Britt-Marie Ljung Elizabeth Peace Gregory J. Corrales Rev. David L. Clarke Wolfgang H. Hausen George & Patricia Locke Michael Sack Bill & Mary Poland Ms. Carlyn Clause & Mollie Hedges & Mr. & Mrs. Paul Lorton Michael & Gini Savage Patric & Mary Powell Mr. Alexander L. Brainerd Laurel Lembo Mr. & Mrs. Laurence R. Lyons Dr. Stephen Sherwin & Ruth Quigley Mrs. Hazel Clegg Fred & Peggy Heiman Dr. Alan R. MaloufA Merrill Randol Sherwin Mr. & Mrs. Joseph E. Ratner Vicki L. Coe M.D. & Miranda Heller & Paula Markovitz Ms. Zornitza Stefanova & Drs. Edward & Dale Sickles Jennifer Mitchell Mark Salkind Mrs. Constance Marvin A Mr. Payam Mirrashidi Dr. & Mrs. Marvin Smoller Mr. Robert D. Cooter Ralph Hexter & Mr. Robert E. McCleskey Dr. Jeffrey L. Stern Mr. Donald Sobelman & Mr. Craig Corbitt & Manfred Kollmeier Ms. Barbara McDonnell Ms. Francoise Stone Ms. Leishia Woolwine Ms. Nancy Stoltz Ian Hinchliffe & Drs. Jack M. McElroy & Isobel & Roger Sturgeon Dr. Peter & Mindy Sun Susan Coughlin Marjorie Shapiro Mary Ann Skidmore Amy Tan & Louis De Mattei Ms. Maryanne Tagney Mr. Wesley Cox Patrick Hobin Ms. Linda McKay Lucy Tompkins, M.D. & Ms. Gloria Valair Copley E. Crosby & Terrance Hodel Dr. Douglas & Stanley Falkow, M.D. Daphne & Stuart Wells Marianne A. Welmers Ms. Linda Hodge Dr. Penelope Meakin Ann Classen Treadwell Ms. Jane A. Wetzel Dr. & Mrs. Alexander Cross Mr. & Ms. Gerald Hoshijo Al Medvitz & Lida Urbanek Ms. Vanessa Wong Mary A. Culp Carol L. & David G. Hough Jean McCormack Drs. Oldrich & Silva Vasicek Zuni Cafe Elizabeth M. Dirsa Mr. Robert Meister Ms. Arlene Wasserman Joanne Howard Ms. Victoria Donald Mr. David S. Hugle & Carleton E. Meyer & Lucie & Jerry Weissman BENEFACTOR Mrs. Michael D. Dooley Joan Tom Mr. & Mrs. Daniel G. Welch Mr. Haggai Niv $5,000 TO $7,499 Mr. & Mrs. Dr. H. Nona Hungate Mr. & Mrs. James Milner Ms. Linda Whittaker William G. Doolittle Mr. D. G. Mitchell Dorrit Ahbel, M.D. Victor & Kathy Hymes Ms. Conni Wilson Ms. Sarah A. Douglas Liza & Alex Mock Kendall & Claire Allphin Henry Ilg, Mr. & Mrs. Y. Wood Wong Katherine Herrick Drake Mr. James C. Moora Mr. Sig Anderman in memory of Lottie Ilg Kenneth & Anna Zankel, Mr. & Mrs. Jerome Duluk Thomas & Lydia Moran Robert M. Anderson & Mrs. Andrew Imbrie The Grove Robert & Carol Dutton Michael Moritz & Kyong Shik Eom Riki & Robert Intner Anonymous (8) Mr. & Mrs.* Michael Fahey Harriet Heyman Mr. & Mrs. Steven Anderson Jessica Jacob & Dr. & Mrs. Eric Fain Janet Morris & Mrs. Margot Shinnamon Zac Townsend BRONZE CIRCLE Mrs. Perrin Fay Frederick Martin Bach Donald & $7,500 TO $9,999 Dr. & Mrs. Christopher Bandy James Fennessey William O. & Alexander Fetter & Jacqueline Jacobberger Susan W. Morris Dr. Mirza Alam & Mrs. Linda Barrett Mr. Joseph Jacobs Dr. Charlotte Moore Mr. Michael Barrientos Lynn Bunim James & Katherine Moule Mrs. Jo Jagoda David & Donna & Ken Barrow Mr. & Mrs. Carl Fieser Mr. Manfred Mundelius Mr. Keith Jantzen & Judith Preves Anderson Mr. Stephen Beitzel & Mr. & Mrs. Louis C.G. Fisher Kate Murashige & Mr. Scott Beth The James R. Bancroft Family Ms. Lise Quintana Patrice & Warren Flack Chris Zones Mr. Guyton N. Jinkerson Mr. & Mrs. Edwin Berkowitz Roy C. Bergstrom Ken Fong Mr. Peter Johnson Musto Barbara E. Jones, Mr. Turney Berry Dr. Barbara Lynn Bessey Mr. & Mrs. J. Murray Fox David & Marilyn Nasatir Ms. Marcia Bieber Scott J. Bever Mr. & Mrs. Thomas Frame in memory of Marina & Ben Nelson Jennifer Michie Bienaime Donald Blais & Barbara B. Friede William E. Jones Karen S. NemetzA Joel & Eileen Birnbaum Michael McGinley Elise & Tully Friedman Mr. David A. Kadish Ms. Jeanne E. Newman Dr. Phyllis B. Blair Susan. S. Blake & Karen L. Gabrielson Amelia Kaymen, M.D. Paul Niewiadomski Mr. & Mrs. Robert Brock Joel Kaufmann Mr. Martin Gaehwiler Gary Kelb Mary L. Nilan Robert Brody & Bill & Alison Boeckmann John & Paula Gambs Drs. Phyllis A. Kempner & Mark H. Nishiki, M.D. Andrea Jacoby Dix Boring & Mr. Richard Gemperle David D. Stein James A. Noe III Mr. George Carter & Marilyn Moore Boring Mr. Gary A. Getz & Ms. Kathryn Kersey Patricia Nottingham Mr. Chan-Hong Lim Gary Bottone Dr. Lorrie E. Clemens Mr. Donald Kieselhorst Lynn Odland Mr. & Mrs. Dean Cash Michelle Bourland Mr. Stephen P. Gill & Thomas D. King Helen W. O’Hanlon Solomon Cera Elizabeth Bowman Mrs. Margaret Gill Victoria Kirby Dean & Kim Pananides Dr. James Cuthbertson Judy Brady & Robert C. Goodman & Mr. Sven E. Kjaersgaard Julian T.* & Robin M.W. Parer Dr. & Mrs. Philip S. Dauber Drew W. Browning John Bankston Mr. Thomas Koch Berniece & Pat Patterson Mr. & Mrs. Vladimir Ermakoff Chris & Jennifer Brahm Dr. & Mrs. Marvin L. Gordon T. Peter & Y. Mei Lam Skip Paul Bro Halff Mr.* & Mrs. John P. Breyer Dr. Kathleen Grant Bao Lamsam & Scott Sagan Mr. & Mrs. Dale L. Petterson Mr. Joel Howell Karen Broido Don & MaryAnn Graulich Ms. Katharine Lange Ian Pollard Thomas & Elisabeth Jones Joseph & Linda Bronson Mrs. Robert M. Greenhood John & A.M. Larue Dr. & Mrs. George T. Rab Kurt Latta Lynda L. Brothers Ms. Violet Grgich & Dr. & Mrs. Laurence Lasky Charles & Vicki Raeburn Ms. Patricia Lee-Hoffmann Charles R. Bush & Calvin Lau Mr. Colin Shipman Ms. Carol Lazier Harold & Penny Ray Nathaniel M. Lopez Jeanne & William Cahill Sallie Griffith The Honorable & Dr. & Mrs. John B. Reed James & Deborah Lyerla Mr. & Mrs. John E. Cahill, Jr. Claude & Nina* Gruen Mrs. Howard H. Leach Patricia Rees-Miller

* deceased A indicates Series A Box Holder

68 SAN FRANCISCO OPERA Devo Book 3 2017.qxp_Layout 1 10/19/17 11:51 AM Page 11

MEDALLION SOCIETY continued Mrs. Barrie Ford Regan Mr. & Mrs. William J. Watt Steve & Sally Schroeder Adam Arthur Bier & Jan & Jeannie de Vries Randall E. Reynoso & Rosalie V. Weaver Charles Schug Rachel Lem Dr. & Mrs. Herbert H. Dedo Martin Camsey Mr. Phil Wennhold John R. Schwabacher Family Ms. Linda Billings Mr. Manfred Dehmer David Richardson & Matthew Williams & Mr. & Mrs. John Sebastian Harold Blajwas & Mr. & Mrs. Eugene DeJuan Eliza Linley Amanda Maystead William & Judith Shilstone Alisa S. Burgess John* & Bonnie Demergasso Orli & Zack Rinat Mr. Harvey Yaverbaum Evangelos & William Blank Jan Deming & Jeff Goodby Katelyn Ristau Mr. E. William & Kathleen Simoudis Mrs. Robert N. Bloch Mr. Jan den Besten Kay & Ray Roberts Mrs. Mary Alice Yund Mr. Mark Small Mr. Noel T. Blos Ronald Denchfield & Mr. Paul Rogers Lev & Tatyana Yurovsky Mrs. Linda Snyder Mr. Jeff Boland Patricia Molvar Ms. Heli Roiha & Professor Jeffrey Zink & Mr. Donald Spuehler Dr. Maurizio Bonacini Ulric & Glenda Dennis Ms. Therissa McKelvey Mrs. Helo Zink Mr. Robert St. John & J. Dennis Bonney Mrs. Pam DeWeerd Arthur & Keiko Roosa Dr. Richard Zuniga & Ms. Melanie Searle Dr. Stephen C. Born Mr. J. P. Richards Dillingham Mr. George E. Rossmann Mr. Sean M. SeLegue Dr. Catharine van Ingen & Bruce R. Bowen & Mag Dimond Dr. Gwendolyn Rothman Anonymous (10) Dr. W. J. Wisniewski Junona A. Jonas John & Melanie Dodd Mr. Paul L. Rowe & Bob & Gail Walker Ms. Margaret Boyd Marion Dodd Mr. R. Michael Sereno PARTNER Hon. James L. Warren (Ret.) Mr. Bruce Braden Mr. Keith E. Doerge Barbara Sahm $4,000 TO $4,999 Ronald B. Wilkerson Eleanor & Theodore Brown Dr. Gary Dolan Mr. Heinrich Schelbert Ms. Anna Antoniucci Dr. Sherry Wren Timothy & Margaret Brown Sandra D. Donnell & Dr.* & Mrs. Rolf G. Scherman Paul & Kathy Bissinger Anonymous Don Buhman & Justin M. Faggioli Dr. Stephen Schoen & Linda Blondis Wray Humphrey David & Miriam Donoho Ms. Margot Fraser* Mr. & Mrs. Nelson Byrne FOUNDER William & Nancy Burnett Gary & Helen Dosik Mr. & Mrs. Michael Schroeder Karen Burtness Prak & Hilary & Richard Clark $3,000 TO $3,999 Ms. Joyce Dostale Mr. & Mrs. Lynn G. Seppala Emmy & Donald Clausing Jan Willem Prak Kathy Down, M.D. & Gary & Dana Shapiro Valerie Abad & Dr. Robert Paul Cabaj Annelle Clute Mehdi Ghadiani Gregory Kelly Dr. & Mrs. Jerry Shapiro Arthur D. Colman, M.D. & Donald Campbell Mr. Paul Duffey Vandana & Arvind Sharma Mr. John Abbott Mrs. Ronald E. Cape Pilar Montero, Ph.D Mrs. Deborah Accornero Rebecca M. Dyas Mr. & Mrs. Gerald V. Sharp Mr. Orville W. Dale Dr. Richard L. Caplin Susan & Bruce Dzieza Harvey & Deborah Shein Mrs. Lloyd Ackerman Dr. Betty J. Carmack Mr. & Mrs. Amir V. Adibi & Mr*. & Mrs. Wayne L. Earl Mr. & Mrs. Timothy Sherwood Thomas E. Dienstbier Vance Carney Joseph Ehrman III Mr. Daniel Shiplacoff & Shannon R. Clawson Janet L. Carpenter Laura Dillaway Dr. Mary Eichbauer & Prof. Roger Bourland Dr. Lefkos Aftonomos Peter & Jane Carpenter Mrs. Marilyn Dunn Dr. Greg Gartrell Steven E. Shladover Dr. Daniel S. Alegria & Mr. & Mrs. Dennis L. Carter Helene & Lawrence Edelman Ms. Shannon Eliot Ms. Ruth A. Short Dr. Mary Page Hufty Dr. Heidi H. Cary Dina & Carl P. Engineer Ed & Barbara Eschbach Ms. Marjorie Simon Francesca Alfajora Oscar Celli & Roger Busse Ms. Nancy J. English Janice & Jack Eskridge Mr. Kirby Slate & Mr. & Mrs. Jose R. Alonso Mr. Ben Chai Mrs. Robert Eshleman Ms. Pauline Eveillard & Mrs. Frances Slate Ms. Ann Alpers & Sarah Chamberlain Donald & Mr. Doug Gould Dr. Bruce L. Smith, Ph.D. & Mr. Shawn Hanson Ms. Jean B Chan Patricia Frischmann Patricia & Richard Farnsworth Ms. Nadine M. Tang Diane Green Benjamin C. Anderson, Ph.D. Dr. J. Samuel Chase Mr. Dennis C. Smith Joanne M. Anderson Martin Checov & Drs. Bette & James Felton Ms. Natalie Gummer Jan & Bob Fenwick Libby Smith Mr. Richard L. Hay Robert C. Anderson Timothy J. Bause Ms. Karin Fetherston Stephen Smoliar & Peggy Hill Arlene Anthony Melvin & Hella Cheitlin Ellen Finch Linda Dembo Mr. Larry Horton Ms. Maloos S. Anvarian & Thomas & Virginia Chen Leah Fine Kenneth & Joanne Snow Rosemary Joyce & Mr. Franklin R. Jackson Dr. Carol Christ Dr. Harvey Fishman & Dr. Steven Sorenson Russell Sheptak Drue G. Ashford Mr. Richard Christie Mrs. Deborah Fishman Mr. & Mrs. Eugene Stark Ms. Alyssa T. Koo Tracy Atherton Jerry & Linda* Cimmet Mr. & Mrs. Reginald D. Steer James* & Elinor Lacy Matthew Austern & George & Laura Cline Daniel & Carla Flamm Michael & Susanna Steinberg Ms. Barbara Laferriere Janet Lafler Patricia T. Coffin Jacques Fortier Patricia Stich David A. Lauer* & Zachary Baker Katie Colendich Mrs. Carlo S. Fowler Lisa & Jim Taylor James Earl Jewell Ms. Virginia Bamford Charles Connor, M.D. Richard L. Frank Trust William Laney Thornton & Mr. & Mrs. Gerald S. Levin Claudette Barrera Wallace W. Conroe & Barbara B. & Pasha Dritt Thornton Charles & Nancy Mack Kimiko & Ivan Barta Helen E. Conroe Joseph P. Fredrick TL Trust Mr. & Mrs. Michael Marston Mr. & Mrs. Fedele Bauccio Donald E. & Diane P. Cooley Ms. Ellen A. Friedman Ms. Carol J. Tomlinson Mr. Daniel & Joseph Baxter & Dr. Linda Crabbe Joyce Friedman Ms. Catherine F. Topham Dr. Mary McNabb Walter Balmas Mr. Guy Cross & Mr. & Mrs. William Froming Ms. Takeko Toyama Mr. & Mrs. Russell Merritt Mrs. Mary Baxter Ms. Erika Nelson David & Betsy Fryberger Barbara Traisman Andrew Morgan & Robert H. Beadle Dr. James Tristan Cross Lisa Zuckerman Gamshad Mr. Robert Trankle Danny Richard Mr. & Mrs. Frank Belvin Dr. Joan Claire Cucek Mr. Sameer K. Gandhi & Ulferts Center USA Inc. Dennis Otto & Matthew & Cristin Bennett LCDR Arthur W. Curtis, Ms. Monica Lopez Leslie & Judy Vadasz Robert Meadows Dr. Daniel Benson USCGR (Ret.) Ms. Ching-Ching Ganley Ms. Elizabeth Vobach Irving & Varda Rabin Paul & Mildred Berg Mr. Fred J. Dal Broi Max Gasner Mary & Terry Vogt Foundation of The Jewish Anna Bernhard Mr. A. S. Damji Marlena & Julia Gee Dr. Bradford W. Wade & Community Foundation of Anna & Mr. Stephen Danko Mr. Rich Gerhardt Dr. Linda K. Riebel the East Bay Robert P. Berryman, Jr. Ms. Lisa Danzig Henry* & Dorothy Gietzen Bruce & Fran Walker Mr. John N. Rooney Stuart & Helen Bessler Mrs. Arthur Dauer David & Jennifer Gillespie Alice & C.C. Wang Mr. Eugene Saenger Jr Mr. Josef Betz Charles & Dorothy Davis Mr. & Mrs. Richard Gleason Helena Troy Wasp Dorothy R. Saxe Vinny & Shalini Bhutani Mrs. Doris Davis Dr. Paul Goldsmith

* deceased A indicates Series A Box Holder

encoremediagroup.com/programs 69 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:51 AM Page 12

MEDALLION SOCIETY continued Ms. Grace & Ms. Roxanne Rebecca & Renate M. Nadler, M.D. David Ryu & Dr. Naomi R. Thorpe Araim-Sullivan Donald Kingsborough Joseph C. Najpaver & Christina Wu Ryu Judy & Harold Ticktin First Street Leather of Dick & Marianne Kipper Deana Logan Mr. Paul G. Salisbury Charlise Tiee & Solvang, California Mrs. Claudia Bray Kitka Ms. Mariam Nayiny & Ryan Samarakoon & Scott Grieder and Mammoth Lakes Mr. Edson Kong Mr. Nader Radjy Emily DiPofi Mrs. F. J. Thomas Tilton Mr. John Gray Maj. Floyd R. Krey Donna Hall Neff Louise Adler Sampson Dean & Jeanice Tipps Ms. Deborah Greer Andrea Manson Krueger Jim Newman & Jane Ivory Mr. Pavi Sandhu Patricia Totten Mr. Benjamin Gregorski Bettine Kuh Ms. Mary D. Niemiller Michael Saroyan & Enrique Trachta Mr. Phil Grisier Dr. Bunny Laden Gerald & Ortrun Niesar Barbara Bishop, M.D. Norman & Carol Traeger Andy* & Eva Grove Mr. Michael Lamm Matthew & Nancy Noel Marlys Saveri & Joseph Saveri Justin Trapp Mr. & Mrs. Patrick Gunning Andrew Lan David O’Grady Mr. David Sawle Mr. Richard D. Tuck Brian & Elizaveta Gustafson Ms. Marcia Lazer Mr. Brian Olson Ms. Beth Scanlan Mr. Mark Valentine Rob & Yukari Haitani Richard & Patricia Taylor Lee Marilyn Oronzi Randy Schekman & Mary Van Voorhees Ms. Bronwyn H. Hall Dr. & Mrs. John Lenahan Lise Deschamps Ostwald Nancy Walls* Mr. Anthony Vickers Ms. Dorothea Hamilton Mrs. Nancy Lilly Ms. Catherine A. Owen Dorothy Schimke & Mr. Richard Votava Mr. Dave Handley & Claire & Mr. & Mrs. F. Ward Paine Cliff Jarrard Mrs. Louis M. Vuksinick Ms. Xiaowen Qiu Herbert Lindenberger Mrs. Jeraldine M. Palazzi Philip Schlein Ilana Walder-Biesanz Charles F. Hanes Mr. Wen-Pen Liu Mr. & Mrs. Sande Schlumberger Arthur & Susan Walenta Betty-Lou Harmon Mr. & Mrs. William R. Lloyd Steven Papagiannopoulos Mr. Warren Schneider Ms. Adrian Walker Mr. William Hartrick Mr. Brendon Lo Gerlie Papillion Phoebe & Ms. Ann Y. Walker & Mr. James E. Haynes Kate Lord Dr. Richard & Jean Park Christopher Schreiber Mr. David M. Jones Peggy Heineman Thomas & Kathryn Loughran Poyee & Patrick Pau Betty J. Schreiner, M.D. Susan Walker Paula Heller & Robert Yohai Mrs. Amy Louv Mr. William Pearce Dr.* & Mrs. James & Judith Wall Wellington S. Henderson, Jr. Claude L. Lowen Mauree Jane & Theodore Schrock Cmdr. & Mrs. Homer Wallin Mr. Robert Hero Ms. Kay Lucas Mark W. Perry Mrs. Ronald Schroeder Brian & Stephanie Walsh Mr. Stephen Hetzel Ophelia A. Lum You Frances Petrocelli & Ms. Andrea Schultz Jessica Wan & John DeNero Mr. & Mrs. David Hodges Joan & Roger Mann Charles B. Wilson Katherine Setar & Emily Wang & Aaron Hoffer Al Hoffman & Gus Manning & Ms. Nancy Pfund & Brad Fischer Mr. William Wang David Shepherd Rena Kirkpatrick Phil Polakoff, M.D. Pamela Sevilla Mr. Rom Watson Mrs. Doris Manock Ms. Margaret V. Sheehan Victoria Weatherford & Mr. & Mrs. Charles Holden Dr. Judith Pickersgill Richard A. Marciano & Merrill Shields Jordan Gardner Susan Meadows Hone Ms. Shauna Pickett-Gordon Teresa Middleton Elias Shikaloff Mr. Kimberly Mark Webb Michael Horan Mr. Terry Pitts Richard & Kate & Matthew Shilvock Ms. Belle Wei Wilma S. Horwitz Ms. Anastasia Polakis Patricia Marcogliese Barbara Silverberg Ms. Tania L. Weiss Ms. Gladys K. Howard Ritchie & Melissa Post Treva Jo Marcus Dr. & Mrs. Gerald Silverberg Mr. Richard P. West Mr. Joseph C. Howard, Jr. Jeanette M. Prato Dr. Pamela Marron Judith & Walter Sleeth Mr. Trevor White & Timothy G. & Cara R. Hoxie Margaret & Vic Quattrin Robin & Karl May David & Barbara Sloss Mrs. Nora Quattrin White Vincent & Christina Hu Mr. Frank T. Maynard Mr. Les Quock Frederic H. Smith Ms. Faye C. Wilson Ashley Hu Judge Lucy Kelly McCabe Christopher J. Raidy Mr. & Mrs. Vivian W. Wing, M.D. & Nancy A. Hutcheon Marcia & Bill McConnell Ms. Danielle Rebischung George D. Smith Jr. Elizabeth Grace Wickersham Ms. Margaret C. Hutchins Ellen Mccoy Don & Gwen Reichert Pamela D. Smith Mr. Christopher Wiseman Edward & Patricia Hymson Dr. Patricia McEveney Mr. Thomas H. Reynolds Gideon* & Cheryl Sorokin William Wisniewski & David K. & Kay Duke Ingalls Ms. Kathryn McGovern Kathryn E. Ringgold Mr. Steven Soult Catharine van Ingen James Ito Caryl McIvor Katelyn Ristau Mr. & Mrs. Robert Specker Susan & Jonathan Wittwer Harry L. Jacobs & A. Kirk McKenzie Wayne & Murphy Robins Robert L. Speer & Mr. Josiah Wolcott Katherine E. Akos Dr. & Mrs. Scot Rohrer & John Wong Ms. Eileen C. Wong Dr. & Mrs. Norman Jacobson Thomas O. McLaughlin Anne Scanlan-Rohrer Mrs. Leela Stake Ms. Shirley Woo Mr. Alexander Jakle Ronald & Judith McWilliams Fran Rominger Dr. & Mrs. Robert L. Stamper Dan Woods Robin & Virginia Jaquith Mr. Peter C. Meier Noelle & Ken Roost Mr. Tom Standing Margaret & Angus Wurtele William & Leticia Jarvis Dr. Beryl & Mrs. Renee Mell Yvette & Philip Rosedale John & Linda Stedman Russell & Marilyn Wylie Mr. Carlos Jimenez & Mr. David Mellor Dr. Steven & Mrs. Ann Marie Steig Dr. Myles Yanta Dr. Victoria Smith Dr. Linda A. Membreno Mrs. Miranda Rosenau Dr. Kenneth & Laurel Stein Ms. Colleen Yeates Marsh Dr. Jane L. Johnson Edith P. Mendez Ms. Susan Rosenblatt Duty & Devotion Florette Yen Alfred & Sally Jones Judith & Irwin Miller George & Edith Rosenkranz Memorial Fund Lowell S. Young & Kristen & Todd Jones Beverly Mitchell & Dr. & Mrs. Mary Jean Stempien & Celeste Young Annie Jung John Pringle Roberto P. Rosenkranz James Stricker Mr. & Mrs. Anne Kaiser & Robert Taylor Mr. & Mrs. Joseph Mocker Marion Ross Mr. Mark Stoermer Christopher Zaccalini Nene Kalu Wayne & Carol Montgomery Dr. & Mrs. Stanley Ross Blossom F. Strong Mr. & Mrs. Dr. & Mrs. Avi Katz Howard & Cathy Moreland Mrs. Joan Rost Ms. Vrenae Sutphin & Pierluigi Zappacosta Ms. Suzan Kaufmann Lawrence Morgan Barry Roth Mr. David Gray Joan Zawaski & Rona Siegel Robert S. Keagy Ms. Camille Morishige Mr. Charles W. Roth Ms. Susan Sweet Peggy & Lee Zeigler Daniel Kelley Mr. Paul Morris Mr. & Mrs. Dr. & Mrs. W. C. Sweeting, Jr. Frank Zepeda Mrs. Louis Kelso Thomas* & Anne Morton Peter E. Roxborough Sharon & John Tastor Dennis Zhang Jill Dore Kent John & Melinda Moynier Stephen & Marcia Ruben Ms. Genell Texeira-De Robertis Mary & Harold Zlot Nelda Kilguss Robert & Berit Muh Mr. John E. Ruden Ms. Holly Thauwald Family Foundation Lawrence Kim James & Ruth Murad Francis & Andrea Rush Ms. Joan Thoma Anonymous (16)

* deceased A indicates Series A Box Holder

70 SAN FRANCISCO OPERA Devo Book 3 2017.qxp_Layout 1 10/19/17 11:52 AM Page 13

SAN FRANCISCO OPERA MEMBERS

San Francisco Opera extends its deepest appreciation to all of our donors for contributions of any amount. The following members have made gifts between $1,000 and $2,999.

PrinciPal Patron Mr. & Mrs. Raj Desai Lona Jupiter Mr. Michael Mullen Mr. Marc Sugiyama Dr. Flora Banuett Ms. Suzanne Diamond Rosalalind Kandler Mr. & Mrs. Eric Nath Deborah Suppes Dr. & Mrs. Joseph Barbaccia $2,000 TO $2,999 Ms. Paula Dieli Dr. & Mrs. Samuel D. Kaplan David Newton Ms. Noriko Tabata David N. Barnard Mr. Richard Abram Mr. & Ms. Dave Disco Mr. Thomas L. Kardos Patrick & Bernadette Nolan Valerie E. G. Talmage Hans Barnard & Marc & Anita Abramowitz Mrs. Mary Lou Dorking Mr. Thomas R. Kearney Ms. Rita A. Norton Marvin C Tanigawa Willemina Wendrich Norm Abramson & Mr. John D. Drago Mr. Frank Kelly Mrs. Helen Nutter Barbara Tennant Ms. Joanne Barnes David Beery Mr. & Mrs. William H. Draper III Kyle Kerr Mr. Barton O’Brien Martin & Elizabeth Terplan Ms. Margaret M. Barratt Mr. Drake Adkisson Peter G. Drewliner Dukju Kim George & Karen Offen Ms. Brigitta Troy John Barrer Thomas F. Anders, M.D. Ms. Jennifer Durand Mr. David Kimport Mr. Garrick Ohlsson Gisela & Peter Turner Mrs. Dottie Barrett Arcadia Phono, LLC Ms. Margaret Hart Edwards Mrs. Beverly Kivel Coralie & John Otoshi Ms. Heidi Ulrich Ira & Carol Barrows Mrs. Deborah Armstrong John & Roberta Eidson Mr. Mark Kjeldgaard Harold Parks Mr. Paul E. van Dyk Albert Bartridge Ms. Celia Balfour Judith & Phillip Erdberg Eileen & Arthur Klatsky Mr. Raul Pavon Mr. Peter Van Etten Ms. Betty Basham Barclay’s Restaurant and Pub Shaari Ergas Ms. Anna-Lisa Klettenberg Ms. Matilda Perkins & Mr. Frank VanCourt Mr. Douglas C. Bassler Mr. David Barlow & Eric P. Essman Mr. Witold Klimenko Mr. Michael Freeburger Ms. Nora E. Wagner Mrs. Lieselotte Bauer Mrs. Lisa Clark-Barlow Evans Fund David Kneupper Mrs. Elizabeth L. Petz Rosemarie Wagner Paul & Linda Baumann Mr. & Mrs. Lawrence Barnett Andrea Everett Ms. Theresa Kobel Mr. Jose Rubens Pirani Steven & Jennifer Walske Laura Baxter Ms. I-Joen Beer Mr. & Mrs. Richard Falvo Gernot & Anita Koehler Mr. Scott Plakun & Mr. Victor Walters Ms. Nancy Baxter Dr. Robert & Irene Belknap Mrs. John Finger, David Krimm & Peter Bradley Dr. Milton P. Schaefer Ms. Jenny Wang Nils & Linda Behnke Ms. Beverly R. Benson in memory of John H. Finger Meghan Krogh Genevieve Plusa Ms. Tiffany Wang Claudia Belcher Mr. Max E. Benson Ms. Jessena Finn Mr. & Mrs. Paul Kuckein Justice Stuart & Mrs. Lee Pollak David & Kathryn Welch Richard & Kim Beleson Richard & Maureen Bergson Cheryl Fippen & Mary True John & Rebecca R. Kunzman Joseph Powe Mr. Robert A. Wertsch Ms. Merle L. Benkavitch Nella & Bill Berry Firestone Family Foundation Mr. Ching-Lung Lai Susan K. Prather Mr. David Wheeler John & Diane Benson Rachel Birkey William O. Fisher & William R. Lambert Peter Prichard Ron & Anne White Mrs. Dawn Berger Adam Blumenthal Kathryne Bernick Dr. Judith A. Lamberti Ann Ratcliffe Ms. Michelle Wilcox & Ms. Anna Bergman Dr. Jennifer Bock Hughes & Nancy Flores Peter Langner Charles & Patricia Raven Mr. Rob Kuhling Dr. Carol Berkenkotter Mr. Harold O. Hughes Eugene Fluder Mr. Roger Lauer The Hon. & Ms. Erika Williams Mr. Simon C. Berry Jim Bowsher Mr. Steven W. Frank Spencer Layton Mrs. William K. Reilly Mr. Mason Willrich Mr. Stephen Bertram Ms. Joan K. Boyd Mr. & Mrs.* Thomas L. Frankel Dr. & Mrs. Stephen C. Allan Reiter Peter & Georgia Windhorst Mr. & Mrs. D. & S. Best Mr. & Mrs. David W. Brady Thomas J. Furlong & Mr. Peter Lee Kathryn & Markus Renschler Drew Winget Sym Blanchard Ms. Jennifer Braun & Elizabeth A. Gard Jeffrey Lefstin Mr. William Rense Dr. Dale & Toni Wise Charles & Lenore Bleadon Mr. Raymond Ryan Mr. Richard Galbraith Mr. & Mrs. David Lehman Mr. David Roberts Ms. Lilah & Mr. Alex Wolf Mr. & Mrs. Frank Bliss Ms. Kathleen Braunstein Nigel Gamble Dr. & Mrs. Hoyle Leigh Mr. David Roberts Mr. Brendan Wong Mr. Nicholas Bloisa Mr. Michael Broach Nick C. Geannacopulos Mr. Kenneth Leitch Ms. Lorraine Robinson Ms. Merilyn Wong Ms. Susan Blomberg Dr. Roberta Brokaw Ms. Sandra M. Gilbert Anthony Leuin & Jean Bertrand Mr. & Mrs. James M. Rockett Ethel S. Worn Thomas Blommers Ms. Brenda Brown Sandra & Yuen Gin Mrs. Carole Lewis Jill Antonides & Mr. Gregory Wright Ms. Janet Nye Blomquist Gail Brown Ms. Martha Goldin Mr. Mark Lewis Jorge Rodriguez Melinda Yee Franklin Mr. Dieter Bluhm Mrs. Susanne Bruggemann Mr. & Mrs. Robert Goldman Ms. Michelle Li Rick & Stephanie Rogers Mr. & Mrs. Carl Zachrisson Judy Bogart & Richard Hyde Laurence Brunet Mr. & Mrs. Ronald Goodman Ms. Shirley Liebhaber Mr. Sean Rositano Mr. Robert Zeiss Mr. Richard & Drs. Earl & Sandra Burgess Mr. Will Gould Jean & Sun Lu Mr. David Rothman Anne Zucchi Mrs. Joanne Bogart Barbra & Eric Burman Mr. & Mrs. Peter H.T. Gray Ms. Helene Lupatkin Mr. Richard E. Rowland Anonymous (6) Neil Bogue Richard C. Burnett & Carol & John W. Green Ms. Jennifer Lynch & Jennifer Rozum Barbara & John Bohn Richard N. Gould Dan & Kelly Grimaldi Mr. Justin Schuster Mr. Mike Rudolph SuStaining Patron Ms. Barbara Boies Ms. Katherine Calkins Ms. Jane Grimm Dr. Richard Lynch Ms. Marsha Ryle Morris Bol & Lewis Crickard Mr. Rick Callison Drs. Bill & Nancy Grove Mr. Timothy Lynch Mr. Federico Sandino $1,000 TO $1,999 Dr. Jean S. Bolen Cathleen Cameron Ms. Maud Hallin Karen & David MacQueen Mr. Stephen Sasse Marc F. Abramson, M.D. Mr. Brad Bollinger Mr. & Mrs. Charles Cameron Michael & Mary Hanemann Mr. & Mrs. William H. Madison Lecia Scaglione Jane & Christopher Adams Jeanne Rae Bonar MD Phyllis Cannom Krista & Eric Hanson Ms. & Mr. Naomi C. Mann Ms. Janine Scancarelli & Elaine Alden, Ms. Patricia Jones Boone Christine Cariati & Cliff Gerrish Robert G. Harvey Joan Mansour Mr. Christopher McMahon in memory of Ms. Moura Borisova Ann & John Carroll John F. Heil John Marcom & Arif Hasyim Mrs. Nora Schaaf Dr. John Alden Ms. Joanne Bourland Ms. Jacqueline Carson & Helen Heintz Mr. & Mrs. Daniel Mardesich Ms. Mary Schelling Mr. Ignacio M. Aliagas Mr. & Ms. Layne Bourque Mr. Alan Cox Ms. Firouzeh Hejazi Jason Marks Rev. Paul J. Schmidt & Mrs. Dolores M. Allen Ann S. Bowers Mr. Paul Casadonte Alfred & Ruth Heller Willlam H.L. Martin & Rev. Gerard K. Moran Lexis & David Allen Mr. Malcolm Bowles Mr. Murray Case Dr. Diana S. Herbst Cathy Corison Mr. & Mrs. John Schram Mr.* & Mrs. Anthony Arlen Mr. Barry Box Charles & Deryl Castellano Walter & Esther Hewlett Mrs. Charlene Mathias Mr. Charles Schweger Mrs. Susan Andersen Mr. Walter Boyd Mr. Mark R. Chaitkin & Mr. & Mrs. Spencer Hinkle Mr. Kim McCall Mr. James Scillian Mrs. Linda Anderson Mr. & Mrs. Eugene A. Boyer Ms. P. C. Storr Terence Hird Bobbie McChristy Michael Seaton Merrill D. Anderson Dr. & Mrs. Boone Brackett Jim Chanin & Rachel Richman Dr. Lucie Hirmina Mrs. Mary McKee Mr. & Mrs. Paul Setziol Paul W. Anderson, M.D. Stevan D. Bradley Mr. Daniel A. Chesir Ms. Anne Hohenberger & Mr. David McNally Ms. Mary Shelford Susan Anderson Mr. Peter M. Brady, Jr. Mr. Daniel Clark Mr. Michael Taylor Mary A. McTigue James R. Shevock Dr.* & Mrs. Helen Brake Ms. Georgina Clark Mr. Marshall H. Hollimon Mr. Kurt M. Menning Mr. Leslie M. Shinozawa Theodore W. Anderson Mr. David R. Braker Ms. Margaret Liu Collins Ms. Irma Honda Dr. Thomas Merigan Mr. Michael Silpa Dr. Allen I. Arieff Mr. James Brandman Mrs. Ann Concannon & Molly & Jock Hooper Mr. David Messick Mr. John Simpson David Armstrong Ms. Barbara N. Brandriff Mr. Barry O’Connell Dr. Ronald Hopkins Thomas & Barbara Metcalf Mr. Thomas Sinclair Mr. & Mrs. John S. Arnold Mr. Robert C. Brandt Ms. Aileen Cooke Ms. May Houghton Mr. & Mrs. John Meyer Mr. Jordan H. Smith Dr. Andrew J. Aronson Reid Branson Ian Cooper Ms. Vija Hovgard Mr. & Mrs. Donald Michener Mr. William Smith Robert Atkins Matthias Braun & Ursula Vitt Carol Gray Costigan Mr. & Mrs. Timothy Howard Ms. Marla J. Miller Mr. & Ms. Yoram Sorokin Mr. Arthur Atlas Marion F. Bray Sue & Ken Currier Helen Y.H Hui Ms. Patricia Mitchell Ms. Lucie Spieler Mr. Bruce Auld Mr. Jason Breaker Mr. & Mrs. James Daley Ms. Sharon Hunter Mr. Carlos Montano Mr. Storm Staley Ms. Elizabeth Avakian Mr. & Mrs. Stephen Breitbart Ms. Jean L. Dana Mr. Stephen Jackson & Mr. Chris Moore Ms. Fran Stancavage Mr. Richard Axelrod Mr. Joseph Brennan Mrs. Patricia Daniels Ms. June Kori Kody Denis Moore & Paul Garza Ms. Anita Stapen & Mr. James Baer Mr. Michael J. Bresler Dr. Nancy Davidson & Dr. Michael A. Jaffe M.D. Mr. Douglas G. Moore Mr. Richard Granberg Mr. Roger Bagley Dr. & Mrs. Melvin Britton Mr. Steen Pedersen Ms. Lily Jan Mr. Jack Morris Mr. & Mrs. Isaac Stein Mr. & Mrs. Schuyler Bailey Michael Brocoum Ms. Caroline Davis Mr. Mark Johnson Mr. Zachary Morrison Ms. Barbara Stewart Mr. Thomas Lee Baker Gabe & Trish Brovedani Mr. David Davis Tracy & Frank Jonelis Ms. Victoria Mortensen Matt & Tami Stolte Ms. Virginia Bale David Brown Mr. & Mrs. James F. Dean Paul S. Jones Mr. Michael Mullany Nobuyuki & Megumi Sugiura Eugene & Kathleen Bales Ms. Judith D. Brown

* deceased A indicates Series A Box Holder

encoremediagroup.com/programs 71 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:52 AM Page 14

San FranciSco oPera MeMberS continued Mr. Samuel Brown Andrew Dean Linle & Jim Froeb Mr. & Mrs. Clifford Hersh Ms. Madeline Kitier Mr. Simon Lowings Mr. Steven R. Brown Dr. Lee R. DeBow Sverre Froyen Lynn & Robert Hetland Ms. Katharine Kleinke Frances Lozano Vivian & Michael Brown Ms. Eileen Deiss Mr. James Fruehling Mr. & Mrs. Melvyn Hetzel Mrs. Chuen Kleiser Mrs. Ailsa E. Ludvik Mr. Donald Browne Mrs. Ann Del Simone Mr. & Ms. Mr. Rockne Hill Ellen Kline Dr. & Mrs. G. Karl Ludwig, Jr. Mr. & Mrs. Stephen B. Brush Ms. Antonia DeMatto Douglas W. Fuerstenau Mr. & Mrs. Albert Hillman Dr. Kathryn Klingebiel Ms. Kurtice C. Luther Ms. Carolyn Bryant Linda Derivi & Mr. Christopher Furman Mr. & Mrs. Claude M. Mr. Peter H. Klopfer Ms. Pamela Macal Andrzej & Nancy Brzeski Stephan Castellanos Ms. Grace Gabe Hiramoto-Hess Knight Angels Mr. Marco Magarelli Wendy Buchen Thomas P. & Mr. Paul Gardner Mr. Warren Hirsch Judith & Harlan Koch Mr. Allison Maggiolo Mr. Brad Buckman Veronica C. Devitt Ms. Margaret E. Garms Frederic & Sandra Hirschfield Richard Koch Neil Mahoney Mr. Audrius Budrys Mr. & Mrs. William J. Dickinson Ms. Marie-Louise Garrett Ms. Patricia Hitchens Volker Koch Ms. Marlene Maier Ms. Sandra Buehler Ms. Pamela Dickson Mr. Bryant Garth Dr. Betty M. Ho Mr. John M. Kohlmeier Mr. John E. Major Heidi & Harry Burt Dr. James Dimon Max Gasner Mark Allan Hodes Victor Korenman Mr. Peter Mansfield Mr. Peter Buttrick Mr. Stanley J. Dirks Ms. Margaret M. Gates Mr. Melvin S. Hodges Marta & Alex Kozera Davide Marchesi Mr. Gerald Cahill & Mr. & Mrs. Harold E. Dittmer Ms. Louise Gelotte Don Hoffman Dr. Bob & Christine Kradjian Mr. Richard Marliave & Ms. Kathleen S. King Dave & Helen Dix Mr. Sam Genirberg Mr. Stephen C. Hoffman Ms. Barbara Kral Mrs. Nikola Filby Ms. Georgia Callahan Mr. Don Dodson Ms. Pamela George Diane & Richard Hohl Marion R. Kramer, M.D. Ms. Alex Marzano Mrs. Ana Campo Mr. Robert J. Domrese Mr. Hartmut H. Gerdes Dr. Susan Holbrook & Mr. Norman Krasne Elise Masur Francisco Cardoso Maria & Henry Donahoe Mr. David Gettman James B. Florey, M.D. Mr. Glenn Krasner Ms. Jean Matsuura Randal Carlson Ms. Eileen M. Dong Famiglia Tom & Mr. Peter Holman Mrs. Caroline Krauskopf Mr. Gilbert E. Matthews Bruce & Mary Alice Carswell Ms. Alexandra Dostrow Juliette Giannini Mr. Brian W. Holmes Charles Kredensor & Ms. Victoria J. Mattson & Mr. Robert Case Mr. Calvin B. Doucet Mr. Richard Gilbert Ms. Rosalie D. Holtz Frederic Saunders Ms. Diana J. Gordon Dr. Karen Castle Michael Dougherty Ms. Alexandra Gillen Joseph Hooker Mr. Don Krohn Mrs. Joan Maxwell Chang Mooi Family Foundation Nancy Doyle, M.D. Anita N. Gillespie Mr. James Hopp Judith Krotec Mr. Henry Mayer Dr. Michael Charney Ms. Edith Drcar Mr. & Mrs. Dane Gillette Dr. Michael Horn Ms. Mary Kruzas Dr. Brian P. McCune Mr. Michael Chase Dr. Michael J. Drinnan, M.D. Ms. Sandra Gillette John Hornberger Ms. Elizabeth Kuehner Robert McDowell Mrs. Eunice M. Childs Ms. Joan Duffield Philip Gold Raymond & Karen Houck Ms. Gillian Kuehner John G. McGehee Ms. Tzu-I Isabel Chiu Edma Dumanian Ms. Marsha Goldberg Ms. Sally V. Houston Kenneth & Monica Kulander Ms. Julie McHenry Roger V. Christensen Mr. Bruce Dutson Steven H. Goldberg, M.D. & Ms. Constance Howard Mr. Charles Kunz John McLaughlin Mr. Paul Chrzanowski Ms. Barbara J. Dwyer Sandee Blechman Ms. Hing On Hsu Mr. David Kutz Mr. R. S. McMillen Li-Chiang Chu* Phillip L. Eaton & Robert Goldfien Mr. & Mrs. Henry P. Huff III Ms. Silvia Kuzmicz Randall McMullan Mr. David J. Clark James C. Robinson Mrs. Patricia Goldhoff Mr. David Hulin Joan Kwansa Mr. John McNally Mr. Robert Clark Ms. Nicole Economou Diane & David Goldsmith Mr. John Hunt Barbara J. Lane Ms. Mary McNulty Ms. Sarah Clark Ms. Deborah Edginton Ms. Andrea Gould Ms. Marian Huntoon Stephen & Maria Lans Mr. & Mrs. David Meckler Mr. Paul C. Clifford Mr. Kirk Edson Ms. Janet Goy Ms. Mary Idso Mr. Willis J. Larkin Fabrizio Mecozzi Dr. Cara Coburn Ms. Helen Edwards Ms. Barbara Goza Mr. Alberto Ilano David Larson David & Erika Meinhardt Mr. & Mrs. Jack Coffey Michael Egesdal Mr. Frederick Grauer Mr. & Mrs. Ken Imatani James P. Laumond, M.D. & Mr. Craig Melchert Mrs. Ralph L. Coffman Ms. Barbara J. Eisenhauer Maria Greenwald Mr. Edward C. Ingraham Mr. & Mrs. Kurt Melchior Mr. Michael Colbruno Mr. Albert Eisenstat Mr. Herbert Grench Mr. Charles Isola Ms. Mercedes Laurencin Anthony F. Melia Ms. Emily G. Cole Mr. James Elacqua Mr. Donald F. Grether Ms. Karen Ivy Mrs. Jan V. Lawler Ms. Suzanne R. Mellen Prof. George & Mrs. Jane Collier Ms. Janice R. Eldred & Dr. Patricia L. Griffin Jaqueline Gamache Mr. Myles Lawless Mr. Ira Mellman Mr. Stephen L. Collier & Mr. Peter Szutu Mr. Lloyd Grotheer Alan Jacobs Mr. & Mrs. Roger A. Lazarus Mrs. Alma Z. Menn Mr. Frank A. Patt Mr. Daniel D. Elias Ann C. Grove & Richard Green Ms. Laura Jacobson & Ms. Harriet Lazer Mr. & Mrs. Richard C. Mesker Ms. Elizabeth Colton Ms. Dianne Ellsworth Miss Ursula Grunfeld Mr. John Denton Mr. & Mrs. G. B. Lebedeff Mr. Robert Messick Carol & Lewis Connolly Dr. Cornelis Elmes Mr. Andrey Gubichev Mr. Klaus Jaeger Ms. Christina Lee Dr. & Mrs. Stacy R. Mettier Geoffrey Constable Mr. Robin Elwood Mrs. Mary Gundelach Sally James Kewchang Lee, M.D. Allison Metz, M.D. Clyde & Ann Coombs Mrs. Maria G. Erdi Mr. Roger Guy-Bray Ms. Naomi Janowitz Ms. Martha J. Richards Mr. Gary Mezzatesta Ms. Debra Corazzelli Mr. Marc Escuro Ms. Jacqueline Guzzo Mr. Ted Jarvi & Dr. Marion Lee Knute Michael & Mr. George Corona Mr. Tom Etheridge & M. M. Hadcock, M.D. Ms. Helen Hall Mr. Wilton Woo & Ginna Dean Miller Deborah Costa Ms. Luanne Rolly Johnnie Johnson Hafernik Glen William Jarvis Ms. Vera W. Lee Michael Middleton Ms. Carmen Côté-Devaughan Mrs. Joyce Mishel Ettinger William A. Hage Ms. Jeraldine S. Johnson Mr. & Mrs. Edgar G. Lehmann Karnig & Michael Coughlan Ms. Deborah Kaplan Evans Candace Hall Julie Johnson Ms. Patricia Leicher Santoukht Silva Mikaelian Hugh J. Coughlin Mr. Fred & Mrs. Joan Falender Mr. Christopher Hall & Rod Johnson Paul E. LeMal, M.D. Mr. Andrew A. Miller Tom & Jane Coulter Dr. William Falvey Ms. Sandra Sarro Ms. Marian Johnston Mr. Robert Lemons Dr. & Mrs. Fred Miller Mrs. James E. Court Richard Farris Gregory & Kathryn Hampton Mr. Mountaine Jonas Mr. Edwin Lennox Caroline Milton Mr. Norman Couttie Mr. Adrian Fedorovici G. R. Hamrdla Mr. Gary Jones Mr. Jim Leonard Dorothy T. Milton Dr. Michael Craig Cox Ella Fehl Mr. Steven Hand Harvey L. Jones Ms. Linda Lester McIlvoy Sean Minnig & Matt Evans Terry & Evelent Cox Cantor & Mrs. Martin Feldman Mrs. Rose Hane Mrs. Frances G. Joyce Ms. Carol Levenson Carol Mirenda & Warren Lee Dr. & Mrs. William R. Crain Mr. David A. Fencl Mr. David Hankinson Andrea G. Julian Myra K. Levenson Cosette P. Mitchell Gary & Diana Cramer Mr. Chad Ferguson Diana Hardy Mr. & Mrs. George Jurkowich Mr. Mark Levi Michael Mitchell John Cramer Mrs. Kristin Ferguson Mr. Roy Dean Hardy Mr. Richard Kadel Adrelle K. Levy Mr. & Mrs. W. W. Moffett Frederick Craw Niall Ferguson Thomas Harkins & Mr. Richard Kalkbrenner F. Chaney Li, MD Ms. Karen Moneta Kate Crawford Mr. Jeffrey Fine Thomas Philipps Jon Kannegaard & Norman & Helen Ann Licht Thomas & Cassandra Moore Clive Criper Ms. & Mr. Ellen Fisher Mrs. Melinda Harmon Patricia Sandoval Dr. T. Juhani Linna Glenn A. Morrison Mr. John C. Cromack Ms. Claire Candace Fitzgerald Ms. Anette L. Harris Dr. Arjun Kapur Mr. & Mrs. Steven Lipson Mr. John Morton David Cross Mr. Adam Flatt Diana Harris Bennett R. & Suzy Katz Janet K. Littlefield Mr. & Mrs. Bhushan Mudbhary Mr. Bradford Crowell Mr. Kirk Forbeck Kathy Hart Mr. Ken Kawaichi Mr. W. Alex Livesley Mr. Robert Mukai Mrs. Angelique Cucaro-Renault Karen Ford Mrs. & Mr. Hartley Ms. Susanne Kayyali John Livingston & Ms. Kathleen E. Mulaney Ms. Phoebe Cutler Mike & Nancy Foss Mr. Charles Hashim Kathryn Kearney Frances Etow Ms. Sharon Mulgrew & Mr. Christian Dahlen Mr. Anthony Fotherby Mr. Robert L. Hausmann John Keeley Mr. Thomas Lloyd-Butler Mr. Brian Umeki Mrs. Janet Dahlsten Mrs. Barbara Fracchia Tom Hixson & Kevin Sarmento Elizabeth D. Kelker Mr. & Mrs. Ronald J. Loar Ms. Majbritt Murdock Mr. & Mrs. John F. Dains Mr. John G. Francis Mr. David A. Hearth & Erwin Kelly John Lockton Mrs. Pamela Murdock Ms. Jennifer Daly Sonia Frank Ms. Lauren T. Hall Ms. Jane Kelly Alan LoFaso Ms. Jessica Murphey Ms. Caroline Daniels Jim & Karen Frassetto Mr. Kenneth Hecht Ms. Claudia Kennedy Brian Logan Ms. Elizabeth W. Murphy Robert Daoust Mr. David Freedman Ms. Elisabeth Hellmann Mr. Joe Khoei Ms. Susanne Lohmann Kathleen Murray Mr. Herbert Dauber Mr. Adam Fried SK Henderson Sheila Doyle Kiernan Ms. Barbara Lombardi John & Diane Musgrave Ann Davies & Ruben Diaz Mr. & Mrs. Eliot Fried Zheyla Henriksen Mr. Hyunchul Kim Mr. John W. Long Ms. Chika Nagata Mr. Christopher Davies Ms. Deborah Friedlaender Ms. Barbara A. Henry Mr. Michael Kim Ms. Barbara Lopez Tania Nanevicz Mr. Erik Davis Mr. Amir Friedman Ms. Diane Henry Femie & Curtis King Frank & Sally Lopez Ms. Nancy Nee Mrs. Erin Davis Mr. & Mrs. Dr. Vincent Hentz Neil King John Lounsbery Mr. Charles & Dr. Laura Nelson Ms. Vera DeMartini Joseph Paul Friedman Ms. Carmen Hernandez Mr. James Kingdon Mr. & Mrs. Robert F. Lovett, Jr. Ms. Mary D. Nelson Alan Dean James H. Fritzsche Mr. Robert Herriot Ms. Kathleen Kirkish Phillip Lowe Mr. Jordan Nerenberg

* deceased A indicates Series A Box Holder

72 SAN FRANCISCO OPERA Devo Book 3 2017.qxp_Layout 1 10/19/17 11:52 AM Page 15

San FranciSco oPera MeMberS continued Wanda Nervi Ellice J. Papp Louis Ptacek & Ying-Hui Fu R. M. Rogness Mr. Christopher Scanlan Mrs. Harriet Simpson Dr. & Mrs. Ernest Newbrun Mr. Raymond Paramo Robert & Consuelo Purvis Theres & Dennis Rohan William Scharf Ms. King-Dah Sip Mr. & Mrs. George A. Newhall Ms. Bai Park Janet & Michael Quartaroli Bill Roman Mr. Yuval Scharf Mr. Harold Skilbred Mrs. Wenlan Ng Peter Pastreich & Mr. John Quarterman Ms. Marguerite Romanello Mr. Andrew Schenck Marilyn & Ronald Skinner Mr. John Nigh Jamie Whittington Mr. & Mrs. Martin Quinn Mr. James J. & Mr. & Mrs. H. Alton Schick Mrs. Alice Sklar Kari Niiranen Mr. Scott Patterson Ms. Maria Quiros Mrs. Roberta H. Romeo Mr. Frank Schirrmeister Robert Sklenar Dr. Hiroshi Nikaido Mr. & Mrs. Gary Patton Olga & Sergey Rakitchenkov Mr.* & Mrs. David Rosenkrantz Dr. Kurt A. Schlesinger & Lawrence & Jacqueline Slayen Mrs. Nancy Ninegar Thomas & Sheryl Paukert Mr. Robert W. Rankin Ms. Davy Rosenzweig Dr. Barbara S. Artson Sheldon Sloan Jim & Brenda Nirenstein Sarah & Rodney Paul David & Mary Raub Mr. Floyd W. Ross Dr. Paula Schlesinger Mr. George Sloup Mr. Edward Noble Mr. & Mrs. Kirk Paulsen Alan M. & Nancy Raznick Richard W. Ross Eddie Schmidt Mr. Glen Smerage Ms. Barbara North Mr. Alec Pedersen Ms. Melissa Reading & Sally Ross Margot Schmitz Prof. & Mrs. Alan Jay Smith Mr. & Ms. D. Warner North Ms. JoAnn Perry Mr. John I. Castor Mary Ellen Rossi Mr. Stephen Schrader Mr. Albert G. Smith Gayle & Allen Notowitz Mr. Stanley Peters & Ms. Anne Redman Mr. Donald Roth Mr. James F. Schultz Mr. Fred B. Smith Noelle Nugent Ms. Kathleen Much Mr. Timm Redwood Ms. Laura Royster Mrs. Edwin A. Seipp, Jr. Ms. Judith L. Smith Ms. Gladys Nutt Jane G. Petersen Mr. CJ Reeves Jeffrey Ruda & Leonard Whitney Carolyn Senger Mr. Lincoln Smith Ms. Joyce P. O’Connor Ms. Susan D. Peterson Rossannah Reeves Nancy J. Russell Wayne & Lisa Serrano Mary Anne Smith Dr. Michael O’Connor & Ms. Pamela Philbert Frances K. Reid Mr. M. Duane Rutledge Mr. David Serrano Sewell Roberta Smith Dr. Patricia O’Connor Mr. Ralph A. Philbrook Ms. Pamela L. Reinertsen Seymour Sabesin Stephanie Sfakianos Dr. Stephen R. Smith Ms. Jan Ogren & Allen & Joyce Phipps Mr. Tom Reinhold David & Bonnie Sachs Ms. Louise Shalit Stefanie Snow Mr. Dean Watson Steve Piatek Ms. Pamela Reis Jordan Sachs & Jeannie Sack Mr. Glenn Shannon Thomas Snyder Col. Gary Ohls Frank Pieri Brian Reiser Phyllis & Charles Salmon Drs. Charles & Andrea Shapiro Dr. Richard L. Sogg Mr. Michael Okada Peter & Joanne Pierson Mr. Joel Reiter Mr. & Ms. Lyman Saltzen Dr. & Mrs. James Shapiro Mr. John Solaegui Mr. Brian O’Laughlin Bernadino J. Pistillo, Jr. Lynn Richards & John Leong Mr. Bert Salyga & Ms. Carolyn Shaw Ms. Mary Ann Somerville Mr. Gregory O’Leary Sir Desmond Pitcher Julie & Christopher Ridley Dr. Sean McCarthy Judy & Wylie Sheldon Barbara & Paul Sonnenblick Mr. & Mrs. Robert Olness Mr. & Mrs. Wolfgang Pohl Ms. Patricia Ridlon Ms. Marily M. Sampson Ms. Michaelyn Shelley-David Beverly G. Soules Mr. Stanley O’Loughlin Ryan Pon Mr. Ernst Rinderknecht Dr. & Mrs. Bruce J. Sams, Jr. Mr. Jeff Sherry Mrs. Virginia Soult Robert & Diane Olson Anna & Frank Pope Ms. Margrit Rinderknecht Mrs. Elizabeth Ilene Shifrin Ms. Kim Spitler Mr. Aare Onton Kenneth Porrello Mrs. Richard D. Ringe Ms. Brigitte Sandquist Mr. Richard H. Shoop Mr. John Spitzer Mr. Stephen Ordway Michael Portillo Mr. Robert Ripps Mr. Stuart Sands Diana & Richard Shore Mr. Paul Sporer Karin Orsic & Greg Davis Stuart Poyner Dr. Dan Robbins Mr. Jeffrey Sant Dr. Neal Shorstein Mr. & Mrs. Jeffrey W. Stallings Ms. Sheldeen G. Osborne Mr. & Ms. Frank L. Prather Mark Robertson Ms. Marge Satinsky Dr. Marilyn N. Silva Mr. Russell Stanaland Mr. Peter Osinoff Hiroko Prather Edis & Martin Robinson R. Bruce Mosbacher Family Scott Silveira Nick & Jeanne Stathakos Mr. Thomas Pajak Felice S. Price Mr. Ernest M. Robles Mr. Peter Sayre Ms. Christine W. Silver Joelle Steefel Mr. Clement Pang Susan Price Leslie & Carl Rodd Mr. George Scalise Mr. Axel Simon Ms. Marianne Stefancic Become a Monthly Giver opera enriches lives all year round—not just when it’s on stage. as a monthly giver you can provide meaningful, ongoing support in an easy and affordable way. Your selected contribution amount will be automatically charged to your credit or debit card each month for as long as you wish to participate. best of all, you’ll receive membership benefits at a level equal to 12 months of recurring gifts, starting the day you sign up. to join our monthly giving program visit sfopera.com/monthlygiving or call (415) 565-3212.

* deceased A indicates Series A Box Holder

encoremediagroup.com/programs 73 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:53 AM Page 16

San FranciSco oPera MeMberS continued Harvey Steiman Ms. Theresa Sweeney Jeanie Nieri Treichel Mr. Stanyan Vukovich Anita N. Weissberg Ms. Janet S. Wright Jana & Gary Stein Toby Symington Ms. Maxine Trost Mr. Charles Wagner & Mrs. Pamela Wentworth Phil Wright Susan K. Stevens, M.D. Mr. Pedro N. Taborga Danielle & Robert Troy Mr. Thomas F. Culp David & Kay Werdegar Thomas Wright Mr. Martin Stidham Ms. Elizabeth R. Taylor Ms. Elena Tsoupko Jerry & Randi Walker Karen Wetherell Ms. Melanie Wyler Ms. Nell L. Stinson Ms. Jennifer Taylor Ted & Mary Tsui Mr. & Mrs. William Walker Mr. Keith Wildenberg Ms. Fujiko Yamashita Shannon Stirman Ms. Marian E. TeSelle Prof. & Mrs. Frederic Tubach Bernard Wall Elizabeth S. Wilder Tatsushi Yano Ian E. Stockdale & Ruth Leibig Mr. John C. Thacker Carol Turner Mr. & Mrs. Leonard Wall Mr. Ronald Wilkins Charles & Edna Yanofsky Mr. John Stocker Ms. Maud Thiebaud Mr. Earl Turner Ms. Inja Kim Wang Mr. Doug Williams & Mr. John Yarborough III Daniel Joseph Stofle Dr. Ruedi F. Thoeni, M.D. Ms. Kimberly Twesme Mrs. Mary-Margaret Ward Ms. Madelyn Bedig-Williams Lord Young Ann Stone Derek Thomas Ms. Elizabeth L. Ullrich Mr. & Mrs. John H. Warren Mr. Frederick T. Williams David & Susan Young Katherine Stone & Mr. & Mrs. Carol Jackson Upshaw Mr. Michael D. Warren & John R. Williams Mr. Barry Zacherle Roger Myers Thomas W. Thompson Dr. Marta Vago Ms. Mary Louise Robert J. & Carole Williams Mr. Victor Zafra Robert Stone Megan & Marcus Thygeson Cornelis van Aalst Pieper-Warren Adriana Williams Mr. William T. Zaumen Mr. Edward Storm Mr. Ralph Tiegel Mr. John Van Horn Ms. Ani W. Weaver Mr. Andrew Wilson Karen Zehring Mrs. Helga Strasser Mr. Richard & Mrs. Lois Tilles Mr. Guy Vandenberg & Rhonda & Andrew Weber Ms. Martha Wilson Zhen Zeng Ms. Blanche G. Streeter Lawrence `Tjernell Mr. Stephen Williams Mr. Keith R. Weed Mr. & Mrs. P. Brien Wilson Ken & Charlotte Ziebarth Mrs. Catherine Stroup Mr. Todd Toepfer Mr. George Varian Mr. Chad Weider Ward & Polly Wolff George Zimmerman Ms. Judith Stuart Mrs. Isabelle Toms Mr. & Mrs. Clark Vilas Ms. Fanyela Weinberg Ms. Carol Wolleson Ms. Karen Zito Ms. Lauren Sullivan Raymond & Deborah Tonella Fred & Ridley Virdeh Ms. Helaine Weinstein Albert & Theresa Wong Mr. & Mrs. Amos C. Zucchi Timothy Sullivan & Lynne Toribara & Dr. Paul Volberding & Mr. Jim Weir Kam Wong Dr. Marc Zussman Karen Ericksen Brian Howard Dr. Molly Cooke Elaine & Stanley Weiss Ms. May Wong Anonymous (27) Hon. & Mrs. John A. Sutro, Jr. Gunnel Tottie Tamisie Honey Vrolyk Dr. John Weiss Dr. & Mrs. Russell D. Woo M.D.

* deceased A indicates Series A Box Holder San Francisco Opera extends its deepest appreciation to all individual contributors. Our donors’ generosity is the primary source of annual support for the Company’s productions, educational programs, and operations. Leadership Circle, Medallion Society, and San Francisco Opera Members enjoy a variety of special benefits, including priority seating, personalized ticket service, behind-the-scenes access, and more. To learn more about supporting San Francisco Opera, contact our Development Department at (415) 565-6401.

Listed gifts were received between August 1, 2016 and September 15, 2017. We have made every effort to ensure the accuracy of our donor listings. If we have misspelled or omitted a name, please accept our apology and notify us at (415) 565-6401 so that we may update our records accordingly. N W O R B G I A R

Friends of Education C

e invite you to become engaged Win the many facets of San Francisco Opera Education, including school partnerships, family activities, and adult programs. Your gift—at any level—will help the Company provide opera education for all ages throughout the Bay Area and invite the community to join us for innovative programs at the new Wilsey Center for Opera. For more information on becoming a Friend of Education and supporting these vital programs, please call (415) 551-6244 or visit sfopera.com/Friendsofeducation. Support for the 2017–2018 San Francisco Opera Education Department ARIA (Arts Resources in Action) school programs generously provided by The Amgen Foundation, Merrill D. Anderson, Bank of America, David Bertoni, Vance Carney, Ann & John Carroll, Robert & Laura Cory, Carol Gray Costigan, Vincent Cracchiolo, in honor of Carol J. Cracchiolo, Denise Cutler, Elizabeth M. Dirsa, Mr. & Mrs. Noel Fenton, Kristina Flanagan, Gap Foundation, Anita N. Gillespie, Jane & David Hartley, Fred & Peggy Heiman, Carmen Hernandez, in memory of Carmen Villavicenio, Kimberly M. Hughes, Ms. Mitzi Johnson, Candace Zander Kahn, Kaiser Permanente, Kimball Foundation, Nancy Kraus & Barbara Fronk, Joan Kwansa, Harry S. & Eileen Lewis, Ms. Sylvia R. Lindsey, Mr. & Mrs. Russell Merritt, Randall E. Reynoso & Martin Camsey, Lynn Richards & John Leong, Sing for America Foundation, Union Bank, Walter & Elise Haas Fund, Wells Fargo Foundation, Daphne & Stuart Wells, The William Randolph Hearst Foundation, Zellerbach Family Foundation, and anonymous donors.

74 SAN FRANCISCO OPERA Devo Book 3 2017.qxp_Layout 1 10/19/17 11:55 AM Page 17

THE ENDOWMENT FUND

San Francisco Opera honors those whose endowment contributions since 1972 have helped ensure that our tradition of excellence continues in perpetuity. To learn more about endowment opportunities, contact Mandala Pham, Legacy Giving Officer, at (415) 565-6413 or [email protected].

NAMED FUNDS COMPOSERS’ CIRCLE Lurline B. Roth ARTISTS’ & MUSICIANS’ Roy Cadenasso Estate William Randolph Hearst $500,000 TO $999,999 Charity Foundation CIRCLE Robert W. Cahill Estate Young Artists Fund Mai G. Coggin Estate Ruth Sanderson Estate $25,000 TO $49,999 Lillian Miller Carlson Francesca Deering Howe Mr. & Mrs. Reid W. Dennis Ilse Sauerwald Estate Dr. John Alden Fund Memorial Fund Principal Artist Fund Francis Goldsmith Trust James H. Schwabacher Estate Fritzi Benesch* Francis & Lainee Chen Caroline H. Hume Music Richard B. Gump Estate Eunice B. J. Senderman Marjorie B. Bonthrone Trust Edward J. Clark Director Fund Claramae Turner Hoffmann Estate George Bowles B. B. Cohen Estate Burgess & Elizabeth Jamieson Estate Prof. Kurt Servos Estate Chrissie B. Breedlove Mr. & Mrs. Warren J. Coughlin Fund Nancy W. Bridgwater Estate Mr. & Mrs. David Packard Edward Meade Smith Estate Ruth Hiene Dahl Estate Pitch & Cathie Johnson Jefferson Peyser Estate Nellie D. Stephens Estate Broadway-Hale Stores Student Ticket Fund K. Hart Smith Estate Mrs. Harry F. Camp Charles & Dorothy Davis Alice Vincilione Helen Dennis Estate The Diana Dollar Knowles Harry J. Wagner Estate Carole Wagner Estate Meyer M. Camp Ms. Annette Campbell-White & Di Giorgio Foundation Fund for Emerging Artists Barbara M. Ward & The Edmund W. & Dr. Ruediger DWD Foundation LIBRETTISTS’ CIRCLE Honorable Roy L. Wonder* Jeannik Méquet Littlefield Naumann-Etienne Richard J. Elkus $250,000 TO $499,999 Whitney Warren Estate Fund Philip Carlson Estate Richard Everett* Bernard Osher Endowment Anita Uhl Brothers Estate Karyl Lynn Kopelman Zietz Dr. & Mrs. Herbert H. Dedo Ms. Ginger Dostrow* Richard Farley Estate Fund Edward P. Eassa Trust Phyllis Edwards Estate Mr. & Mrs. Charles D. Field Jordan Joseph Popkin IVAS IRCLE Mr. & Mrs. Dr. Maurice Eliaser, Jr. Estate D ’ C Opera Outreach Fund William C. Edwards Tully M. Friedman in memory of $50,000 TO $99,999 Madeleine H. Russell Sidney M. Ehrman Estate Robert Gallo Stella & Maurice Eliaser Marguerite Arends Estate Night at the Opera Fund David B. Felch Estate Lewis W. Hale Estate Roberta Empey Estate Thomas Tilton Production Gertrude Baker Trust Barbara Marie Fontaine Mrs. Griffith Henshaw Dr. Samuel C. Hughes Estate Bank of America Foundation Estate Fund James Irvine Foundation Mr. & Mrs. Reuben W. Hills Phyllis C. Wattis Opera Fund Katherine R. Blyth Estate Hilda Gard Trust David R. Hyman Estate in honor of Myron Du Bain Frank A. Campini Foundation Frank Gerbode Phyllis C. Wattis Opera Henry J. Kaiser Family R. Earl Robinson Fund Carter Hawley Hale Stores, Eleanor Guilford Fund for New Productions Ruth C. Samson Estate Foundation Patricia Yakutis Endowment Inc. Vija Hovgard Claudia Stoop Estate William S. & Vivienne Howe William R. & Fund Earl H. Teass Trust Del Monte Corporation Mr. & Mrs. Dewey Donnell Estate Nancy Ely Kales Dr. & Mrs. John A. Zderic Mrs. Frederick Kohlenberg LEADERSHIP CIRCLE Fireman’s Fund American Ruth Kaufman Estate Betty Ford Lingo— Jesse Koshland $1,000,000 and abOve Foundation CONDUCTORS’ CIRCLE The Cerimon Fund Grover Magnin Estate Andrew J. Bellotti* $100,000 TO $249,999 Fleishhacker Foundation Russell J. Matthias Estate Mr. & Mrs. Mr. & Mrs. Alfred Fromm Diana L. McClure Estate Matson Navigation Company Mr.* & Mrs. John M. Bryan Anne E. Matthew* William* K. Bowes, Jr. Chevron USA I. P. Patrick Gallagher Fund Naomi Maryann McHugh Mr. & Mrs. Fred Moller Columbia Foundation Mrs. Sheldon Cooper Estate William G. Gilmore Foundation Estate Franklin C. Deters Estate in memory of Mr. & Mrs. Robert C. Harris Morris Trust Diane L. Morris A Ray* & Dagmar Dolby Robert Watt Miller Marco P. Hellerman Estate Louisette C. Murdoch Estate Kathleen Dale Oscarson Bertie Bialek Elliott Valerie & Paul Crane Dorfman Mrs. Griffith Henshaw Estate Agda Eleonora Olson Estate Thelma C. Owen Estate John A. & Cynthia Fry Gunn Ms. Leonie Darwin* Hewlett-Packard Foundation Pacific Lighting Corporation Marion Stuart Parker Estate Pacific Telesis Mr. & Mrs. James Heagy Mr. & Mrs. William H. Draper, III Marian Prentice Huntington Kathleen R. Poer Estate The William Randolph Hearst Christopher Page 1985 Trust Robert F. Ewing Estate Ruth Prager Estate Foundation Deborah Pentz Trust Derek M. Fairman Estate Joan J. Jacobs Siegfried B. Puknat Estate The William & Flora Hewlett Charles D. Field Estate Mr. & Mrs. Louis A. Petri Foundation Effiellen Jeffries Estate Agnes D. Porter Estate Mrs. John P. Renshaw R. Gwin Follis Foundation G. William Jewell Estate Francesca Deering Howe Estate William W. Godward Retail Dry Goods Association Marcia Robinson Estate Sidney & Vivian Konigsberg The Hume Family Mr. & Mrs. William Hamm III of San Francisco Alfred Sbarboro Estate Dora Donner Ide Estate Hewlett-Packard Company Edith Koshland Estate R.C. Samson Estate Dr. Robert R. Schmidt Estate Casey L. Scott Barbara K. Jackson Holmes Foundation M.E. Lorenz Estate Carolyn Shaw Dr. A. Jess Shenson Burgess & Elizabeth Jamieson Hugh Keenan Estate McBean Family Foundation Mary Shoch Mr. & Mrs. C. Bradford JeffriesA Florence N. Mel Estate Emmett G. Solomon Donald Khulke Trust Jack D. Soldate Estate Franklin & Catherine Johnson The Hon. & Lynda Spence Evelyn Lorenz Estate Muriel McKevitt Sonné The Diana Dollar Knowles Trust Mary Lorenz Mrs. William Orrick, Jr. Wells Fargo Bank Anonymous (1) Mrs. F. J. Thomas Tilton Jeannik Méquet Littlefield* Emily Prettyman Lowell Estate Ailsa C. Pender Estate Lorry I. Lokey Russell J. Mays 1994 Trust Janet L. Pynch Estate Sarah Tilton & Lawrence Low ARTISTS’ & MUSICIANS’ Dr. Jesse F. Minnis, Jr. Estate Robert McAlpin Moore James D. Robertson Henry F. Trione CIRCLE National Endowment Alicia H. McEvoy Estate Earl Robinson Estate Tallant Tubbs Estate for the Arts $10,000 TO $24,999 Ralph R. Michaelis Estate Mrs. William P. Roth Constance Tydeman Bernard Osher Foundation Lucile C. Monteagle Estate Violetta Sharpe Estate Nerzig Apkarian Estate Mr. & Mrs. Willard Vernon Jordan Joseph Popkin Barbara V. Morse Estate Roy Backus Estate Mr. & Mrs. Brooks Walker, Jr. Opera Outreach Fund Milton J. Mosk & Syntex Corporation Mr. J. P. Barger Marie Welch West Estate In memory of Frank D. Stout Thomas Foutch Donald & Rachel Valentine Muriel C. Barnett Estate Lorna Talbot Estate Mr. & Mrs. George Otto Carole Wagner Estate John L. Blake Mr. & Mrs. Harry Wetzel Mrs. Paul L. Wattis Estate Dr. & Mrs. Richard Rigg Crown Zellerbach Foundation Miss Louise Boyd Estate Mr. & Mrs. Palmer Wheaton Patricia Yakutis Estate Keith W. & Marjorie J. Riley Harold & Doris Zellerbach Florence W. Bruce James Wilson Estate Anonymous (1) Gerald B. Rosenstein* Harold L. Zellerbach Estate Neil Buckley Estate Anonymous (1)

* deceased A indicates Series A Box Holder

encoremediagroup.com/programs 75 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:56 AM Page 18 Devo Book 3 2017.qxp_Layout 1 10/19/17 12:00 PM Page 24

TRIBUTES CIRCLE In the opera world, there is no greater challenge—and no finer reward—than Richard Wagner’s The Ring of the Nibelung. Ring San Francisco Opera is grateful to the following donors for their honorary and memorial gifts received in the past twelve months. Circle members and Production Sponsors understand what it takes to bring this most epic work to life: more vision, more planning, more rehearsal, more resources and more heroes dedicated to making it all possible. The only thing that dwarfs the scale of this production is the passion of our members. Thank you! IN HONOR OF Bob epstein & amy Roth James Fennessey Don & Rene Morgan Ms. Carol Benz Henry I. Prien Mr. Andrew Maguire & Ms. Simone Quarré Andrea Silvestrelli Valhalla CIRCle lisa erdberg & Dennis Gibbons Mr. & Mrs. Carl Fieser William O. & Susan W. Morris Norman & Janet Pease Ms. Betty A. Prien Mr. Douglas Cyr Anonymous Anonymous Dr. & Mrs. William M. Coughran Alice Ames Morison & Bertie Bialek elliott edward Frank & Sarah Ratchye Patrice & Warren Flack David & Marilyn nasatir David Cangelosi Mrs. William R. Kimball Dr. Oakley Hewitt Ms. Pamela Rosenberg Lola Simi Keith & Priscilla Geeslin Candace & Vincent Gaudiani Mr. & Mrs. Thomas Frame Marina & Ben nelson David Bertoni Mr. & Mrs. Richard C. Mesker Anonymous Dandelion Famiglia Tom & Juliette Giannini John a. & Cynthia Fry Gunn Ms. Wanda lee Graves Karen l. Gabrielson Mary l. nilan Sylvia & John hughes Geoffrey & Marcia Green Mr. Richard Gemperle lynn Odland Ms. Beth Clayton Karen J. Kubin Ms. Evelyn S. Martinez Mr. Charles H. Sherman The Magnificent San Francisco edmund W. & Ms. linda hodge Charles D. Goodman Maxwell G. Paley & Gregory J. Corrales Horizons Foundation R. Bruce Mosbacher Family Mr. Paul Sporer Gary Kelb Opera Chorus & Rufus Olivier Jeannik Méquet littlefield Fund Marie & Palmer hotz Robert C. Goodman & John Bankston Dean & Kim Pananides Skip Paul Anonymous Bernard & Barbro Osher Susan & eric Johnston Dr. & Mrs. Marvin l. Gordon Dr. Richard & Jean Park Lisa Erdberg & Skip Paul Kate & Matthew Shilvock Betty & Jack Schafer Jeffrey & anne Marie Katz anne Gray Ian Pollard Dennis Gibbons Gorretti Lo Lui Anonymous Dr. & Mrs. Melvin Britton Prof. Georg Treichel Jan Shrem & Maria Manetti Shrem Dr. Susan Kroll & Mr. Mark R. Kroll Bernice e. Greene David & Joy Powell Judith & Phillip Erdberg Barbara A. Wolfe Mr. Robert Ripps Jeanie Nieri Treichel The Thomas Tilton Production Fund Patrick McCabe Patricia & harold Gumbel Dr. & Mrs. George T. Rab Andrew Morgan & Ms. Theresa A. Stuart United airlines James R. Meehan hadley Dale hall & l. Warde laidman Mr. Charles Raeburn Ms. Hannah Greer Danny Richard Dr. Eleanor L. Zuckerman Barbara a. Wolfe, Steven M. Menzies Mr. Peter hanauer harold & Penny Ray Ms. Deborah Greer Anonymous Lisa Zuckerman Gamshad in memory of Thomas F. Wolfe Christine Miller & Gary Glaser Mr. Kevin harrington Dr. & Mrs. John B. Reed heidi Munzinger & John Shott Michael a. harrison & Mr. & Mrs. John S. Renard WOTan CIRCle Janet napolitano Susan Graham harrison louise h. Renne & Paul a. Renne IN MEMORY OF Kristina Flanagan Mrs. Carol e. Parker & Mr. & Mrs. Wolfgang h. hausen Kay & Ray Roberts Mary & Craig henderson Dr. Gerhard h. Parker Martha & Michael helms Mrs. William C. Robison Ms. Carolee A. Anderson Mr. Wesley J. Fastiff William E. Jones Mrs. Harriet M. Quarré Mr. Joseph & Mrs. Eleanor Sax Robert Peck Mr. & Mrs. Warner henry Ms. heli Roiha & Wagner Society Mrs. Bonnie Fastiff Barbara E. Jones Norby Anderson San Francisco Foundation SIeGFRIeD CIRCle neil & elsa S. Pering Ian hinchliffe & Marjorie Shapiro Ms. Therissa McKelvey of Northern California Carol Franc Buck Ms. Christina & James Sabry & elizabeth Peace Mr. & Ms. Gerald hoshijo Mr. George e. Rossmann Mr. David Gee Beth Davis Karren Mr. & Mrs. David Chamberlain Worrarat Watson Dr. elizabeth DeBruin Warren ann Classen Treadwell Carol l. & David G. hough Dr. Gwendolyn Rothman Barbara M. Ward & Joanne howard Mr. Paul l. Rowe & Ms. Joyce E Barnett Mrs. Andrew Imbrie Andrew F. Maguire Donald E. & Diane P. Cooley Don H. Watson Reid & Peggy Dennis The honorable Roy l. Wonder* Mr. Joel howell Mr. R. Michael Sereno The Coffee Service Carol Gray Costigan Jerome l. & Thao n. Dodson Ms. arlene Wasserman Bruce hyman & Simone Quarré Dr. Stephen Schoen & Volunteers Rolf A. Gille John W. Lindstrom Reid & Peggy Dennis Thomas F. Wolfe anne & Timothy Kahn Mrs. Rolf Gille Bernice Lindstrom Jane & David Hartley Barbara A. Wolfe anonymous (2) Victor & Kathy hymes Ms. Margot Fraser Karen J. Kubin Henri Blok Leslie & George Hume Riki & Robert Intner Mr. & Mrs. Michael Schroeder Peggy & Boyce nute Ms. Victoria J. Mattson & Mrs. Nina Jaffe Gruen Ed Koester Mr. & Mrs. C. Bradford Jeffries The Honorable Roy L. Wonder RhIneMaIDen CIRCle Mr. Joseph Jacobs Mr. & Mrs. lynn G. Seppala Bob Tandler & Valli Benesch Ms. Diana J. Gordon Andrew F. Maguire Betty Maddux Joanne Johnson Andrew F. Maguire Dorrit e. ahbel, M.D. Mrs. Jo Jagoda Vandana & arvind Sharma anonymous Mrs. Edwin A. Seipp, Jr. Kendall & Claire allphin Mr. Keith Jantzen & Mr. Scott Beth Mr. & Mrs. Gerald V. Sharp Mr. Irv Broido Jayne Heagy James Lacy Dr. & Mrs. W. C. Sweeting, Jr. Ms. Sylvia S. Wright Robert M. anderson & Kyong Shik eom Thomas & elisabeth Jones Mr. & Mrs. Timothy Sherwood Karen Broido James A. Heagy Elinor Lacy Carol Jackson Upshaw Harry L. Jacobs & heRO CIRCle Mrs. Margot Shinnamon Bach Mr. David a. Kadish Steven e. Shladover Barbara A. Wolfe Katherine E. Akos Robert Mailer anderson & nicola Miner Dr. & Mrs. Christopher Bandy Michael Kalkstein & Susan english Drs. edward & Dale Sickles Linda Cimmet J. Scott Hendrickson, David A. Lauer Mark & Judy Bednar Mrs. linda Barrett amelia Kaymen, M.D. Ms. Marjorie Simon Jerry Cimmet Supernumerary James Earl Jewell John B. & Zelda M. Quigley, Ms. Madhavi Young helen Berggruen Mr. Michael Barrientos Gary Kelb Dennis & Kagari Smith The Hendrickson Family and Joan Quigley Mrs. Leela Stake David Bertoni Donna & Ken Barrow Drs. Phyllis a. Kempner & Stephen Smoliar & linda Dembo Robert Commanday Don Norris Ruth Quigley edward Paul Braby, M.D. Mr. & Mrs. edwin Berkowitz David D. Stein Kenneth & Joanne Snow Norby Anderson Midred Hesterman Sally Ross & Don Norris Art & Irma Zigas Carol Franc Buck Mr. Turney Berry Mr. & Mrs. William W. Klaproth Denise littlefield Sobel Megan & Marcus Thygeson Mr. Mike Robinson Barry Zigas Frederick J. hirth* Dr. Barbara lynn Bessey Robert & linda Klett Mr. Donald Sobelman & Carol J. Cracchiolo Mr. Oliver Pollard Clyde & Ann Coombs Ms. Susan K. hoerger Betty & Fred Bialek Mr. Thomas Koch Ms. leishia Woolwine Mr. Vincent Cracchiolo Susan Anderson-Norby Lotte & Stephen Zuber leslie & George hume Donald Blais & Michael McGinley laurie Kottmeyer & Bianca Duarte Dr. Steven Sorenson Anonymous International Curtain Call Susan S. Blake & S. Joel Kaufmann norman T. larson Mr. & Mrs. eugene Stark Franklin & Catherine Johnson Jared & Claire Bobrow Mr. & Mrs. John larue Dr. Jeffrey l. Stern * deceased Mr. lawrence a. Kern Bill & alison Boeckmann Dr. & Mrs. laurence lasky Patricia Stich Jack Klingelhofer lucia Bogatay & Thomas D. Wickens* John e. lee Ms. Francoise Stone Dr. & Mrs. h. h. loomis, Jr. Mr.* & Mrs. John P. Breyer Cathy lindahl Ms. Maryanne Tagney Have an old car taking up space in your driveway? Mr. Brian Muirhead Karen Broido, lisa P. lindelef Mr. Robert Trankle Carol Potter Peckham in memory of Mr. Irv Broido Sylvia R. lindsey Tl Trust Consider donating it to San Francisco Opera! Ms. Vina Spiehler lynda l. Brothers Bernice & John* lindstrom Ms. Carol J. Tomlinson Donate Your Car! Don h. Watson, We accept all types of vehicles and can pick them up Rike & Klaus Burmeister Barry & Marie lipman Ms. Takeko Toyama in memory of Worrarat Watson Charles R. Bush & Calvin lau George & Patricia locke Mr. & Mrs. James S. Tunnell when it’s most convenient for you. Judith B. & Joseph Workman Josephine Chen Drs. May loo & William Thurston Mary & Terry Vogt anonymous Julia Frohlich Cherry Mr. & Mrs. Paul lorton Dr. Bradford W. Wade & Your tax-deductible donation will support thrilling Frederick S. Chung & Kimberly Chun Susan & Philip Marineau Dr. linda K. Riebel productions, immersive education programs, ValKyRIe CIRCle Rev. David l. Clarke Paula Markovitz Mr. & Mrs. William J. Watt Johanna & Tom Baruch Mr. Jon Cosby & Ms. Kathi Gwynn ellen & Paul McKaskle Daphne & Stuart Wells free community events and more. Darla & Richard Bastoni Susan Coughlin Dennis J. McShane, M.D. & Mr. Phil Wennhold Park & Joan Chamberlain Drs. John & lois Crowe hon. Richard S. Gordon Ms. Jane a. Wetzel Maureen Clarke Dr. James Cuthbertson Dr. Douglas & Dr. Penelope Meakin Mr. harvey yaverbaum leonard & Marie Collins edgar Foster Daniels Foundation Maya D. Meux, MD Diane & howard Zack Visit sfopera.careasy.org or Michèle Beigel Corash & Dr. & Mrs. Philip S. Dauber Mr. & Mrs. James Milner Mr. & Mrs. Stephen Zilles r e

V laurence Corash Carol & Dixon Doll Dr. Judy C. Miner Professor Jeffrey Zink & Mrs. helo Zink a call 855-99-OPERA to learn more. e Jeffrey n. Dauber & Marc a. levin Ms. Sarah a. Douglas Mr. Robert B. Mison Dr. Richard Zuniga & W

y Shirley Davis & Paul Sack Robert & Carol Dutton Thomas & lydia Moran Mr. Sean M. Selegue r

Daniela Mack in the 2015 San Francisco Opera production of The Barber of Seville O Mary l. desJardins Donald & Janice elliott Mr. David Moreton anonymous (11) C For information on supporting the Ring, please contact Mcara Kirby-Fahey at (415) 551-6355 or [email protected].

76 SAN FRANCISCO OPERA Devo Book 3 2017.qxp_Layout 1 10/19/17 11:56 AM Page 18 Devo Book 3 2017.qxp_Layout 1 10/19/17 12:00 PM Page 24

TRIBUTES CIRCLE In the opera world, there is no greater challenge—and no finer reward—than Richard Wagner’s The Ring of the Nibelung. Ring San Francisco Opera is grateful to the following donors for their honorary and memorial gifts received in the past twelve months. Circle members and Production Sponsors understand what it takes to bring this most epic work to life: more vision, more planning, more rehearsal, more resources and more heroes dedicated to making it all possible. The only thing that dwarfs the scale of this production is the passion of our members. Thank you! IN HONOR OF Bob epstein & amy Roth James Fennessey Don & Rene Morgan Ms. Carol Benz Henry I. Prien Mr. Andrew Maguire & Ms. Simone Quarré Andrea Silvestrelli Valhalla CIRCle lisa erdberg & Dennis Gibbons Mr. & Mrs. Carl Fieser William O. & Susan W. Morris Norman & Janet Pease Ms. Betty A. Prien Mr. Douglas Cyr Anonymous Anonymous Dr. & Mrs. William M. Coughran Alice Ames Morison & Bertie Bialek elliott edward Frank & Sarah Ratchye Patrice & Warren Flack David & Marilyn nasatir David Cangelosi Mrs. William R. Kimball Dr. Oakley Hewitt Ms. Pamela Rosenberg Lola Simi Keith & Priscilla Geeslin Candace & Vincent Gaudiani Mr. & Mrs. Thomas Frame Marina & Ben nelson David Bertoni Mr. & Mrs. Richard C. Mesker Anonymous Dandelion Famiglia Tom & Juliette Giannini John a. & Cynthia Fry Gunn Ms. Wanda lee Graves Karen l. Gabrielson Mary l. nilan Sylvia & John hughes Geoffrey & Marcia Green Mr. Richard Gemperle lynn Odland Ms. Beth Clayton Karen J. Kubin Ms. Evelyn S. Martinez Mr. Charles H. Sherman The Magnificent San Francisco edmund W. & Ms. linda hodge Charles D. Goodman Maxwell G. Paley & Gregory J. Corrales Horizons Foundation R. Bruce Mosbacher Family Mr. Paul Sporer Gary Kelb Opera Chorus & Rufus Olivier Jeannik Méquet littlefield Fund Marie & Palmer hotz Robert C. Goodman & John Bankston Dean & Kim Pananides Skip Paul Anonymous Bernard & Barbro Osher Susan & eric Johnston Dr. & Mrs. Marvin l. Gordon Dr. Richard & Jean Park Lisa Erdberg & Skip Paul Kate & Matthew Shilvock Betty & Jack Schafer Jeffrey & anne Marie Katz anne Gray Ian Pollard Dennis Gibbons Gorretti Lo Lui Anonymous Dr. & Mrs. Melvin Britton Prof. Georg Treichel Jan Shrem & Maria Manetti Shrem Dr. Susan Kroll & Mr. Mark R. Kroll Bernice e. Greene David & Joy Powell Judith & Phillip Erdberg Barbara A. Wolfe Mr. Robert Ripps Jeanie Nieri Treichel The Thomas Tilton Production Fund Patrick McCabe Patricia & harold Gumbel Dr. & Mrs. George T. Rab Andrew Morgan & Ms. Theresa A. Stuart United airlines James R. Meehan hadley Dale hall & l. Warde laidman Mr. Charles Raeburn Ms. Hannah Greer Danny Richard Dr. Eleanor L. Zuckerman Barbara a. Wolfe, Steven M. Menzies Mr. Peter hanauer harold & Penny Ray Ms. Deborah Greer Anonymous Lisa Zuckerman Gamshad in memory of Thomas F. Wolfe Christine Miller & Gary Glaser Mr. Kevin harrington Dr. & Mrs. John B. Reed heidi Munzinger & John Shott Michael a. harrison & Mr. & Mrs. John S. Renard WOTan CIRCle Janet napolitano Susan Graham harrison louise h. Renne & Paul a. Renne IN MEMORY OF Kristina Flanagan Mrs. Carol e. Parker & Mr. & Mrs. Wolfgang h. hausen Kay & Ray Roberts Mary & Craig henderson Dr. Gerhard h. Parker Martha & Michael helms Mrs. William C. Robison Ms. Carolee A. Anderson Mr. Wesley J. Fastiff William E. Jones Mrs. Harriet M. Quarré Mr. Joseph & Mrs. Eleanor Sax Robert Peck Mr. & Mrs. Warner henry Ms. heli Roiha & Wagner Society Mrs. Bonnie Fastiff Barbara E. Jones Norby Anderson San Francisco Foundation SIeGFRIeD CIRCle neil & elsa S. Pering Ian hinchliffe & Marjorie Shapiro Ms. Therissa McKelvey of Northern California Carol Franc Buck Ms. Christina & James Sabry & elizabeth Peace Mr. & Ms. Gerald hoshijo Mr. George e. Rossmann Mr. David Gee Beth Davis Karren Mr. & Mrs. David Chamberlain Worrarat Watson Dr. elizabeth DeBruin Warren ann Classen Treadwell Carol l. & David G. hough Dr. Gwendolyn Rothman Barbara M. Ward & Joanne howard Mr. Paul l. Rowe & Ms. Joyce E Barnett Mrs. Andrew Imbrie Andrew F. Maguire Donald E. & Diane P. Cooley Don H. Watson Reid & Peggy Dennis The honorable Roy l. Wonder* Mr. Joel howell Mr. R. Michael Sereno The Coffee Service Carol Gray Costigan Jerome l. & Thao n. Dodson Ms. arlene Wasserman Bruce hyman & Simone Quarré Dr. Stephen Schoen & Volunteers Rolf A. Gille John W. Lindstrom Reid & Peggy Dennis Thomas F. Wolfe anne & Timothy Kahn Mrs. Rolf Gille Bernice Lindstrom Jane & David Hartley Barbara A. Wolfe anonymous (2) Victor & Kathy hymes Ms. Margot Fraser Karen J. Kubin Henri Blok Leslie & George Hume Riki & Robert Intner Mr. & Mrs. Michael Schroeder Peggy & Boyce nute Ms. Victoria J. Mattson & Mrs. Nina Jaffe Gruen Ed Koester Mr. & Mrs. C. Bradford Jeffries The Honorable Roy L. Wonder RhIneMaIDen CIRCle Mr. Joseph Jacobs Mr. & Mrs. lynn G. Seppala Bob Tandler & Valli Benesch Ms. Diana J. Gordon Andrew F. Maguire Betty Maddux Joanne Johnson Andrew F. Maguire Dorrit e. ahbel, M.D. Mrs. Jo Jagoda Vandana & arvind Sharma anonymous Mrs. Edwin A. Seipp, Jr. Kendall & Claire allphin Mr. Keith Jantzen & Mr. Scott Beth Mr. & Mrs. Gerald V. Sharp Mr. Irv Broido Jayne Heagy James Lacy Dr. & Mrs. W. C. Sweeting, Jr. Ms. Sylvia S. Wright Robert M. anderson & Kyong Shik eom Thomas & elisabeth Jones Mr. & Mrs. Timothy Sherwood Karen Broido James A. Heagy Elinor Lacy Carol Jackson Upshaw Harry L. Jacobs & heRO CIRCle Mrs. Margot Shinnamon Bach Mr. David a. Kadish Steven e. Shladover Barbara A. Wolfe Katherine E. Akos Robert Mailer anderson & nicola Miner Dr. & Mrs. Christopher Bandy Michael Kalkstein & Susan english Drs. edward & Dale Sickles Linda Cimmet J. Scott Hendrickson, David A. Lauer Mark & Judy Bednar Mrs. linda Barrett amelia Kaymen, M.D. Ms. Marjorie Simon Jerry Cimmet Supernumerary James Earl Jewell John B. & Zelda M. Quigley, Ms. Madhavi Young helen Berggruen Mr. Michael Barrientos Gary Kelb Dennis & Kagari Smith The Hendrickson Family and Joan Quigley Mrs. Leela Stake David Bertoni Donna & Ken Barrow Drs. Phyllis a. Kempner & Stephen Smoliar & linda Dembo Robert Commanday Don Norris Ruth Quigley edward Paul Braby, M.D. Mr. & Mrs. edwin Berkowitz David D. Stein Kenneth & Joanne Snow Norby Anderson Midred Hesterman Sally Ross & Don Norris Art & Irma Zigas Carol Franc Buck Mr. Turney Berry Mr. & Mrs. William W. Klaproth Denise littlefield Sobel Megan & Marcus Thygeson Mr. Mike Robinson Barry Zigas Frederick J. hirth* Dr. Barbara lynn Bessey Robert & linda Klett Mr. Donald Sobelman & Carol J. Cracchiolo Mr. Oliver Pollard Clyde & Ann Coombs Ms. Susan K. hoerger Betty & Fred Bialek Mr. Thomas Koch Ms. leishia Woolwine Mr. Vincent Cracchiolo Susan Anderson-Norby Lotte & Stephen Zuber leslie & George hume Donald Blais & Michael McGinley laurie Kottmeyer & Bianca Duarte Dr. Steven Sorenson Anonymous International Curtain Call Susan S. Blake & S. Joel Kaufmann norman T. larson Mr. & Mrs. eugene Stark Franklin & Catherine Johnson Jared & Claire Bobrow Mr. & Mrs. John larue Dr. Jeffrey l. Stern * deceased Mr. lawrence a. Kern Bill & alison Boeckmann Dr. & Mrs. laurence lasky Patricia Stich Jack Klingelhofer lucia Bogatay & Thomas D. Wickens* John e. lee Ms. Francoise Stone Dr. & Mrs. h. h. loomis, Jr. Mr.* & Mrs. John P. Breyer Cathy lindahl Ms. Maryanne Tagney Have an old car taking up space in your driveway? Mr. Brian Muirhead Karen Broido, lisa P. lindelef Mr. Robert Trankle Carol Potter Peckham in memory of Mr. Irv Broido Sylvia R. lindsey Tl Trust Consider donating it to San Francisco Opera! Ms. Vina Spiehler lynda l. Brothers Bernice & John* lindstrom Ms. Carol J. Tomlinson Donate Your Car! Don h. Watson, We accept all types of vehicles and can pick them up Rike & Klaus Burmeister Barry & Marie lipman Ms. Takeko Toyama in memory of Worrarat Watson Charles R. Bush & Calvin lau George & Patricia locke Mr. & Mrs. James S. Tunnell when it’s most convenient for you. Judith B. & Joseph Workman Josephine Chen Drs. May loo & William Thurston Mary & Terry Vogt anonymous Julia Frohlich Cherry Mr. & Mrs. Paul lorton Dr. Bradford W. Wade & Your tax-deductible donation will support thrilling Frederick S. Chung & Kimberly Chun Susan & Philip Marineau Dr. linda K. Riebel productions, immersive education programs, ValKyRIe CIRCle Rev. David l. Clarke Paula Markovitz Mr. & Mrs. William J. Watt Johanna & Tom Baruch Mr. Jon Cosby & Ms. Kathi Gwynn ellen & Paul McKaskle Daphne & Stuart Wells free community events and more. Darla & Richard Bastoni Susan Coughlin Dennis J. McShane, M.D. & Mr. Phil Wennhold Park & Joan Chamberlain Drs. John & lois Crowe hon. Richard S. Gordon Ms. Jane a. Wetzel Maureen Clarke Dr. James Cuthbertson Dr. Douglas & Dr. Penelope Meakin Mr. harvey yaverbaum leonard & Marie Collins edgar Foster Daniels Foundation Maya D. Meux, MD Diane & howard Zack Visit sfopera.careasy.org or Michèle Beigel Corash & Dr. & Mrs. Philip S. Dauber Mr. & Mrs. James Milner Mr. & Mrs. Stephen Zilles r e

V laurence Corash Carol & Dixon Doll Dr. Judy C. Miner Professor Jeffrey Zink & Mrs. helo Zink a call 855-99-OPERA to learn more. e Jeffrey n. Dauber & Marc a. levin Ms. Sarah a. Douglas Mr. Robert B. Mison Dr. Richard Zuniga & W y Shirley Davis & Paul Sack Robert & Carol Dutton Thomas & lydia Moran Mr. Sean M. Selegue r

Daniela Mack in the 2015 San Francisco Opera production of The Barber of Seville O Mary l. desJardins Donald & Janice elliott Mr. David Moreton anonymous (11) C For information on supporting the Ring, please contact Mcara Kirby-Fahey at (415) 551-6355 or [email protected].

encoremediagroup.com/programs 77 Devo New Bel Canto Book 3 2017.qxp_Layout 1 10/22/17 7:22 PM Page 1

BEL CANTO LEGACY SOCIETY

The following patrons have made a legacy commitment to San Francisco Opera Association and have joined the Bel Canto Legacy Society as of September 15, 2017. Their generosity helps support our long-range financial stability and artistic planning. Please consider joining this extraordinary group. Please contact Legacy Giving at (415) 565-6413 to learn more.

Marilyn Horne, Honorary Chairwoman

Elie Abi-Jaoude Carole B. Berg* Ronald Casassa* Ms. Jackie Deskin Norman Abramson & David Beery V. Lorel Bergeron Trust Emanuela N. Catena Franklin C. Deters* Evelyn Acitelli Dawne Bernhardt Marilyn A. Cereghino* Eric Dew Kenneth & Barbara Adams Jane Bernstein & Bob Ellis Mark R. Chaitkin Jerome L. & Thao N. Dodson Dorrit Ahbel, M.D. Dr. Barbara L. Bessey & Hella H. Cheitlin Carol & Dixon Doll Ms. Karin Albright Dr. Kevin J. Gilmartin* Julia Frohlich Cherry Jeanne Dorward Sophie & Ted Aldrich Shannyn Bessoni David Chierchetti* Dr. Nancy Doyle & Anthony J. Alfidi Heide Betz Mrs. Johanna Childhouse Dr. George L. Smith, Jr.* Lt. Col. James M. Alfonte Jo Ann Biasotti & David T. Crowder Jack Christensen Stephen Ringland Drewes Paul B. Althouse Betty Bispo Christine Clark* Thelma Diana Dry* Carolee Anderson* Phyllis B. Blair Gillian Clark Pat Dubrow David & Judith Preves Anderson Susan. S. Blake & Joel Kaufmann Harry Gilbert Clarke* Arnold & Trudy Duncan Robert C. Anderson Linda Blondis Maureen Clarke John* & Dimitra Efstathiou Dr. Ross Armstrong Claire & Jared Bobrow Carlyn Clause & Alexander L. Brainerd Alan F. Egan, J.P. Mrs. Carol Arnold* Eileen Bobrow* Jean Cleverly & Frank Warner Ludmila & Peter Eggleton Elizabeth Lawler Ashley Diane Hoar Bond Dr. Carolyn J. Cline Arnold Ehlers Trust Mrs. Jeanine Augst Drs. Seymour & Sylvia Boorstein Lloyd & Janet Cluff Delia Fleishhacker Ehrlich* Frances Y. Austin* Christine M. Boulanger, MD Roberta Colin Joseph Ehrman III Mrs. F. G. Austin Christopher & Renee Bowen Marie Collins Stephen Eimer & Elizabeth Avakian Malcolm H. Bowles James T. Concannon* Kevin Ann Cartwright Margot Shinnamon Bach Jamie Nicol Bowles Tony & SueAnn Converse Charo Switalski & Paul Eisenman Bobbi & Marty Bach Randall Bowman Mr. & Mrs. Ransom S. Cook Christine M. Englund M. L. Baird, Dr. Lois Brainard* Mrs. Marion Moore Cope Barbara & Ed Eschbach in memory of Barbara & Robert Brandriff Ruth Alberta Copley* Patricia M. Evans Travis & Marion Baird Cathryn J. Brash Dewayne Cornelious Rod* & Ingrid Evans Martha Baker John* & Eva Breyer William B. Cornfield Richard B. Everett* David & Christine Balabanian Dr. & Mrs. Melvin C. Britton Susan Costello Robert F. Ewing Ms. Rachael Balyeat* Karen & Irv* Broido Jennifer Cowan Mr. & Mrs.* Michael Fahey Deborah Banks & Randy Porter Scotty Brookie Dr. & Mrs. William R. Crain Dr. & Mrs. Robert B. Fenwick Cantor Roslyn Barak Lynda L. Brothers Valerie & Paul Crane Dorfman E. Jean Ferdinandsen* Josephine Barbano Agnes Chen Brown Doug & Vivian Crisman Jack & Marsha Firestone Nancie Barker Mr.* & Mrs. John Maxwell Bryan Camille Crittenden Lucille V. Fjoslien Elizabeth Barlow & Stephen McClellan James Logan Buhler* George & Susan Crow Ms. Kristina Flanagan Joyce Barnett* Donald Buhman & John & Lois Crowe Carl Wilhelm Folk Marie L. Bartee C. Wray Humphrey John Cullison & Diana Kissil Martha J. Foltz Beata E. Bartholomay Ralph & Clairelee Leiser Bulkley Gerald F. Currier & Mary & Tom Foote Betty Basham James R. Burch Cleveland M. Smith Barbara Jean Fopp Michael Bassi & Christy Styer John D. Burke Mr. Douglas Cyr David F. Freedman Clare Louise Bates* Karen L. Burtness Prak & Friedericka A. Dalbey* Kathi Freeman* Ruth Laine Bauer* Jan Willem L. Prak David Dall Barbara & William* Friede Steve & Ina Bauman Roger Busse & Oscar Celli Anne Dauer Joseph & Antonia Friedman Robert H. Beadle Richard Buth & James Schull Charles & Dorothy Davis John H. Frykman & Cheryl C. Arnold* Merle Becker Mrs. James P. Butler Richard H. Davis, PhD Karen L. Gabrielson Milada Belaya Robert* & Joan Cahen Mr. & Mrs. Peter W. Davis Louis B. Gagliardi Robert Henry Bellamy Jack Calhoun James De Hart* Parley Gagne Pascal J. F. Belloncle Frances Campra Cornelia Y. de Schepper Ms. Ching-Ching Ganley Trish Benedict James Carlson J. C. De Tata, M.D. Gregory S. Garbin, M.D. & Valli Benesch & Bob Tandler Betty J. Carmack Reid & Peggy Dennis Kenneth J. Denhard Raymond J. Berard June B. Carr Ulric & Glenda Dennis Sheilah Purcell Garcia

* deceased

78 SAN FRANCISCO OPERA Devo New Bel Canto Book 3 2017.qxp_Layout 1 10/22/17 7:22 PM Page 2

BEL CANTO LEGACy SOCiETy continued

Jack & Carroll Gardner Ellen Braner Grinnell Ian Hinchliffe Bruce M. Jewett Sandra Gardner* Claude & Nina* Gruen Frederick J. Hirth* Mrs. Mary Jopé Dewey Garrett Ursula Grunfeld Robert W. Hofer Mac & Mary Jordan Keith & Priscilla Geeslin Eleanor Guilford Claramae Turner Hoffmann* Sally Jordan Nancy Gentry Geller Patricia C. Gumbel Milan Milton Holdorf* Joseph E. Padula* Kurt Tristan Geselbracht & John A. & Cynthia Fry Gunn Kenneth L. Holford Dr. Devorah Joseph, Francisco Guevara Yvette* & John G. Gurley in memory of Irving Joseph Mr. & Mrs. Gordon P. Getty William A. Hage & Wilma S. Horwitz Joan Juster Arlene & Doug Giancoli Elizabeth Wong Hage* Sally V. Houston Lilli Kalis M.D.* Dennis Gibbons & Lisa Erdberg Timothy F.* & E. Ann* Haggerty Margaret E. Hoyt William* & Margaret Kaplan Ione Gille Harry C. Haines Linda Humber Barbara Karn John S. Gilmor Fran Hall Leslie & George Hume Elizabeth Karnazes Jane Gitschier Kristina K. Hall Marian Huntoon Dick & Sherry Karrenbrock Rudolf Glauser, PhD* Ms. Laila Halsteen Ms. Margaret C. Hutchins Jeannie Kaufman David Gockley & Linda Kemper Edith L. Hammerslough* Carolyn Hutton* Suzan Kaufmann William W. Godward Hunter Pittenger Harris Bruce Hyman Dr. Phyllis A. Kempner & Doris W. Grau Michael A. Harrison & Libby Ingalls Dr. David D. Stein Don & MaryAnn Graulich Susan Graham Harrison Marsha Irwin Lawrence A. Kern Wanda Lee Graves & Stephen Duscha Jane & David Hartley James A. Ito Ms. Eiko Kikawada Anne Patricia Gray Fred Hartwick Barbara K. Jackson Nelda Kilguss Geoffrey & Marcia Green Mrs. Janine A. Hawkins Donald & Jacqueline Jacobberger Mrs. Richard Kinninger Ms. Julie Green Mr. & Mrs.* James A. Heagy Elizabeth Ann Jacobs* Sally Lane Kirby Roger W. Green Lisa A. Heilman-Cozzalio Yorke & Jacqueline Jacobson Harleigh Thayer Knott Mrs. Robert M. Greenhood Mary & Craig Henderson John* & Nancy Jalonen Diana Dollar Knowles* Flora Greenhoot* Donald A. Hermann James Logan Buhler* Theodore A. Kolb* Zane O. Gresham & Joan Hett Robin & Ginny Jaquith Edson K. Kong, Esq. Carole J. Robinson John S. Higgins, Jr. Ms. Christine Jarc Laura M. Kozel Mr.* & Mrs.* Edward M. Griffith Peggy Hill Mr. & Mrs. C. Bradford Jeffries Christine Stevens Kradjian * deceased

In Memory of Frederick Joseph Hirth (1923–2016) The Opera gratefully acknowledges the generous legacy gift of Frederick Joseph Hirth, Bel Canto Legacy Society member and Opera supporter. Fred was a descendant of German immigrants whose grandfather founded what is known today as Schoenstein and Co., a pipe organ company that served many of the original churches in San Francisco and orchestrians for saloons on the infamous Barbary Coast. His mother was a San Francisco native with deep ties to the region.

Fred was a devoted patron of San Francisco Opera and particularly loved Richard Wagner works. During his lifetime he visited all of the major opera houses of Europe and in his later years even insisted on being wheel-chaired into La Scala for a performance. Over the years, Fred cherished his friendships and acquaintances with many great performers.

Fred’s career spanned several sectors; from his military service during World War II and role in the U.S. State Department’s diplomatic corps, to his later career in fashion, and finally as a San Francisco real estate agent. Fred’s lifelong love for the Opera and Symphony endured throughout many of his 93-years of life. San Francisco Opera celebrates his extraordinary gesture of support and legacy gift to the Company.

To learn more about Legacy Giving at San Francisco Opera, contact Mandala Pham, Senior Legacy Giving Officer, at (415) 565-6413 or [email protected]

encoremediagroup.com/programs 79 Devo New Bel Canto Book 3 2017.qxp_Layout 1 10/22/17 7:22 PM Page 3

BEL CANTO LEGACy SOCiETy continued

Ms. Barbara Kral Lawrence & Silvia Lin Marilyn Mathers Christine Miller & Gary Glaser Nancy Ann Kraus Lisa P. Lindelef Anne E. Matthew* Diane Compagno Miller Charles C. Kredensor & Bernice Gucker Lindstrom James S. Mattingly & Paul Quintilian George M. Miller Frederic S. Saunders Donald R. Lipp Mrs. Alice T. May* George P. Miller* & Herbert & Barbara Kreissler Jeannik Méquet Littlefield* James McCarthy Walter G. Zimmerman, Jr. Karen J. Kubin Allan M. Lluch Anne McClure* J. Sanford Miller Michael L. Kurt Vera M. Long* Florence & William McConnell Vivienne E. Miller Joan Kwansa Maurice E. Loomis Tom McEachern* Dr. Judy C. Miner Lackner Shirley & Hersch Loomis Donald L. McGee Bill & Susan Mirbach Judith Lamberti M.D. Nathaniel Lopez & Jerry Orecchia* John G. McGehee D. G. Mitchell Barbara J. Lane George F. Lucas & Michael McGinley Sandra Mock Judy & Donald Langley Thomas Rothgiesser Anne & Malcolm McHenry C. Kenneth More William P. Langley Rita & Nicola Luisotti Ellen & Paul McKaskle Cathy & Howard Moreland Frank Lanier* Mr. & Mrs. Laurence R. Lyons Giselle McKellar Andrew Morgan & Danny Richard Randall E. Laroche & David G. Laudon Betty Maddux, Elaine McKinley & Kit Durgin Andrew Morris Beverly & Richard Lavine in memory of Edward Koester Dr. Frank E. McLaughlin Thelma C. Morris Dr. & Mrs. John Lavorgna Mr. Andrew Maguire Ruth McManus Trust William O. & Susan W. Morris Olive Lawton Cynthia & John Major Ms. Marilyn McMillan Alan Morrison* Samuel Leask Jackie & Art Mancini Burt & Deedee McMurtry Milton Mosk & Thomas Foutch Paul E. LeMal M.D. Robert G. Manette Ronald & Judith McWilliams Kathleen Much Mary Lemmon Peter Mansfield Bill Medigovich Nancy S. Mueller Marcia Lowell Leonhardt Joseph Marino, Jr. Kerrin Knudtsen Meis Tom & Anne Muller John E. Leveen* Deborah Marion, Tax CPA & Dixie Lee Meiselbach* Ms. Heidi Munzinger Cliff Leventhal, Joe Losch Edward Merrick Majbritt Murdock in memory of Arlene Leventhal Mrs. Thelma Marken Lucinda Merrill Lorenzo Murguia, M.D. Frank & Ildiko Lewis David Marsten Robert Messick Mrs. John* H. Musey Mr. George B. Lewis Letha Ann Martin* Carol L. Meyer* Peter J. Musto Elizabeth Lim Evelyn S. Martinez Mr. & Mrs. Donald Michener Vija Hovgard Nadai * deceased

Thank You! I want to express my personal gratitude to each of you for your support of San Francisco Opera. Like you, I have included the Opera in my estate plan because I love this Company and believe in what it is doing. From educating young audiences, to training the singers of tomorrow, to presenting world-class productions, San Francisco Opera plays k C O

C a major role on the international stage. n A H n

A I have been associated with the Company since L A

y 1960, and I feel privileged to have been part of its B E n

R history, and a part of its future, as well. Thank you for O

H joining me as Bel Canto Legacy Society members. n y L I R A

M To learn more about Legacy Giving at San Francisco F O

O Opera, contact Mandala Pham, Senior Legacy Giving T O

H Officer, at (415) 565-6413 or [email protected] P

80 SAN FRANCISCO OPERA Devo New Bel Canto Book 3 2017.qxp_Layout 1 10/22/17 7:22 PM Page 4

BEL CANTO LEGACy SOCiETy continued

Marilyn & David Nasatir Arthur S. & Keiko Kiyuna Roosa Lawrence L. Stitt* Hon. James L. Warren (Ret.) Ms. Julia S. Nash* Margaret Ropchan James R. Stockton Ramona Wascher* Kenneth J. Ness Gerald B. Rosenstein Fund Howard & Ruth Strassner Ms. Lola Watson Roselee Nichols Barbara J. Ross Merna Strassner Rosalie V. Weaver Marie J. Niemann* Elizabeth Boardman Ross Blossom F. Strong Mr. & Mrs. William C. Webster John Nigh James Ross Terri Stuart Mitzie Naff Weiner Mary L. Nilan Maxine Rosston* Joseph Padula* Maurice & Gale Weir Paul Nordine Paul L. Rowe & R. Michael Sereno Dr. Jerome D.* & Mary K. Swalen Ronald & Emely Weissman Dante Noto Karl Ruppenthal* & Jo Maxon Julie Swartz* Daphne & Stuart Wells Norman* & Hillevi Null Louise A. Russell Tom Taffel & Bill Repp Janet Gray Welter Ms. Jan Ogren & Mr. Dean Watson Richard Russell Amy Tan & Louis De Mattei George White Mr. David Oldroyd Bob & Terri Ryan Dianne & Tad Taube Mr. Thomas D. Wickens* Brian Olson Philip Mark Ryan Jack E. Teeters Josephine P. Wiik, R.N. Dr. Sam Thal Commodore & Mrs. K.R. Orcutt Carol* & Jordan Sachs Michelle Wilcox & Rob Kuhling Ms. Carol J. Tomlinson Mr. & Mrs. Julian E. Orr Mrs. John M. Sanderson* Elizabeth Wild* Barbara L. Traisman Brenda Osborne Mr. Jeffrey Sant Miles* & Virginia Willard Ricardo D. Trimillos Sheldeen Germaine Osborne Mr. Felipe R. Santiago & S. Grace Williams* Kathleen Dale Oscarson Mr. Barry T. Joseph Maxine Trost Ann L. Williamson Lise Deschamps Ostwald Michael & Gini Savage Michael E. Tully Conni Wilson Father David F. Pace Dorothy R. Saxe Mr. & Mrs. James S. Tunnell Sheila M. Wishek Thomas Pajak Daryl A. Schilling Suzanne E. Turley & Gerhard P. Woelke Robert E.* & Jeraldine M. Palazzi Betsey Schneider William R. Jackson* Marcia E. Wolfe Barbara H. Paley Debra Schoenberg Mr.* & Mrs. Paul A. Tuttle Ms. Virginia Wong Mrs. Verna Parino* Charles Schug* Florence E. Twyman* Bonnie Woodworth* Ms. Iris Parris Thea Lou Seese Yvonne Upsher Sylvia Stein Wright Mr. & Mrs.* Robert Parvin Harold E. Segelstad Martin Eric Vahur Stanley M. Yantis, M.D. Miss Virginia Patterson* Marilyn G. Seiberling Gloria Valair Carol Potter Peckham Mrs. Edwin A. Seipp, Jr. Mark Vallarino Joan F. Yates Anette Penner Cynthia B. Selfridge Paul E. van Dyk Ms. Nancy Yee David & Gail Perin Christine Selle Soo & Raj Venkatesan Dr. & Mrs. Robert Yoerg Neil & Elsa Pering Lorenzo Severino Mr. & Mrs. Willard E. Vernon S. Shariq Yosufzai & Brian E. James Jess G. Perry James & Connie Shapiro Shirley Wilson Victor William T. Zaumen Cinda & Spence Perry Carolyn Shaw Virginia E. Vida Joan Zawaski & Rona Siegel Dame Donna Petersen Mrs. Carter Parrish Sherlin Richard Viehweg* Dr.* & Mrs. John A. Zderic Mandala Pham & Michael Kwende Jim & Mai Shields John E. Vinton & Richard Miller Mr.* & Mrs. Stephen A. Zellerbach John* & Maria Pitcairn Ruth A. Short Albert J. Vizinho Karyl Lynn Kopelman Zietz Herbert C. Ploch* Mr. John Shott Eunice L. Vogel Stephen & Connie Zilles Mrs. Jan Popper Robert Shultz Garry Waba Anne Zucchi Roger & Deborah* Potash Natalie O. Shuttleworth Drs. Bradford Wade & Linda Riebel Diane & Michael ZumBrunnen Patric & Mary Powell Paul J. & Sheri Siegel Cmdr. & Mrs. Homer Wallin Anonymous (121) Jeanette M. Prato Ms. Joan M. Silva Barbara M. Ward * deceased Janet & Michael Quartaroli Barbara Silverberg Ruth Quigley Donna Silverberg Legacy Gifts Received Robert E. Rabourn Cynthia L. Slezak Rachael Balyeat Trust Frederick J. Hirth Mrs. Jennie Rafton* Claire Small* Joyce Barnett Milan Milton Holdorf Cynthia & Terry Ramseyer Derek* & Stephanie Smith V. Lorel Bergeron Trust Joseph E. Padula Thomas R. Ranweiler George L. Smith, Jr.* Marion Zimmer Bradley Josephine Barbano William D. Rasdal* Dr. Lorraine E. Smith Dr. Helen Lois Brainard Lilli Kalis M.D. Alan & Nancy Raznick Pamela D. Smith Jill Bryans Ruth McManus Glenn H. Reid Stephen Smoliar & Linda Dembo James Logan Buhler Carol L. Meyer Marie R. Rhein Kenneth & Joanne Snow Cabaniss Memorial Fund Ms. Julia S. Nash Keith W. & Marjorie Riley Steven Souza & Therese Souza June B. Carr Oscar E. Olson Richard* & Jean Ringe Dr. Cynthia Soyster* Ronald Casassa Trust Miss Virginia Patterson Kathryn E. Ringgold Mrs. Charles Spalding Christine Clark Herbert C. Ploch Dr. & Mrs. C. Stewart Ritchie Robert L. Speer & John Wong Friedericka A. Dalbey Gerald B. Rosenstein Fund L. Ronn Robbins Lynda Spence Arnold Ehlers Trust Maxine Rosston Marcia Robinson* Arthur E. Stamps* E. Jean Ferdinandsen George L. Smith, Jr. Rusty Rolland* Gail Andersen Stark Sandra Gardner Florence E. Twyman Dr. Andrew Rombakis The Honorable & Mrs.* Wm. D. Stein Rudolf Glauser, PhD Richard Viehweg Fran Rominger Eric Stevens Richard B. Gump Bonnie Woodworth

encoremediagroup.com/programs 81 Devo Book 3 2017.qxp_Layout 1 10/19/17 11:57 AM Page 19

San Francisco Opera is pleased to recognize the generosity of foundations, government agencies, and corporate donors for their support received from August 1, 2016 through September 15, 2017. FOUNDATION & GOVERNMENT GRANTS

CHAIRMAN’S CIRCLE PLATINUM CIRCLE SILVER CIRCLE $500,000 AND ABOVE $50,000 TO $99,9999 $10,000 TO $24,999 Grants for the Arts Carol Franc Buck Foundation The Mervyn L. Brenner Foundation Koret Foundation Louise M. Davies Foundation California Arts Council The William & Flora Hewlett Foundation The Charles D. & Frances K. Field Fund Frank A. Campini Foundation The Andrew W. Mellon Foundation The Geoffrey C. Hughes Foundation The John & Marcia Goldman Foundation Anonymous The Diana Dollar Knowles Foundation Mimi & Peter Haas Fund National Endowment for the Arts Heising-Simons Foundation Zellerbach Family Foundation PRESIDENT’S CIRCLE Wallis Foundation $250,000 TO $499,999 GOLD CIRCLE BENEFACTOR Chinese Heritage Foundation $25,000 TO $49,9999 $5,000 TO 9,999 Walter & Elise Haas Fund Edgar Foster Daniels Foundation IAMOND IRCLE D C Kia Ora Foundation The Walter S. Johnson Foundation $100,000 TO $249,999 Kimball Foundation The Kingsley Foundation Frances K. & Charles D. Field Foundation OPERA America’s The William Randolph Hearst Foundation Getty Audience Building Program FOUNDER OPERA America: Innovation Grants Anonymous $1,000 TO $4,999 Joyce and William Brantman Foundation Lisa and Douglas Goldman Fund The Pierre and Tana Matisse Foundation Ruppenthal Foundation for the Arts Sing for America Foundation

CORPORATE COUNCIL

SEASON SPONSOR

LEADERSHIP CIRCLE GOLD CIRCLE Pacific Gas and Electric Company INVESTOR $100,000 AND ABOVE $25,000 TO $49,9999 San Francisco Opera Guild/ $3,000 TO $4,999 Chevron Bank of America East Bay Chapter Karlitz & Company Inc. San Francisco Opera Guild Charles Schwab & Co., Inc. Schoenberg Family Law Group, P.C. R&G Executive Lounge, Inc. United Airlines Recology Vontobel Swiss Wealth Advisors AG, Wells Fargo Tiffany & Co. Zurich, Switzerland MEMBER Union Bank Wilson Sonsini Goodrich & Rosati $1,000 TO $2,999 PLATINUM CIRCLE Foundation AMRCI $50,000 TO $99,9999 SILVER CIRCLE Asian Art Museum Kaiser Permanente $10,000 TO $24,999 BENEFACTOR DM Stone Recruitment Solutions Meyer Sound Gap Foundation $5,000 TO $7,499 Wagner Society of U.S. Bank Jurika, Mills & Keifer— Asset Management Company Northern California Private Wealth Management Today’s Hotel Corporation

82 SAN FRANCISCO OPERA Devo Book 3 2017.qxp_Layout 1 10/19/17 11:57 AM Page 20

San Francisco Opera extends its deepest appreciation to all donors of matching and in-kind gifts received between August 1, 2016 and September 15, 2017. MATCHING GIFTS

Adobe Fidelity Investments NVIDIA AIG First Tech Federal Credit Union Pacific Gas & Electric Company American Online Giving Foundation, Inc Franklin Templeton Investments David & Lucile Packard Foundation American Endowment Foundation Gap Inc. PayPal Amgen GE Salesforce Applied Materials The William & Flora Hewlett Foundation Schwab Charitable Fund Bank of America IBM Shell Oil Company Foundation Bank of the West Johnson & Johnson Silicon Valley Community Foundation The Boeing Company Robert Wood Johnson Foundation T. Rowe Price Cenovus Energy Inc. Koret Foundation Charles Schwab & Company Lawrence Livermore National Laboratory Teradata Chevron Levi Strauss & Co. Thomson Reuters S.H. Cowell Foundation Medtronic Troon Pacific Dolby Morgan Stanley Union Bank Electronic Arts OutrEAch Morrison & Foerster Foundation United Way of the Bay Area ExxonMobile NORCAL Mutual U.S. Bank

IN-KIND GIFTS

LEADERSHIP CIRCLE GOLD CIRCLE BENEFACTOR MEMBER $100,000 & ABOVE $25,000 to $49,999 $5,000 TO $9,999 $1,000 TO $2,999 HALL Wines Gloria Ferrer Caves & Vineyards Jane Bernstein & Bob Ellis David Bertoni KDFC Radio Lui Family China Airlines Ms. Annette Campell White & KPIX/KBCW Mission Minded Eric D. Felty Dr. Ruediger Naumann-Etienne San Francisco Chronicle Piedmont Piano Company Mary & Craig Henderson Deering Wine United Airlines The Honorable & Karl & Maryanna Kersten Kristina Flanagan Mrs. George P. Shultz Carol L. Meyer* Brian James & S. Shariq Yosufzai PLATINUM CIRCLE The St. Regis San Francisco PSAV Mr. Lawrence A. Kern $50,000 TO $99,999 UPTick Vineyards Red Curtain Addict Ms. Sylvia R. Lindsey Webcor Builders YOR Sequoia Organic Life 5YINA Beauté Sandeman Porto Corporation Asero Insurance Services, Inc. David & Ekaterina Schmitt SILVER CIRCLE Anonymous $10,000 TO $24,999 INVESTOR Allen Matkins LLP $3,000 TO $4,999 *Pianos provided by Piedmont Piano Guitty Azarpay Dr. & Mrs. William M. Coughran Company bloomers Mr. & Mrs. Warner Henry ** Yamaha is the official piano of Patina Catering Leonard Karstadt San Francisco Opera Roselyne Chroman Swig

encoremediagroup.com/programs 83 Merola November 2017.qxp_Merola 10/19/17 10:16 PM Page 2

Widely regarded as the foremost opera training program for aspiring singers, coaches, and stage directors, the Merola Opera Program (which celebrates its 60th Anniversary in 2017), has served as a proving ground for hundreds of artists. Many Merola alumni are now among the most recognized names in the opera world. Every summer the program offers 29 young artists the rare opportunity of studying, coaching and participating in master classes with established professionals for twelve weeks. Participants also perform in two complete opera productions with orchestra and two summer concerts. The Merola Opera Program is a financially independent organization with a separate 501(c)3 which operates in close collaboration with the San Francisco Opera Center and San Francisco Opera.

BOARD OF DIRECTORS ADMINISTRATION OFFICERS PAST PRESIDENTS DIRECTORS Dr. Joan B. Kelly EMERITUS DIRECTORS Jean Kellogg, Executive Director Jayne C. Davis, Chairman Mrs. Starr Bruce Adam Arthur Bier William W. Kwan, MD Donna L. Blacker Tracy Grant, Director of Foundation, Carlyn Clause, President (1957–1962) Barbara Bruser Clark Nafiseh Lindberg Peggy Dennis Corporate & Government Relations Michael Colbruno Sylvia R. Lindsey Mrs. A. Barlow Ferguson Mary Sue Bizzarri, James H. Schwabacher Mark Shattuck, (1962–1991) The Hon. Lindsay MacDermid Anita Weissberg Vice President Marie Bertillion Collins Dr. Myron Marx Director of Finance & Administration Pamela J. George, Dr. A. Jess Shenson Hugh J. Coughlin Dr. Pamela Zell Rigg Ruben B. Pimentel, Jr., Director of Vice President (1991–1995) Dr. James Cross Dr. David D. Stein Marketing & Communications Blanche Germain Streeter, Jayne Davis (1995–1999) Beatrice Gomory Ruth Uchimura Miriam Rosenfeld, Vice President Rusty Rolland (1999–2003) Mary Henderson Susan Walker Donor Relations & Events Manager George Crow, Treasurer David S. Hugle (2003–2007) Melvyn Hetzel Carol A. Weitz Dana Turkington Horner Patrick Wilken Lauren Chiarulli, Robert B. Mison, Secretary Patrick Wilken (2007–2011) David S. Hugle Christopher E. Wiseman Development Assistant Donna L. Blacker Robert B. Jacoby Susan York Jean Shirk Media, Merola Summer (2011–2015) Michael H. Kalkstein Stephen Zilles Festival Communications Consultant

We extend our sincere appreciation to all donors and acknowledge the following individuals, foundations, and corporations for their generous gifts totaling $1,000 or more and made between October 1, 2016, and September 30, 2017, in support of the Merola Opera Program. For more information about supporting the Merola Opera Program, please contact (415) 936-2324, e-mail [email protected], or visit our website at merola.org.

$25,000 & Above INDIVIDUALS Bob & Terri Ryan Peggy & Reid Dennis Ms. Suzanne Turley Mr. Peter Felleman Carlyn Clause & Jack & Betty Schafer Carol & Dixon Doll Ruth & Ross Uchimura FOUNDATIONS Mrs. William M. Friede Alexander L. Brainerd Ms. Jean Shuler Mr. Robert A. Ellis & Mrs. Anita Weissberg The Yvonne & Edgar Baker Fund Mr. Vernon Giang & Ms. Joy Chen George & Susan Crow Dr. David D. Stein & Ms. Jane W. Bernstein Mrs. Carol A. Weitz Frances K. & Charles D. Field Beatrice & Paul Gomory Priscilla & Keith Geeslin Dr. Phyllis A. Kempner Michael A. Harrison & Ms. Faye Wilson Foundation Mr. Fred Hartwick Mr. David S. Hugle Mr. Patrick Wilken & Susan Graham Harrison Mr. Christopher E. Wiseman & Al Garren Fund Ms. Lauren Ito Mr. John Lee Mr. David Dickson Mary & Craig Henderson Mr. Eric W. Sleigh Mr. & Mrs. Kambiz Jalili Drs. Richard & Pamela Rigg Mrs. Alfred Wilsey Mr. & Mrs. Melvyn Hetzel Ms. Shirley Woo & Mrs. Edina Jennison GOVERNMENT Bruce & Fran Walker Diana C. Yee Ms. Susan Hone Mr. David Rosenfeld National Endowment for the Arts Ms. Andrea G. Julian Anonymous Susan York Greer & Thayer Hopkins Mr. & Mrs. Amos Zucchi Mr. & Mrs. Timothy Kahn Mr. & Mrs. A. Lee Zeigler Mrs. Dana T. Horner Mr. Robert Kavanaugh & INDIVIDUALS $5,000–$9,999 Stephen & Connie Zilles Wilma Horwitz $1,000–$1,999 Nordin & Donna Blacker Ms. Dale Robards FOUNDATIONS Anonymous Maria Hughes FOUNDATIONS Ms. Eloise Bouye Ms. Jean Kellogg & Mr. Henry Tang Creative Work Fund H. Nona Hungate Joyce & William Brantman Barbara Bruser & Richard Clark Ms. Diana Kissil & Mr. John Cullison Five Arts Foundation $2,000–$4,999 Mr. Robert Jacoby Foundation Barbara K. Jackson Mr. & Mrs. C. Bradford Jeffries Mr. Sven Kjaersgaard The Stanley S. Langendorf FOUNDATIONS Opera Standees Association, Dr. Marion R. Kramer Miss Vivienne E. Miller Foundation Walter & Elise Haas Fund Mrs. Jeannie Kaufman in memory of Freida Batten Karen J. Kubin Mike & Rusty Rolland Il Cenacolo Italian Cultural Club Ms. Nelda Kilguss Renard Family Foundation Ms. Shirley Kwok Leslys Vedder, in Memory of CORPORATION Fred M. Levin & Nancy Livingston, Gretchen B. Kimball Karl & Alice Ruppenthal James Forrest Vedder First Republic Bank The Shenson Foundation in William W. Kwan, MD Foundation for the Arts Ms. Margaret Levitt memory of Ben & A. Jess Shenson Joan Shelbourne Kwansa San Francisco Opera Guild Mrs. Nancy Donnell Lilly $15,000–$24,999 INDIVIDUALS San Francisco Opera Guild Ms. Kathe Lange Marin Chapter Ms. R. Gisela Lloyd FOUNDATION Norby Anderson East Bay Chapter Ms. Sylvia R. Lindsey Mr. William Lokke Bernard Osher Foundation Darla & Richard Bastoni San Francisco Opera Guild Myron Marx & Cora Yang CORPORATIONS Eve & Niall Lynch Dr. Phyllis B. Blair Peninsula Chapter Ms. Ada Mei Jackson & Main Consulting Mrs. Midge Mansouri CORPORATION Ms. Annette Campbell-White & San Jose Opera Guild Mr. & Mrs. Donald G. Michener Milo Group of California Mrs. Emily Marcus Dandelion Chocolate Dr. Ruediger Naumann-Etienne William Karl Schwarze Trust David Miller Mr. & Mrs. Daniel J. Mardesich Mr. Hugh J. Coughlin Cathy & Howard Moreland INDIVIDUALS Mr. & Mrs. J. Patterson McBaine INDIVIDUALS Drs. John & Lois Crowe CORPORATIONS Ms. Camille Morishige Mr. & Mrs. David Anderson Mrs. Anne G. McWilliams Peter & Jayne Davis Tim Dattels & Kristine Johnson Arnold & Porter Kaye Scholer LLP Alice Ames Morison & Nina K. Auerbach, MD Jane & Harry Mison John & Cynthia Fry Gunn Mary & Tom Foote Meyer Sound Dr. Oakley Hewitt Miss Carol Benz Mrs. Pamela Murdock Franklin & Catherine Johnson Ms. Pamela George UBS Institutional Consulting Group Anne L. Morton Davidson Bidwell-Waite & Mr. Peter J. Musto Scott & Susan Lord Miss Ursula Grunfeld David & Marilyn Nasatir Edwin A. Waite Victoria Nakamura Mary Stevens Riley James Heagy, INDIVIDUALS James A. Noe III Paul & Kathy Bissinger Ms. Erika Nelson & Mr. Guy Cross Ms. Amy Roth & in memory of Janey Heagy Mary Sherrill Baxter Mr. Paul D. Nordine Mr. Gordon Brodfuehre r Ms. Barbara Newton Mr. Robert Epstein Ms. Harriet Heyman & Mr. & Mrs. Joel Bean Ms. Patricia Nottingham Mr. & Mrs. Tom H. Burkhart Suzanna G. Pollak In Memory of Mr. Michael Moritz Mr. & Mrs. Phillip B. Beck Ms. Annie Nunan Klaus & Rike Burmeister Ms. Susan K. Prather Mr. & Mrs. Bill R. Poland Cameron Waterman III Mr. Michael H. Kalkstein & Adam Arthur Bier & Rachel Bier Lem Frances Campra Ms. Merrill Randol Anna & Frank Pope Ms. Susan English Maurice & Mary Sue Bizzarri Mr. Peter Carwell Mr. & Mrs. David Rinaldo Drs. Joan B. & James Kelly Ms. Brooke Bourland Mr. Glenn H. Reid Mr. & Mrs. Antonio Castellucci $10,000–$14,999 Mr. Paul Sack Norman T. Larson Ms. Langley Brandt Robbins/Cullen Family Ms. Carmen J. Castro-Franceschi Drs. Milton & Sondra S chlesinger CORPORATION Nafiseh & Karl Lindberg Mrs. Birgit Chase Ms. Marianne Buttner Robison & Mr. Greg Franceschi AT&T Bernice & John Lindstrom Maureen Clarke Mr. Michael A. Roosevelt, Esq. Mr. Martin S. Checov & Dr. & Mrs. Jon F. Sigurdson Jean & Lindsay MacDermid Mr. & Mrs. Lloyd Cluff Ms. Jo-Ann Rose Mr. Timothy J. Bause Mr. & Mrs. David Sloss FOUNDATIONS Maura Markus Mr. Michael Colbruno Mr. & Mrs. Michael Rudd Mr. & Mrs. Melvin Cheitlin Ms. Maggie Thompson PG&E Better Together Ellen & Paul McKaskle Mr. Paul Connolly Jeannie Sack & Jordan Sachs Mrs. Beverly Coughlin Doug Von Qualen Giving Program James R. Meehan Mrs. Laura Crawford Miss Dorothy Schimke Dr. & Mrs. Alexander Cross Ms. Susan Walker The Henry W. & Robert B. Mison Dr. James Cross & Mr. Steven Shladover Mr. Robert Crow Ms. Olivia Ware Nettie Robinson Foundation Mr. Milton Mosk & Mr. Charles Antonen Dr. J. H. Silveira Dr. Lisa Danzig Patricia Weeden Joseph & Eleanor Sax Fund Mr. Thomas Foutch Mrs. Mary A. Culp Ms. Blanche Germain Streeter Keith Doerge Mr. & Mrs. Donald R. Worn Rusty Rolland & The Schick Fund Mr. Haggai Niv Dr. & Mrs. Roy L. Curry Mrs. Mary K. Swalen Mr. Justin Faggioli & Ms. Anne Zucchi Wallis Foundation Mrs. Barbara J. Ross Mr. & Mrs. James F. Dean Dr. & Mrs. W. Conrad Sweeting Ms. Sandra Donnell Anonymous

84 SAN FRANCISCO OPERA Merola November 2017.qxp_Merola 10/19/17 10:16 PM Page 3

IN-KIND DONORS Maurice Bizzarri, Bizzarri Software Bright Wine Fund Hafner Vineyard Breathless Sparkling Wines Culinary Excellence Catering Partage Winery

CORPORATE MATCHING GIFT DONORS American Express S.D. Bechtel, Jr. Foundation IBM International Foundation Microsoft Corporation Gift Matching Program Chevron U.S.A., Inc. Intel Union Bank of California

MEROLA LEGACY SOCIETY The Merola Legacy Society honors those who have included Merola Opera Program in their will, trust or other estate plans. For more information on how you can support Merola Opera Program through your estate planning, please call (415) 936-2321.

Norman Abramson & David Beery Mr. Stephen Drewes Barbara K. Jackson Ms. Christine Miller Debra R. Schoenberg Mrs. Barbara Adams Mr. & Mrs. Vernon Dwelly Ms. Elizabeth A. Jacobs Miss Vivienne E. Miller Ms. Marilyn G. Seiberling Mrs. Judith Anderson Mr. Robert F. Ewing & Ms. Dagmar L. Jamison D. G. Mitchell Ms. Carolyn Shaw Mrs. John Anderton Mr. Cesar L. De Joya, Jr. Ms. Joanie Juster Cathy & Howard Moreland Ms. Jean A. Sherlin Ms. Wilma Avery Mrs. A. Barlow Ferguson Mrs. Jeannie Kaufman Ms. Thelma Morris Natalie O. Shuttleworth Kathleen H. Barr Mary & Tom Foote Ms. Jean Kellogg Mr. Albert L. Mosher Mr. & Mrs. David Sloss Ms. Eloise Bouye Mario Fracchia Drs. Joan B. & James Kelly Mr. Milton Mosk & Ms. Sue Sommer Mr. & Mrs. Christopher Bowen Mrs. William M. Friede Ms. Ludmila Kisseleva-Eggleton & Mr. Thomas Foutch Nancy & Robert Soper In Memory of Joseph & Antonia Friedman Mr. Peter Eggleton Mr . Carroll J. Newbanks Dr. David D. Stein & George (Troy) Browman & Ms. Magda Gabali Mr. Louis A. Koffman Ms. Marie J. Niemann Dr. Phyllis A. Kempner his Living Partner Mr. Louis B. Gagliardi Mr. Ken Kolby Mr. Haggai Niv Dr. Sam Thal J. Gerald Gagnon Pamela J. George Mrs. Barbara F. Kral Mr. Carl Noelke Miss Carol Tomlinson Mr. Donald Buhman Mrs. Rolf Gille Herbert & Barbara Grah am Kreissler Mr. & Mrs. Michael A. O’Hanlon James S. & Gayle G. Tunnell Mr. Russell P. Chappell Dave Gomberg & Diana Lum Ms. Joan Shelbourne Kwansa Ms. Brenda Osborne Ms. Donna Chazen Beatrice & Paul Gomory Mrs. Olive Lawton Ms. Sheldeen G. Osborne & Ms. Suzanne Turley Maureen Clarke Tracy Grant Mr. John Lee Mr. Steven E. Tirrell Shirley Wilson Victor Carlyn Clause & Miss Doris Grau Ms. Marcia Leonhardt Robert & Carol Parvin Mr. Albert J. Vizinho Alexander L. Brainerd Miss Ursula Grunfeld Bernice Gucker Lindstrom Mr. Glenn H. Reid Ms. Gladys Wagman Mr. Michael Colbruno Dr. & Mrs. John G. Gurley Jean & Lindsay MacDermid Mr. Robert Robertson Bruce & Fran Walker Jose Maria Condemi James Heagy Ms. Norrine L. Marchegiani-Lewis Mike & Rusty Rolland Mrs. Barbara Wanvig Mrs. Charles Cornman in memory of Janey Heagy Mr. & Mrs. Daniel J. Mardesich Ms. Louise A. Russell Mr. Patrick Wilken Mr. Gerald F. Currier & Tom Houran & Bill Medigovich Dr. Myron Marx Bob & Terri Ryan Ms. Ann L. Williamson Mr. Cleveland M. Smith Mr. David S. Hugle Ms. Denise E. Mauldin Mr. & Mrs. John Ryckman Mrs. John A. Zderic Peter & Jayne Davis Ms. Marian Huntoon Bill Medigovich Jeannie Sack Anonymous

The Merola Opera Program honors the memory of the following friends who have provided a legacy of support through their bequests and other planned gifts this year. Mrs. Marion Zimmer Bradley Wiley C. Crawford Mrs. Thelma Dry Ms. Betty Guy Mr. Gerald B. Rosenstein Mr. Hugh C. Trutton Dr. Orlando Clark Roy Demmon K. E. Freeman Mr. Jack H. Lund Ms. Bettie Slissman

TRIBUTES Merola Opera Program expresses its sincere appreciation to all donors who have made memorial and honorary donations between October 1, 2016, and September 30, 2017. IN MEMORY OF Jean Donnell Frank Lanier Henry W. Robinson & James Forrest Vedder IN HO NOR OF Jean & Lindsay MacDermid Dr. David D. Stein Brian Asawa David Gee John Lindstrom Nettie Robinson Cameron Waterman III Mary Sue Bizzarri Milton Mosk & Suzanne Turley Freida Batten Marc Gropper Thomas E. Morton Rusty Rolland Dr. John Zderic Michael Colbruno Thomas Foutch César Ulloa & Gary Aliperti Lois Brainard Janey Heagy Harriet Meyer Quarré Joseph & Eleanor Sax Hugh Coughlin Bernard Osher Patrick Wilken Robert Elliott Brown Liz Jacobs Mary Stevens Riley Mr. James H. Schwabacher Peggy Dennis Dale Robards Zheng Cao Eleanor Kenney Ben & A. Jess Shenson Jean Kellogg Barbara Ross MEROLA OPERA PROGRAM ENDOWMENT The Merola Opera Program acknowledges with thanks those groups and individuals who have established or support the following endowment funds, which provide lasting tributes and generate continual support for developing the artists of the future. Kurt Herbert Adler—Merola Endowment Fund Reid & Peggy Dennis Endowment Fund Elaine Henderson Endowment Fund In Honor of Leontyne Price Endowment Fund Amici di Merola Fund Grace A. Diem & Alice E. Siemons Endowment Fund Heritage Fund Charles Rolle, M.D. Endowment Fund Barab Family Trust Fund In Memory of Jean Donnell Fund Vija Hovgard Endowment Fund Marie Louise Rosenberg Memorial Endowment Fund Dr. Leland Barber & Gladys K. Barber Endowment Fund Querita Eybel Endowment Fund David S. Hugle & Haggai Niv Endowment Fund Gerald B. Rosenstein Fund The Anthony I. Balestrieri Endowment Fund Mr. & Mrs. A. Barlow Ferguson Endowment Fund The Jacobs Family Trust Schick Memorial Fund Richard J. Barlett Memorial Fund I. P. Patrick Gallagher Fund Grace & Mildred Johnson Endowment Fund Eva & Henry Schlesigner Fund Jean E. Bennett, Jr. Fund Nicholas & Mary Ann Gannam Endowment Fund In Memory of Peter G. Kavantjas Endowment Fund The Shenson Family Fund The Sidney & Phyllis Blair Fund L. Henry Garland Memorial Fund Donald Wayne Kennedy Fund Claudia Stoop Memorial Fund John S. Brooks Memorial Fund Richard & Rhoda Goldman Fund Leona Gordon Lowin Memorial Fund Blanche Thebom Trust Fund Florence Bruce Fund Donna Lee Grassman Memorial Fund Lotfi Mansouri Apprentice Director Fund Dickson Titus III Fund Bruser Family Fund Gary Griffith Memorial Endowment Fund Meltzer Family Memorial Fund Alma Brooks Walker Memorial Fund Carlton F. Bryan Fund Gropper Memorial Fund Merola Members Endowment Fund Frank W. & Matilda O. Weymouth Living Trust Fund Betty Cable Fund Anneliese Gruenberg-Bremer Fund Albert L. Mosher & John E. McCormick AIDS Memorial Fund James L. Wilson Trust Endowment Fund Zheng Cao Opera Fund Otto Guth Fund Oreste J. di Muro Endowment Fund In Memory of Patricia Yakutis Endowment Fund Mai G. Coggin Endowment Fund Mark Haffner Apprentice Coach Fund The Bernard Osher Foundation Career Grant Endowment Alma Cella Yoder Trust Cooper Endowment Fund In Memory of James T. Heavey Fund Mary A. Powell Career Grant Fund Estate of Mr. William Zoller

MEROLA OPERA PROGRAM CAREER GRANTS Merola Opera Program gratefully acknowledges the following donors who have provided special support to our young artists. Dr. Phyllis B. Blair Career Grant—Drs. Sidney & Phyllis Blair Fund Peter G. Kavantjas Career Grant— Mary A. Powell Career Grant—Mary A. Powell Fund Florence Bruce Career Grant—Mrs. Starr Bruce Endowment Fund In memory of Peter G. Kavantjas Endowment Fund Schick Memorial Career Grant—Schick Memorial Fund Jean Donnell Memorial Career Grant—In Memory of Jean Donnell Fund Merola Alumni Career Grant—Merola Opera Program Alumni Schwabacher Family Career Grant—Mr. James H. Schwabacher Richard & Rhoda Goldman Career Grant—Mr. Richard N. Goldman Fund Albert L. Mosher & John E. McCormick AIDS Memorial Career Grant— Fred M. Levin & Nancy Livingston, Gropper Memorial Career Grant—Alfred Fromm & Otto E. Meyer, Albert L. Mosher & John E. McCormick AIDS Memorial Fund The Shenson Foundation in memory of Drs. Ben & A. Jess Shenson in Memory of Dr. Angel Gropper The Bernard Osher Foundation Career Grant— Richard Strauss Opera Career Grant— E. A. Haggerty Memorial Career Grant— The Bernard Osher Foundation G. William Jewell, in memory of Mr. Robert C. Silvering Larry L. Hillblom Foundation Mr. & Mrs. Bernhardt Poetz Memorial Career Grant— Dickson Titus III Career Grant—Dickson Titus III Fund David S. Hugle Career Grant—Mr. David S. Hugle A Friend of Merola The Merola Opera Program also extends its most sincere appreciation to all those contributors who helped meet our annual income needs through gifts of $1 to $999.

encoremediagroup.com/programs 85 Guild November 2017.qxp_Guild 10/20/17 9:18 PM Page 2

OFFICERS HONORARY DIRECTORS Jane S. Mudge, President Matthew & Kate Shilvock Annie Calonico Schieding, David Gockley Vice President, Administration George F. Lucas, STAFF Vice President, Associate Directors Susan Malott, Silvia Lin, Vice President, Chapters Managing Director Roberta Holden, Megan McDonald, Vice President, Community Outreach Director of Special Events Mary Poland, Vice President, Development Rita Milner, Vice President, Education Alaina Schukraft, Special Events Associate and Celeste Lee Bobroff, Vice President, Fundraising Volunteer Coordinator Virginia Cartwright Ziegler, SAN FRANCISCO OPERA GUILD gives voice Vice President, Marketing Caroline Altman, to potential through education and outreach Emely Weissman, Secretary Creative Director programs that bring opera center stage into Carol Simmons, Treasurer Ellen Kerrigan, the life of the community. France Szeto, Education Fund Chairman Opera à la Carte Coordinator

SAN FRANCISCO OPERA GUILD is a separate organization from San Francisco Opera and operates under a distinct board of directors. We extend our sincere appreciation to all our event and program supporters and acknowledge the following individuals, corporations and foundations for their generous support of $1,000 or more between Opera Ball 2016 and July 31, 2017. For more information about supporting San Francisco Opera Guild, please contact Susan Malott at (415) 565-3291, [email protected], or visit our website at www.sfoperaguild.com.

CORPORATE AND INDIVIDUAL DONATIONS $100,000 & above Leslie & George Hume Lynne Edminster & Brian Atwood $1,000–$4,999 Gail DeMartini John A. & Cynthia Fry Gunn Dorothy & C. Bradford Jeffries Adm. James O. Ellis, Jr. & CORPORATION/ORGANIZATION Jesus O. Diaz Denise Littlefield Sobel Lawrence A. Kern Dr. Elisabeth Paté-Cornell Bingham, Osborn & Scarborough LLC Meredith & Kempton Dunn Marissa Mayer & Zachary Bogue Lisa Erdberg & Dennis Gibbons Draper Fund Samantha Chandler DuVall $50,000–$99,999 Teresa & Mark Medearis Mr. & Mrs. James N. Froeb Jaguar Animal Health Jacqueline & Christian Erdman Steven Menzies Fati Farmanfarmaian Harrah’s & Harveys Lake Tahoe Ann & Daniel Girard Kaiser Permanente Helen & John Meyer Mr. & Mrs. Noel Fenton Franklin & Catherine Johnson George & Cathy Huber S. D. Bechtel, Jr. Foundation Jane S. Mudge Justin Fichelson Neiman Marcus Group Arlene Inch San Francisco Opera Guild, Mary & Bill Poland Steve & Choongja Kahng Marin Chapter Ms. Kristina Flanagan Anne B. Popkin Cynthia Schreuder Kalev & San Francisco Opera Guild, Claire & Jeff Fluhr $25,000–$49,999 Karen Richardson & Jon Rubinstein Chandra & Robert Friese Ovadia Kalev Peninsula Chapter Amgen Pamela & Richard Rigg Barbara C. Fritz & Clayton B. Fritz Diana Kissil & John Cullison San Jose Opera Guild Paula & Bandel Carano Deborah & Paul Sagues Gary Garabedian Karen J. Kubin Yahoo Employee Foundation Keith & Priscilla Geeslin Roselyne C. Swig Jeff Garelick, Wilkes Bashford Paul Kochis & Amy Millman Jennifer & Steven Walske Drs. Danielle & Rondall Lane Harvey & Gail Glasser Joan & John Lavorgna INDIVIDUALS The Malin Family Diane B. Wilsey Mr. Elie Abi-Jaoude David & Inger Golob Cynthia & Richard Livermore Therma S. Shariq Yosufzai & Brian E. James Dr. Afsaneh Akhtari Joe l Goodrich Dr. & Mrs. Craig Lubbock TriplePoint Capital Leyla Alhosseini Sigrun Graeff Connie & Bob Lurie $5,000–$9,999 Emily & Dolph Andrews Mr. Philip Grisier $10,000–$24,999 CORPORATION/ORGANIZATION Dr. Alan Malouf Navid P. Armstrong Lisa M. Grotts CORPORATION/ORGANIZATION Abbot Downing Andrew Martin-Weber Cecilia Aviles Anette Harris & Marc Loupé Accenture Dodge & Cox Anne Marie & Stephen Massocca Nina & Charles E. Belle Ronald Holloway & Doug Hammerich Bank of America First Republic Bank Mr. & Mrs. Burton J. McMurtry Maribeth Benham Jennifer & Harold Hughes California Arts Council/NEA Saks Fifth Avenue Ms. Anne G. McWilliams Carol Benz Sallie & Leon Huntting Clare Louise Bates Fund San Francisco Opera Guild, Mr. & Mrs. James Milner Joy Venturini Bianchi Bruce Hyman & Simone Quarré Hermès East Bay Chapter Phyllis Moldaw David J. Blumberg Jessica Jacob & Zachary Townsend Jurika, Mills & Keifer San Francisco Opera Guild, Peggy & Boyce Nute Helen & Roger Bohl Donald & Jacqueline Jacobberger PG&E Sonoma Chapter Deepa Pakianathan & J. Dennis Bonney Jorge Jaramillo San Francisco Giants Phil Pemberton Ron & Beverly Borelli Katie & Claude Jarman Union Bank INDIVIDUALS The Honorable Nancy Pelo si & Melissa & Tracy Boxer Zill Judy & Greg Jorgensen Wells Fargo Bank Asim & Isha Abdullah Mr. Paul Pelosi Romana D’Angelo Bracco Ms. Jill Kent Wells Fargo Foundation Thomas Barrett & Belinda A. Berry Maria Pitcairn Michael Broach John Kerns Jane Bernstein & Bob Ellis Mr. & Mrs. John S. Renard Eric & Jennifer Brown Suzanne McKechnie Klahr INDIVIDUALS Elizabeth & David Birka-White Louise & Paul Renne Karen & Anton Bruehl Randall E. Laroche & David G. Laudon Joachim & Nancy Hellman Bechtle Norman T. Larson Athena & Timothy Blackburn Rose Rosenberg Florence E. Bryan Dawn Yates Black Celeste & Michael Bobroff Ms. Brenda Leff Alice & Bill Russell-Shapiro Mrs. Karen Caldwell Mr. & Mrs. Theodore Brown Dr. Sean P. Bohen & Debra & Richard Carpeneti Patricia Ferrin Loucks Komal Shal & Gaurav Garg Bill & Bridget Coughran Mrs. Tanum Davis Bohen Mrs. Walter L. Carpeneti Mr. & Mrs. Lawrence J. Ludgus Roberta Sherman Michael & Holly Cuggino Ms. Barbara Brown Barbara Cartier Cathy MacNaughton Pamala & Ted Deikel Carol Franc Buck The Honorable & Dr. Carolyn Chang June & Stephen Manley Reid & Peggy Dennis Alisa Burgess-Blajwas & Mrs. George P. Shultz Mr. & Mrs. Richard H. Clark Dr. Pamela Marron Carol & Dixon Doll Harold Blajwas Raj Singh & Renata Anderson Ellen Coleman Edouard Mayoral de la Casa Micaux Sandra Farris Marilyn & Michael Cabak Mr. & Mrs. Charles J. Sprincin Katie Colendich Elaine Mellis Ann & Gordon Getty Jack Calhoun & Trent Norris Dianne & Tad Taube Julie Coplon Maya D. Meux John & Marcia Goldman David & Karin Chamberlain Natalia Urrutia-Hernandez & Phoebe Cowles & Robert Girar d Donald & Irene Morgan Jane & David Hartley Carolyn Chandler Israel Hernandez Ena & Mark Cratsenburg Maryam & Oran Muduroglu Kathryn A. Huber & Lawrence Binkley Shannon & Dan Cronan Paul van Dyk Shahla Davoudi Nancy S. Mueller Sylvia & John Hughes Kim & Mark Dempster Mrs. Barbara A. Wolfe Olivia Hsu Decker Nancy E. Nebeker

86 SAN FRANCISCO OPERA Guild November 2017.qxp_Guild 10/20/17 9:18 PM Page 3

CORPORATE AND INDIVIDUAL DONATIONS continued Susan O’Brien Mr. John D. Rosin Frederic H. Smith Andrea & Joe Thomas Veronica Watson & Nazan Orr Annie & Braedan Schieding Alexandra Solomon & Barbara Traisman Michael Petonic Ann & Jim Paras Ave Seltsam Austin Brasch R obert & Danielle Troy Ronald & Emely Weissman Norman & Janet Pease Dr. Clara Shayevich Russell Stanaland Micaela van Zwoll & John Green Celeste & Darryl Woo Suraj Rajwani Mai Shiver Zornitza Stefanova Soo & Raj Venkatesan Anna Wu James & Caroline Reuben Dr. & Mrs. Edwin Shonfeld David H. Stull Robert & Ellen Vladem Brenda Zarate, Christian Dior Veronica Rivas-Tramontozzi Francoise & Andrew Skurman France Szeto Barbara Walkowski Linda Elliott Zider

CHARLOT D. MALIN SAN FRANCISCO OPERA GUILD EDUCATION FUND We express deep appreciation to the following individuals and organizations who have made gifts* in memory of Charlot D. Malin, Past President and a leader of San Francisco Opera Guild. For information on how to contribute to this fund, please contact Susan Malott at (415) 565-3291, [email protected], or visit sfopera.com/charlotmalinfund. Steve & Maura Abernethy Sue Firestone Jane & Bert Inch Gene & Richard Morey The Spyropoulos Family Renata Anderson Claire Fluhr Integrated Resources Group, Inc. Christina Noren Dana Stone Katherine August Ellen Margareta Fossli David & Evelyn Israel Barbro Osher Kimberlee Stryker Celeste Lee-Bobroff Melinda Yee Franklin Cynthia Schreuder Kalev John & Sherry Peterson Swartz Foundation Kristy Brabec Malin Giddings Fred & Beth Karren Maria Pitcairn Jeff Thomasson Erik Breivik Ann & Daniel Girard Nina Klotz Bill & Mary Poland Catherine Thresher Barbara Brown Lisa & Douglas Goldman Brian Koch Reuben, Junius & Rose, LLP Ryan Lanzen, Torreon Golf Club Eleanor & Theodore Brown David & Inger Golob Steve & Arl ene Krieger Karen Richardson Town School for Boys Alisa Burgess-Blajwas & Connie Loizos Gove Anton Krukowski Karen Ann Richardson Barbara Traisman Harold Blajwas Sigrun Graeff Karen J. Kubin Family Foundation Suzanne Tucker Michelle Cheatham Brian Hackfeld Esty Lawrie Kirk Russell Mrs. William C. Turner Martha Chesley Wendy Hanson Kathie Lowry Sigifredo Saenz Natalia Urrutia-Hernandez Adam & Kate Clammer Sally Harris Nicola Luisotti Debora h Sagues Ryan Walls, Troon Golf Shannon & Dan Cronan Maj-Britt Hilstrom Jennifer Lynch Gary Schilling & Stefan Hastrup Nadine Weil Ronald & Emely Weissman Carol P. & Dixon R. Doll Roberta Holden Maggie Mack Ann & Perry Sells Jeff Welch Suzy Kellems Domink Paul Holm Susan & James Malott San Francisco Opera Guild, Eve & Wallace Wertsch Sean Dowdall Winston & Cynthia Hovey Demetrios Mavrikis Sonoma Chapter Michael Yancey Lynne Edminster Rong Hu John McQuaid John Shea Virginia Cartwright Ziegler Jennifer Emerson Leslie & George Hume Fund Brian Milford Mai Shiver Sandra Farris Arlene Inch William & Aase Moran Sarah Somberg *Gifts received by July 31, 2017

IN-KIND DONATIONS Accenture Olivia Hsu Decker, Decker Bullock George F. Lucas Swain Destinations Allegra Print & Imaging Sotheby’s International Realty Maisons Marques & Domaines Town & Country Mark Alman Drew Altizer Photography McCall’s Catering & Events Trou Normand AT&T Four Seasons Hotel San Francisco Neiman Marcus Union Square United Airlines J. Riccardo Benavides Event Styling Four Seasons Hotel Sydney The Nob Hill Gazette The Westin St. Francis Blue Angel Vodka Gleim the Jeweler Puma Paw Ranch San Francisco on Union Square Burberry Cathy & George Huber Ram’s Gate Winery Virginia Cartwright Ziegler Karen Caetano, Id-alist LLC Jay Siegan Presents Roederer Estate Viszlay Vineyards Barbara Callow Joseph Cozza Salon San Francisco Opera Christine Stovell Design LaBelle Day Spas & Salons Soirée Valet

SAN FRANCISCO OPERA GUILD LEGACY SOCIETY The San Francisco Opera Guild Legacy Society honors those who have included San Francisco Opera Guild in their will, trust, or other estate plans. For more information on how you can support San Francisco Opera Guild through your estate planning please call (415) 565-3291. Ben D. & Dorothy Rod & PJ Handeland Bruce M. Jewett James J. Ludwig Catherine Stafford Revocable Mrs. W. Carroll Tornroth Coppersmith Jane & David Hartley Mr. Maurice Kanbar Estate of Leontine Sassell Living Trust

SAN FRANCISCO OPERA GUILD EDUCATION FUND The Opera Guild acknowledges with thanks those groups and individuals who have contributed $2,500 or more in support of San Francisco Opera Guild’s Education Fund by April 30, 2017. For information on supporting the Guild’s Education Fund, please call (415) 565-3291. Cheryl & Ralph Baxter Bettye Poetz Ferguson Foundation Diana Kissil & John Cullison Karen Merritt Diane Rubin Karen & Anton Bruehl Anna Freiman Karen J. Kubin Virginia Miller* San Francis co Opera Guild, Paul & Bandel Carano Ann & Daniel Girard Joan & John Lavorgna Susan Mooradian East Bay Chapter The Estate of Katharine Hanrahan* Eileen D. Ludwig* Mary Louise Myers San Francisco Opera Guild, Mrs. Sheldon Cooper Alfred Hartley Cathy & Angus MacNaughton Susan O’Brien Marin Chapter Mary Corroon Jane & David Hartley The Malin Family Libby Pfau San Francisco Opera Guild, Beverly Coughlin James Heagy Susan & James Malott Maria Pitcairn Peninsula Chapter Ena & Mark Cratsenburg Barbara Henry Lois Manbert Mary & Bill Poland Ann Simpson Olivia Hsu Decker Jacquelin H. Hume* Anne Marie Massocca Ursula Ralph Claire Collins Skall Carol & Dixon Dolll Katie & Claude Jarman Kathleen McEligot Joyce Reitman Susan Tamagni Delia Fleishhacker Ehrlich* Mrs. Mark O. Kasanin Teresa & Mark Medearis Venetta & John Rohal *Deceased

More than 75,000 Bay Area families, students and teachers experience the excitement of opera with a variety of educational and community engagement programs presented through the combined efforts of San Francisco Opera, San Francisco Opera Guild, and the Merola Opera Program.

encoremediagroup.com/programs 87 SR_SFJazz2017.qxp_SR 2017adtemplate11/28/161:38PMPage1 EAPfull-page template.indd1 EAPfull-page template.indd1

©2016 Marriott International, Inc. All Rights Reserved. Preferred Guest, SPG, St. Regis and their logos are the trademarks of Marriott International, Inc., or its affiliates. Stay Exquisite The St. Regis San Francisco embodies timeless spirit with modern day sophistication. unique eventspaces With refinedaccommodations, Experience extraordinaryhospitalityinthemostdistinctiveofurbansettings. 125 Third 125 The St. Regis San Regis St. Street, San Francisco Francisco, CA 94103 t: 1.415.284.4000 Stay exquisite at more than 40 St. Regis hotels and resorts worldwide. Stay exquisite atmorethan40St.Regis hotelsandresortsworldwide.

stregissanfrancisco.com , andlocallyinspireddining, @stregishotels 11/28/16 3:39 PM 10/5/17 4:26 PM Patron Services September 2017.qxp_Patron Services 8/23/17 1:28 PM Page 1

San FrancIScO OPERA YOUR OPERA EXPERIENCE

The OPERA BOX OFFICE is located in the Opera San Francisco Opera, San Francisco Ballet, and intermissions, and afterward. all proceeds House, 301 Van ness avenue, and is open benefit San Francisco Opera. the San Francisco Symphony are experimenting Monday 10 aM–5 PM, Tuesday through Saturday 10 aM–6 PM, and through the first intermission with allowing audiences to enjoy beverages in COAT CHECK For the safety and comfort of our on performance days. Tickets may also be the auditorium. audience, all large parcels, backpacks, luggage, charged by phone at (415) 864- 3330 or ordered You may bring drinks purchased in the etc. must be checked at the Opera House coat online at sfopera.com. We accept american Opera House into the auditorium, as long as check, located at the north and South ends of Express, VISa, Mastercard, and Discover. they are in the approved compostable cup the Main Lobby. If you are unable to use your tickets to a particular performance, you may exchange them with a lid, which is available at all bars. COURTESY TELEPHONE, for local calls only, is for tickets to another performance, subject to located in the main lobby across from the South availability, or donate them back to the Opera. passenger elevator Ticket exchanges for future performances can Performance Etiquette be accommodated up to one hour before DRINKING FOUNTAINS are available on all • Please turn off and refrain from using all curtain or during the first intermission. no levels except the Lower level, where there is a refunds are associated with ticket exchanges, electronic devices before the performance, courtesy water station on the north side. Water and a fee (plus any price differential) may apply. including digital watches and cell phones. bottles are permitted in the auditorium. • no cameras or recording equipment are ACCESSIBILITY San Francisco Opera is commit- permitted in the Opera House. OPERA GLASSES may be rented for $5 at the ted to providing easy access for all of our patrons. • as a courtesy to those who may have north Lobby coat check. ID deposit is Please contact the Opera Box Office prior to your fragrance allergies, please avoid wearing requested. visit so that we can ensure your comfort. perfume or cologne. For Patrons in Wheelchairs, San Francisco Opera • children of any age attending a LARGE PRINT CAST SHEETS AND SYNOPSES offers wheelchair-accessible seats at a range of performance must have a ticket; no babes are available at the coat check stations in the prices. all entrances at the War Memorial Opera in arms. main lobby. House are wheelchair accessible. Wheelchair- Management reserves the right to remove FIRST AID STATION is located on the South accessible stalls in restrooms can be found on any patron creating a disturbance. all floors (except the Main Lobby and 5th floor Lower level. In case of emergency, please ask Balcony levels). accessible drinking fountains the nearest usher to assist you. are located on all floors except the Balcony level. also served before performances and during LOST AND FOUND items may be claimed at intermissions at Patina’s café Express (Lower LISTENING DEVICES assistive listening devices the north coat check during the performance. are available at the north and South Lobby coat level) and Dress circle café. call (415) 861-8150 all unclaimed items are delivered to the War checks. ID deposit required. or visit opentable.com for reservations or to Memo rial Performing arts center at 401 Van pre-order. Patrons dining in the Opera House ness ave., room 110, (415) 621-6600 (8 aM–5 LIVE TITLES: TEXT-TO-VOICE SUPERTITLES may enter through the north carriage entrance PM, Monday–Friday). Headsets that provide a spoken version of the (adjacent to the War Memorial courtyard) up to supertitles are available at the north Lobby coat two hours prior to curtain. TAXI SERVICE Patrons desiring a taxi after a check. performance should come to the Grove Street The SAN FRANCISCO OPERA SHOP, located Taxi ramp located on the south side of the DINING AND REFRESHMENTS The Patina on the South Mezzanine level of the Opera Opera House. accommodations are provided Group serves an elegant hot buffet in the lower House, sells opera cDs, DVDs, SF Opera on a first come, first served basis, and cannot lounge of the Opera House beginning two merchandise, and gift items. The Shop is open be guaranteed as service is based on availability hours prior to all performances. Lighter fare is 90 minutes before perfor mances, at of licensed taxis. Staff will be on hand to assist.

San Francisco War Memorial and San Francisco War Memorial and Performing Arts Center Performing Arts Center War Memorial Opera House Exit Diagram War Memorial Opera House Owned and operated by the city and county of San Francisco through the Board of Trustees of the War Memorial of San Francisco The Honorable Edwin M. Lee, Mayor

TRUSTEES Thomas E. Horn, President nancy H. Bechtle, Vice President Belva Davis Lt. col. Wallace I. Levin cSMr (ret.) Gorretti Lo Lui Mrs. George r. Moscone MajGen J. Michael Myatt, USMc (ret.) Paul F. Pelosi charlotte Mailliard Shultz Vaughn r. Walker Diane B. Wilsey Elizabeth Murray, Managing Director PATRONS, ATTENTION PLEASE! FIRE NOTICE: Please note the nearest exit. In an emergency, follow any lighted Jennifer E. norris, Assistant Managing Director/ exit sign to the street. WALK, do not run, to the nearest exit. Disabled patrons, proceed to nearest elevator lobby Executive Secretary and await assistance.

encoremediagroup.com/programs 89 Matthew S columns 2017.qxp_OperaNews 10/20/17 9:16 PM Page 1

POSTLUDE by General Director MATTHEW SHILVOCK

INCLUSION, EQUITY, AND OPERA in The Voice of Truth, mahatma Gandhi tells us that “a nation’s culture resides in the hearts and in the soul of its people.” culture and the arts are inextricably intertwined with society. the arts give voice to, and grow out of, society’s aspirations, beliefs, tensions. Sometimes there is an urgent, vital between art and society. i think of messi- aen’s Quartet for the End of Time, written and premiered in a German prisoner-of-war camp in 1941. but sometimes the intersection of culture and society is more aesthetically motivated, drawing with curiosity on the vast array of colors, harmonies, themes, and ideas that mark the beautiful diversity of global culture. there is a universality about the most profound musical works. they transcend bound- aries of time and place to reach our innermost core as humans. but even music is made up of specific ideas, representations, and themes. what happens when those specifics run counter to societal values, leaving people feeling alienated, hurt, or excluded? this potential for cultural misalignment is particularly acute in art works that can reflect societal exclusion or inequality, whether in the depiction of race, gender, class, or orientation. in our world of opera, works like Madame Butterfly and Turandot represent an early 20th-cen- tury fascination with asia that can appear hackneyed, anachronistic, and even offensive given today’s much more nuanced understanding. we must recognize the cultural discon- nect that art can engender when viewed through our modern lens, while still recognizing the y l

u creative integrity, vision, and impact of the artist’s original work. a P

n works like Turandot and Butterfly raise further issues: i) issues of production choices o m

i and sensitivity for racial depiction; there is now a near-universal repudiation of using S makeup to change a person’s racial appearance onstage; ii) the equity of casting opportu- nities and how to cast roles like cio-cio-San to better reflect the cultural authenticity of the piece; and iii) whether there are works that last for all time, or whether there are works which will eventually become fundamentally at odds with contemporary values. San francisco opera is engaging in serious dialogue around two vitally important questions: 1. how do we better understand the broader community’s perception of opera to attain a deeper appreciation for the multiple perspectives around a work of art? 2. how do we utilize the art form of opera to build resonance with our fast-changing city, developing trust that opera can engage with the most essential of human emotions and situations? we don’t have all the answers to these questions yet, but we are committed to learning. we are exploring how we can better connect opera to community in a number of critical areas: • fundamentally, these are questions that can only begin to be answered by a dialogue with the bay area community. we are build- ing partnerships to better understand the broader perception of the opera and ensure that as many people as possible feel com- fortable with, and welcome to, our work. • we are looking to create art to build interconnections between art and society. through works like Girls of the Golden West, Dream of the Red Chamber, and The (R)evolution of Steve Jobs, we want to tell stories that reflect our local culture on the opera stage. connect with matthew via • San francisco opera has a strong tradition of inclusivity in its training programs, including twitter, instagram, and email. historic connections to the Pacific rim. i want to expand that legacy to create opportunities for audiences, singers, instrumentalists, technicians, and administrators from underrepre- sented and marginalized communities. @matthewShilvock i am sensitive to the challenge that certain art works can create in our society, but i am also excited that opera is an art form that can explore challenging subjects. we must find ways to produce, matthew_Shilvock share, and engage with opera, such that it reflects the amazing breadth of our community, and allows us all to connect on the most fundamental of levels. returning to the words of Gandhi: “no culture [email protected] can live if it attempts to be exclusive.”

90 SAN FRANCISCO OPERA 4705802_20999 7.375x9.875 4c The art of performance draws our eyes to the stage

Our community’s commitment to arts and culture says a lot about where we live. Opera brings us together from the moment the lights go down and the curtains come up.

We’re proud to sponsor the San Francisco Opera.

wellsfargo.com

© 2017 Wells Fargo Bank, N.A. All rights reserved. (4705802_20999)

EAP full-page template.indd 1 7/28/17 12:00 PM EAP full-page template.indd 1 12.07.2017 15:00 (tx_vecto) PDF_1.3_PDFX_1a_2001 300dpi YMCK ISOcoated_v2_300_eci7/19/17 4:18 PM