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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Dance, American Dance
DA CONSTAANTLYN EVOLVINGCE TRADITION AD CONSTAANTLY NEVOLVINGCE TRADITION BY OCTAVIO ROCA here is no time like the Michael Smuin’s jazzy abandon, in present to look at the future of Broadway’s newfound love of dance, American dance. So much in every daring bit of performance art keeps coming, so much is left that tries to redefine what dance is behind, and the uncertainty and what it is not. American dancers Tand immense promise of all that lies today represent the finest, most ahead tell us that the young century exciting, and most diverse aspects of is witnessing a watershed in our country’s cultural riches. American dance history. Candid The phenomenal aspect of dance is shots of American artists on the that it takes two to give meaning to move reveal a wide-open landscape the phenomenon. The meaning of a of dance, from classical to modern dance arises not in a vacuum but in to postmodern and beyond. public, in real life, in the magical Each of our dance traditions moment when an audience witnesses carries a distinctive flavor, and each a performance. What makes demands attention: the living American dance unique is not just its legacies of George Balanchine and A poster advertises the appearance of New distinctive, multicultural mix of Antony Tudor, the ever-surprising York City Ballet as part of Festival Verdi influences, but also the distinctively 2001 in Parma, Italy. genius of Merce Cunningham, the American mix of its audiences. That all-American exuberance of Paul Taylor, the social mix is even more of a melting pot as the new commitment of Bill T. -
David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts, -
Pentacle-40Th-Ann.-Gala-Program.Pdf
40 Table of Contents Welcome What is the landscape for emerging artists? Thoughts from the Founding Director Past & Current Pentacle Artists Tribute to Past Pentacle Staff Board of Directors- Celebration Committee- Staff Body Wisdom: Pentacle Celebrates Forty Years Tonight’s Program & Performers Event Sponsors & Donors Greetings Welcome Thank you for joining us tonight and celebrating this 40th Anniversary! In 1976 we opened our doors with a staff of four, providing what we called “cluster management” to four companies. Our mission was then and remains today to help artists do what they do best….create works of art. We have steadfastlyprovided day-to-day administration services as well as local and national innovative projects to individual artists, companies and the broader arts community. But we did not and could not do it alone. We have had the support of literally hundreds of arts administrators, presenters, publicists, funders, and individual supporters. So tonight is a celebration of Pentacle, yes, and also a celebration of our enormously eclectic community. We want to thank all of the artists who have donated their time and energies to present their work tonight, the Rubin Museum for providing such a beautiful space, and all of you for joining us and supporting Pentacle. Welcome and enjoy the festivities! Mara Greenberg Patty Bryan Director Board Chair Thoughts from the Founding Director What is the landscape for emerging dance artists? A question addressed forty years later. There are many kinds of dance companies—repertory troupes that celebrate the dances of a country or re- gion, exquisitely trained ensembles that spotlight a particular idiom or form—classical ballet or Flamenco or Bharatanatyam, among other classicisms, and avocational troupes of a hundred sorts that proudly share the dances, often traditional, of a hundred different cultures. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
No More Secrets Movie Night List OCT. 2003 – APR. 2020
No More Secrets Movie Night List OCT. 2003 – APR. 2020 1. About Time 2013 Domhnall Gleeson, 2. Adam 2010 Hugh Dancy 3 Addicted to Sex 1999 Documentary 4. Antwone Fisher 2002 Denzel Washington 5. An Unfinished Life 2005 Robert Redford 6. August: Osage County 2013 Meryle Streep 7. Ben is Back 2019 Julia Roberts 8 The Boost 1988 James Woods 9. Bye Bye Love 1995 Paul Rieser,Quade 10 Burnt 2015 Bradley Cooper 11 Clean & Sober 1998 Michael Keaton 12 Courage To Love 2115 Documentary 13 Crimes & Misdemeanors 1969 Woody Allen 14 Days of Wine & Roses 1962 Jack Lemmon 15 Dean [ZOOM Apr 2020] 2016 Kevin Klein 16 Don’t Think Twice 2016 Improv NYC- Peel 17 Drop Dead Fred 1991 Carrie Fisher 18 Drunks 1996 Richard Lewis 19 Dummy 2002 Adrien Brody 20 End of the Tour 2015 Jessie Eisenberg 21 Eve’s Bayou 1997 Samuel L Jackson 22 Everybody’s Fine 2009 Robert De Niro 23 Everything Must Go 2011 Wil Farrell 24 The Family Fang 2015 Christopher Walken 25 Fences 2016 Denzel Washington 26 Five Friends [Documentary] 2011 No Actors 27 Forty-Five Years 2015 Charlotte Rampling 28 Gaslight 1944 Ingrid Bergman 29 Girl, Interrupted 1999 Wynona Rider 30. Good Will Hunting 1997 Matt Daman 31 Harold & Maud 1971 Ruth Gordon 32 He Loves Me, He Loves Me Not 2002 Audrey Tautou 33. If I were You 2012 Marcia Gay Harden 34 I’ll Cry Tomorrow 1955 Susan Haywood 35. I’m Dancing As Fast As I Can 1982 Jill Clayburgh 36 In A World 2013 Lake Bell 37. -
Ballet Instructors 2012/2013
BALLET INSTRUCTORS 2012/2013 MARION CHAEFF, DIRECTOR received her professional training at American Ballet Theatre in New York under world renowned teachers: Alexandra Danilova, Igor Schwezoff, Anatole Vilzak, Ludmilla Schollar, Yurek Lazovsky and Valentina Pereyaslavec. She received her teacher's training in Vienna, Austria and is accredited to teach the Bolshoi School (Moscow Choreographic School) syllabus. After dancing professionally, she directed her own School and company in Oakland, New Jersey for 9 years and currently is Artistic Director of San Jose Ballet Association, a non-profit performing organization. RIMA CHAEFF, DIRECTOR began her studies with her mother and was later a government sponsored scholarship student in Vienna, Austria for 3 years studying with Irina Borovska-Musil. She has studied with Rosella Hightower in Cannes, Zurich Opera Ballet, Saile Academy in Sydney, Australia, Boston Ballet and in New York with Sulamith Messerer, David Howard and the Joffrey School. She completed 3 years in the professional division of San Francisco Ballet School and danced in their Nutcracker and Showcase performances. She appeared as soloist with San Jose Dance Theatre and toured Europe with Ballet San Jose as Principal dancer. She is presently dancing with Pacific Ballet Theatre. She has created original roles with choreographers Lawrence Pech, Audrey King and Harold Lang and danced the roles of Giselle, Odette in Swan Lake, Nikiya in La Bayadere, and leading roles in Les Sylphides and Paquita. BRIANNE ACKROYD danced professionally for 7 years in companies in West Germany and toured in France and Sweden. She holds a teaching degree in Ballet and Character Dance from the Hanover University of Music and Theatre and is a member of R.A.D., London. -
A Catalogue of Late 20Th Century Relics
DANIEL ARSHAM Present Lives and works In New York, NY 2003 Attended Cooper Union, New York, NY 1980 Born in Cleveland, OH Select Solo Exhibitions 2020 Relics of Kanto Through Time, Tokyo, Japan Monuments of Kanto, Tokyo, Japan Life on Europa, Eden Roc, St. Barth Paris 3020, Galerie Perrotin, Paris 2019 The House, Selfridges, London, UK Self Structure, Mosaic Art Foundation, Istanbul Perpetual Present, HOW Art Museum, Shanghai, The Source: A Catalogue of Late 20th Century Relics, Cranbrook Art Museum, Detroit MI Static Mythologies, Ron Mandos Gallery, Amsterdam, Netherlands Connecting Time, MOCO Museum, Amsterdam, Netherlands 2018 3018, Galerie Perrotin, New York, NY Color Shadow, Galerie Perrotin, Tokyo, Japan Architectural Anamolies, Nanzuka Gallery, Tokyo, Japan Character Study, Moran Moran, Los Angeles, CA Moon Stone, Wall House Museum, St. Barth ZAZEN, Baró Galeria, São Paolo, Brazil 2017 The Angle of Repose, Galerie Perrotin Paris, France It Speaks, Oi Futuro Museum, Rio de Janeiro, Brazil Moving Architecture, VNDKh, Moscow, Russia Lunar Garden, Cadillac House Gallery, New York NY Crystal Toys, Galerie Perrotin, Seoul, South Korea Time in Silence, Hyundai Motor Studio Gallery, Seoul, South Korea Hourglass, High Museum, Atlanta, GA 2016 Circa 2345, Galerie Perrotin, New York, NY My First Show in Japan, Year 2044, Nanzuka Gallery, Tokyo Japan The Future Was Then, SCAD Museum of Art, Savannah, GA Moons and Music, Eden Rock Gallery, St. Barths, French West Indies 2015 Parades Móveis, Baro Galería, Sao Paulo, Brazil The Future Was Written, -
Men's Ministry/Spiritual Transformation Resources & References
MEN’S MINISTRY/SPIRITUAL TRANSFORMATION RESOURCES & REFERENCES Rev. Dr. Paul Koch, Regional Ministry Team 636-221-7065, [email protected] Small Group Resources and Discussion Books An asterisk (*) indicates that Paul Koch has published a set of discussion guides for this book, under the series title: “Conversations at the Core.” They are available to download through the Chalice Pages tab at ChalicePress.com. Each was well received in his Wild Wise Men group. For more information on Men’s Ministries, please visit my website, www.BeABetterBrother.org *Albom, Mitch. Have a Little Faith. New York: Hyperion, 2009. *_____. Tuesdays with Morrie: An Old Man, a Young Man, and Life’s Greatest Lesson. New York: Broadway Books, 1997. *Grisham, John. Calico Joe. New York: Doubleday, 2012. Groff, Kent Ira. Journeymen: A Spiritual Guide for Men. Nashville: Upper Room Books, 1999. *Hillenbrand, Laura. Unbroken: A World War II Story of Survival, Resilience, and Redemption. New York: Random House, 2010. *Hugo, Victor. Les Miserables.1863 (various translations; abridged versions or watching a live or filmed stage production or the movie will work). Koch, Jr., Paul B. Conversations at the Core. St. Louis: Chalice Pages / Chalice Press, 2014. *Marx, Jeffrey. Season of Life: A Football Star, a Boy, a Journey to Manhood. New York: Simon & Schuster, 2003. *Miller, Donald. A Million Miles in a Thousand Years: How I Learned to Live a Better Story. Nashville: Thomas Nelson, 2009 Nouwen, Henri J.M. The Return of the Prodigal Son: A Story of Homecoming. New York: Image Books, 1994. Rohr, Richard O.F.M. Falling Upward: A Spirituality for the Two Halves of Life AND Companion Journal. -
Ginger Thatcher and Phillip Broomhead Set for Faculty at Goh Ballet Academy's Summer Program in Vancouver, 7/7-8/9
Ginger Thatcher and Phillip Broomhead Set for Faculty at Goh Ballet Academy's Summer Program in Vancouver, 7/7-8/9 GINGER THATCHER, former principal dancer of the Cleveland Ballet and former soloist of the Lar Lubovitch Dance Company, and PHILLIP BROOMHEAD, former principal dancer of the Royal Ballet and the Houston Ballet, will members of the faculty for the Goh Ballet Academy's Summer Program in Vancouver, Canada from July 7-August 9, 2014. GINGER THATCHER began her professional dance career as an apprentice with the Houston Ballet. She later joined the Cincinnati Ballet and in 1981 joined the Cleveland Ballet, rising to the rank of principal dancer. Ms. Thatcher's repertoire with the Cleveland Ballet included principal roles in ballets by George Balanchine (Agon, Concerto Barocco, The Four Temperaments, Serenade, Theme and Variations), Dennis Nahat (Brahms Quintet, Cannonade, Celebration and Ode, Contra Concerti, In Concert, In Studio D, Ontongeny, Pas de Dix, Quicksilver, Slavonic and Hungarian Dances, Some Times, Summerscape, Wu T'ai Shih), Murray Louis (By George), Daniel Levans (Concert Waltzes), Louis Falco (Escargot), Leonide Massine (Gaite Parisienne), David Lichine (Graduation Ball), Kurt Joos (The Green Table), Antony Tudor (Lilac Garden), Ian Horvath (Ozone Hour, Piano Man), Agnes de Mille (Rodeo, Three Virgins And A Devil), and Jose Limon (The Moor's Pavane, There Is A Time). Ms. Thatcher has also received acclaim for her performances in classical pieces such as Don Quixote Pas de Deux, The Nutcracker, Bluebird Pas de Deux, and the Prelude in Fokine's Les Sylphides. From 1991-93 Ms. Thatcher danced with the Lar Lubovitch Dance Company and danced roles in American Gesture, Concerto 622, Symphonie Concertante, and Waiting For The Sunshine. -
Too Hot to Handel Cincinnati Ballet's the Nutcracker Les Ballets
Too Hot to Handel November 29, 30 2003 Cincinnati Ballet's The Nutcracker December 5-14 2003 Les Ballets Africains February 27 2003 Dance Theatre of Harlem March 4-7, 2003 DETROIT Home of Michigan Opera Theatre David DiChiera, General Director DAIMLERCHRYSLER DaimlerChrysler Corporation Fund Copyright 2010,2003-04 Michigan Dance Series Opera Theatre No one can guarantee success. But knowing how to rehearse for it certainly helps. With over 250 relationship managers dedicated to one-on -one service, a full array of the latest financial products, and an emphasis on helping local businesses succeed, the Standard Federal Commercial Banking team makes sure your needs are always front and center. For more information, call 1-248-822-5402 or visit standardfede ralbank.c om . True Possibility. Standard Federal Bank ABN AMRO standardfederalbank.com ©2003 Standard Federal BankNA Copyright 2010, Michigan Opera Theatre Sur ender to Love DETROIT OPERA HOUSE . HOME OF MICHIGAN OPERA THEATRE ]B~VO 2003-2004 The Official Magazine of the Detroit Opera House BRAVO IS A MICHIGAN OPERA THEATRE PUBLICATION Winer CONTRIBUTORS Dr. David DiChiera, General Director Matthew S. Birman, Editor Laura Wyss cason Michigan Opera Theatre Staff PUBLISHER ON STAGE Live Publishing Company TOO HOT TO HANDEL. .4 Frank Cucciarre, Design and Art Direction Program ............ .5 Blink Concept &: Design, Inc. Production Artist Profiles .................. ... ...... .6 Chuck Rosenberg, Copy Editor Toby Faber, Director of Advertising Sales Rackham Symphony Choir ..... .. .............. .7 Marygrove College Chorale and Soulful Expressions Ensemble 7 Physicians' service provided by Henry Ford Medical Center. Too Hot to Handel Orchestra ... .... .... ........ 7 THE NUTCRACKER .9 Pepsi-Cola is the official soft drink and juice provider for the Detroit Opera House.