JUNE 1–6 2016 1 SANTA CRUZ FILM FESTIVAL 2016 SANTA CRUZ FILM FESTIVAL 2016 1 Inform

Total Page:16

File Type:pdf, Size:1020Kb

JUNE 1–6 2016 1 SANTA CRUZ FILM FESTIVAL 2016 SANTA CRUZ FILM FESTIVAL 2016 1 Inform JUNE 1–6 2016 1 SANTA CRUZ FILM FESTIVAL 2016 SANTA CRUZ FILM FESTIVAL 2016 1 Inform. Welcome The Santa Cruz Film Festival has been bringing creative, independent films to our community since 2002. We’ve exhibited more than 1,500 independent films by national and international filmmakers as well as films and videos produced Entertain. in the greater Santa Cruz County and Monterey Bay area. Many of the films we screen are independent filmmakers’ only chance to show their work to the public. This year the festival kicks off with an opening event at the Del Mar Theater on June 1 and continues with four days of Inspire. screenings at the new Colligan Theater and two other venues within the Tannery Arts Center from June 2-5. The Colligan Theater construction was completed in the fall of 2015, and Jewel Theater Company opened their first theatrical performances in November. We have been looking forward to the opportunity to join the other artists and arts organizations present at the Tannery, and now that the Colligan Theater is completed, we have found a new, vibrant home for the Santa Cruz Film Festival. This year’s exciting lineup includes several EarthVision themed documentaries about the environment, as well as creativity and arts-based themes to honor our new home in the Tannery Arts Center, as well as LGBT issues to partner with the Santa Cruz Pride events occurring the same weekend as this year’s film festival. Our offering includes many other relevant, incisive topics as well as narrative films to thrill and delight you—some 45 films in all. For four days, we will be screening a dozen or so films daily at our three venues: The Colligan Theater, the Tannery World Dance Center, and the Radius Art Gallery, all located within the Tannery Arts Center. The festival will occur during our monthly First Friday Art Walk when artists open their studios to the public, and during Thursday Art Market where musicians and artisans exhibit on the Tannery courtyard. This year’s Santa Cruz Film Festival is going to be a true artistic experience. It’s all happening within a diverse arts community in a city where interesting and unusual are the norm. Catherine Segurson Director Santa Cruz Film Festival, 2016 GoodTimes.SC SantaCruz.com delighted sponsor of 2 SANTASanta CRUZ FILM Cruz FESTIVAL Film2016 Festival SANTA CRUZ FILM FESTIVAL 2016 3 The Colligan Theater Thursday Art Market 4-7pm Located at 1010 River street, The Colligan Theater has 182 seats Thursday Art Market features live with two aisles and more distance music, artist demonstrations, and between rows for better leg room. guest chefs with rotating menus in With a higher rise from one row to the central courtyard at the Tan- the next there is a better view of nery Arts Center action on the stage. Inside you’ll enjoy the spacious lobby with FREE & family friendly! concessions bar, and outside you’ll find a beautifully landscaped patio and garden, relics of the old Tannery, and also dozens of free adjacent parking spaces exclusively for theater patrons. First Friday Art Walk Artist studios at the Tannery open from 5-9pm. Tour the 85 different artist studios Tannery World Dance Center in between film screening. Musicians will perform on the Tannery courtyard. Tannery World Dance & Cultural Center is a studio, performance, and cultural space housed inside the Tannery Arts Center. Our Saturday Music unique hub is surrounded by loft artists, galleries, sculptures, and an Santa Cruz, CA based alternative “saltwater rock” Stormy ArtBar & Cafe. The Black Box the- Strong formed in 2006 and will offer a tsunami of salty melodic ater is home to professional dance anthems. Stormy is the son of a California commercial fisher- artists from all over the world. We man and the inspiration of his own near death experiences at have code-accessed, clean, public sea provide for honest lyrics soaked in raw emotion that splice restrooms and ample, free parking! seamlessly with award winning song-writing. His songs will leave you cast a drift, melodies swimming around inside of your head long after the show is over. Radius Art Gallery Radius Gallery is a professional art The Art Bar and Café venue and gallery at the Tannery Arts Center showcasing the work Located on the center courtyard of local, regional and internati- of the Tannery Arts Center, the art onal artists. Curated exhibitions bar and café offers a variety of cre- are year-round and present all atively inspired appetizers, salads, art disciplines. Radius Gallery is soups, sandwiches, and deserts. also available to rent for events, The bar menu includes a variety receptions, workshops, and other of creative cocktails named after creative projects. artists, as well as wine, champagne, and craft beers. The ArtBar is open daily from 10:30-11:00pm. 4 SANTA CRUZ FILM FESTIVAL 2016 SANTA CRUZ FILM FESTIVAL 2016 5 120 Days: Director: Joel Tait Potrykus resides in Grand Rapids, MI USA, where he continues to work with his filmmaking band, Sob Undocumented in America Noisse. Buzzard (2014) (SXSW) is the final installment in his DOCUMENTARY FEATURE Animal Trilogy, following the feature film Ape (2012) (winner of Tannery World Dance Best Emerging Director, Locarno Film Festival) and the super 8 Saturday, June 4 short Coyote (2010). 4:45 pm One hour, 20 minutes An Acquired Taste DOCUMENTARY FEATURE Radius Gallery Saturday, June 4 4:45pm, One hour, ten minutes Synopsis: In exchange for Miguel Cortes agreeing to leave the country voluntarily and paying a $5,000 bond, a North Carolina immigration judge offers him 120 days to get his affairs in order be- fore leaving his wife and two daughters in the United States. Cortes has 120 days to weigh his options about returning to Mexico alone or risk changing his name and disappearing back into another U.S. city illegally to keep his family together. Director: Ted Roach is a director, producer and editor who Synoposis: Why kill your own food? Defying factory farms, a has worked in the film and digital media industries for almost young, mindful generation learns to hunt as a way of connec- twenty years. His productions have screened in over 40 film ting with the source of its sustenance. An Acquired Taste delves festivals, won many awards, and have been broadcast interna- into the inner conflicts of a new urban breed: locavore hunters. tionally. Director: Trained as a conservationist, Vanessa LeMaire made her screen debut as a host for the French TV environmental show Ushuaia Nature in 1998. An Acquired Taste marks her debut as a feature-film producer/director, for which she was The Alchemist Cookbook awarded a fellowship by The Moving Picture Institute. NARRATIVE FEATURE Tannery World Dance Thursday, June 2 9:15pm Synoposis: Young outcast Sean has isolated himself in a trailer in the woods, setting out on alchemic pursuits, with his cat Kaspar as his sole companion. Filled with disdain for autho- rity, he’s fled the daily grind and holed up in the wilderness, escaping a society that has no place for him. But when he turns from chemistry to black magic to crack nature’s secret, things go awry and he awakens something far more sinister and dangerous. 6 SANTA CRUZ FILM FESTIVAL 2016 SANTA CRUZ FILM FESTIVAL 2016 7 The Anthropologist Directors: Michael Coleman’s behind-the-scenes work has been featured in such films as Director Brett Morgen’s The DOCUMENTARY FEATURE Rolling Stones: Crossfire Hurricane and Metallica: Through the Del Mar Theater, Wednesday June 1st, Opening night Never. In November of 2009, Michael launched the SoundWo- 7:30 pm rks Collection videos series. The SoundWorks Collection takes Colligan Theater you behind the scenes and straight to the dub stage for a look Thursday, June 2 into audio post-production for feature films, video games, and Noon original soundtrack composition. Emmanuel Moran is a documentary filmmaker whose film and television credits include Director Morgan Spurlock’s The Greatest Movie Ever Sold, Mansome, Comic-Con Episode IV: A Fan’s Hope, A Day In the Life, Inside Man, Director Ellen Goosenberg’s Wartorn and No Dog Left Behind. With a back- ground and focus in music production he also continues to produce music for film. Boone Synoposis: The Anthropologist presents the parallel stories DOCUMENTARY FEATURE of two women: Margaret Mead and Susie Crate, two major Colligan Theater anthropologists studying how we negotiate disruptions of Saturday, June 4 traditional ways of life. Told through the perspective of the two 2:30 pm, One hour 15 mins women’s daughters, the film explores means for coping with change, whether through encounters with the outside world or unprecedented environmental changes, such as melting permafrost, receding glaciers, and rising tides. Director: Daniel A. Miller and Jeremy Newberger. Ironbound Films is a documentary film production company run by Seth Kramer, Daniel A. Miller, and Jeremy Newberger. Ironbound’s films have aired on PBS and CNN, and won multiple awards, including Sundance and New York Times Critics’ Pick, and NY1 best documentary awards. Two earlier films have been nomi- nated for Emmy awards. Synopsis: Boone tells the story of three young goat farmers as The Art of Listening they come to terms with the physical and emotional grit requi- red to live in deep relationship with the land. This experiential DOCUMENTARY FEATURE film is a visceral meditation on the sacrifice and struggle of a Colligan Theater lifestyle born of self reliance; a sensual homage to the heart Thursday, June 2 and soul of a farmer. 2:30 pm Director: Christopher LaMarca was named one of the 25 New Faces of Film for 2014 by Filmmaker Magazine.
Recommended publications
  • Make the Change. Be the Change. Leave a Positive
    Speaker Author Waterman Ocean Pioneer "Inspiring your greatest potential, is my purpose!" Chris Bertish “ Make the change. Be the change. Leave a positive impact on others and the world“ around you. Chris Bertish is a Big Wave Surfing Mavericks champion; Stand Up Paddle Boarding Guinness World Record Holder and Ocean Pioneer. He recently redefined the concept of Extreme Adventure by becoming the first person ever to Stand Up Paddle across any ocean. Defying all odds, Chris paddled 7500km - solo, unsupported and unassisted - for 93 days, across the Atlantic Ocean from Morocco, Africa to Antigua in the Caribbean. This is a truly unparalleled global feat! By conquering this challenge, Chris showed the world that we all have the power to overcome the impossible. His philosophy is one of positive change – starting with ourselves; we can make a difference to others and the environment. This is the message Chris shares in all his talks and public appearances. From Chris’s motivational and Inspirational speaking messages, to the charities he supports – it’s all focused around making the impossible, possible. In fact, everything we do at Chris Bertish- Impossible (CBI) is aimed at inspiring people to be at their best and CBI also donates a percentage of all Public be the change they want to see in the world. Speaking Fees to charity organisations that Chris is an ambassador for and supports. PROFILE INSPIRING PASSIONATE MOTIVATIONAL COURAGEOUS In everything he does - from breaking world records in Speaking Topics: big wave surfing to Stand Up Paddleboarding and other water based disciplines - Chris Bertish shifts boundaries » Limitless! - The SUP Crossing Story (50min - 1HR) and shatters perceptions of what’s possible.
    [Show full text]
  • Surfing, Gender and Politics: Identity and Society in the History of South African Surfing Culture in the Twentieth-Century
    Surfing, gender and politics: Identity and society in the history of South African surfing culture in the twentieth-century. by Glen Thompson Dissertation presented for the Degree of Doctor of Philosophy (History) at Stellenbosch University Supervisor: Prof. Albert M. Grundlingh Co-supervisor: Prof. Sandra S. Swart Marc 2015 0 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the author thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Date: 8 October 2014 Copyright © 2015 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za Abstract This study is a socio-cultural history of the sport of surfing from 1959 to the 2000s in South Africa. It critically engages with the “South African Surfing History Archive”, collected in the course of research, by focusing on two inter-related themes in contributing to a critical sports historiography in southern Africa. The first is how surfing in South Africa has come to be considered a white, male sport. The second is whether surfing is political. In addressing these topics the study considers the double whiteness of the Californian influences that shaped local surfing culture at “whites only” beaches during apartheid. The racialised nature of the sport can be found in the emergence of an amateur national surfing association in the mid-1960s and consolidated during the professionalisation of the sport in the mid-1970s.
    [Show full text]
  • 2016 Swff Programme Final Web.Pdf
    Official Program Selection 2016 Festival Contact Info/Information Silver Wave Film Festival/Festival du film Silver Wave 732 Charlotte Street/732, rue Charlotte Fredericton, NB E3B 1M5/Fredericton, N.B. E3B 1M5 Tel: 506-455-1632/Tél.: 506-455-1632 Fax: 506-457-2006/Téléc.: 506-457-2006 Email: [email protected]/Courriel: [email protected] Table of Contents Table des matières Message from Festival Organizers .............................................................. 1 Message des organisateurs Message from Festival Supporters ............................................................. 6 Message des commanditaires Box Office: Tickets / Prices / Venues ........................................................ 10 Billetterie: Billets / Prix / Sites Thursday – Nov. 3/2016 ............................................................................ 14 Jeudi, le 3 novembre 2016 Friday – Nov. 4/2016 ................................................................................. 16 Vendredi, le 4 novembre 2016 Saturday – Nov. 5/2016 ............................................................................. 26 Samedi, le 5 novembre 2016 Sunday – Nov. 6/2016 ............................................................................... 39 Dimanche, le 6 novembre 2016 NB Silver Wave Awards ............................................................................. 45 Prix Silver Wave Cover Design by/Conception de la couverture par Tony Merzetti and Ashley Phinney Content and Layout by Cat LeBlanc/Contenu et mise en page par Cat LeBlanc
    [Show full text]
  • Sport Events and Social Legacies’ Examines the Range of Different Types of Sport Events (With a Key Focus on Mega-Events) and the Social Legacies Associated with Them
    ALTERNATION Interdisciplinary Journal for the Study of the Arts and Humanities in Southern Africa Vol 17, No 2, 2011 ISSN 1023-1757 * Alternation is an international journal which publishes interdisciplinary contri- butions in the fields of the Arts and Humanities in Southern Africa. * Prior to publication, each publication in Alternation is refereed by at least two independent peer referees. * Alternation is indexed in The Index to South African Periodicals (ISAP) and reviewed in The African Book Publishing Record (ABPR). * Alternation is published every semester. * Alternation was accredited in 1996. EDITOR ASSOCIATE EDITOR Johannes A Smit (UKZN) Judith Lütge Coullie (UKZN) Editorial Assistant: Beverly Vencatsamy EDITORIAL COMMITTEE Catherine Addison (UZ); Denzil Chetty (Unisa); Brian Fulela (UKZN); Mandy Goedhals (UKZN); Rembrandt Klopper (UKZN); Jabulani Mkhize (UFort Hare); Shane Moran (UKZN); Priya Narismulu (UKZN); Nobuhle Ndimande- Hlongwa (UKZN); Thengani Ngwenya (DUT); Corinne Sandwith (UKZN); Mpilo Pearl Sithole (UKZN); Graham Stewart (DUT). EDITORIAL BOARD Richard Bailey (UKZN); Marianne de Jong (Unisa); Betty Govinden (UKZN); Dorian Haarhoff (Namibia); Sabry Hafez (SOAS); Dan Izebaye (Ibadan); RK Jain (Jawaharlal Nehru); Robbie Kriger (NRF); Isaac Mathumba (Unisa); Godfrey Meintjes (Rhodes); Fatima Mendonca (Eduardo Mondlane); Sikhumbuzo Mngadi (UJ); Louis Molamu (Botswana); Katwiwa Mule (Pennsylvania); Isidore Okpewho (Binghamton); Andries Oliphant (Unisa); Julie Pridmore (Unisa); Rory Ryan (UJ); Michael Samuel (UKZN); Maje Serudu (Unisa); Marilet Sienaert (UCT); Ayub Sheik (UKZN); Liz Thompson (UZ); Cleopas Thosago (UNIN); Helize van Vuuren (NMMU); Hildegard van Zweel (Unisa). NATIONAL AND INTERNATIONAL ADVISORY BOARD Carole Boyce-Davies (Florida Int.); Ampie Coetzee (UWC); Simon During (Melbourne); Elmar Lehmann (Essen); Douglas Killam (Guelph); Andre Lefevere (Austin); David Lewis-Williams (Wits); Bernth Lindfors (Austin); Jeff Opland (Charterhouse); Graham Pechey (Hertfordshire); Erhard Reckwitz (Essen).
    [Show full text]
  • Integrating Sustainability Thinking and Practices Into Surfing Events: Case Studies in Hawaii and Jeffreys Bay
    ! ! UNIVERSITY OF CAPE TOWN FACULTY OF SCIENCE DEPARTMENT OF ENVIRONMENTAL AND GEOGRAPHIC SCIENCE Integrating Sustainability Thinking and Practices into Surfing Events: Case Studies in Hawaii and Jeffreys Bay University of Cape Town Author:!Tina!Nguyen![NGYTIN001]! A!mini9dissertation!submitted!in!partial!fulfilment!for!the!degree!of!Master!of!Philosophy!in! Environment,!Society!and!Sustainability! October!2017! Supervised!by!Associate!Professor!Merle!Sowman! ! ! The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration This%work%has%not%been%previously%submitted%in%whole,%or%in%part,%for%the%award%of%any%degree.%It% is%my%own%work.%Each%significant%contribution%to,%and%quotation%in,%this%dissertation%from%the% work,%or%works,%of%other%people%has%been%attributed,%and%has%been%cited%and%referenced.%% % Signature:+______________________________________________+++Date:+02+October+2017 2! ! Acknowledgements I’d!like!to!thank!my!mom!and!dad.!Although!they!do!not!speak!English!fluently!and!had!to!endure! the! trauma! of! being! Vietnam! War! refugees,! they! have! not! only! learned! how! to! survive! and! prosper,!they!have!also!passed!on!some!of!life’s!most!valuable!lessons!to!me.!I!have!learned!how!
    [Show full text]
  • Consumer Reactions to Sport Event Sponsorship
    Cape Peninsula University of Technology Digital Knowledge CPUT Theses & Dissertations Theses & Dissertations 6-1-2007 Consumer reactions to sport event sponsorship : a case study of the 2006 Cape Argus Pick 'n Pay Cycle Tour Brendon Knott Cape Peninsula University of Technology, [email protected] Recommended Citation Knott, Brendon, "Consumer reactions to sport event sponsorship : a case study of the 2006 Cape Argus Pick 'n Pay Cycle Tour" (2007). CPUT Theses & Dissertations. Paper 70. http://dk.cput.ac.za/td_cput/70 This Text is brought to you for free and open access by the Theses & Dissertations at Digital Knowledge. It has been accepted for inclusion in CPUT Theses & Dissertations by an authorized administrator of Digital Knowledge. For more information, please contact [email protected]. Consumer Reactions to Sport Event Sponsorship A case study of the 2006 Cape Argus Pick ‘n Pay Cycle Tour Brendon Knott Thesis submitted in fulfilment of the requirements for the M-Tech: Tourism and Hospitality Management in the Faculty of Business at the Cape Peninsula University of Technology Supervisor: Dr K Swart Co-Supervisor: Dr L Greybe Cape Town June 2007 DECLARATION I, Brendon Knott, hereby declare that the contents of this thesis represent my own unaided work, and that the thesis has not previously been submitted for academic examination towards any qualification. Furthermore, it represents my own opinions and not necessarily those of the Cape Peninsula University of Technology. Signed: ____________________________ Date: _____________________ i ABSTRACT Consumer Reactions to Sport Event Sponsorship A case study of the 2006 Cape Argus Pick ‘n Pay Cycle Tour Brendon Knott Cape Peninsula University of Technology, Cape Town, South Africa Sport event sponsorship has rarely undergone systematic study, and very few empirical studies have looked at the effect of sponsorship on the consumer.
    [Show full text]
  • Tourism Competitiveness and Sustainability Indicators in the Context of Surf Tourism: the Case of Cape Town
    sustainability Article Tourism Competitiveness and Sustainability Indicators in the Context of Surf Tourism: The Case of Cape Town Roberto Martín-González 1 , Kamilla Swart 2,3,* and Ana-María Luque-Gil 1 1 Faculty of Tourism, University of Málaga, Campus de Teatinos s/n, 29071 Málaga, Spain; [email protected] (R.M.-G.); [email protected] (A.-M.L.-G.) 2 Division of Engineering Management and Decision Sciences, College of Science and Engineering, Hamad Bin Khalifa University, Education City, Qatar Foundation, Doha 24404, Qatar 3 School of Tourism and Hospitality, University of Johannesburg, Johannesburg 2092, South Africa * Correspondence: [email protected]; Tel.: +974-4454-0942 Abstract: Sport tourism has experienced considerable growth in the last decades, either from the sport events perspective or considering an active sport tourism approach. Therefore, some emergent market niches like surf tourism have been developed in numerous coastal destinations to attract sustainability-sensitive tourists due to the ongoing environmental challenges and the socio-economic crisis. Cape Town is positioned in a prominent place in terms of competitiveness, with a considerable variety of beaches and surf spots facing multiple issues. The aim of this study is to try to identify the most competitive beaches and subdistricts in terms of sustainability and to suggest criteria for surf-tourism-related indicators to obtain an overview about this space, using weighting indicators, and applying geography and political economy lenses. The results reveal that Strand, Table View, and Surfers’ Corner are the most competitive beaches. Additionally, beaches located in some Citation: Martín-González, R.; Swart, underprivileged areas such as Mitchells Plain and Khayelitsha are potentially interesting from a socio- K.; Luque-Gil, A.-M.
    [Show full text]
  • Surf Tourism and Sustainable Community Development in the Mentawai Islands, Indonesia: a Multiple Stakeholder Perspective
    Surf Tourism and Sustainable Community Development in the Mentawai Islands, Indonesia: a Multiple Stakeholder Perspective Nicholas Towner A thesis submitted to Auckland University of Technology in fulfilment of the requirements of the degree of Doctor of Philosophy (PhD) 2013 School of Applied Humanities 1 Table of Contents List of Figures ........................................................................................................... 7 List of Photos .......................................................................................................... 10 List of Tables ........................................................................................................... 13 List of Appendices ................................................................................................... 14 List of Abbreviations ............................................................................................... 15 Attestation of Authorship ....................................................................................... 16 Acknowledgements ................................................................................................ 17 Abstract .................................................................................................................. 19 Chapter 1 : Introduction .......................................................................................... 21 1.1 Rationale ............................................................................................................... 21 1.2 Aims
    [Show full text]
  • Big-Wave Charger Chris Bertish Invited to 3 Int'l Events
    Big-wave charger Chris Bertish invited to 3 int'l events http://www.globalsurfnews.com/news.asp?Id_news=42878 Comment on this article Big-wave charger Chris Bertish invited to 3 int'l events Chris Bertish, Dungeons : photo Kimi Stewart Big Wave Events Renowned big-wave charger Chris Bertish invited to three international events Surfersvillage Global Surf News, 10 September, 2009 : - - South African Chris Bertish, renowned for conquering many of the world’s most challenging big waves, has been invited to compete in three prestigious international big-wave surfing events including the inaugural edition of the of the Stand Up World Tour which will crown the first Stand Up Paddleboarding (SUP) World Champion later this year. Invitations to the Mavericks Surf Contest in California, the Nelscott Reef Paddle-in Classic in Oregon and the Stand Up World Tour event at Makaha in Hawaii are recognition for the 35-year-old Capetonian’s pioneering exploits in huge surf around the globe over the past decade. “I’m truly honoured to be invited to these events where only athletes who have proven themselves in the world’s heaviest waves make the cut,” Bertish said. “I love surfing big waves, it's my passion, and to be representing South Africa amongst the elite 24 invitee’s from around the globe at Mavericks, the 12 at Nelscott Reef and to be seeded into the top 16 in the world for the first ever SUP World Champs is a huge honour and privilege.” Bertish’s string of ground-breaking feats include becoming the first surfer to paddle into and ride waves at the primarily tow-in venues of Jaws (Maui, Hawaii), Ghost Trees (California) and the Cribber (Cornwall, England) while at home he introduced Stand Up Paddleboarding at the daunting Dungeons break near Hout Bay and Whale Rock in Table Bay along with being the first to tow-in at Seal Island in False Bay, statistically the most densely populated Great White shark venue in the world.
    [Show full text]
  • LYRIQ BENT Winner on Canada’S Talent
    Fall 2016 Inaugural TIFF issue! LYRIQ BENTThe Canadian Screen Award winner on why this country is becoming a global production power player What do Canadians want (to watch)? We have the answers inside And the nominees are… Check out who’s up for the 2016 CMPA Feature Film Producer Awards at TIFF Q&As with Canada’s talent 31 Q&A: Kim Todd Service stereotypes and IP ownership 40 Q&A: David Way Why authenticity matters 50 Q&A: Jay Bennett Brave new worlds 64 Q&A: Mike Volpe Laughing all the way 74 Q&A: Jillianne Reinseth Engaging children (and parents) 8 Cover feature The Canadian Screen Award Page 11 Page 42 LYRIQ BENT winner on Canada’s talent Features Page 55 Page 83 2 Reynolds Mastin 48 Taken A letter from the President Tackling a tough topic and CEO of the CMPA with empathy 11 Canadian Film Pictured (top to bottom): Black Code, Giants of Africa, Nelly Pictured (top to bottom): X Quinientos, Maudie, Maliglutit (Searchers) Pictured (top to bottom): Mean Dreams, Anatomy of Violence, Pays 4 The Big Picture 61 Feeling the Love! 32 Foreign Location · A look at TV, film and media A data-driven case for Service Production Film across Canada made-in-Canada content 41 Canadian THE 6 And the Nominees Are… 62 Behind the Scenes Documentary Film Leads negotiations with unions, broadcasters and funders The CMPA Feature Film A photographic look at filming Producer Awards and production across Canada Explores new digital and international business models 51 Canadian TV ∙ Builds opportunities for established and emerging content creators 72 Changing the Channel Drama CMPA Women in production 65 Canadian TV ∙ 86 The Indiescreen Listicle Comedy Through international delegations, best-in-class professional development, mentorship programs and more, Which Canadian film are you? the CMPA advances the interests of Canada’s indie producers.
    [Show full text]
  • South Africa Briefing Packet
    SOUTH AFRICA PROVIDING COMMUNITY HEALTH TO POPULATIONS MOST IN NEED se P RE-FIELD BRIEFING PACKET SOUTH AFRICA 1151 Eagle Drive, Loveland, CO, 80537 | (970) 635-0110 | [email protected] | www.imrus.org SOUTH AFRICA Country Briefing Packet Contents ABOUT THIS PACKET 3 BACKGROUND 4 CAPE TOWN 5 DURBAN 8 PUBLIC HEALTH OVERVIEW 10 SOUTH AFRICA AT A GLANCE 10 TOP 10 CAUSES OF DEATH 10 POPULATION GRAPH 11 INFANT MORTALITY 11 PUBLIC HEALTH 12 NATIONAL FLAG 14 COUNTRY OVERVIEW 15 BRIEF HISTORY OF SOUTH AFRICA 15 GEOGRAPHy 20 CLIMATE AND WEATHER 20 PEOPLE 21 ECONOMY 23 EDUCATION 25 RELIGION 26 POVERTY 27 CULTURE 28 SURVIVAL GUIDE 32 ETIQUETTE 32 USEFUL AFRIKAAN PHRASES 35 SAFETY 38 GOVERNMENT 39 Currency 41 IMR RECOMMENDATIONS ON MONEY 41 TIME IN SOUTH AFRICA 42 EMBASSY INFORMATION 42 WEBSITES 43 !2 1151 Eagle Drive, Loveland, CO, 80537 | (970) 635-0110 | [email protected] | www.imrus.org SOUTH AFRICA Country Briefing Packet ABOUT THIS PACKET This packet has been created to serve as a resource for the IMR South Africa Medical/Dental Team. This packet is information about the country and can be read at your leisure or on the airplane. The final section of this booklet is specific to the areas we will be working near (however, not the actual clinic locations) and contains information you may want to know before the trip. The contents herein are not for distributional purposes and are intended for the use of the team and their families. Sources of the information all come from public record and documentation. You may access any of the information and more updates directly from the World Wide Web and other public sources.
    [Show full text]
  • A Systematic Review of Surf Tourism Research (1997–2011) Steven Andrew Martin∗ & Ilian Assenov
    Journal of Sport & Tourism, 2012 Vol. 17, No. 4, 257–287, http://dx.doi.org/10.1080/14775085.2013.766528 The genesis of a new body of sport tourism literature: a systematic review of surf tourism research (1997–2011) Steven Andrew Martin∗ & Ilian Assenov Surf tourism is a rapidly expanding market segment of the wider sport tourism industry and the purpose of this study is to provide an analytical interpretation of surf tourism research. Published and unpublished literature from 1997 through to 2011 was collected through searching a variety of academic databases and communicating directly with the authors themselves. A systematic review was employed to identify and analyze the types of research emerging from international journals, universities, governments, and the not-for-profit sector. The study indicates a genesis in sport tourism literature, representing a new and available body of surf tourism research. We find that this new area of research has arisen mainly from the grey literature through the works of graduate students and consultants. Surfing events, artificial surfing reefs, and the sustainability of surf sites and host communities are among the most prolific areas under discussion and key arguments include socioeconomics, coastal management, and sustainable tourism. Approximately 10% of countries in the world with coastal surfing resources have been studied, and this and other findings indicate the potential for new areas of research in domestic and international tourism. A bibliography provides 156 documentary materials compiled for
    [Show full text]