2016 Swff Programme Final Web.Pdf
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LYRIQ BENT Winner on Canada’S Talent
Fall 2016 Inaugural TIFF issue! LYRIQ BENTThe Canadian Screen Award winner on why this country is becoming a global production power player What do Canadians want (to watch)? We have the answers inside And the nominees are… Check out who’s up for the 2016 CMPA Feature Film Producer Awards at TIFF Q&As with Canada’s talent 31 Q&A: Kim Todd Service stereotypes and IP ownership 40 Q&A: David Way Why authenticity matters 50 Q&A: Jay Bennett Brave new worlds 64 Q&A: Mike Volpe Laughing all the way 74 Q&A: Jillianne Reinseth Engaging children (and parents) 8 Cover feature The Canadian Screen Award Page 11 Page 42 LYRIQ BENT winner on Canada’s talent Features Page 55 Page 83 2 Reynolds Mastin 48 Taken A letter from the President Tackling a tough topic and CEO of the CMPA with empathy 11 Canadian Film Pictured (top to bottom): Black Code, Giants of Africa, Nelly Pictured (top to bottom): X Quinientos, Maudie, Maliglutit (Searchers) Pictured (top to bottom): Mean Dreams, Anatomy of Violence, Pays 4 The Big Picture 61 Feeling the Love! 32 Foreign Location · A look at TV, film and media A data-driven case for Service Production Film across Canada made-in-Canada content 41 Canadian THE 6 And the Nominees Are… 62 Behind the Scenes Documentary Film Leads negotiations with unions, broadcasters and funders The CMPA Feature Film A photographic look at filming Producer Awards and production across Canada Explores new digital and international business models 51 Canadian TV ∙ Builds opportunities for established and emerging content creators 72 Changing the Channel Drama CMPA Women in production 65 Canadian TV ∙ 86 The Indiescreen Listicle Comedy Through international delegations, best-in-class professional development, mentorship programs and more, Which Canadian film are you? the CMPA advances the interests of Canada’s indie producers. -
JUNE 1–6 2016 1 SANTA CRUZ FILM FESTIVAL 2016 SANTA CRUZ FILM FESTIVAL 2016 1 Inform
JUNE 1–6 2016 1 SANTA CRUZ FILM FESTIVAL 2016 SANTA CRUZ FILM FESTIVAL 2016 1 Inform. Welcome The Santa Cruz Film Festival has been bringing creative, independent films to our community since 2002. We’ve exhibited more than 1,500 independent films by national and international filmmakers as well as films and videos produced Entertain. in the greater Santa Cruz County and Monterey Bay area. Many of the films we screen are independent filmmakers’ only chance to show their work to the public. This year the festival kicks off with an opening event at the Del Mar Theater on June 1 and continues with four days of Inspire. screenings at the new Colligan Theater and two other venues within the Tannery Arts Center from June 2-5. The Colligan Theater construction was completed in the fall of 2015, and Jewel Theater Company opened their first theatrical performances in November. We have been looking forward to the opportunity to join the other artists and arts organizations present at the Tannery, and now that the Colligan Theater is completed, we have found a new, vibrant home for the Santa Cruz Film Festival. This year’s exciting lineup includes several EarthVision themed documentaries about the environment, as well as creativity and arts-based themes to honor our new home in the Tannery Arts Center, as well as LGBT issues to partner with the Santa Cruz Pride events occurring the same weekend as this year’s film festival. Our offering includes many other relevant, incisive topics as well as narrative films to thrill and delight you—some 45 films in all. -
Queer Horror Shorts
SCHEDULE AT A GLANCE 3 COMEDIES/ROMANCES DRAMAS PARTIES DOCUMENTARIES SHORTS WEDNESDAY 25 JANUARY PAGES 7pm BEING 17 The Screening Room 11 THURSDAY 26 JANUARY 7pm RBC Opening Gala Screening/Party: CLAMBAKE Rennaisance 12 FRIDAY 27 JANUARY 7pm HEARTLAND The Screening Room 15 9:15pm BROMANCE The Screening Room 17 SATURDAY 28 JANUARY 2pm I STAND CORRECTED The Screening Room 18 SINISTER SATURDAY NIGHT 28 JANUARY 4pm WOMEN WHO KILL The Screening Room 19 7pm KING COBRA The Screening Room 20 9pm THEY CAME FROM THE CLOSET: Queer Horror Shorts The Screening Room 22-23 9pm SOUL SHAKEDOWN PARTY The Grad Club 23 SUNDAY 29 JANUARY 12pm TAKE ME FOR A RIDE The Screening Room 24 2pm TWO SOFT THINGS, TWO HARD THINGS The Screening Room 25 4pm SUICIDE KALE The Screening Room 26 TUESDAY 31 JANUARY 7pm SLASH SLC Davies Hall 27 WEDNESDAY 1 FEBRUARY 7pm UPSTAIRS INFERNO The Screening Room 29 9pm A LITTLE LUST The Screening Room 30 THIRSTY THURSDAY 2 FEBRUARY 7pm DADDY’S BOY The Screening Room 31 9pm PARIS 05:59: THEO & HUGO The Screening Room 32 FRIDAY 3 FEBRUARY 7pm GIRL GETS GIRL The Screening Room 33 9pm THE CULT The Screening Room 34 SATURDAY 4 FEBRUARY Proud supporters of the 12pm CHECK IT The Screening Room 35 2pm ARIANNA The Screening Room 36 7pm CENTER OF MY WORLD The Screening Room 37 Reelout Queer Film Festival SUNDAY 5 FEBRUARY 12pm THE REVIVAL: WOMEN AND THE WORD The Screening Room 38 2pm PLAY THE DEVIL The Screening Room 39 4pm CLOSING GALA: FAIR HAVEN The Screening Room 40 6:30pm CLOSING GALA PARTY Tir Nan Og 40 SPONSORS4 5 PRESENTING SPONSOR -
Perceptions of Water Among the Inuit Community in Iqaluit, Nunavut: an Anti-Colonialist, Feminist Political Ecology
Perceptions of Water among the Inuit Community in Iqaluit, Nunavut: An Anti-Colonialist, Feminist Political Ecology Victoria Watson A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts Graduate Program in Geography York University Toronto, Ontario September 2017 ã Victoria Watson, 2017 ii Abstract Water is an essential part of everyday life. In Iqaluit, residents receive their water through either utilidor or trucked water delivery, which is an integral system for everyday life in the North. For Inuit residents, gathering water from the land is also an essential source of drinking water. Based on fieldwork results from 2016, this thesis argues that perceptions of municipal water in Iqaluit are a source of added stress to daily life, and that gathering water from the land is an important part of Inuit identity that can be a source of healing. Both experiences with municipal water and water from the land are emotional and embodied. Specific results will be discussed with regard to age and gender. Using principles from Indigenous methodologies with feminist political ecology, data was collected through participant observation and a series of twenty-one semi-structured interviews with Inuit community members. iii Acknowledgements Writing this thesis has been one of the greatest learning experiences, and I am grateful for the many people who supported me throughout this process. First, I would like to express a very heartfelt thank-you to my supervisor Dr. Patricia Wood for her patience, expert advice, motivation, and unwavering moral support. Her guidance was integral in this project from start to finish.