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Boston Symphony Orchestra Concert Programs, Season 50,1930

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Boston Symphony Orchestra Concert Programs, Season 50,1930 CARNEGIE HALL .... NEW YORK Friday Evening, February 6, at 8.30 Saturday Afternoon, February 7, at 2.30 PRoGRHAttE K 3 j§ 68 years of skillful yesterdays in order to give you today's Baldwin of countless tomorrows. HAROLD BAUER writes of the Baldwin "I feel privileged to join so distinguished a group and I look forward to playing upon an instrument which my closest examination has shown to possess all the qualities I desire in order to bring beautiful music to my audiences." Baldwin Pianos are on display and sale exclusively at the warerooms of Baldwin Piano Company 20 East 54th Street New York City CARNEGIE HALL - - - NEW YORK Forty-fifth Season in New York FIFTIETH SEASON, 1930-1931 INC. Dr. SERGE KOUSSEVITZKY, Conductor FRIDAY EVENING, FEBRUARY 6, at 8.30 AND THE SATURDAY AFTERNOON, FEBRUARY 7, at 2.30 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1931, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1 YOU EASILY (AN AFFORD THE MOST PERFECT INSTRUMENT So glorious has been the history of the Steinway, so connected is its name with wealth and genius, that many have taken it for granted that the Steinway is beyond reach of the modest income. But such distinctly is not the case. • The family of modest income can own a Steinway today . without delay . without finan- cial strain. • Visit your nearest Steinway dealer today. Select the piano that would best fit into your home. Listen to an artist play on it. Deposit 10% of its cost, and the Instrument of the Immortals will be sent to your home immediately. You may take three years to settle the balance. STEINWAY THE INSTRUMENT OF THE IMMORTALS A new Steinway Upright piano can be bought for a total as low as $Q"T^J[ m # '° QOWI1 balance in three years Baby Grand at U ^ m^m As the Steinway is made in New York City, this price, naturally, must be "plus transportation*' beyond New York and its suburbs. Used pianos accepted in partial exchange. If there is no Steinway dealer near you, write for information to Steinway & Sons, Steinway Hall, 109 "West 57th Street, New York City. 2 Fiftieth Season, 1930-1931 Dr. SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Elcus, G. Gundersen, R. Sauvlet, H. Cherkassky, P. Concert-master Kreinin, B. Kassman, N. Hamilton, V. Eisler, D. Theodorowicz, J. Hansen, E. Lauga, N. Fedorovsky, P. Leibovici, J. Pinfield, C. Mariotti, V. Leveen, P. Tapley, R. Thillois, F. Zung, M. Knudson, C. Gorodetzky, L. Mayer, P. Diamond, S. Zide, L. Fiedler, B. Bryant, M. Beale, M. Stonestreet, L. Messina, S. Murray, J. Del Sordo, R. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Bernard, A. Grover, H. Artieres, L. Cauhape, J. Van Wynbergen, C. Werner, H. Fiedler, A. Avierino, N. Deane, C. Gerhardt, S. Jacob, R. Violoncellos. Bedetti, J. Langendoen, J. Chardon, Y. Stockbridge, C. Fabrizio, E. Zighera, A. Barth, C. Droeghmans, H. Warnke, J. Marjollet, L. Basses. Kunze, M. Lemaire, J. Ludwig, O. Girard, H. Moleux, G Vondrak, A. Oliver, F. Frankel, I. Dufresne, G. Kelley, A. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillct, F. Polatschek, V. Laus, A. Bladet, G. Devergie, J. Mimart, P. Allard, R. Amerena, P. Stanislaus, H. Arcieri, E. Panenka, E. Allegra, E. Bettoney, F. (E-flat Clarinet) Piccolo. English Horn. Bass Clarinet Contra-Bassoon. Battles, A. Speyer, L. Pigassou, G. Piller, B. Horns. Horns. Trumpets Trombones. Boettcher, G. Valkenier.W. Mager, G. Raichman, J. Pogrebniak, S. Schindler, G. Lafosse, M. Hansotte, L. Van Den Berg, C. Lannoye, M. Grundcy, T. Kenfield, L. Lorbeer, H. Blot, G. Perret, G. Adam, E. Voisin, R. Mann, J. Tubas. Harps. Timpani. Percussion. Sidow, P. Zighera, B. Ritter, A. Sternberg, S. Adam, £. Caughey, E. Polster, M. White, L. Organ. Celesta. Librarian. Snow, A. Fiedler, A. Rogers, L. J. Raymond -Whitcomb Cruises WINTER ~ SPRI NG ~ SUMMER MEDITERRANEAN SPRING CRUISE Over a new route! The first cruise to add the Black Sea to the Mediterranean — the first to visit Sevastopol . and Odessa . and Yalta on the shore of the Crimea with WEST INDIES holiday palaces of the Czars. NORTH CAPE AND ©.Winter cruises on the RUSSIA " new "Statendam — the CA new summer cruise largest and most luxurious over the Iceland-Norway ship to sail on a Caribbean route which was introduced cruise during this Winter. by Raymond -Whitcomb 10 ©.For a holiday these cruises years ago and developed are unequalled . their lazy and perfected from year to days on the great liner are year. ©.The 193 1 cruise will pleasant and restful; their add Danzig— a picturesque visits to strange foreign cit- Sailing April 14, 1931, on the medieval city with rich pub- S. S. "Carinthia" ies, interesting and refresh- lic buildings and lordly resi- ing. Their programs include d. Raymond -Whitcomb dences that date from the Havana (2 days); the Pan- Spring Cruises to the Med- old Hanseatic days. There ama Canal, Porto Rico and iterranean have long been will be two days in Lenin- the Virgin Islands; French popular with discerning grad . two more in Mos- Martinique ; British Jamaica, travelers . They visit the cow, the heart of Russia Barbados and Trinidad and Mediterranean at its pleas- visits to Iceland, and the Nassau; Dutch Curacao, antest season . they make North Cape . the Norwe- Caracas in and Venezuela. an fnteresting prelude to gian fjords . Trondhjem, Sailing on January 28 {for a 25-day Spring or Summer travel in Bergen, Oslo & Stockholm. Cruise); and on February 24 {for an Europe. ©.This year's cruise Sailing on June 30, 1931, on the identical Cruise of the same length). liner, "Carinthia." is the most comprehensive Cunard With Rates, $317.50 and upward stop-overs in Europe as desired. and interesting ever offered. 'Rates, $800 and upward LAND CRUISES TO In addition to visiting the MEXICO Black Sea ... it will go to LAND CRUISES TO With Nine Days in Mexico City Nauplia in Greece (for trips CALIFORNIA to Mycenae, Epidaurus and Through Southern California by Automobile TOURS TO Tiryns), and to the impor- SOUTH AMERICA tant Mediterranean cities. TOURS TO EUROPE Complete Trips of Three Months Rates, $725 and upward Through Spring & Summer RAYMOND £> WHITCOMB COMPANY 225 FIFTH AVENUE. Telephone AshlaH 4-9530 670 FIFTH AVENUE, Telephone Volunteia 5-3400 **•*«.»••* u • «*«•#*• to* ft i lIll. i I . « »T .. M . U , ilM Ul l H. .W.IIl .WUH t | * * * • • » CARNEGIE HALL NEW YORK Forty-fifth Season in New York Fiftieth Season, 1930-1931 Dr. SERGE KOUSSEVITZKY, Conductor THIRD CONCERT FRIDAY EVENING, FEBRUARY 6 AT 8.30 PROGRAMME Elgar Introduction and Allegro for String Orchestra, Op. 47 Sibelims Symphony No. 7, Op. 105 (In one movement) Strauss Symphonia Domestica, Op. 53 (In one movement) There will be an intermission of ten minutes after Sibelius' Symphony The music of these programmes is available at the 58th Street Library 5 Introduction and Allegro, Or. 47, for String Orchestra Edward Elgar (Born at Broadheath near Worcester, England, June 2, 1857; now living) This work was performed for the first time at Queen's Hall, London, March 8, 1905, by the London Symphony Orchestra. The whole programme was devoted to compositions by Elgar, who conducted : Overture, "In the South" ; Funeral March from "Grania and Diarmid" ; the song-cycle "Sea Pictures," for contralto and orchestra, sung by Miss Ada Crossley; "Pomp and Circumstance," March No. 3; Overture, "Cockaigne"; Introduction and Allegro for string orchestra; "Enigma" variations. The march, like the work for string orchestra, was played for the first time. The In- troduction and Allegro was produced for the first time in the United States by the Chicago Symphony Orchestra at Chicago on March 23-24, 1906. Frederick Stock was the conductor. Elgar told Ernest Newman, the celebrated writer, about music, that this work had its origin in Wales, "when he was impressed by the sound of distant singing, in which the cadence of a falling third caught his fancy. From the train of thought thus generated sprang the main theme of the work—the pseudo-Welsh tune. Later on, a song heard in the valley of the Wye reinforced the Welsh impres- sions, and led to the completion of the work." The composition is written for a solo quartet with string orches- tra, all divisi. Elgar's dedication is "to his friend, Professor S. S. Sanford, Yale University, U. S. A." The score was published in 1905. The work begins Moderato, G minor, 4-4, with a sturdy theme given to both sets of strings. An Allegretto follows, the material of which is based on the subject of the Allegro. This is worked with the opening measures. The succeeding Welsh tune is given to the viola. After a pause, the subject of the Allegro is announced by the first violins pp. After development, a second theme comes in, staccato, in the quartet. The orchestra alternates with it, nor are the sturdy opening measures of the work ignored. There is a reminder of the Welsh tune. A fugato follows: the subject is announced by the second violins; the first violins take it up; the preceding thematic material is worked. Then comes the recapitulation section. The Welsh theme, now in G major, is given to all the strings. At the end, there is reference to the first subject of the Allegro.
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