Modeling Color Preference Using Color Space Metrics ⇑ Karen B

Total Page:16

File Type:pdf, Size:1020Kb

Modeling Color Preference Using Color Space Metrics ⇑ Karen B Vision Research 151 (2018) 99–116 Contents lists available at ScienceDirect Vision Research journal homepage: www.elsevier.com/locate/visres Modeling color preference using color space metrics ⇑ Karen B. Schloss a,b, , Laurent Lessard b,c, Chris Racey a,b, Anya C. Hurlbert d a Department of Psychology, University of Wisconsin–Madison, 1202 West Johnson Street, Madison, WI 53706, USA b Wisconsin Institute for Discovery, University of Wisconsin–Madison, and Wisconsin Institutes for Discovery, 330 N. Orchard St., Madison, WI 53715, USA c Department of Electrical and Computer Engineering, University of Wisconsin–Madison, 1415 Engineering Dr., Madison, WI 53706, USA d Institute of Neuroscience, Newcastle University, Newcastle upon Tyne NE2 4HH, UK article info abstract Article history: Studying color preferences provides a means to discover how perceptual experiences map onto cognitive Received 21 February 2017 and affective judgments. A challenge is finding a parsimonious way to describe and predict patterns of Received in revised form 25 June 2017 color preferences, which are complex with rich individual differences. One approach has been to model Accepted 3 July 2017 color preferences using factors from metric color spaces to establish direct correspondences between Available online 28 July 2017 dimensions of color and preference. Prior work established that substantial, but not all, variance in color Number of Reviews = 2 preferences could be captured by weights on color space dimensions using multiple linear regression. The question we address here is whether model fits may be improved by using different color metric specifications. We therefore conducted a large-scale analysis of color space models, and focused in-depth analysis on models that differed in color space (cone-contrast vs. CIELAB), coordinate system within the color space (Cartesian vs. cylindrical), and factor degrees (1st degree only, or 1st and 2nd degree). We used k-fold cross validation to avoid over-fitting the data and to ensure fair comparisons across models. The best model was the 2nd-harmonic Lch model (‘‘LabC Cyl2”). Specified in CIELAB space, it included 1st and 2nd harmonics of hue (capturing opponency in hue preferences and simultaneous liking/disliking of both hues on an opponent axis, respectively), lightness, and chroma. These modeling approaches can be used to characterize and compare patterns for group averages and individuals in future datasets on color preference, or other measures in which correspondences between color appear- ance and cognitive or affective judgments may exist. Ó 2018 Elsevier Ltd. All rights reserved. 1. Introduction see Hurlbert & Owen, 2015; Schloss & Palmer, 2015), the origins of which are not entirely understood and have yet to be captured Central goals in the study of color cognition are to understand fully through a predictive model. how the perceptual experience of color maps onto cognitive and The aim of this study is to determine the best quantitative emotional judgments about color, and to understand how these model for describing and predicting color preference patterns judgments influence people’s beliefs and behaviors. The study of based on color appearance alone. By ‘‘best”, we mean the model color preference provides a direct route to this goal. The results having the smallest number of input factors that captures the lar- of previous studies suggest that there are systematic mappings gest amount of variance in preference across the individuals being between color appearance and preference (Guilford & Smith, studied. The input factors are related to the specification of the 1959; Hurlbert & Ling, 2007; McManus, Jones, & Cottrell, 1981; color stimulus only, and do not include any characteristics of the Ou, Luo, Woodcock, & Wright, 2004; Palmer & Schloss, 2010). For individual. Thus, the aim is not to probe the causal origins of example, hue preferences in industrialized cultures tend to vary individual differences in color preference (e.g., as in Schloss, along a blueness-yellowness axis, with a peak at blue and a trough Hawthorne-Madell, & Palmer, 2015), but instead to describe and around yellowish-green. Despite this robust pattern in average predict color preference from a specification of color appearance preference data, there are large individual differences (for reviews, alone. In this sense, the rationale follows earlier attempts to demonstrate that the ‘‘affective value” of a color may be predicted ⇑ Corresponding author at: University of Wisconsin–Madison, Department of systematically from accurate ‘‘color-specification” (Guilford & Psychology and Wisconsin Institutes for Discovery, Brogden Hall, 1202 West Smith, 1959). Such a model also provides a parsimonious way to Johnson Street, Madison, WI 53706, USA. characterize preference patterns across populations, through E-mail address: [email protected] (K.B. Schloss). http://dx.doi.org/10.1016/j.visres.2017.07.001 0042-6989/Ó 2018 Elsevier Ltd. All rights reserved. 100 K.B. Schloss et al. / Vision Research 151 (2018) 99–116 weights on the input factors (Hurlbert & Ling, 2007), provided the matching judgments made by human observers and specify color model fits the data well. appearance in terms of three basic descriptors. Here, for standard- Given that multiple color spaces and color ordering systems ized appearance spaces, we focus on the near perceptually-uniform exist for specifying color appearance, a first task in building a color spaces CIELAB and CIELUV1, which are based on data from per- model is choosing the color space in which the dimensions of ceptual color-difference measurements of standardized color sam- appearance are specified. These dimensions ultimately should ples and which explicitly define descriptors corresponding to the emerge as the ones that map best to variations in preference. perceptual attributes of hue, chroma, and lightness (Kuehni & Although the causal origins of preferences are not addressed by Schwarz, 2008; Wyszecki & Stiles, 1982). CIELAB space is widely the model, the results may provide a deeper understanding of used to specify color stimuli in visual psychophysics studies, and how and at which stage of visual processing color preferences has specifically been used for relating preference to color appear- are embedded. The second task is to determine the exact form of ance. Ou et al. (2004), for example, found that 70% of the variance the quantitative relationship between the color dimensions and in average preference across a set of 20 colors could be accounted preference, e.g. whether it is linear or nonlinear. We approached for by a nonlinear function of the L⁄, a⁄, and b⁄ color coordinates. these tasks by conducting a large-scale analysis of multiple candi- ‘‘Physiological” color spaces based directly on cone photorecep- date color spaces and different coordinate representations within tor activations are derived from neurobiological or psychophysical them, to determine which were most effective at capturing varia- measurements of color discrimination, and their dimensions are tions in color preferences. We evaluated the models using two pre- more readily related to early stages of visual processing viously obtained datasets from different countries. A practical (Derrington, Krauskopf, & Lennie, 1984; Eskew, McLellan, & outcome of this work is a set of tools for building models that com- Giulianini, 1999). For example, cone-opponent contrast spaces pactly describe and predict variations in color preference patterns (Derrington et al., 1984; Eskew et al., 1999), which we examine across large populations and individuals. here, quantify the appearance of a test color in terms of its contrast against a uniform adapting background along three cardinal direc- 1.1. Considerations in constructing models of color preferences based tions, defined by transformations of the L, M, and S cone photore- on color appearance ceptor activations, [S À (L + M)], [L À M] and [L + M], sometimes referred to as ‘‘blue-yellow”, ‘‘red-green”, and ‘‘luminance” mecha- For a model based on color appearance to be useful in describ- nisms. These dimensions are generally equated with the second- ing and predicting color preferences, it should satisfy at least two stage of color encoding in the human visual system and thought criteria: (1) the dimensions of the color space used should capture to be represented by neurons at early stages in the visual pathway (and allow parameterization of) all possible variations in color (Lennie & Movshon, 2005). For brevity, we subsequently refer to appearance and (2) variations in at least some of these dimensions [S À (L + M)] as ‘‘S À LM”, [L À M]as‘‘LM”, and [L + M]as‘‘Lum”. should elicit variations in color preference. For example, suppose a In developing a method for describing individual differences in model includes no dimension that captured variations in lightness. color preference, Hurlbert and Ling (2007) demonstrated the effec- It might fit color sets dominated by variations in hue and satura- tiveness of these cone-opponent dimensions in capturing prefer- tion but not those that have variations in lightness. The first crite- ence variations. Specifically, they found that individuals’ rion would be violated because it fails to capture all variations in preferences for eight colors, which varied only in hue (iso- color appearance. Further, the second criterion would be violated luminance, iso-saturation) could be decomposed into two principal if color preferences for some datasets varied only along the
Recommended publications
  • Prediction of Munsell Appearance Scales Using Various Color-Appearance Models
    Prediction of Munsell Appearance Scales Using Various Color- Appearance Models David R. Wyble,* Mark D. Fairchild Munsell Color Science Laboratory, Rochester Institute of Technology, 54 Lomb Memorial Dr., Rochester, New York 14623-5605 Received 1 April 1999; accepted 10 July 1999 Abstract: The chromaticities of the Munsell Renotation predict the color of the objects accurately in these examples, Dataset were applied to eight color-appearance models. a color-appearance model is required. Modern color-appear- Models used were: CIELAB, Hunt, Nayatani, RLAB, LLAB, ance models should, therefore, be able to account for CIECAM97s, ZLAB, and IPT. Models were used to predict changes in illumination, surround, observer state of adapta- three appearance correlates of lightness, chroma, and hue. tion, and, in some cases, media changes. This definition is Model output of these appearance correlates were evalu- slightly relaxed for the purposes of this article, so simpler ated for their uniformity, in light of the constant perceptual models such as CIELAB can be included in the analysis. nature of the Munsell Renotation data. Some background is This study compares several modern color-appearance provided on the experimental derivation of the Renotation models with respect to their ability to predict uniformly the Data, including the specific tasks performed by observers to dimensions (appearance scales) of the Munsell Renotation evaluate a sample hue leaf for chroma uniformity. No par- Data,1 hereafter referred to as the Munsell data. Input to all ticular model excelled at all metrics. In general, as might be models is the chromaticities of the Munsell data, and is expected, models derived from the Munsell System per- more fully described below.
    [Show full text]
  • Color Appearance Models Today's Topic
    Color Appearance Models Arjun Satish Mitsunobu Sugimoto 1 Today's topic Color Appearance Models CIELAB The Nayatani et al. Model The Hunt Model The RLAB Model 2 1 Terminology recap Color Hue Brightness/Lightness Colorfulness/Chroma Saturation 3 Color Attribute of visual perception consisting of any combination of chromatic and achromatic content. Chromatic name Achromatic name others 4 2 Hue Attribute of a visual sensation according to which an area appears to be similar to one of the perceived colors Often refers red, green, blue, and yellow 5 Brightness Attribute of a visual sensation according to which an area appears to emit more or less light. Absolute level of the perception 6 3 Lightness The brightness of an area judged as a ratio to the brightness of a similarly illuminated area that appears to be white Relative amount of light reflected, or relative brightness normalized for changes in the illumination and view conditions 7 Colorfulness Attribute of a visual sensation according to which the perceived color of an area appears to be more or less chromatic 8 4 Chroma Colorfulness of an area judged as a ratio of the brightness of a similarly illuminated area that appears white Relationship between colorfulness and chroma is similar to relationship between brightness and lightness 9 Saturation Colorfulness of an area judged as a ratio to its brightness Chroma – ratio to white Saturation – ratio to its brightness 10 5 Definition of Color Appearance Model so much description of color such as: wavelength, cone response, tristimulus values, chromaticity coordinates, color spaces, … it is difficult to distinguish them correctly We need a model which makes them straightforward 11 Definition of Color Appearance Model CIE Technical Committee 1-34 (TC1-34) (Comission Internationale de l'Eclairage) They agreed on the following definition: A color appearance model is any model that includes predictors of at least the relative color-appearance attributes of lightness, chroma, and hue.
    [Show full text]
  • Chromatic Adaptation Transform by Spectral Reconstruction Scott A
    Chromatic Adaptation Transform by Spectral Reconstruction Scott A. Burns, University of Illinois at Urbana-Champaign, [email protected] February 28, 2019 Note to readers: This version of the paper is a preprint of a paper to appear in Color Research and Application in October 2019 (Citation: Burns SA. Chromatic adaptation transform by spectral reconstruction. Color Res Appl. 2019;44(5):682-693). The full text of the final version is available courtesy of Wiley Content Sharing initiative at: https://rdcu.be/bEZbD. The final published version differs substantially from the preprint shown here, as follows. The claims of negative tristimulus values being “failures” of a CAT are removed, since in some circumstances such as with “supersaturated” colors, it may be reasonable for a CAT to produce such results. The revised version simply states that in certain applications, tristimulus values outside the spectral locus or having negative values are undesirable. In these cases, the proposed method will guarantee that the destination colors will always be within the spectral locus. Abstract: A color appearance model (CAM) is an advanced colorimetric tool used to predict color appearance under a wide variety of viewing conditions. A chromatic adaptation transform (CAT) is an integral part of a CAM. Its role is to predict “corresponding colors,” that is, a pair of colors that have the same color appearance when viewed under different illuminants, after partial or full adaptation to each illuminant. Modern CATs perform well when applied to a limited range of illuminant pairs and a limited range of source (test) colors. However, they can fail if operated outside these ranges.
    [Show full text]
  • Spectral Reflectance of Skin Color and Its Applications to Color Appearance Modeling
    Spectral Reflectance of Skin Color and its Applications to Color Appearance Modeling Francisco Hideki Imai, Norimichi Tsumura, Hideaki Haneishi and Yoichi Miyake Department of Information and Computer Sciences, Chiba University, Chiba, Japan Abstract experiments based on the memory matching method. The difference of appearance between skin color patch and fa- Fifty-four spectral reflectances of skin colors (facial pat- cial pattern is also discussed and analyzed. tern of Japanese women) were measured and analyzed by the principal component analysis. The results indicate that Principal Component Analysis of Spectral the reflectance spectra can be estimated approximately 99% Reflectance of Human Skin by only three principal components. Based on the experi- mental results, it is shown that the spectral reflectance of Ojima et al.1 measured one hundred eight spectral all pixels in skin can be calculated from the R, G, B signals reflectances of skin in human face for 54 Mongolians (Japa- of HDTV (High Definition Television) camera. nese women) who are between 20 and 50 years old. The Computer simulations of color reproduction in skin spectral reflectance was measured at intervals of 5 nm be- color have been developed in both colorimetric color re- tween 400 nm and 700 nm. Therefore, the spectral reflec- production and color appearance models by von Kries, LAB tance is described as vectors o in 61-dimensional vector and Fairchild. The obtained color reproduction in facial pat- space. The covariance matrix of the spectral reflectance tern and skin color patch under different illuminants are was calculated for the principal component analysis. Then, analyzed. Those reproduced color images were compared the spectral reflectance of human skin can be expressed as by memory matching method.
    [Show full text]
  • Color Appearance Models Second Edition
    Color Appearance Models Second Edition Mark D. Fairchild Munsell Color Science Laboratory Rochester Institute of Technology, USA Color Appearance Models Wiley–IS&T Series in Imaging Science and Technology Series Editor: Michael A. Kriss Formerly of the Eastman Kodak Research Laboratories and the University of Rochester The Reproduction of Colour (6th Edition) R. W. G. Hunt Color Appearance Models (2nd Edition) Mark D. Fairchild Published in Association with the Society for Imaging Science and Technology Color Appearance Models Second Edition Mark D. Fairchild Munsell Color Science Laboratory Rochester Institute of Technology, USA Copyright © 2005 John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England Telephone (+44) 1243 779777 This book was previously publisher by Pearson Education, Inc Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher should be addressed to the Permissions Department, John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England, or emailed to [email protected], or faxed to (+44) 1243 770571. This publication is designed to offer Authors the opportunity to publish accurate and authoritative information in regard to the subject matter covered.
    [Show full text]
  • 2019 Color and Imaging Conference Final Program and Abstracts
    CIC27 FINAL PROGRAM AND PROCEEDINGS Twenty-seventh Color and Imaging Conference Color Science and Engineering Systems, Technologies, and Applications October 21–25, 2019 Paris, France #CIC27 MCS 2019: 20th International Symposium on Multispectral Colour Science Sponsored by the Society for Imaging Science and Technology The papers in this volume represent the program of the Twenty-seventh Color and Imaging Conference (CIC27) held October 21-25, 2019, in Paris, France. Copyright 2019. IS&T: Society for Imaging Science and Technology 7003 Kilworth Lane Springfield, VA 22151 USA 703/642-9090; 703/642-9094 fax [email protected] www.imaging.org All rights reserved. The abstract book with full proceeding on flash drive, or parts thereof, may not be reproduced in any form without the written permission of the Society. ISBN Abstract Book: 978-0-89208-343-5 ISBN USB Stick: 978-0-89208-344-2 ISNN Print: 2166-9635 ISSN Online: 2169-2629 Contributions are reproduced from copy submitted by authors; no editorial changes have been made. Printed in France. Bienvenue à CIC27! Thank you for joining us in Paris at the Twenty-seventh Color and Imaging Conference CONFERENCE EXHIBITOR (CIC27), returning this year to Europe for an exciting week of courses, workshops, keynotes, AND SPONSOR and oral and poster presentations from all sides of the lively color and imaging community. I’ve attended every CIC since CIC13 in 2005, first coming to the conference as a young PhD student and monitoring nearly every course CIC had to offer. I have learned so much through- out the years and am now truly humbled to serve as the general chair and excited to welcome you to my hometown! The conference begins with an intensive one-day introduction to color science course, along with a full-day material appearance workshop organized by GDR APPAMAT, focusing on the different disciplinary fields around the appearance of materials, surfaces, and objects and how to measure, model, and reproduce them.
    [Show full text]
  • Color Appearance Models Second Edition
    Color Appearance Models Second Edition Mark D. Fairchild Munsell Color Science Laboratoiy Rochester Institute of Technology, USA John Wiley & Sons, Ltd Contents Series Preface xiii Preface XV Introduction xix 1 Human Color Vision 1 1.1 Optics of the Eye 1 1.2 The Retina 6 1.3 Visual Signal Processing 12 1.4 Mechanisms of Color Vision 17 1.5 Spatial and Temporal Properties of Color Vision 26 1.6 Color Vision Deficiencies 30 1.7 Key Features for Color Appearance Modeling 34 2 Psychophysics 35 2.1 Psychophysics Defined 36 2.2 Historical Context 37 2.3 Hierarchy of Scales 40 2.4 Threshold Techniques 42 2.5 Matching Techniques 45 2.6 One-Dimensional Scaling 46 2.7 Multidimensional Scaling 49 2.8 Design of Psychophysical Experiments 50 2.9 Importance in Color Appearance Modeling 52 3 Colorimetry 53 3.1 Basic and Advanced Colorimetry 53 3.2 Whyis Color? 54 3.3 Light Sources and Illuminants 55 3.4 Colored Materials 59 3.5 The Human Visual Response 66 3.6 Tristimulus Values and Color Matching Functions 70 3.7 Chromaticity Diagrams 77 3.8 CIE Color Spaces 78 3.9 Color Difference Specification 80 3.10 The Next Step , 82 viii CONTENTS 4 Color Appearance Terminology 83 4.1 Importance of Definitions 83 4.2 Color 84 4.3 Hue 85 4.4 Brightness and Lightness 86 4.5 Colorfulness and Chroma 87 4.6 Saturation 88 4.7 Unrelated and Related Colors 88 4.8 Definitions in Equations 90 4.9 Brightness-Colorfulness vs Lightness-Chroma 91 5 Color Order Systems 94 5.1 Overvlew and Requirements 94 5.2 The Munsell Book of Color 96 5.3 The Swedish Natural Color System (NCS)
    [Show full text]
  • 1 Color Vision and Self-Luminous Visual Technologies
    j1 1 Color Vision and Self-Luminous Visual Technologies Color vision is a complicated phenomenon triggered by visible radiation from the observers environment imaged by the eye on the retina and interpreted by the human visual brain [1]. A visual display device constitutes an interface between a supplier of electronic information (e.g., a television channel or a computer) and the human observer (e.g., a person watching TV or a computer user) receiving the information stream converted into light. The characteristics of the human compo- nent of this interface (i.e., the features of the human visual system such as visual acuity, dynamic luminance range, temporal sensitivity, color vision, visual cognition, color preference, color harmony, and visually evoked emotions) cannot be changed as they are determined by biological evolution. Therefore, to obtain an attractive and usable interface, the hardware and software features of the display device (e.g., size, resolution, luminance, contrast, color gamut, frame rate, image stability, and built-in image processing algorithms) should be optimized to fit the capabilities of human vision and visual cognition. Accordingly, in this chapter, the most relevant characteristics of human vision – especially those of color vision – are introduced with special respect to todays different display technologies. The other aim of this chapter is to present a basic overview of some essential concepts of colorimetry [2] and color science [3–5]. Colorimetry and color science provide a set of numerical scales for the different dimensions of color perception (so-called correlates for, for example, the perceived lightness or saturation of a color stimulus).
    [Show full text]
  • Color Appearance and Color Difference Specification
    Errata: 1) On page 200, the coefficient on B^1/3 for the j coordinate in Eq. 5.2 should be -9.7, rather than the +9.7 that is published. 2) On page 203, Eq. 5.4, the upper expression for L* should be L* = 116(Y/Yn)^1/3-16. The exponent 1/3 is omitted in the published text. In addition, the leading factor in the expression for b* should be 200 rather than 500. 3) In the expression for "deltaH*_94" just above Eq. 5.8, each term inside the radical should be squared. Color Appearance and Color Difference Specification David H. Brainard Department of Psychology University of California, Santa Barbara, CA 93106, USA Present address: Department of Psychology University of Pennsylvania, 381 S Walnut Street Philadelphia, PA 19104-6196, USA 5.1 Introduction 192 5.3.1.2 Definition of CI ELAB 202 5.31.3 Underlying experimental data 203 5.2 Color order systems 192 5.3.1.4 Discussion olthe C1ELAB system 203 5.2.1 Example: Munsell color order system 192 5.3.2 Other color difference systems 206 5.2.1.1 Problem - specifying the appearance 5.3.2.1 C1ELUV 206 of surfaces 192 5.3.2.2 Color order systems 206 5.2.1.2 Perceptual ideas 193 5.2.1.3 Geometric representation 193 5.4 Current directions in color specification 206 5.2.1.4 Relating Munsell notations to stimuli 195 5.4.1 Context effects 206 5.2.1.5 Discussion 196 5.4.1.1 Color appearance models 209 5.2.16 Relation to tristimulus coordinates 197 5.4.1.2 C1ECAM97s 209 5.2.2 Other color order systems 198 5.4.1.3 Discussion 210 5.2.2.1 Swedish Natural Colour System 5.42 Metamerism 211 (NC5) 198 5.4.2.1 The
    [Show full text]
  • COLOR APPEARANCE MODELS, 2Nd Ed. Table of Contents
    COLOR APPEARANCE MODELS, 2nd Ed. Mark D. Fairchild Table of Contents Dedication Table of Contents Preface Introduction Chapter 1 Human Color Vision 1.1 Optics of the Eye 1.2 The Retina 1.3 Visual Signal Processing 1.4 Mechanisms of Color Vision 1.5 Spatial and Temporal Properties of Color Vision 1.6 Color Vision Deficiencies 1.7 Key Features for Color Appearance Modeling Chapter 2 Psychophysics 2.1 Definition of Psychophysics 2.2 Historical Context 2.3 Hierarchy of Scales 2.4 Threshold Techniques 2.5 Matching Techniques 2.6 One-Dimensional Scaling 2.7 Multidimensional Scaling 2.8 Design of Psychophysical Experiments 2.9 Importance in Color Appearance Modeling Chapter 3 Colorimetry 3.1 Basic and Advanced Colorimetry 3.2 Why is Color? 3.3 Light Sources and Illuminants 3.4 Colored Materials 3.5 The Visual Response 3.6 Tristimulus Values and Color-Matching Functions 3.7 Chromaticity Diagrams 3.8 CIE Color Spaces 3.9 Color-Difference Specification 3.10 The Next Step Chapter 4 Color Appearance Models: Table of Contents Page 1 Color-Appearance Terminology 4.1 Importance of Definitions 4.2 Color 4.3 Hue 4.4 Brightness and Lightness 4.5 Colorfulness and Chroma 4.6 Saturation 4.7 Unrelated and Related Colors 4.8 Definitions in Equations 4.9 Brightness-Colorfulness vs. Lightness-Chroma Chapter 5 Color Order Systems 5.1 Overview and Requirements 5.2 The Munsell Book of Color 5.3 The Swedish Natural Color System (NCS) 5.4 The Colorcurve System 5.5 Other Color Order Systems 5.6 Uses of Color Order Systems 5.7 Color Naming Systems Chapter 6 Color-Appearance
    [Show full text]
  • SIGGRAPH Course Notes
    A Survey of Color for Computer Graphics Maureen C. Stone StoneSoup Consulting Course 4 SIGGRAPH 2001 August 12, 2001 A Survey of Color for Computer Graphics SIGGRAPH 2001 Description This course will survey color disciplines relevant to Computer Graphics ranging from color vision to color design. Participants should leave with a clear overview of the world of digital color, plus pointers to in-depth references on a wide range of color topics. For each topic, a brief overview and pointers to further informa- tion will be provided. For most topics, I will suggest a standard reference book or two, augmented by published articles as needed. The course should be of value both to those seeking an introduction to color in computer graphics and to those knowledgeable in some aspects of color who wish to get a broader view of the field. Presenter Maureen Stone is an independent consultant working in the areas of digital color, large format displays, web graphics, interaction and design. Before founding StoneSoup Consulting, she spent 20 years at the Xerox Palo Alto Research Center where she attained the position of Principal Scientist. She has over 30 published papers plus 12 patents on topics including digital color, user interface technology and computer graphics. She has taught in SIGGRAPH digital color courses organ- ized by William Cowan (SIGGRAPH '89) and Charles Poynton (SIGGRAPH '97), and first presented this survey course at SIGGRAPH '99. She has a BS and MS in Electrical Engineering from the University of Illinois, and a MS in Com- puter Science from Caltech. Contact Information Maureen Stone StoneSoup Consulting 650-559-9280 http://www.stonesc.com [email protected] Maureen C.
    [Show full text]
  • Khodamoradi Page 1
    Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Khodamordi, Elham (2017) Modelling of colour appearance of textured colours and smartphones using CIECAM02. PhD thesis, Middlesex University. [Thesis] Final accepted version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/21823/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated.
    [Show full text]