Meet Icam: a Next-Generation Color Appearance Model

Total Page:16

File Type:pdf, Size:1020Kb

Meet Icam: a Next-Generation Color Appearance Model Meet iCAM: A Next-Generation Why Are We Here? Color Appearance Model CIC X, 2002 Mark D. Fairchild & Garrett M. Johnson • Spatial, Temporal, & Image Quality Questions Remain RIT Munsell Color Science Laboratory www.cis.rit.edu/mcsl • E.g. Pattanaik et al. 1998 Outline Very Brief History of Color Appearance Models • Very Brief History of Color Appearance Models • You’ve just heard two talks on CIECAM02 • Image Appearance Modeling • iCAM: An Image Appearance Model • Enough said… • Future Directions 1 What Does a Color Appearance Model Enable? Appearance Correlates • Brightness, Lightness • Mapping from Measurements to Words • Colorfulness, Chroma, Saturation (Physics to Perception) • Hue • Prediction of Color Matches (or Changes) across Changes in Viewing Conditions History of Color Appearance Models A Next Generation CAM 1970’s: CIELAB and CIELUV Early 1980’s: Initial Hunt and Nayatani Color Appearance Models Late 1980’s: Revisions of Hunt and Nayatani Models Early 1990’s: Model Testing, Further Revisions, New Models (e.g., RLAB, LLAB) Late 1990’s: Convergence … CIECAM97s Early 2000’s: Widespread focused testing and refinement, CIECAM02 is an Evolution of CIECAM97s CIECAM02, Practical Image Appearance Models New Capabilities Require a New Approach … 2 What is an Image Appearance Model? What are Some of the Missing Links? • Spatial Vision (Filtering & Adaptation) • Image appearance models extend color • Scene Interpretation appearance models to include spatial vision, • Computational Surround Effects temporal vision, and image difference/quality • Color/Image Difference Metrics properties. • Image Processing Efficiencies • They account for more complex changes in visual response in a more automated manner. scene representation spatial sampling, optical image formation simulated retinal image calculation of photoreceptor responses MOM Rod S-cone M-cone L-cone Image Quality Measurement response response response response image image image image rod S M L pyramidal image decomposition lowpass lowpass lowpass lowpass Gaussian Gaussian Gaussian Gaussian pyramid pyramid pyramid pyramid rod S M L upscaling, subtraction Johnson & Fairchild, CIC (2001) bandpass bandpass bandpass bandpass contrast contrast contrast contrast images images images images Pattanaik, Ferwerda, Fairchild, & rod S M L band-limited, local, adaptation processing Visual Encoding adapted adapted adapted adapted contrast contrast contrast contrast signals signals signals signals Greenberg, SIGGRAPH and CIC (1998) rod S M L opponent color space transformation adapted adapted adapted adapted contrast contrast contrast contrast signals signals signals signals rod A C1 C2 Modular Framework for IQ Scales nonlinear contrast transduction, thresholding perceived perceived perceived contrast contrast contrast signals signals signals A C1 C2 Multi-Scale Observer Model inversion of visual encoding for display •Promising Framework for Image (mapped) (mapped) (mapped) bandpass bandpass bandpass contrast contrast contrast images S images M images L image reconstruction Differences Comprehensive (mapped) (mapped) (mapped) S-cone M-cone L-cone response response response image S image M image L color space transformation, gamma correction Display Mapping •Flexible Implementation displayed displayed displayed Extremely Complex image image image R G B Successfully Implemented 2-3 Times!! 3 Image Difference Process Meet iCAM Reproduction 1 Reproduction 2 iCAM — image Color Appearance Model A simple framework for color appearance, spatial vision effects, image difference (quality), image processing, and temporal effects (eventually). * * Mean DE ab 2.5 Mean DE ab 1.25 Mean DIm 0.5 Mean DIm 1.5 Spatial Filtering, Local Attention, Local & Global Contrast, CIE Color Difference Pointwise iCAM Spatial iCAM 4 iCAM Performance Examples Basic Appearance Attributes • Chromatic Adaptation Transform (CAT) • Chromatic Adaptation Transform (CAT) – Identical to CIECAM02 • Color Appearance Scales • Constant Hue Lines • Color Appearance Scales • Simultaneous Contrast – Similar to Munsell / CIECAM02 (limited) • Chroma Crispening • Hue Spreading • Constant Hue Lines • HDR Tone Mapping – Best Available (IPT) – Facilitates Gamut Mapping • Image Difference (Quality) iCAM Simultaneous Contrast iCAM Chroma Crispening Original Image iCAM Lightness Original Image iCAM Chroma http://www.hpl.hp.com/personal/Nathan_Moroney/ 5 iCAM Spreading iCAM High-Dynamic-Range Tone Mapping Earlier-Model Results Original Image iCAM Hue www.debevec.org iCAM Image Difference (Image Quality) iCAM Image Difference (Image Quality) (a) 14 1.2 12 1 10 0.8 8 DIm 0.6 DIm 6 0.4 Model Prediction Model Prediction 4 0.2 2 0 0 -5 -4 -3 -2 -1 0 1 2 -4.00 -3.00 -2.00 -1.00 0.00 1.00 2.00 Perceived Difference Perceived Contrast Image Difference Prediction (Sharpness Data) Image Difference Prediction (Contrast Data) 6 Image Input Data Transform to “Sharpened Cone Responses” XYZadapt: Different Filters for luminance & chromaticity TBD The same 3x3 as adopted for CIECAM02. All Filters: Viewing-Distance Dependent TC8-01 (CIECAM02) Linear CAT Surround & Luminance Dependent Transform to IPT Color Space The same CAT as CIECAM02 for simple conditions. “Contrast” depends on luminance and surround. 7 Rectangular-to-Cylindrical Conversion to Brightness, Colorfulness Lightness, Chroma, Hue Just plain geometry. Dependency on absolute luminance. Spatial iCAM Mathematica Notebooks Detailed references to each step in proceedings. Coded examples on the <www.cis.rit.edu/mcsl/iCAM/> internet. • Can be read and executed with free “MathReader”. Open-Source Science • Other code (Matlab, IDL) forthcoming. • Updates 8 Conclusions Future Directions • iCAM Represents an Example of a New Generation of • HDR Digital Photography (Capture & Processing) Color Appearance Model • Video iCAM (Temporal Adaptation & Filtering) • HDR Digital Video (Processing) • Image Appearance Model • Better Understanding of Surround Effects • Incorporates Spatial Vision • Image-Content Dependent Reproduction • Can Be Extended for Temporal Vision (EI 2003) • Refined Image Difference & Image Quality Metrics • Image Difference Metric, DIm (EI 2003) • Extension to Preferred Image Reproduction • Basis for a Fundamental Image Quality Metric • Psychophysics, Psychophysics, Psychophysics Suggestions and Help Welcome and Encouraged 9.
Recommended publications
  • Color Models
    Color Models Jian Huang CS456 Main Color Spaces • CIE XYZ, xyY • RGB, CMYK • HSV (Munsell, HSL, IHS) • Lab, UVW, YUV, YCrCb, Luv, Differences in Color Spaces • What is the use? For display, editing, computation, compression, …? • Several key (very often conflicting) features may be sought after: – Additive (RGB) or subtractive (CMYK) – Separation of luminance and chromaticity – Equal distance between colors are equally perceivable CIE Standard • CIE: International Commission on Illumination (Comission Internationale de l’Eclairage). • Human perception based standard (1931), established with color matching experiment • Standard observer: a composite of a group of 15 to 20 people CIE Experiment CIE Experiment Result • Three pure light source: R = 700 nm, G = 546 nm, B = 436 nm. CIE Color Space • 3 hypothetical light sources, X, Y, and Z, which yield positive matching curves • Y: roughly corresponds to luminous efficiency characteristic of human eye CIE Color Space CIE xyY Space • Irregular 3D volume shape is difficult to understand • Chromaticity diagram (the same color of the varying intensity, Y, should all end up at the same point) Color Gamut • The range of color representation of a display device RGB (monitors) • The de facto standard The RGB Cube • RGB color space is perceptually non-linear • RGB space is a subset of the colors human can perceive • Con: what is ‘bloody red’ in RGB? CMY(K): printing • Cyan, Magenta, Yellow (Black) – CMY(K) • A subtractive color model dye color absorbs reflects cyan red blue and green magenta green blue and red yellow blue red and green black all none RGB and CMY • Converting between RGB and CMY RGB and CMY HSV • This color model is based on polar coordinates, not Cartesian coordinates.
    [Show full text]
  • Color Difference Delta E - a Survey
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/236023905 Color difference Delta E - A survey Article in Machine Graphics and Vision · April 2011 CITATIONS READS 12 8,785 2 authors: Wojciech Mokrzycki Maciej Tatol Cardinal Stefan Wyszynski University in Warsaw University of Warmia and Mazury in Olsztyn 157 PUBLICATIONS 177 CITATIONS 5 PUBLICATIONS 27 CITATIONS SEE PROFILE SEE PROFILE All content following this page was uploaded by Wojciech Mokrzycki on 08 August 2017. The user has requested enhancement of the downloaded file. Colour difference ∆E - A survey Mokrzycki W.S., Tatol M. {mokrzycki,mtatol}@matman.uwm.edu.pl Faculty of Mathematics and Informatics University of Warmia and Mazury, Sloneczna 54, Olsztyn, Poland Preprint submitted to Machine Graphic & Vision, 08:10:2012 1 Contents 1. Introduction 4 2. The concept of color difference and its tolerance 4 2.1. Determinants of color perception . 4 2.2. Difference in color and tolerance for color of product . 5 3. An early period in ∆E formalization 6 3.1. JND units and the ∆EDN formula . 6 3.2. Judd NBS units, Judd ∆EJ and Judd-Hunter ∆ENBS formulas . 6 3.3. Adams chromatic valence color space and the ∆EA formula . 6 3.4. MacAdam ellipses and the ∆EFMCII formula . 8 4. The ANLab model and ∆E formulas 10 4.1. The ANLab model . 10 4.2. The ∆EAN formula . 10 4.3. McLaren ∆EMcL and McDonald ∆EJPC79 formulas . 10 4.4. The Hunter color system and the ∆EH formula . 11 5. ∆E formulas in uniform color spaces 11 5.1.
    [Show full text]
  • Applying CIECAM02 for Mobile Display Viewing Conditions
    Applying CIECAM02 for Mobile Display Viewing Conditions YungKyung Park*, ChangJun Li*, M. R. Luo*, Youngshin Kwak**, Du-Sik Park **, and Changyeong Kim**; * University of Leeds, Colour Imaging Lab, UK*, ** Samsung Advanced Institute of Technology, Yongin, South Korea** Abstract Small displays are widely used for mobile phones, PDA and 0.7 Portable DVD players. They are small to be carried around and 0.6 viewed under various surround conditions. An experiment was carried out to accumulate colour appearance data on a 2 inch 0.5 mobile phone display, a 4 inch PDA display and a 7 inch LCD 0.4 display using the magnitude estimation method. It was divided into v' 12 experimental phases according to four surround conditions 0.3 (dark, dim, average, and bright). The visual results in terms of 0.2 lightness, colourfulness, brightness and hue from different phases were used to test and refine the CIE colour appearance model, 0.1 CIECAM02 [1]. The refined model is based on continuous 0 functions to calculate different surround parameters for mobile 0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 displays. There was a large improvement of the model u' performance, especially for bright surround condition. Figure 1. The colour gamut of the three displays studied. Introduction Many previous colour appearance studies were carried out using household TV or PC displays viewed under rather restricted viewing conditions. In practice, the colour appearance of mobile displays is affected by a variety of viewing conditions. First of all, the display size is much smaller than the other displays as it is built to be carried around easily.
    [Show full text]
  • Prediction of Munsell Appearance Scales Using Various Color-Appearance Models
    Prediction of Munsell Appearance Scales Using Various Color- Appearance Models David R. Wyble,* Mark D. Fairchild Munsell Color Science Laboratory, Rochester Institute of Technology, 54 Lomb Memorial Dr., Rochester, New York 14623-5605 Received 1 April 1999; accepted 10 July 1999 Abstract: The chromaticities of the Munsell Renotation predict the color of the objects accurately in these examples, Dataset were applied to eight color-appearance models. a color-appearance model is required. Modern color-appear- Models used were: CIELAB, Hunt, Nayatani, RLAB, LLAB, ance models should, therefore, be able to account for CIECAM97s, ZLAB, and IPT. Models were used to predict changes in illumination, surround, observer state of adapta- three appearance correlates of lightness, chroma, and hue. tion, and, in some cases, media changes. This definition is Model output of these appearance correlates were evalu- slightly relaxed for the purposes of this article, so simpler ated for their uniformity, in light of the constant perceptual models such as CIELAB can be included in the analysis. nature of the Munsell Renotation data. Some background is This study compares several modern color-appearance provided on the experimental derivation of the Renotation models with respect to their ability to predict uniformly the Data, including the specific tasks performed by observers to dimensions (appearance scales) of the Munsell Renotation evaluate a sample hue leaf for chroma uniformity. No par- Data,1 hereafter referred to as the Munsell data. Input to all ticular model excelled at all metrics. In general, as might be models is the chromaticities of the Munsell data, and is expected, models derived from the Munsell System per- more fully described below.
    [Show full text]
  • Computational Color Harmony Based on Coloroid System
    Computational Aesthetics in Graphics, Visualization and Imaging (2005) L. Neumann, M. Sbert, B. Gooch, W. Purgathofer (Editors) Computational Color Harmony based on Coloroid System László Neumanny, Antal Nemcsicsz, and Attila Neumannx yGrup de Gràfics de Girona, Universitat de Girona, and Institució Catalana de Recerca i Estudis Avançats, ICREA, Barcelona, Spain zBudapest University of Technology and Economics, Hungary xInstitute of Computer Graphics and Algorithms, Vienna University of Technology, Austria [email protected], [email protected], [email protected] (a) (b) Figure 1: (a) visualization of the overall appearance of a dichromatic color set with `caleidoscope' option of the Color Plan Designer software and (b) interactive color selection of a dichromatic color set in multi-layer mode, applying rotated regular grid. Abstract This paper presents experimentally based rules and methods for the creation of harmonic color sets. First, dichro- matic rules are presented which concern the harmony relationships of two hues. For an arbitrarily given hue pair, we define the just harmonic saturation values, resulting in minimally harmonic color pairs. These values express the fuzzy border between harmony and disharmony regions using a single scalar. Second, the value of harmony is defined corresponding to the contrast of lightness, i.e. the difference of perceptual lightness values. Third, we formulate the harmony value of the saturation contrast, depending on hue and lightness. The results of these investigations form a basis for a unified, coherent dichromatic harmony formula as well as for analysis of polychromatic color harmony. Introduced color harmony rules are based on Coloroid, which is one of the 5 6 main color-order systems and − furthermore it is an aesthetically uniform continuous color space.
    [Show full text]
  • Accurately Reproducing Pantone Colors on Digital Presses
    Accurately Reproducing Pantone Colors on Digital Presses By Anne Howard Graphic Communication Department College of Liberal Arts California Polytechnic State University June 2012 Abstract Anne Howard Graphic Communication Department, June 2012 Advisor: Dr. Xiaoying Rong The purpose of this study was to find out how accurately digital presses reproduce Pantone spot colors. The Pantone Matching System is a printing industry standard for spot colors. Because digital printing is becoming more popular, this study was intended to help designers decide on whether they should print Pantone colors on digital presses and expect to see similar colors on paper as they do on a computer monitor. This study investigated how a Xerox DocuColor 2060, Ricoh Pro C900s, and a Konica Minolta bizhub Press C8000 with default settings could print 45 Pantone colors from the Uncoated Solid color book with only the use of cyan, magenta, yellow and black toner. After creating a profile with a GRACoL target sheet, the 45 colors were printed again, measured and compared to the original Pantone Swatch book. Results from this study showed that the profile helped correct the DocuColor color output, however, the Konica Minolta and Ricoh color outputs generally produced the same as they did without the profile. The Konica Minolta and Ricoh have much newer versions of the EFI Fiery RIPs than the DocuColor so they are more likely to interpret Pantone colors the same way as when a profile is used. If printers are using newer presses, they should expect to see consistent color output of Pantone colors with or without profiles when using default settings.
    [Show full text]
  • Predictability of Spot Color Overprints
    Predictability of Spot Color Overprints Robert Chung, Michael Riordan, and Sri Prakhya Rochester Institute of Technology School of Print Media 69 Lomb Memorial Drive, Rochester, NY 14623, USA emails: [email protected], [email protected], [email protected] Keywords spot color, overprint, color management, portability, predictability Abstract Pre-media software packages, e.g., Adobe Illustrator, do amazing things. They give designers endless choices of how line, area, color, and transparency can interact with one another while providing the display that simulates printed results. Most prepress practitioners are thrilled with pre-media software when working with process colors. This research encountered a color management gap in pre-media software’s ability to predict spot color overprint accurately between display and print. In order to understand the problem, this paper (1) describes the concepts of color portability and color predictability in the context of color management, (2) describes an experimental set-up whereby display and print are viewed under bright viewing surround, (3) conducts display-to-print comparison of process color patches, (4) conducts display-to-print comparison of spot color solids, and, finally, (5) conducts display-to-print comparison of spot color overprints. In doing so, this research points out why the display-to-print match works for process colors, and fails for spot color overprints. Like Genie out of the bottle, there is no turning back nor quick fix to reconcile the problem with predictability of spot color overprints in pre-media software for some time to come. 1. Introduction Color portability is a key concept in ICC color management.
    [Show full text]
  • Measuring Perceived Color Difference Using YIQ Color Space
    Programación Matemática y Software (2010) Vol. 2. No 2. ISSN: 2007-3283 Recibido: 17 de Agosto de 2010 Aceptado: 25 de Noviembre de 2010 Publicado en línea: 30 de Diciembre de 2010 Measuring perceived color difference using YIQ NTSC transmission color space in mobile applications Yuriy Kotsarenko, Fernando Ramos TECNOLOGICO DE DE MONTERREY, CAMPUS CUERNAVACA. Resumen: En este trabajo varias fórmulas están introducidas que permiten calcular la medir la diferencia entre colores de forma perceptible, utilizando el espacio de colores YIQ. Las formulas clásicas y sus derivados que utilizan los espacios CIELAB y CIELUV requieren muchas transformaciones aritméticas de valores entrantes definidos comúnmente con los componentes de rojo, verde y azul, y por lo tanto son muy pesadas para su implementación en dispositivos móviles. Las fórmulas alternativas propuestas en este trabajo basadas en espacio de colores YIQ son sencillas y se calculan rápidamente, incluso en tiempo real. La comparación está incluida en este trabajo entre las formulas clásicas y las propuestas utilizando dos diferentes grupos de experimentos. El primer grupo de experimentos se enfoca en evaluar la diferencia perceptible utilizando diferentes fórmulas, mientras el segundo grupo de experimentos permite determinar el desempeño de cada una de las fórmulas para determinar su velocidad cuando se procesan imágenes. Los resultados experimentales indican que las formulas propuestas en este trabajo son muy cercanas en términos perceptibles a las de CIELAB y CIELUV, pero son significativamente más rápidas, lo que los hace buenos candidatos para la medición de las diferencias de colores en dispositivos móviles y aplicaciones en tiempo real. Abstract: An alternative color difference formulas are presented for measuring the perceived difference between two color samples defined in YIQ color space.
    [Show full text]
  • Color Appearance Models Today's Topic
    Color Appearance Models Arjun Satish Mitsunobu Sugimoto 1 Today's topic Color Appearance Models CIELAB The Nayatani et al. Model The Hunt Model The RLAB Model 2 1 Terminology recap Color Hue Brightness/Lightness Colorfulness/Chroma Saturation 3 Color Attribute of visual perception consisting of any combination of chromatic and achromatic content. Chromatic name Achromatic name others 4 2 Hue Attribute of a visual sensation according to which an area appears to be similar to one of the perceived colors Often refers red, green, blue, and yellow 5 Brightness Attribute of a visual sensation according to which an area appears to emit more or less light. Absolute level of the perception 6 3 Lightness The brightness of an area judged as a ratio to the brightness of a similarly illuminated area that appears to be white Relative amount of light reflected, or relative brightness normalized for changes in the illumination and view conditions 7 Colorfulness Attribute of a visual sensation according to which the perceived color of an area appears to be more or less chromatic 8 4 Chroma Colorfulness of an area judged as a ratio of the brightness of a similarly illuminated area that appears white Relationship between colorfulness and chroma is similar to relationship between brightness and lightness 9 Saturation Colorfulness of an area judged as a ratio to its brightness Chroma – ratio to white Saturation – ratio to its brightness 10 5 Definition of Color Appearance Model so much description of color such as: wavelength, cone response, tristimulus values, chromaticity coordinates, color spaces, … it is difficult to distinguish them correctly We need a model which makes them straightforward 11 Definition of Color Appearance Model CIE Technical Committee 1-34 (TC1-34) (Comission Internationale de l'Eclairage) They agreed on the following definition: A color appearance model is any model that includes predictors of at least the relative color-appearance attributes of lightness, chroma, and hue.
    [Show full text]
  • Chromatic Adaptation Transform by Spectral Reconstruction Scott A
    Chromatic Adaptation Transform by Spectral Reconstruction Scott A. Burns, University of Illinois at Urbana-Champaign, [email protected] February 28, 2019 Note to readers: This version of the paper is a preprint of a paper to appear in Color Research and Application in October 2019 (Citation: Burns SA. Chromatic adaptation transform by spectral reconstruction. Color Res Appl. 2019;44(5):682-693). The full text of the final version is available courtesy of Wiley Content Sharing initiative at: https://rdcu.be/bEZbD. The final published version differs substantially from the preprint shown here, as follows. The claims of negative tristimulus values being “failures” of a CAT are removed, since in some circumstances such as with “supersaturated” colors, it may be reasonable for a CAT to produce such results. The revised version simply states that in certain applications, tristimulus values outside the spectral locus or having negative values are undesirable. In these cases, the proposed method will guarantee that the destination colors will always be within the spectral locus. Abstract: A color appearance model (CAM) is an advanced colorimetric tool used to predict color appearance under a wide variety of viewing conditions. A chromatic adaptation transform (CAT) is an integral part of a CAM. Its role is to predict “corresponding colors,” that is, a pair of colors that have the same color appearance when viewed under different illuminants, after partial or full adaptation to each illuminant. Modern CATs perform well when applied to a limited range of illuminant pairs and a limited range of source (test) colors. However, they can fail if operated outside these ranges.
    [Show full text]
  • ARC Laboratory Handbook. Vol. 5 Colour: Specification and Measurement
    Andrea Urland CONSERVATION OF ARCHITECTURAL HERITAGE, OFARCHITECTURALHERITAGE, CONSERVATION Colour Specification andmeasurement HISTORIC STRUCTURESANDMATERIALS UNESCO ICCROM WHC VOLUME ARC 5 /99 LABORATCOROY HLANODBOUOKR The ICCROM ARC Laboratory Handbook is intended to assist professionals working in the field of conserva- tion of architectural heritage and historic structures. It has been prepared mainly for architects and engineers, but may also be relevant for conservator-restorers or archaeologists. It aims to: - offer an overview of each problem area combined with laboratory practicals and case studies; - describe some of the most widely used practices and illustrate the various approaches to the analysis of materials and their deterioration; - facilitate interdisciplinary teamwork among scientists and other professionals involved in the conservation process. The Handbook has evolved from lecture and laboratory handouts that have been developed for the ICCROM training programmes. It has been devised within the framework of the current courses, principally the International Refresher Course on Conservation of Architectural Heritage and Historic Structures (ARC). The general layout of each volume is as follows: introductory information, explanations of scientific termi- nology, the most common problems met, types of analysis, laboratory tests, case studies and bibliography. The concept behind the Handbook is modular and it has been purposely structured as a series of independent volumes to allow: - authors to periodically update the
    [Show full text]
  • Exploiting Colorimetry for Fidelity in Data Visualization Arxiv
    Exploiting Colorimetry for Fidelity in Data Visualization Michael J. Waters,y Jessica M. Walker,y Christopher T. Nelson,z Derk Joester,y and James M. Rondinelli∗,y yDepartment of Materials Science and Engineering, Northwestern University, Evanston, Illinois 60208, USA zOak Ridge National Laboratory, Oak Ridge, Tennessee 37830, USA E-mail: [email protected] Abstract Advances in multimodal characterization methods fuel a generation of increasing immense hyper-dimensional datasets. Color mapping is employed for conveying higher dimensional data in two-dimensional (2D) representations for human consumption without relying on multiple projections. How one constructs these color maps, however, critically affects how accurately one perceives data. For simple scalar fields, perceptually uniform color maps and color selection have been shown to improve data readability arXiv:2002.12228v1 [cs.HC] 27 Feb 2020 and interpretation across research fields. Here we review core concepts underlying the design of perceptually uniform color map and extend the concepts from scalar fields to two-dimensional vector fields and three-component composition fields frequently found in materials-chemistry research to enable high-fidelity visualization. We develop the software tools PAPUC and CMPUC to enable researchers to utilize these colorimetry principles and employ perceptually uniform color spaces for rigorously meaningful color mapping of higher dimensional data representations. Last, we demonstrate how these 1 approaches deliver immediate improvements in
    [Show full text]