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COURSE CATALOG 2016-2017 Academic Calendar
COURSE CATALOG 2016-2017 Academic Calendar . 4 Academic Programs . 46 About LACM . .. 6 Performance LACM Educational Programs . 8 Bass . 46 CONTENTS Administration . 10 Brass & Woodwind . .. 52 Admissions . 11 Drums . .. 58 Tuition & Fees . 13 Guitar . 64 Financial Aid . 18 Vocal. 70 Registrar . 22 Music Composition International Student Services . 26 Songwriting . 76 Academic Policies & Procedures . 27 Music Production Student Life . 30 Composing for Visual Media . 82 Career Services . .. 32 Music Producing & Recording . 88 Campus Facilities – Security. 33 Music Industry Rules of Conduct & Expectations . 35 Music Business . 94 Health Policies . 36 Course Descriptions . 100 Grievance Policy & Procedures . .. 39 Department Chairs & Faculty Biographies . 132 Change of Student Status Policies & Procedures . 41 Collegiate Articulation & Transfer Agreements . 44 FALL 2016 (OCTOBER 3 – DECEMBER 16) ACADEMIC DATES SPRING 2017 (APRIL 10 – JUNE 23) ACADEMIC DATES July 25 - 29: Registration Period for October 3 - October 7: Add/Drop January 30 - February 3: Registration Period for April 10 - April 14: Add/Drop Upcoming Quarter Upcoming Quarter October 10 - November 11: Drop with a “W” April 17 - May 19: Drop with a “W” August 22: Tuition Deadline for Continuing Students February 27: Tuition Deadline for November 14 - December 9: Receive a letter grade May 22 - June 16: Receive a letter grade October 3: Quarter Begins Continuing Students November 11: Veterans Day, Campus Closed April 10: Quarter Begins November 24: Thanksgiving, Campus Closed May 29: Memorial Day, Campus Closed November 25: Campus Open, No classes. June 19 - 23: Exams Week December 12-16: Exams Week June 23: Quarter Ends December 16: Quarter Ends December 24 - 25: Christmas, Campus Closed December 26: Campus Open, No classes. -
Community Services Report 2009-2010
Community Services Report 2009-2010 ach year, the GRAMMY Foundation® gathers the stories of the past 12 months in our Community Services Report. For this report, we are combining the activities Einto a two-year report covering 2009 and 2010. What you’ll discover in these stories are highlights that mark some of our accomplishments and recount the inspiring moments that affirm our mission and invigorate our programs throughout the years. Since 2007, we’ve chosen to tell our stories of the past fiscal year’s achievements in an online version of our report — to both conserve resources and to enliven the account with interactive features. We hope you enjoy what you learn about the GRAMMY Foundation and welcome your feedback. MISSION Taylor Swift and Miley Cyrus and their signed guitar that was sold at a The GRAMMY Foundation was established GRAMMY® Charity Online Auctions. by The Recording Academy® to cultivate the understanding, appreciation, and advancement of the contribution of recorded music to American culture — from the artistic and technical legends of the past to the still unimagined musical breakthroughs of future generations of music professionals. OUR EDUCATION PROGRAMS Under the banner of GRAMMY in the Schools®, the GRAMMY Foundation produces and supports music education programs for high school students across the country throughout the year. The GRAMMY Foundation’s GRAMMY in the Schools website provides applications and information for GRAMMY in the Schools programs, in addition to student content. GRAMMY® CAREER DAY GRAMMY Career Day is held on university campuses and other learning environments across the country. It provides students with insight into careers in music through daylong conferences offering workshops with artists and industry professionals. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Steven Stern Matt Naylor
Music by America's Veterans We are proud to announce the release of Unsung Heroes, a collaboration between America’s combat veterans and APM songwriters. Unsung Heroes was born out of the experiences of veteran Richard Casper whose moving story led him to dedicate his life to helping other wounded veterans through the healing power of music through an organization he co-founded, (www.creativets.org). Working together, an American veteran and an APM songwriter write a song inspired by the veteran’s wartime experience and they share songwriting credit and reve- nues from licensing of their music by APM. This first release includes nine powerful songs with both vocal and non-vocal versions. We hope you will be inspired to find a place for these songs in your productions. A percentage of APM’s profits are donated to CreatiVets. Learn more at: www.apmmusic.com/unsungheroes. the writers steven stern The late Steven Stern developed a passion for music at an early age studying music theory and classical guitar at the Peabody Conservatory of Music and earning a degree in Film Music Composition from Berklee College of Music in Boston. Steven began his career with Academy Award-winning composer, Hans Zimmer working on the production of The Lion King, I’ll Do Anything, Renaissance Man, Speed and others. Steven then moved on to score countless film, TV, commercial, and trailer projects and founded his own music library. Steven joined APM in 2011 overseeing our custom music studio in Los Angeles and worked with us until his passing in 2015. -
Text Collection
Gr a de TM 4 Ac GEN b Text Collection Glenview, Illinois • Boston, Massachusetts • Chandler, Arizona • Upper Saddle River, New Jersey Copyright © 2014 Pearson Education, Inc., or its affiliates. All Rights Reserved. Printed in the United States of America. This publication is protected by copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. For information regarding permissions, write to Rights Management & Contracts, One Lake Street, Upper Saddle River, New Jersey 07458. ReadyGEN is a trademark, in the U.S. and/or other countries, of Pearson Education, Inc., or its affiliates. Common Core State Standards: © Copyright 2010. National Governors Association Center for Best Practices and Council of Chief State School Officers. All rights reserved. ISBN-13: 978-0-328-78847-7 ISBN-10: 0-328-78847-3 1 2 3 4 5 6 7 8 9 10 V063 17 16 15 14 13 RGEN14_SC4_V2_FM.indd 1 8/14/13 10:16 AM RGEN14_SC4_V2_FM.indd 4 10/15/13 2:46 PM 58 RGEN14_SE4_U4_SchoolNews.indd 58 10/1/13 3:08 PM COYOTE SCHOOL NEWS JOAN SANDIN 59 RGEN14_SE4_U4_SchoolNews.indd 59 10/1/13 3:09 PM Rancho San Isidro My name is Ramón On our ranch we have Ernesto Ramírez, but chickens and pigs and cattle everybody calls me Monchi. I and horses. The boys in the live on a ranch that my great- Ramírez family know how to grandfather built a long time ride and rope. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
GOOGLE LLC V. ORACLE AMERICA, INC
(Slip Opinion) OCTOBER TERM, 2020 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus GOOGLE LLC v. ORACLE AMERICA, INC. CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE FEDERAL CIRCUIT No. 18–956. Argued October 7, 2020—Decided April 5, 2021 Oracle America, Inc., owns a copyright in Java SE, a computer platform that uses the popular Java computer programming language. In 2005, Google acquired Android and sought to build a new software platform for mobile devices. To allow the millions of programmers familiar with the Java programming language to work with its new Android plat- form, Google copied roughly 11,500 lines of code from the Java SE pro- gram. The copied lines are part of a tool called an Application Pro- gramming Interface (API). An API allows programmers to call upon prewritten computing tasks for use in their own programs. Over the course of protracted litigation, the lower courts have considered (1) whether Java SE’s owner could copyright the copied lines from the API, and (2) if so, whether Google’s copying constituted a permissible “fair use” of that material freeing Google from copyright liability. In the proceedings below, the Federal Circuit held that the copied lines are copyrightable. -
United States Court of Appeals for the SECOND CIRCUIT >> >>
Case 15-1815, Document 33, 01/12/2016, 1682741, Page1 of 265 15-1815-CR IN THE United States Court of Appeals FOR THE SECOND CIRCUIT >> >> UNITED STATES OF AMERICA, Appellee, v. ROSS WILLIAM ULBRICHT, AKA DREAD PIRATE ROBERTS, AKA SILK ROAD, AKA SEALED DEFENDANT 1, AKA DPR, Defendant-Appellant. On Appeal from the United States District Court for the Southern District of New York (New York City) APPENDIX VOLUME III OF VI Pages A515 to A768 MICHAEL A. LEVY JOSHUA L. DRATEL, P.C. SERRIN A. TURNER Attorneys for Defendant-Appellant ASSISTANT UNITED STATES ATTORNEYS 29 Broadway, Suite 1412 UNITED STATES ATTORNEY’S OFFICE FOR THE New York, New York 10006 SOUTHERN DISTRICT OF NEW YORK 212-732-0707 Attorneys for Appellee 1 Saint Andrew’s Plaza New York, New York 10007 212-637-2346 Case 15-1815, Document 33, 01/12/2016, 1682741, Page2 of 265 Table of Contents Page Volume I District Court Docket Entries ................................................................. A1 Sealed Complaint, dated September 27, 2013 ....................................... A48 Exhibit A to Complaint - Printout of Silk Road Anonymous Market Search ................... A81 Exhibit B to Complaint - Printout of Silk Road Anonymous Market High Quality #4 Heroin All Rock ..................................................... A83 Indictment, entered February 4, 2014 .................................................... A87 Opinion and Order of the Honorable Katherine B. Forrest, dated July 9, 2014 ........................................................................... A99 Superseding Indictment, entered August 21, 2014 ............................... A150 Order of the Honorable Katherine B. Forrest, dated October 7, 2014 .................................................................... A167 Letter from Joshua L. Dratel to the Honorable Katherine B. Forrest, dated October 7, 2014 ................................. A169 Endorsed Letter from Joshua L. Dratel to the Honorable Katherine B. -
Suzie Mcneil BIO
Suzie McNeil BIO A native of Toronto Canada, Suzie McNeil was born into a musical family. She was practically raised singing with her mother and sister, learning to collaborate from a very early age. From that foundation, Suzie evolved into a versatile, powerful artist, who combines a magnetic stage presence with vocal and multi-instrumental (piano, guitar, harmonica) ability. Throughout the years she has compiled an impressive record of musical accomplishments. Suzie is a musical Jack-of-all-trades. These have ranged from live shows beside some of North America's top acts (Alan Frew, Jeff Healey, Dave Navarro, P!NK, INXS, Gavin Rossdale) to consummate professionalism tracking in the studio (Kara Dioguardi, Steven Tyler, Buckcherry, Matt Nathanson, Foreigner) to commercial jingles, to performing in front of crowds of up to 200,000 people. Suzie was the last woman standing on CBS television's reality series Rockstar:INXS. She is featured singing duets on INXS’ release “SWITCH”, and American Idol finalist Clay Aiken’s release; “A Thousand Different Ways”. Suzie sang back-up vocals for P!NK on her North American tour, entertained the troops in Afghanistan on an armed forces tour, performed at the 2010 Winter Olympics Closing Ceremonies, and starred in the Toronto Debut of Queen’s “We Will Rock You” musical as the role of “Oz”. In April 2007 Suzie released her debut album Broken & Beautiful she recorded with a-list producer Marti Frederiksen which feature the Top-20 Canadian hits: “Hung Up” and “Believe”. In November 2008 she released her sophomore CD Rock-n-Roller through Universal Music where she co-wrote most of the songs with Frederiksen. -
World Digipak Comp B.Indd
MOTOWN Around the World Visas Entries/Entrées Departures/Sorties 1 Visas Visas Entries/Entrées Departures/Sorties Entries/Entrées Departures/Sorties THE SOUND OF YOUNG AMERICA an outpouring. At Mrs. Edwards’ urging, Motown IL SUONO DELL’GIOVANE AMERICA complemented these bold moves with several recordings DER TON VON JUNGEM AMERIKA in German, Spanish, Italian, and, unknown to the public at LE BRUIT DE LA JEUNE AMÉRIQUE EL SONIDO DE AMÉRICA JOVEN the time, French. by Andrew Flory & Harry Weinger “We thought it would be hard to do, but learning the words and making the tracks work was enjoyable,” said Berry Gordy, Jr. founded Motown with the idea that his the Temptations’ Otis Williams, humming “Mein Girl” with a artists would cross borders, real and intangible. smile. “The people fl own in to teach us made it easy, and His bold idea would bloom in late 1964, when the we got it down just enough to be understood.” Supremes’ “Baby Love” hit No. 1 in the U.K., and “The Sound Of Young America,” as Motown later billed itself, spread around the world. Audiences who didn’t know English knew the words to Motown songs. The Motortown Revue went to Europe. Fan letters in every language showed up at West Grand Boulevard. Behind the infectious beat, inroads had been made overseas as early as spring 1963, when Mr. Gordy, along with Motown executives Esther Gordy Edwards and Barney Ales, made unprecedented sales visits to Italy, Germany, Belgium, Holland, France, Norway, Sweden and England. Two years later EMI U.K. created the Tamla Motown imprint, an international umbrella for the company’s multi-label output. -
Marc Anthony Mended Mp3, Flac, Wma
Marc Anthony Mended mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin Album: Mended Country: Europe Released: 2002 Style: Salsa MP3 version RAR size: 1376 mb FLAC version RAR size: 1924 mb WMA version RAR size: 1973 mb Rating: 4.7 Votes: 239 Other Formats: ASF MIDI AAC RA MP2 DXD MP3 Tracklist Hide Credits Love Won't Get Any Better Acoustic Guitar – René Toledo*Backing Vocals [Background Vocals] – Shelene ThomasElectric Guitar – Michael ThompsonEngineer [Michael Thompson's Guitar 1 Session Engineered By] – David ReitzasPercussion – Bobby AllendeWritten By – Cory 3:38 Rooney-Dan Shea-Marc Anthony-Kara DioGuardiWritten-By – Kara DioGuardi, Marc AnthonyWritten-By, Producer, Keyboards, Drum Programming – Cory Rooney, Dan Shea She Mends Me Acoustic Guitar – René Toledo*Backing Vocals [Background Vocals] – Shelene ThomasElectric Guitar – Michael ThompsonEngineer [Michael Thompson's Guitar 2 Session Engineered By] – David ReitzasWritten By – Marc Anthony-Dan Shea-Cory 3:15 Rooney-Kara DioGuardiWritten-By – Kara DioGuardi, Marc AnthonyWritten-By, Producer – Cory RooneyWritten-By, Producer, Keyboards, Drum Programming – Dan Shea I've Got You Backing Vocals [Background Vocals] – Gizelle D'Cole, Raul Midon*, Wendy Pederson*Coordinator [Production Coordinator] – Marc RussellEngineer [Background 3 Vocals Engineered By] – Gustavo CelisKeyboards, Guitar – Eric KupperProducer 3:49 [Additional Production], Arranged By [Arrangement], Drum Programming – Richie JonesProducer, Arranged By [Arrangement] – Ric WakeWritten By – Cory Rooney-Kara DioGuardiWritten-By -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006.