Danish Jazz Discography 1945-2000
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Jesper Thilo
Gladsaxe Bibliotekernes Jazzlytteklub Jan2015/glo Jesper Thilo Kilder: 99.4 Thilo, Jesper Thilo, Jesper Man ska' ku' se komikken / Jesper Thilo ; fortalt til Erik Moseholm ; diskografi: Kjeld Frandsen ; tegninger ...: Klaus Albrectsen ... Storm P.. - 1. udgave, 1. oplag. - [Kbh.] : L&R Fakta, 2000. - 325 sider : ill. 78.9063 Jazz i Danmark : 1950-2010 / redaktører: Olav Harsløf, Finn Slumstrup ; forfattere: Kjeld Frandsen ... [et al.] ; fotograf: Jan Persson. - 1. udgave. - Kbh. : Politiken, 2011. - 624 sider : ill. 78.9063 Politikens jazzleksikon : udenlandske og danske jazzbiografier / hovedredaktører: Peter H. Larsen, Thorbjørn Sjøgren ; fotograf: Jan Persson ; research og artikler: Jørgen Bang ... [et al.]. - Kbh. : Politiken, 2003. - 409 sider : ill.. 99.26 Kraks blå bog : ... biografier over nulevende danske, færøske og grønlandske kvinder og mænd. - 1. årgang (1910)-. - København : Gad, 1910- 78.906305 PIF Orkesterjournalen : tidskrift för jazzmusik. - Stockholm , 1933- Orkesterjournalen 1983 nr. 10 Online: Oxford Music Online heri Grove via gladbib.dk – digitale tilbud , du skal være bosat i Glx www.denstoredanske.dk/ http://da.wikipedia.org/ http://www.jazzdanmark.dk/da/jazzhistorie/hall-fame/jesper-thilo http://www.danskefilm.dk/index2.html www.youtube.com www.spotify.com Spilleliste: (((Stefan Skouenborgs Dixieland Jazband Jesper Kofoed , kbh marts 1960 første indspilning overhovedet ))) CD Arnvid Meyer ; Right out of Kansas City Måske cd1 , track 15 Sophisticated Lady (Parish/Mills/Ellington) Arvid Meyers Orkester Aug 23, 1963 4.18 eksakte noter I bogen , som jeg ikke har ((((til sammenlign– J.C. Higginbotham EP (Stompy Jones, Confessin’C, x Jam Blues, Basin Street Blues Arnvid Meyer tp, Higginbotham tb, John Darville Tb, Jepse Thilo tx, Jørn Jesen p, Ole Christiansen ,b, Hans Nymand dm KBH april 1962))) Spotify COTTON TAIL s 176 Steen, Niels Jørgen Steen: N.J.S.B.K. -
Tapestry of Light a Holiday Celebration
EPISODE FOUR TAPESTRY OF LIGHT: A HOLIDAY CELEBRATION A MESSAGE FROM OUR PRESIDENT & CEO We welcome you to Heinz Hall to enjoy the music and traditions of the holiday season with the Pittsburgh Symphony Orchestra. While we can’t gather together at Heinz Hall this year, we are excited to offer Front Row: Tapestry of Light, A Holiday Celebration to offer some comfort and joy during these uncertain times. This year’s program has old favorites – and new delights. Principal Pops Conductor Byron Stripling welcomes special guest vocalist Vanessa Campagna, a global star and a Beaver County native, who was discovered by Marvin Hamlisch, the PSO’s first Principal Pops Conductor. Byron also showcases his amazing trumpet playing in special performances of “Joy to the World” and an improvisation on the theme from “Dance of the Sugar Plum Fairy.” The glorious brass section of the PSO is featured in three pieces, and the PSO is joined by members of the Pittsburgh Youth Chorus and a dancer from Pittsburgh Ballet Theatre School for special performances. Valerie Coleman’s Umoja (Swahili for “unity” or “togetherness”) is played by the PSO’s flute section. And, the celebration wouldn’t be complete without the annual tradition of a sing-along! We’re also very proud to present our first ever virtual Sensory Friendly Holiday Concert. This will be the Pittsburgh Symphony’s sixth season offering sensory friendly concerts, and our second Sensory Friendly Holiday Concert. Open to all, our sensory friendly performances are customized especially for those with autism spectrum disorders or who have other disabilities that create sensory sensitivities. -
Download Playbill
JAZZ AT THE SOUTHERN THEATRE CONCERT SERIES Speakeasy Hot Jazz featuring Tony Glausi ON-DEMAND FRI, FEB 26 – SUN, MAR 7, 2021 ARTISTIC CHAIR SPONSOR Ann & Tom Hoaglin www.JAG.tv JAZZ ARTS GROUP BOARD OF DIRECTORS Gary Wadman | President Jim Negron | Past President Managing Partner | BakerHostetler President | Corna Kokosing Construction Tami Van Tassell | Treasurer Kevin L. Murch | Secretary Partner | PricewaterhouseCoopers LLP Partner | Perez & Morris LLC John Ammendola Robert Lee Heather Brod Therese McCann Alessandro Ciaffoncini Pete Mills Steve Driver Michael Peddicord Kevin Flanigan, MD Milton Ruffin Dale Greeson Larry Smith John Johanssen Press Southworth Ron Johnson Kelly Wilson Bill Kiefaber ADMINISTRATION Press Southworth III Byron Stripling Chief Executive Officer CJO Artistic Director Yvette Boyer Mary Manos Accountant Jazz Academy Coordinator & Orchestra Manager Alexa Brennan Education & Outreach Coordinator Pete Mills Program Director, Alex Burgoyne Jazz at The Lincoln Theatre Digital Media Manager Sarah Simon Diane Cattran Office Administrator & Database Specialist Grant Manager Louis Tsamous Zach Compston Director of Affiliate Musicians Director of Education & Community Engagement Terence Womble Director of Marketing & Communications Kimberlee Goodman Director of Development PRODUCTION TEAM Vital Companies Jason Clayton – Chief Marketing Officer and Founding Partner Fred Blitzer – CEO and Founding Partner The Social Firm Matt Erney – Strategy Director Jason Willis – Creative Director The Columbus Jazz Orchestra (CJO) was formed as a vehicle to create performance opportunities for jazz musicians in a big band setting. Forty-eight years later, the CJO is considered one of the world's finest jazz orchestras and a model for success, presenting big band jazz and world-renowned guest artists to thousands each year. -
Sherrie Maricle and the DIVA Jazz Orchestra, the USAF Academy Band Falconaires, Daytime Performances by The
GAND MUSIC AND SOUND The Musical Equipment The Frank Mantooth Jazz Festival In addition to having one of the largest Superstore selections of drums and percussion in the country, we provide the following products at New Trier High School and services: Guitars & Amps Keyboards Music Software - Private lessons for beginners and Recording and Sound Equipment Our 23rd Festival professionals alike, provided by degreed Drum, Brass and Woodwinds and active professional drummers Band Instrument Rentals - Short and long term rentals of musical equipment Sherrie - Clinics and in store appearances by some of the world’s top players. Maricle - Friendly service by our non-commissioned Maricle staff of accomplished and working drummers. www.gand.com WWW.THEDRUMPAD.COM and 847-934-8768 48 W Palatine Road 780 Frontage Rd. Northfield Palatine, IL 60067 847-446-GAND The COME TO US FIRST!!! NTJAZZ.COM... In person or on the WEB at - Archive files of all New Trier band, DIVA www.saxshop.com www.bandandorch.com orchestra, choral and jazz concerts or visit us at our new location - Download NTHS jazz curriculum - Jazz related links Jazz Evanston Band and Orchestra - FAQ for 8th graders Company Orchestra The Saxophone Shop, LTD. Next year’s Providing complimentary instrument Frank Mantooth Jazz Fest Also featuring... repair during today’s NT Jazz Fest!!! is February 3, 2007 featuring... * Full online catalog The Tito Puente Big Band The New Trier High School Jazz Ensemble I * Secure online order form * Updated lists of used instruments Alumni All-Stars With Matt Harris conducting his * Expert repair service on strings and winds with special guest, * Deep discounts on new instruments and accessories EDDIE PALMERI newest composition written for tonight’s concert (847) 673-3812 Fax (847) 329-1116 The University of Wisconsin Eau Claire 4819 Main Street, Skokie, IL 60077 Business Hours: Open six days a week! Jazz Ensemble and Alexis Booth, Vocalist Monday-Tuesday-Wednesday-Friday 10 a.m. -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. -
Depaul Jazz Students Mix It Up
The Journal of the DePaul School of Music FALL 2009 PLAY SERIOUS : DePaul Jazz Students Mix It Up THE JOURNAL OF THE DEPAUL SCHOOL OF MUSIC 1 E D PRELU Serious Play: DePaul Jazz Students Mix It Up A jazz musician is called upon to do remarkable provide real advocacy, programs in jazz things — to interpret written arrangements education can wither. Jazz is wonderfully alive which are themselves imprecise, to perform in in Chicago, though, and the program of jazz a manner that requires stylistic validity and education at DePaul remains thoroughly vibrant consistency with his or her ensemble collabora- in its energy and rather extraordinary in its tors, to demonstrate familiarity with a vast output. What, though, allows jazz to flourish repertory of classic jazz materials and recordings, here and not elsewhere? That’s the question we and to improvise — to spontaneously and seek to explore through this issue of Con Brio. concurrently create compelling music from We begin with some reflections on the quite three different sources: the harmonies, rhythms, wonderful partnership that has grown between and melodies of the piece being performed; the the DePaul jazz program and legendary jazz contributions of the other musicians performing, saxophonist Phil Woods over recent years. and the recorded performances of other jazz Through many rehearsals, recordings, and musicians at other times. For those new to the performances, the DePaul Jazz Ensemble and task, it can be more than daunting: it can be the master have developed a great respect for downright overwhelming. For those who have one another — to the benefit of jazz patrons learned to listen and appreciate jazz as a high everywhere — and meaningful collaborations art form, the experience can be euphoric. -
F U S I O N Or Many People Ben Webster Is Indelibly Linked People’S Records, with Duke He Became the Ben with the Name of Duke Ellington
F U S I O N or many people Ben Webster is indelibly linked people’s records, with Duke he became the Ben with the name of Duke Ellington. Ben had a we know and love. Like his favourite ballads, Flong and distinguished career, of which his work Ellington’s swingers put the spotlight on his with Duke was only a small part, but the crucial blend of two different tenor traditions. These exposure just as he reached musical maturity was were the luxuriant, harmonically involved out- given by Ellington, and that maturity was haste- pourings perfected in the 1930s by Coleman ned by the challenge of playing with Ellington. Hawkins, and the tersely rhythmic Southwestern Yet he also gave a lot to the band and to the conti- style originally based on Hawk’s 1920s work. To nuing Ellington tradition. these elements, Ben added tone-colours which were unu- In other words, he created sual and whose variety was the role of the tenor saxo- unusually wide for the period. phone with Duke. Before he joined for his longest stay It is no coincidence that so (in January 1940), there had many tunes in his repertoire been no expectation of signi- were from the Ellington book. ficant tenor contributions And, indeed, several of his – despite Ben’s previous own favourite performances brief encounters in 1935 and (studio and live sessions) were 1936. But, in far less time done while he was a member. than the 3 ½ years he remai- Veteran engineer Jack Towers ned, Ben had made the tenor an Ellingtonian told me that the tenor solo on Duke’s Black, voice almost as strong as Johnny Hodges and Brown And Beige, written for Ben but only com- Harry Carney on alto and baritone. -
Edition 1 | 2018-2019
WHAT’S INSIDE CONCERTS Masterworks Chamber Music 30 RACH 3 38 Awet Andemicael Sings Famous Barouqe Arias 47 Ode to America! 42 Magnetic South 1 53 Mendelssohn & Grieg “Contrasts” 79 Beethoven’s 5th 52 Chamber Music at The City Gallery Pops Special Events 34 A Tribute to Louis and Ella with Byron Stripling 63 Holiday Brass with Doc Severinsen and Phil Smith 73 Swingin’ Christmas with Tony DeSare 67 Holy City Messiah 76 Holiday Pops 4 ..........House Notes 18.........CSO Chorus 6 ..........Musicians 22 .......Charleston Symphony 8 ..........Guest Musician Sponsors Orchestra League, Inc. 9 ..........Board of Directors 26 .......Educational Programs 11 ..........Administration 28 .......Musician Roster 13 .........Letter from Executive Director 84 .......CSOGo Members 14 .........Music Director 85 .......Membership Benefits 16 ........Principal Pops Conductor 86 .......Donor Recognition 17 .........From the Symphony 89 .......In Honor/In Memory 92 .......Guest Musician Hosts/In-Kind Gifts ADVERTISING: Onstage Publications This playbill program template is published in association with Onstage Publications, 937-424-0529 | 866-503-1966 1612 Prosser Avenue, Dayton, Ohio 45409. This playbill program template may not be reproduced in whole or in part without written permission from the publisher. Onstage e-mail: [email protected] Publications is a division of Just Business!, Inc. Contents © 2018. All rights reserved. www.onstagepublications.com Printed in the U.S.A. CharlestonSymphony.org 3 HOUSE NOTES Thank you for attending this performance of the Charleston Symphony. Here are some tips and suggestions to enhance the concert experience for everyone. TICKET INFORMATION STUDENT DISCOUNTS Students ages 6-22 may take advantage of the following discounts. Some concerts are excluded INDIVIDUAL CONCERT TICKETS or have special pricing noted on the Charleston Online: Symphony website. -
70S Jazz & Pop Hits
JAZZ AT THE SOUTHERN THEATRE CONCERT SERIES ‘70‘70‘70‘70‘70sssss JAZZ & POP HITS ON-DEMAND FRI, MAR 19 – SUN, MAR 28, 2021 www.JAG.tv ARTISTIC CHAIR SPONSOR Ann & Tom Hoaglin JAZZ ARTS GROUP BOARD OF DIRECTORS Gary Wadman | President Jim Negron | Past President Managing Partner | BakerHostetler President | Corna Kokosing Construction Tami Van Tassell | Treasurer Kevin L. Murch | Secretary Partner | PricewaterhouseCoopers LLP Partner | Perez & Morris LLC John Ammendola Robert Lee Heather Brod Therese McCann Alessandro Ciaffoncini Pete Mills Steve Driver Michael Peddicord Kevin Flanigan, MD Milton Ruffin Dale Greeson Larry Smith John Johanssen Press Southworth Ron Johnson Kelly Wilson Bill Kiefaber ADMINISTRATION Press Southworth III Byron Stripling Chief Executive Officer CJO Artistic Director Yvette Boyer Mary Manos Accountant Jazz Academy Coordinator & Orchestra Manager Alexa Brennan Education & Outreach Coordinator Pete Mills Program Director, Alex Burgoyne Jazz at The Lincoln Theatre Digital Media Manager Sarah Simon Diane Cattran Office Administrator & Database Specialist Grant Manager Louis Tsamous Zach Compston Director of Affiliate Musicians Director of Education & Community Engagement Terence Womble Director of Marketing & Communications Kimberlee Goodman Director of Development PRODUCTION TEAM Vital Companies Jason Clayton – Chief Marketing Officer and Founding Partner Fred Blitzer – CEO and Founding Partner The Social Firm Matt Erney – Strategy Director Jason Willis – Creative Director “It Has Been an Honor to Play With So Many Wonderful Musicians.” BOBBY EVERHART Long time Columbus Jazz Orchestra trumpeter Bobby Everhart announced his retirement earlier this season. We were sad to lose Bobby from our ranks, but we treasure the many years of The Columbus Jazz Orchestra (CJO) was formed as a vehicle to create performance opportunities for dedicated service and stellar musicianship he brought to the jazz musicians in a big band setting. -
ON CLARINET Stunt Records STUCD 10132 6 63993 10132 3
JESPER THILO ON CLARINET Stunt Records STUCD 10132 6 63993 10132 3 Many people feel that the clarinet’s expressive range is limited. Meyer’s orchestra 1960-64 with a virile swing style inspired by Ben Although a well-established instrument in jazz, a whole record of Webster and Coleman Hawkins. He was a member of the Danish clarinet often becomes a monotonous experience. However, skep- Radio Big Band 1966-89, and he has been a featured soloist in tics will change their minds when listening to JESPER THILO ON symphony orchestras. He was voted Danish Jazz Musician of the CLARINET. Few instrumentalists have the musical talent and aut- Year in 1971, and in 1977 he was the first recipient of the Ben hority to transcend the built-in limitations of an instrument. Jesper Webster Prize. The list of awards is long, and most recently he was Thilo is one such musician. celebrated by his colleagues with the Danish Musicians Union’s The idea of a whole CD dedicated to the clarinet entered Jesper honorary award, which was coupled with a speech in which he Thilo’s musical life at a late stage. Born in 1941, he began playing was called “the beacon in Danish jazz”. the saxophone at the age of 11, and he can meet just about any chal- Since 1985 Thilo has led his own groups in a career earning him lenge on the instrument with honors. But the saxophone didn’t fit in an international reputation, performing and recording with with New Orleans music, so he was presented with a clarinet in his many of the world’s finest jazz musicians: Edmond Hall, J.C. -
Ben Webster: the Brute and the G
20. internationales forum video 4 des jungen films berlin 1990 f,ÄÄ BEN WEBSTER: THE BRUTE AND THE G. Berger, Ernie Witkins, Kenny Drew, Michael de Ruyter, Harley W. Robinson Jr., Johan van der Keuken, Arnvid Meyer, BEAUTIFUL The Danish Jazz Center, Al und Terri Aarons (The Los Angeles Jazz Society) Land Großbritannien 1989 Produktion Jazzology für Channel Four (TV), London; Danmarks Radio Über diesen Film Regie John Jeremy John Jeremy, der für seinen Film über Billie Holliday für zwei Emmy Awards nominiert wurde, hat dieses neue Porträt über den Kamera Steve Haskett, Simon Plum großen Jazzmusiker Ben Webster produziert und inszeniert. In Bernd Wouthauysen Europa und den USA aufgenommen, verfolgt der Film die Aus John Shann, Ken Morse prägung von Websters unvergleichlichem Stil seit seinen Anfän Ton Chris ^arton gen in Kansas City in den 20er Jahren bis zu seinem letzten Videoschnitt Steve Murray öffentlichen Konzert in den Niederlanden 1973. Erinnerungen an Filmschnitt Richard Bedford den 'Frosch' von Freunden und Mitmusikern werden montiert zu Regieassistenz Deirdra Lovell Konzertaufhahmen mit dem Duke Ellington Orchester und ande Kameraassistenz Joe Taylor ren Jazzgrößen wie Benny Carter, Teddy Wilson, Jimmy Wither Schnittassistenz Mary Dockwrey spoon und Gerry Mulligan. Das Privatleben Websters, den man Produktionsassistenz Jack Thuesen auch den "Jekyll und Hyde des Tenorsaxophons" nannte, wird in Ausführender Produzent schrillem Kontrast zum lyrischen Ton seiner Musik geschildert. (für Danmarks Radio) Per Moller Hansen Produktionsleitung (für die Produktionsmitteilung Ben Webster Foundation) Billy Moore jr. "Wenn ein Mann nicht Schritt hält mit seinen Gefährten, dann Ben Webster, Milt Hinton Mit deshalb, weil er einen anderen Trommler hört. -
November 2010
NOVEMBER 2010 www.jazzhusmontmartre.dk Jazzhus Montmartre · Store Regnegade 19A · 1110 Copenhagen K · Denmark Café open Mon-Fri from 12, Sat from 10 · Dinner booking at (+45) 31 72 34 94 Ticket booking at (+45) 70 15 65 65 THE INTERNATIONALLY ACCLAIMED NEW GUITAR STAR KURT ROSENWINKEL MONDAY KURT ROSENWINKEL Nov 01 STANDARDS TRIO 20.00 (8pm) DKK 295 Kurt Rosenwinkel (guitar / US), Eric Revis (bass / US), Ted Poor (drummer / US) TUESDAY If you want to understand where jazz is anno 2010 then look no further than guitarist/ Nov 02 composer Kurt Rosenwinkel. Just as Brad Mehldau today has become the dominant 20.00 (8pm) influence on other jazz pianists, the same is true of Kurt Rosenwinkel as a guitarist who DKK 295 has countless imitators around the world. To understand the genesis of his world wide influence you can trace the story back to the beginning of the 90ties, where jazz legend WEDNESDAY Gary Burton (repeating what he did for Pat Metheny) invites Kurt Rosenwinkel to join his band even before Kurt finished his studies at Berklee College of Music. Subsequently Kurt Nov 03 also becomes part of Paul Motian’s Electric Bebop band and Joe Henderson’s band, but 20.00 (8pm) perhaps more importantly he is one of the central forces (along with Brad Mehldau, Mark DKK 295 Turner etc) in a jazz revolution that takes place in the New York City club called Small’s in the late 90ties. Kurt Rosenwinkel’s influence ranges wider than just the guitar, as he is also known as one of the greatest composers in jazz today.