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Concert: Carmina Burana by Carl Orff Ithaca College Choral Union
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-17-2005 Concert: Carmina Burana by Carl Orff Ithaca College Choral Union Ithaca College Symphony Orchestra Lawrence Doebler Jeffrey Grogan Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choral Union; Ithaca College Symphony Orchestra; Doebler, Lawrence; and Grogan, Jeffrey, "Concert: Carmina Burana by Carl Orff" (2005). All Concert & Recital Programs. 4790. https://digitalcommons.ithaca.edu/music_programs/4790 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE CHORAL UNION ITHACA COLLEGE SYMPHONY ORCHESTRA Lawrence Doebler, conductor CARMINA BURANA by Carl Orff Randie Blooding, baritone Deborah Montgomery-Cove, soprano Carl Johengen, tenor Ithaca College Women's Chorale, Janet Galvan, conductor Ithaca College Chorus, Janet Galvan, conductor Ithaca College Choir, Lawrence Doebler, conductor Ithaca College Symphony Orchestra, Jeffrey Grogan, conductor Charis Dimaris and Read Gainsford, pianists Members of the Ithaca Children's Choir Community School of Music and Arts Janet Galvan, artistic director Verna Brummett, conductor Ford Hall Sunday, April 17, 2005 4:00 p.m. ITHACA THE OVERTURE TO THE SCHOOL FOR SCANDAL Samuel Barber Ithaca College Symphony -
Kodály and Orff: a Comparison of Two Approaches in Early Music Education
ZKÜ Sosyal Bilimler Dergisi, Cilt 8, Sayı 15, 2012 ZKU Journal of Social Sciences, Volume 8, Number 15, 2012 KODÁLY AND ORFF: A COMPARISON OF TWO APPROACHES IN EARLY MUSIC EDUCATION Yrd.Doç.Dr. Dilek GÖKTÜRK CARY Karabük Üniversitesi Safranbolu Fethi Toker Güzel Sanatlar ve Tasarım Fakültesi Müzik Bölümü [email protected] ABSTRACT The Hungarian composer and ethnomusicologist Zoltán Kodály (1882-1967) and the German composer Carl Orff (1895-1982) are considered two of the most influential personalities in the arena of music education during the twentieth-century due to two distinct teaching methods that they developed under their own names. Kodály developed a hand-sign method (movable Do) for children to sing and sight-read while Orff’s goal was to help creativity of children through the use of percussive instruments. Although both composers focused on young children’s musical training the main difference between them is that Kodály focused on vocal/choral training with the use of hand signs while Orff’s main approach was mainly on movement, speech and making music through playing (particularly percussive) instruments. Finally, musical creativity via improvisation is the main goal in the Orff Method; yet, Kodály’s focal point was to dictate written music. Key Words: Zoltán Kodály, Carl Orff, The Kodály Method, The Orff Method. KODÁLY VE ORFF: ERKEN MÜZİK EĞİTİMİNDE KULLANILAN İKİ METODUN BİR KARŞILAŞTIRMASI ÖZET Macar besteci ve etnomüzikolog Zoltán Kodály (1882-1967) ve Alman besteci Carl Orff (1895-1982) geliştirmiş oldukları farklı 2 öğretim metodundan dolayı 20. yüzyılda müzik eğitimi alanında en etkili 2 kişi olarak anılmaktadırlar. Kodály çocukların şarkı söyleyebilmeleri ve deşifre yapabilmeleri için el işaretleri metodu (gezici Do) geliştirmiş, Orff ise vurmalı çalgıların kullanımı ile çocukların yaratıcılıklarını geliştirmeyi hedef edinmiştir. -
Mona Lisa LEON BOTSTEIN, Conductor
Friday Evening, February 20, 2015, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents Mona Lisa LEON BOTSTEIN, Conductor MAX VON SCHILLINGS Mona Lisa ACT I Intermission ACT II Foreigner/Francesco del Giocondo: MICHAEL ANTHONY MCGEE, Bass-baritone Woman/Mona Fiordalisa: PETRA MARIA SCHNITZER, Soprano Lay Brother/Giovanni de Salviati: PAUL MCNAMARA, Tenor Pietro Tumoni: JUSTIN HOPKINS, Bass-baritone Arrigo Oldofredi: ROBERT CHAFIN, Tenor Alessio Beneventi: JOHN EASTERLIN, Tenor Sandro da Luzzano: CHRISTOPHER BURCHETT, Baritone Masolino Pedruzzi: MICHAEL SCARCELLE, Bass-baritone Mona Ginevra: ILANA DAVIDSON, Soprano Dianora: LUCY FITZ GIBBON, Soprano Piccarda: KATHERINE MAYSEK, Mezzo-soprano Sisto: JOHN KAWA, Tenor BARD FESTIVAL CHORALE JAMES BAGWELL, Director This evening’s concert will run approximately two hours and 20 minutes including one 20-minute intermission. Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director The Stolen Smile DVDs or pirated videos. Opera is the by Leon Botstein one medium from the past that resists technological reproduction. A concert This concert performance of Max von version still represents properly the Schillings’ 1915 Mona Lisa is the latest sonority and the multi-dimensional installment of a series of concert perfor- aspect crucial to the operatic experi- mances of rare operas the ASO has pio- ence. -
Download Playbill
JAZZ AT THE SOUTHERN THEATRE CONCERT SERIES Speakeasy Hot Jazz featuring Tony Glausi ON-DEMAND FRI, FEB 26 – SUN, MAR 7, 2021 ARTISTIC CHAIR SPONSOR Ann & Tom Hoaglin www.JAG.tv JAZZ ARTS GROUP BOARD OF DIRECTORS Gary Wadman | President Jim Negron | Past President Managing Partner | BakerHostetler President | Corna Kokosing Construction Tami Van Tassell | Treasurer Kevin L. Murch | Secretary Partner | PricewaterhouseCoopers LLP Partner | Perez & Morris LLC John Ammendola Robert Lee Heather Brod Therese McCann Alessandro Ciaffoncini Pete Mills Steve Driver Michael Peddicord Kevin Flanigan, MD Milton Ruffin Dale Greeson Larry Smith John Johanssen Press Southworth Ron Johnson Kelly Wilson Bill Kiefaber ADMINISTRATION Press Southworth III Byron Stripling Chief Executive Officer CJO Artistic Director Yvette Boyer Mary Manos Accountant Jazz Academy Coordinator & Orchestra Manager Alexa Brennan Education & Outreach Coordinator Pete Mills Program Director, Alex Burgoyne Jazz at The Lincoln Theatre Digital Media Manager Sarah Simon Diane Cattran Office Administrator & Database Specialist Grant Manager Louis Tsamous Zach Compston Director of Affiliate Musicians Director of Education & Community Engagement Terence Womble Director of Marketing & Communications Kimberlee Goodman Director of Development PRODUCTION TEAM Vital Companies Jason Clayton – Chief Marketing Officer and Founding Partner Fred Blitzer – CEO and Founding Partner The Social Firm Matt Erney – Strategy Director Jason Willis – Creative Director The Columbus Jazz Orchestra (CJO) was formed as a vehicle to create performance opportunities for jazz musicians in a big band setting. Forty-eight years later, the CJO is considered one of the world's finest jazz orchestras and a model for success, presenting big band jazz and world-renowned guest artists to thousands each year. -
Sherrie Maricle and the DIVA Jazz Orchestra, the USAF Academy Band Falconaires, Daytime Performances by The
GAND MUSIC AND SOUND The Musical Equipment The Frank Mantooth Jazz Festival In addition to having one of the largest Superstore selections of drums and percussion in the country, we provide the following products at New Trier High School and services: Guitars & Amps Keyboards Music Software - Private lessons for beginners and Recording and Sound Equipment Our 23rd Festival professionals alike, provided by degreed Drum, Brass and Woodwinds and active professional drummers Band Instrument Rentals - Short and long term rentals of musical equipment Sherrie - Clinics and in store appearances by some of the world’s top players. Maricle - Friendly service by our non-commissioned Maricle staff of accomplished and working drummers. www.gand.com WWW.THEDRUMPAD.COM and 847-934-8768 48 W Palatine Road 780 Frontage Rd. Northfield Palatine, IL 60067 847-446-GAND The COME TO US FIRST!!! NTJAZZ.COM... In person or on the WEB at - Archive files of all New Trier band, DIVA www.saxshop.com www.bandandorch.com orchestra, choral and jazz concerts or visit us at our new location - Download NTHS jazz curriculum - Jazz related links Jazz Evanston Band and Orchestra - FAQ for 8th graders Company Orchestra The Saxophone Shop, LTD. Next year’s Providing complimentary instrument Frank Mantooth Jazz Fest Also featuring... repair during today’s NT Jazz Fest!!! is February 3, 2007 featuring... * Full online catalog The Tito Puente Big Band The New Trier High School Jazz Ensemble I * Secure online order form * Updated lists of used instruments Alumni All-Stars With Matt Harris conducting his * Expert repair service on strings and winds with special guest, * Deep discounts on new instruments and accessories EDDIE PALMERI newest composition written for tonight’s concert (847) 673-3812 Fax (847) 329-1116 The University of Wisconsin Eau Claire 4819 Main Street, Skokie, IL 60077 Business Hours: Open six days a week! Jazz Ensemble and Alexis Booth, Vocalist Monday-Tuesday-Wednesday-Friday 10 a.m. -
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Bratislava Music Festival 48th Year 28. 9. 2013 – 14. 10. 2012 Main organizer Slovak Philharmonic as delegated by and with financial support from the Ministry of Culture of the Slovak Republic The festival is held under the patronage of Ivan Gašparovič, the President of the Slovak Republic Honorary President of the BMF – Edita Gruberova Friday, 28th September 7.30 p. m. Concert Hall of the Slovak Philharmonic Opening Concert of the 48th Year of the BMF Slovak Philharmonic Emmanuel Villaume, conductor Sarah Chang, violin Johannes Brahms Violin Concerto in D Major, Op. 77 Richard Strauss Also sprach Zarathustra, tone poem, Op. 30 Saturday, 29th September 5.00 p. m. St. Martin’s Cathedral Solamente naturali Bratislava Boys’ Choir Miloš Valent, artistic leader Magdaléna Rovňáková, conductor Gabriel Rovňák, conductor Miriam Garajová, soprano Alexander Schneider, countertenor Matej Slezák, tenor Tomáš Šelc, bass-baritone Ondrej Bajan, bass and soloists of the Bratislava Boys’ Choir Marc-Antoine Charpentier, François Couperin, Simon Brixi, Juan Cererols, Georg Friedrich Händel, Franz Xaver, Tost Johann Pachelbel Ľuboš Bernáth O mitissima virgo Maria for baritone solo, male choir and orchestra premiere Sunday, 30th September 4.00 p. m. Concert Hall of the Slovak Philharmonic Organ Recital Ján Vladimír Michalko Franz Schmidt, Max Reger, Alexandre Guilmant, Louis Vierne, Charles Tournemire 7.30 p. m. Small Hall of the Slovak Philharmonic Quasars Ensemble Ivan Buffa, artistic leader / conductor Eva Šušková, soprano František Výrostko, reciter Maja Hriešik, scenic collaboration Ilja Zeljenka Metamorphoses XV for reciter and 9 instruments Alexander Albrecht Sonatina for Eleven Instruments Arnold Schönberg Pierrot lunaire Op. 21 Monday, 1st October 7.30 p. -
XXVI Space Utopia in the 1970S of the Twentieth Century on the Basis Of
XXVI Space Utopia in the 1970s of the Twentieth Century on the Basis of the Kobaïan World Łukasz Stec Introduction Utopia has been depicted in a plethora of works of culture. Thus, its omnipresence creates a considerable incentive to approach the subject from a completely different angle. Endeavouring to put the problem of utopia into wider perspective, this chap- ter focuses on music and its relation to utopian concepts and notions. Utopias tend to raise the problem of the world improvement. According to Lyman Tower Sargent “most utopias compare life in the present and life in the utopia and point out what is wrong with the way we now live, thus suggesting what needs to be done to improve things” (Sargent 2010: 5). When it comes to music, there have been plenty of bands approaching utopian- ism1; however, there is only one that stands out among the rest, i.e. Magma, a French group led by Christian Vander, a drummer, who along with other members of the 1 There is a long list of bands playing different kinds of music which referred to both utopia and dystopia. With regard to rock music, there are well-known albums such as Animals by Pink Floyd based on George Orwell’s Animal Farm and the opus magnum of Roger Waters The Wall, Brave New World by Iron Maiden based on Aldous Huxley, 666 by Aphrodite’s Child which is believed to have been staged in Barcelona and directed by Salvador Dalí. The topic of utopian discourse across media including music, computer games, films, visual arts is thoroughly discussed in the book (Im)perfection Sub- verted, reloaded and networked edited by Barbara Klonowska, Zofia Kolbuszewska and Grzegorz Maziarczyk (Klonowska, Kolbuszewska, Maziarczyk 2015). -
Depaul Jazz Students Mix It Up
The Journal of the DePaul School of Music FALL 2009 PLAY SERIOUS : DePaul Jazz Students Mix It Up THE JOURNAL OF THE DEPAUL SCHOOL OF MUSIC 1 E D PRELU Serious Play: DePaul Jazz Students Mix It Up A jazz musician is called upon to do remarkable provide real advocacy, programs in jazz things — to interpret written arrangements education can wither. Jazz is wonderfully alive which are themselves imprecise, to perform in in Chicago, though, and the program of jazz a manner that requires stylistic validity and education at DePaul remains thoroughly vibrant consistency with his or her ensemble collabora- in its energy and rather extraordinary in its tors, to demonstrate familiarity with a vast output. What, though, allows jazz to flourish repertory of classic jazz materials and recordings, here and not elsewhere? That’s the question we and to improvise — to spontaneously and seek to explore through this issue of Con Brio. concurrently create compelling music from We begin with some reflections on the quite three different sources: the harmonies, rhythms, wonderful partnership that has grown between and melodies of the piece being performed; the the DePaul jazz program and legendary jazz contributions of the other musicians performing, saxophonist Phil Woods over recent years. and the recorded performances of other jazz Through many rehearsals, recordings, and musicians at other times. For those new to the performances, the DePaul Jazz Ensemble and task, it can be more than daunting: it can be the master have developed a great respect for downright overwhelming. For those who have one another — to the benefit of jazz patrons learned to listen and appreciate jazz as a high everywhere — and meaningful collaborations art form, the experience can be euphoric. -
March 8, 2014 Program
2648 Jolly Acres Road | Whitehall, MD 21161 410-692-0358 | 410-236-7720 (c) [email protected] | deercreekchorale.org Please consider using the Amazon.com link on the SSO website when making purchases. We receive a fraction of a percent of every purchase for every one that does. It costs you nothing, and it is a part of Amazon’s advertising strategy. You will find the Amazon.com link on the right-hand side of the SSO website under the revolving pictures: <http://www. ssorchestra.org>. Last year we increased our income from Amazon.com from $500 to over $1,000 just by family and friends like you clicking on this link first. We are hoping enough individuals and businesses do their on-line purchases through this site to triple that this year. Thank you for your support. 2 Our 37th Season The Susquehanna Symphony Orchestra was founded in 1978 by Sheldon Bair and is a community orchestra of professional and amateur volunteer musicians. The Susquehanna Symphony’s home is in Harford County, Maryland, near the mouth of the Susquehanna River. The Orchestra performs a subscription series of concerts every year in addition to outdoor and chamber music concerts. The Orchestra has performed opera and ballet, as well as standard orchestral repertoire, and is known for its premieres of new works and performances of unusual repertoire. The Orchestra performed in St. Patrick’s Cathedral, New York City for over 3,000 people in November 2007, and at Carnegie Hall for 2,500 people in October 2009. This year marks the 37th Season of the Susquehanna Symphony Orchestra. -
Edition 1 | 2018-2019
WHAT’S INSIDE CONCERTS Masterworks Chamber Music 30 RACH 3 38 Awet Andemicael Sings Famous Barouqe Arias 47 Ode to America! 42 Magnetic South 1 53 Mendelssohn & Grieg “Contrasts” 79 Beethoven’s 5th 52 Chamber Music at The City Gallery Pops Special Events 34 A Tribute to Louis and Ella with Byron Stripling 63 Holiday Brass with Doc Severinsen and Phil Smith 73 Swingin’ Christmas with Tony DeSare 67 Holy City Messiah 76 Holiday Pops 4 ..........House Notes 18.........CSO Chorus 6 ..........Musicians 22 .......Charleston Symphony 8 ..........Guest Musician Sponsors Orchestra League, Inc. 9 ..........Board of Directors 26 .......Educational Programs 11 ..........Administration 28 .......Musician Roster 13 .........Letter from Executive Director 84 .......CSOGo Members 14 .........Music Director 85 .......Membership Benefits 16 ........Principal Pops Conductor 86 .......Donor Recognition 17 .........From the Symphony 89 .......In Honor/In Memory 92 .......Guest Musician Hosts/In-Kind Gifts ADVERTISING: Onstage Publications This playbill program template is published in association with Onstage Publications, 937-424-0529 | 866-503-1966 1612 Prosser Avenue, Dayton, Ohio 45409. This playbill program template may not be reproduced in whole or in part without written permission from the publisher. Onstage e-mail: [email protected] Publications is a division of Just Business!, Inc. Contents © 2018. All rights reserved. www.onstagepublications.com Printed in the U.S.A. CharlestonSymphony.org 3 HOUSE NOTES Thank you for attending this performance of the Charleston Symphony. Here are some tips and suggestions to enhance the concert experience for everyone. TICKET INFORMATION STUDENT DISCOUNTS Students ages 6-22 may take advantage of the following discounts. Some concerts are excluded INDIVIDUAL CONCERT TICKETS or have special pricing noted on the Charleston Online: Symphony website. -
70S Jazz & Pop Hits
JAZZ AT THE SOUTHERN THEATRE CONCERT SERIES ‘70‘70‘70‘70‘70sssss JAZZ & POP HITS ON-DEMAND FRI, MAR 19 – SUN, MAR 28, 2021 www.JAG.tv ARTISTIC CHAIR SPONSOR Ann & Tom Hoaglin JAZZ ARTS GROUP BOARD OF DIRECTORS Gary Wadman | President Jim Negron | Past President Managing Partner | BakerHostetler President | Corna Kokosing Construction Tami Van Tassell | Treasurer Kevin L. Murch | Secretary Partner | PricewaterhouseCoopers LLP Partner | Perez & Morris LLC John Ammendola Robert Lee Heather Brod Therese McCann Alessandro Ciaffoncini Pete Mills Steve Driver Michael Peddicord Kevin Flanigan, MD Milton Ruffin Dale Greeson Larry Smith John Johanssen Press Southworth Ron Johnson Kelly Wilson Bill Kiefaber ADMINISTRATION Press Southworth III Byron Stripling Chief Executive Officer CJO Artistic Director Yvette Boyer Mary Manos Accountant Jazz Academy Coordinator & Orchestra Manager Alexa Brennan Education & Outreach Coordinator Pete Mills Program Director, Alex Burgoyne Jazz at The Lincoln Theatre Digital Media Manager Sarah Simon Diane Cattran Office Administrator & Database Specialist Grant Manager Louis Tsamous Zach Compston Director of Affiliate Musicians Director of Education & Community Engagement Terence Womble Director of Marketing & Communications Kimberlee Goodman Director of Development PRODUCTION TEAM Vital Companies Jason Clayton – Chief Marketing Officer and Founding Partner Fred Blitzer – CEO and Founding Partner The Social Firm Matt Erney – Strategy Director Jason Willis – Creative Director “It Has Been an Honor to Play With So Many Wonderful Musicians.” BOBBY EVERHART Long time Columbus Jazz Orchestra trumpeter Bobby Everhart announced his retirement earlier this season. We were sad to lose Bobby from our ranks, but we treasure the many years of The Columbus Jazz Orchestra (CJO) was formed as a vehicle to create performance opportunities for dedicated service and stellar musicianship he brought to the jazz musicians in a big band setting. -
Projektbeschrieb Carmina Burana Chor
Projektbeschrieb «Carmina Burana» 04.11.2019 Konzerte 29./30. und 31. Januar2021 Konzertorte Stadtkirche Thun, Petruskirche Bern GeneralproBe Donnerstag, 28. Januar 2021, Petruskirche Bern GesamtproBen 23. und 24. Januar 2021, KgH Johanneskirche, Bern Carmina Burana – Carl Orff Besetzung 3 Fl (1 Picc.), 3 OB (1 C.A.), 3 Kl (A+B, 1 BKl), 2 Fg, 1 KFg, 4 Hn in F, 3 Tr in B und C, 3 Pos, 1 TuBa, 2 Pn, 1 Celesta Grosse Perkussion (5 Timp, 2 kl. Tr, G.C., Triangel, Streicher (14, 12, 8, 8, 4) 3 Gesangssolisten (Sopran, Tenor, Bariton) Gemischter Chor (SATB) 4-stimmiger Kammerchor 1 Kinderchor Die Carmina Burana sind instrumentiert für 3 Flöten (davon zwei im Wechsel mit Piccolo), 3 OBoen (davon eine im Wechsel mit Englischhorn), 3 Klarinetten in B und A (davon eine im Wechsel mit Es-Klarinette, eine im Wechsel mit Bassklarinette), 2 Fagotte, Kontrafagott, 4 Hörner in F, 3 Trompeten in B und C, 3 Posaunen, TuBa, 2 Klaviere, Celesta, großes Schlagzeug und Streicher. Das Schlagzeug setzt sich zusammen aus 5 Pauken (ein Piccolo), 2 Kleinen Trommeln, Großer Trommel, Triangel, verschiedenen Becken, Ratsche, Kastagnetten, Schlittenglocken, Tamtam, TamBurin, Röhrenglocken, 3 Glocken, 3 Glockenspielen und Xylophon. Die Gesangsstimmen umfassen je einen Sopran-, Tenor- und Baritonsolisten, einen großen gemischten Chor mit Soli für 3 Tenöre, Bariton und zwei Bässe, einen vierstimmigen Kammerchor und einen Kinderchor. Eine reduzierte Version für Solisten, großen gemischten Chor, Kinderchor, zwei Klaviere und Schlagzeug wurde 1956 von Orffs Schüler Wilhelm Killmayer arrangiert und von Orff autorisiert. Außerdem existiert eine eBenfalls von Orff autorisierte BearBeitung von Friedrich K.