DOCSLIB.ORG

Jesper Thilo

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jesper Thilo Gladsaxe Bibliotekernes Jazzlytteklub Jan2015/glo Jesper Thilo Kilder: 99.4 Thilo, Jesper Thilo, Jesper Man ska' ku' se komikken / Jesper Thilo ; fortalt til Erik Moseholm ; diskografi: Kjeld Frandsen ; tegninger ...: Klaus Albrectsen ... Storm P.. - 1. udgave, 1. oplag. - [Kbh.] : L&R Fakta, 2000. - 325 sider : ill. 78.9063 Jazz i Danmark : 1950-2010 / redaktører: Olav Harsløf, Finn Slumstrup ; forfattere: Kjeld Frandsen ... [et al.] ; fotograf: Jan Persson. - 1. udgave. - Kbh. : Politiken, 2011. - 624 sider : ill. 78.9063 Politikens jazzleksikon : udenlandske og danske jazzbiografier / hovedredaktører: Peter H. Larsen, Thorbjørn Sjøgren ; fotograf: Jan Persson ; research og artikler: Jørgen Bang ... [et al.]. - Kbh. : Politiken, 2003. - 409 sider : ill.. 99.26 Kraks blå bog : ... biografier over nulevende danske, færøske og grønlandske kvinder og mænd. - 1. årgang (1910)-. - København : Gad, 1910- 78.906305 PIF Orkesterjournalen : tidskrift för jazzmusik. - Stockholm , 1933- Orkesterjournalen 1983 nr. 10 Online: Oxford Music Online heri Grove via gladbib.dk – digitale tilbud , du skal være bosat i Glx www.denstoredanske.dk/ http://da.wikipedia.org/ http://www.jazzdanmark.dk/da/jazzhistorie/hall-fame/jesper-thilo http://www.danskefilm.dk/index2.html www.youtube.com www.spotify.com Spilleliste: (((Stefan Skouenborgs Dixieland Jazband Jesper Kofoed , kbh marts 1960 første indspilning overhovedet ))) CD Arnvid Meyer ; Right out of Kansas City Måske cd1 , track 15 Sophisticated Lady (Parish/Mills/Ellington) Arvid Meyers Orkester Aug 23, 1963 4.18 eksakte noter I bogen , som jeg ikke har ((((til sammenlign– J.C. Higginbotham EP (Stompy Jones, Confessin’C, x Jam Blues, Basin Street Blues Arnvid Meyer tp, Higginbotham tb, John Darville Tb, Jepse Thilo tx, Jørn Jesen p, Ole Christiansen ,b, Hans Nymand dm KBH april 1962))) Spotify COTTON TAIL s 176 Steen, Niels Jørgen Steen: N.J.S.B.K. plays jazz herpå med Jesper Thilo /feat, Hugo Rasmussen og Thilo Cotton Tail 1976 Brug Spotify 3.33 Thilo ts, Steen p, Torben Munk g, Hugo Rasmussen b, Ove Rex dm, Asger Rosenberg ar+vo aug 76 CD Thilo, Jesper : Jesper Thilo & the American stars Cotton Tail 1980 Clark Terry Jesper Thilo Kenny Drew 2.48 Jepser Thilo and Clark Terry quintet , Terry tp, Thilo ts, Drew p, Jesper Lundgaard b, Svend- Erik Nørregaard, dr dec 80 CD Thilo, Jesper: 40th anniversary Jesper Thilo Quintet plays Duke Ellington Thilo, Søren Kristiansen (p), Hugo Rasmussen (b) Sven-Erik Nørregaard (dr) Cotton Tail 1992 4.09 YOUTUBE Jesper Thilo and the Danish Radio Big Band plays. Cotton Tail ( Ellington) 1995 arrangeret af Niels Jørgen Steen 4.09 søg på Jesper Thilo and the Danish Radio Big Band plays Ellington from 1995 https://www.youtube.com/watch?v=f83bgQeMitk CD STARDUST Thilo, Jesper: Jesper Thilo Quartet 1980 4.58 thilo ts, Ole Ousen, guitar) Gert Rostock b, Svend Erik Nørregaard dr, maj 80 CD Kansas City Stompers : -Featuring Jesper Thilo & Ulf Johansson (Jesper Thilo tenorsax og sopransax, Ulf Johansson (p + voc), Jens Melgaard (b) Johnny "Goffy" Rasnuussen (basun)Svend Erik Nørregaard, (dr) Niels Abild , cl + bandleader) 1997 8.04 CD Thilo, Jesper: Stardust herpå Stardust 2014 5.02 Thilo ts,cl , vo på 1 og 8, Oliver Antunes p, Bo Stief, b, Frands Rifbjerg dr maj9-11 PERDIDO CD Thilo, Jesper: 40th anniversary disc 2 track 9 Perdido indspillet april 1992 Thilo , Farholt, Søren Kristiansen, Hugo Rasmussen og Svend E-Erik Nørregaard 6.08 CD Thilo, Jesper: On clarinet 2010n Antunes(klaver) , Stief (bas) Rifbjerg (dr) 2010 track 9 3.59 EVT Fortsat samme CD Mood Indigo Thilo, Jesper ; Clarinet : Ellington/Bigard /Mills) track 8 2010 EVT DVD fra Arnvid Meyer sættet .
Load more

Recommended publications
  • John Clark Brian Charette Finn Von Eyben Gil Evans
    NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving.
    [Show full text]
  • F U S I O N Or Many People Ben Webster Is Indelibly Linked People’S Records, with Duke He Became the Ben with the Name of Duke Ellington
    F U S I O N or many people Ben Webster is indelibly linked people’s records, with Duke he became the Ben with the name of Duke Ellington. Ben had a we know and love. Like his favourite ballads, Flong and distinguished career, of which his work Ellington’s swingers put the spotlight on his with Duke was only a small part, but the crucial blend of two different tenor traditions. These exposure just as he reached musical maturity was were the luxuriant, harmonically involved out- given by Ellington, and that maturity was haste- pourings perfected in the 1930s by Coleman ned by the challenge of playing with Ellington. Hawkins, and the tersely rhythmic Southwestern Yet he also gave a lot to the band and to the conti- style originally based on Hawk’s 1920s work. To nuing Ellington tradition. these elements, Ben added tone-colours which were unu- In other words, he created sual and whose variety was the role of the tenor saxo- unusually wide for the period. phone with Duke. Before he joined for his longest stay It is no coincidence that so (in January 1940), there had many tunes in his repertoire been no expectation of signi- were from the Ellington book. ficant tenor contributions And, indeed, several of his – despite Ben’s previous own favourite performances brief encounters in 1935 and (studio and live sessions) were 1936. But, in far less time done while he was a member. than the 3 ½ years he remai- Veteran engineer Jack Towers ned, Ben had made the tenor an Ellingtonian told me that the tenor solo on Duke’s Black, voice almost as strong as Johnny Hodges and Brown And Beige, written for Ben but only com- Harry Carney on alto and baritone.
    [Show full text]
  • ON CLARINET Stunt Records STUCD 10132 6 63993 10132 3
    JESPER THILO ON CLARINET Stunt Records STUCD 10132 6 63993 10132 3 Many people feel that the clarinet’s expressive range is limited. Meyer’s orchestra 1960-64 with a virile swing style inspired by Ben Although a well-established instrument in jazz, a whole record of Webster and Coleman Hawkins. He was a member of the Danish clarinet often becomes a monotonous experience. However, skep- Radio Big Band 1966-89, and he has been a featured soloist in tics will change their minds when listening to JESPER THILO ON symphony orchestras. He was voted Danish Jazz Musician of the CLARINET. Few instrumentalists have the musical talent and aut- Year in 1971, and in 1977 he was the first recipient of the Ben hority to transcend the built-in limitations of an instrument. Jesper Webster Prize. The list of awards is long, and most recently he was Thilo is one such musician. celebrated by his colleagues with the Danish Musicians Union’s The idea of a whole CD dedicated to the clarinet entered Jesper honorary award, which was coupled with a speech in which he Thilo’s musical life at a late stage. Born in 1941, he began playing was called “the beacon in Danish jazz”. the saxophone at the age of 11, and he can meet just about any chal- Since 1985 Thilo has led his own groups in a career earning him lenge on the instrument with honors. But the saxophone didn’t fit in an international reputation, performing and recording with with New Orleans music, so he was presented with a clarinet in his many of the world’s finest jazz musicians: Edmond Hall, J.C.
    [Show full text]
  • Ben Webster: the Brute and the G
    20. internationales forum video 4 des jungen films berlin 1990 f,ÄÄ BEN WEBSTER: THE BRUTE AND THE G. Berger, Ernie Witkins, Kenny Drew, Michael de Ruyter, Harley W. Robinson Jr., Johan van der Keuken, Arnvid Meyer, BEAUTIFUL The Danish Jazz Center, Al und Terri Aarons (The Los Angeles Jazz Society) Land Großbritannien 1989 Produktion Jazzology für Channel Four (TV), London; Danmarks Radio Über diesen Film Regie John Jeremy John Jeremy, der für seinen Film über Billie Holliday für zwei Emmy Awards nominiert wurde, hat dieses neue Porträt über den Kamera Steve Haskett, Simon Plum großen Jazzmusiker Ben Webster produziert und inszeniert. In Bernd Wouthauysen Europa und den USA aufgenommen, verfolgt der Film die Aus­ John Shann, Ken Morse prägung von Websters unvergleichlichem Stil seit seinen Anfän­ Ton Chris ^arton gen in Kansas City in den 20er Jahren bis zu seinem letzten Videoschnitt Steve Murray öffentlichen Konzert in den Niederlanden 1973. Erinnerungen an Filmschnitt Richard Bedford den 'Frosch' von Freunden und Mitmusikern werden montiert zu Regieassistenz Deirdra Lovell Konzertaufhahmen mit dem Duke Ellington Orchester und ande­ Kameraassistenz Joe Taylor ren Jazzgrößen wie Benny Carter, Teddy Wilson, Jimmy Wither­ Schnittassistenz Mary Dockwrey spoon und Gerry Mulligan. Das Privatleben Websters, den man Produktionsassistenz Jack Thuesen auch den "Jekyll und Hyde des Tenorsaxophons" nannte, wird in Ausführender Produzent schrillem Kontrast zum lyrischen Ton seiner Musik geschildert. (für Danmarks Radio) Per Moller Hansen Produktionsleitung (für die Produktionsmitteilung Ben Webster Foundation) Billy Moore jr. "Wenn ein Mann nicht Schritt hält mit seinen Gefährten, dann Ben Webster, Milt Hinton Mit deshalb, weil er einen anderen Trommler hört.
    [Show full text]
  • November 2010
    NOVEMBER 2010 www.jazzhusmontmartre.dk Jazzhus Montmartre · Store Regnegade 19A · 1110 Copenhagen K · Denmark Café open Mon-Fri from 12, Sat from 10 · Dinner booking at (+45) 31 72 34 94 Ticket booking at (+45) 70 15 65 65 THE INTERNATIONALLY ACCLAIMED NEW GUITAR STAR KURT ROSENWINKEL MONDAY KURT ROSENWINKEL Nov 01 STANDARDS TRIO 20.00 (8pm) DKK 295 Kurt Rosenwinkel (guitar / US), Eric Revis (bass / US), Ted Poor (drummer / US) TUESDAY If you want to understand where jazz is anno 2010 then look no further than guitarist/ Nov 02 composer Kurt Rosenwinkel. Just as Brad Mehldau today has become the dominant 20.00 (8pm) influence on other jazz pianists, the same is true of Kurt Rosenwinkel as a guitarist who DKK 295 has countless imitators around the world. To understand the genesis of his world wide influence you can trace the story back to the beginning of the 90ties, where jazz legend WEDNESDAY Gary Burton (repeating what he did for Pat Metheny) invites Kurt Rosenwinkel to join his band even before Kurt finished his studies at Berklee College of Music. Subsequently Kurt Nov 03 also becomes part of Paul Motian’s Electric Bebop band and Joe Henderson’s band, but 20.00 (8pm) perhaps more importantly he is one of the central forces (along with Brad Mehldau, Mark DKK 295 Turner etc) in a jazz revolution that takes place in the New York City club called Small’s in the late 90ties. Kurt Rosenwinkel’s influence ranges wider than just the guitar, as he is also known as one of the greatest composers in jazz today.
    [Show full text]
  • Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
    AUGUST 2019 VOLUME 86 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • 1. William Dessau Collection
    WILLIAM DESSAU COLLECTION Jesper Thilo & Bent Jædig Quintet WDC 1 Cph., Nytorv, May 3, 1987, Radio Jazz’ åbningsdag, PR musikere: JEspEr Thilo, ts, BEnt Jædig, ts, NiEls JørgEn SteEn, p, OlE SkippEr MoEsgaard, b, SvEnd Erik NørrEgaard, dr. 1. TollbridgE (ColEman Hawkins) 2. Doxy (Sonny Rollins) 3. Just FriEnds (John KlEnnEr) 4. What’s NEw (Bob Haggart) 5. Anthropology (GillEspiE/ParkEr) Radioens Big Band & Benny Carter WDC 2 Cph., MontmartrE, March 29, 1989, BEn WEbster PrisfEst, DR musikere: Bl. a. JEns WinthEr, Lars TogEby?, tp, VincEnt Nilsson, tb, JEspEr Thilo, as,cl, Jan zum VohrdE, fl, BEnt Jædig, ts, OlE Kock HansEn, p, Mads Vinding?, b, LEnnart Gruvstedt?, dr, BEnny Carter,as, cond, Henrik Wolsgaard IvErsEn, m.c. 1. WhEn Lights ArE Low (BC) 2. Symphony In Riffs (BC) 3. Hello (BC) 4. RemEmbEr (BC) 5. Day By Day (BC) 6. ThE GroovE Merchant (JEromE Richardson) 7. A LittlE Bit At A TimE (BC) 8. Coalition (BC) 9. Easy MonEy (BC) 10. SouvEnir (BC) NB FindEs ikkE i radioarkivEt. Bent SchjærFF & Gerhard Sieling WDC 3 Cph., MennEskEr MødEs: Søndagsgæsten, 1984 (?), DR musikere: BEnt Schjærff, p, GErhard SiEling, cl. 1. Poor Butterfly 2. InterviEw om dEn sEnE swingtid 1 3. Body And Soul 4. BluEs (trickindspilning) 5. Out Of NowhErE Lee Konitz & Butch Lacy WDC 4 Aarhus, BEnt J, Juni 1987, PR musikere: LeE Konitz, as, Butch Lacy, p. 1. Invitation (KapEr) 2. I’ll RemEmbEr April 3. LovEr Man Waltz 4. I RemEmbEr You 5. BubblEs, BanglEs and BEads 6. Just FriEnds 7. Darn That DrEam (van HeusEn) 8. In Your Own SwEEt way (Brubeck) 9.
    [Show full text]
  • Important Musicians
    Important Musicians: Trumpets: Dizzy Gillespie, Clark Terry, Freddie Hubbard, Woody Shaw, Wynton Marsalis, Art Farmer, Conte Candoli, Benny Bailey, Red Rodney, Dizzy Reece, Carmell Jones, Webster Young, Maynard Ferguson, Louis Smith, Gerard Presencer, Jarmo Hoogendijk, Rik Mol, Ruud Breuls, Ray Kaart, Cees Smal, Eddie Engels, Ack van Rooyen, Willem Reinen, Franco Ambrosetti, Billy Butterfield, ‘Wild’ Bill Davidson, Jimmy Owens, Kenny Wheeler, Harry ‘Sweets’ Edison, John Faddis, Tom Kirkpatrick, Chet Baker, Rolf Erickson, John Marshall, Valery Ponomarev, Marcus Belgrave, Rick Kiefer, Ray Codrington, Philip Harper Trombones: Curtis Fuller, Julian Priester, Slide Hampton, Bob Brookmeyer, Rob McConnell, Bart van Lier, George Kaatee, Ilya Reingoud, Mark Nightingale, Urbie Green, Marc Godfroid, Steve Davis, Dick Kaart, Kai Winding Clarinet: Buddy DeFranco, Eddie Daniels, Johnny Mince, Jan Morks, John Ruocco, Tony Coe, Bob Kaper, Herman Schoonderwalt, Frits Katee, David Lukacs Sopraansax: Lucky Thompson, David Liebman, Harry Sokal, Dim Kesber Alto Sax: Phil Woods, Charles McPherson, Lee Konitz, Herb Geller, Gary Foster, Piet Noordijk, Benjamin Herman, Tineke Postma, Marco Kegel, Bud Shank, Gary Bartz, Red Hollaway, Frank Morgan, Leo Wright, Herbie Steward,Vincent Herring, Derek Humble, James Spaulding, Ben van Gelder, Pete King, Benny Waters, Pekka Pylkkanen, Herman Schoonderwalt, Phil Lashley, Gael Horellou, Sonny Fortune Tenorsax: Dexter Gordon, Johnny Griffin, Hank Mobley, Ben Webster, Don Byas, George Coleman, Al Cohn, James Moody, Gene Ammons,
    [Show full text]
  • (P) Red Mitchell
    TJD-Online: Red Mitchell Page 1 of 58 [F4693] Add Tony Fruscella Debut : Tony Fruscella (tp) Chick Maures (as) Bill Triglia (p) Red Mitchell (b) Dave Troy (d) New York, December 10, 1948 151A Foo's Spotlite (E)SPJ126 153B Flues - 154B Oh yeah - 155A Little Orgg - 155B Little Orgg - 156A Out of nowhere - 156B Out of nowhere - 163A Flues - Note: All above titles also on Cool N' Blue (Swi)C&B-CD107 [CD] titled "Tony's blues" see 1955 and November 7, 1955 for the rest of this CD. All above titles also on The Jazz Factory JFCD22808 [CD] titled "Tony Fruscella - Complete Studio Recordings"; see various flwg sessions to April 1955 and Stan Getz for rest of this 2 CD set. All above titles also on The Jazz Factory (Sp)JFCD44401 [CD] titled "Tony Fruscella - The Complete Works"; see various flwg sessions to November 7, 1955 and Stan Getz for rest of this 4 CD set. [R5274] Add Joe Roland Joe Roland Quintet : Ray Turner (ts) Joe Roland (vib) Red Mitchell (p) Joe Puma (g) Paul Sziglay (b) Paula Castle (vcl) New York, July 21, 1949 Leaving town tonight (unissued) Derby Harry the eight Rainbow LP708 Free of charge - A fool and his love (unissued) Note: Rainbow issued as by "Chubby Jackson's All Stars" but is is in fact a Joe Roland Group. [V1382] Add Charlie Ventura Charlie Ventura And His Orchestra : Teddy Kaye (p) Red Mitchell (b) replace Roy Kral, Kenny O'Brien, Betty Bennett (vcl) Beverley Brooks (vcl) Jimmy Vanelli (vcl) added New York, August 12, 1949 D9VB284 Boptura (cc,bg,cv vcl) Vic 20-3552, LP3046, RCA (F)NL46031, Fresh Sound (Sp)NL46031 D9VB2144 Feather's den (bb,bb vcl) Vic 20-3635, LPM1135, Fresh Sound (Sp)LPM1135, RCA (F)NL46031, Fresh Sound (Sp)NL45958 D9VB2145 Yankee clipper (betty b vcl) Vic 20-3552, LPM1135, Fresh Sound (Sp)LPM1135, NL45958 D9VB2146 Lotus blue Vic 20/50-0103, LPM1135, Fresh Sound (Sp)LPM1135, RCA (F)NL46031, Fresh Sound (Sp)NL46031 D9VB2147 Honey (jv vcl) RCA (F)NL46031, Fresh Sound (Sp)NL46031 Note: All above titles also on Classics (F)1215 [CD].
    [Show full text]
  • 50 Years of Jazz and Blues
    50 YEARS OF JAZZ AND BLUES December 2nd 2002 The beard has turned grey the glasses personnel, including both Louis and Lil Armstrong, the are somewhat thicker and over the years record became a small sensation, particularly among the shape has filled out, fitting a more record collectors. It bore the catalogue number KB I00. mature man. The output that first year starting just before Christmas of But the more than five decades that 1952 included material from other companies, totalling 10 have passed since the inception of to 12 releases. But it became clear to Knudsen that all STORYVILLE have not really changed the work at Storyville was his responsibility. He and his the original impression of the man partners agreed that their original investment of 500 Danish behind this record company - KARL crowns would be paid back and Karl would then be on his EMIL KNUDSEN: own. After a severe illness, Knudsen had taken a leave The excitement of his voice and the of absence from engineer studies at The Technical High intensity of his eyes when a new idea is born are exactly the School of Denmark. He worked part time for an engineering same as they were in the early fifties, when the adventure office under the Copenhagen Telephone Company - KTAS. began! Storyville business was tended to after hours. After 2 to 3 years of this arrangement, his superiors at KTAS suggested that Knudsen would be happier running Storyville full time. That suited Knudsen, who had developed a taste for starting THE BEGINNING things. He realised, that he could transform his hobby into To be exact, the year was 1950, when a group of jazz an ongoing financial concern.
    [Show full text]
  • Sketches of Kg
    August 2013 | No. 136 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com KENNY GARRETT SKETCHES OF KG CRAIG • ANDY • SAM • JAZZHAUS • EVENT HARRIS MILNE ULANO RECORDS CALENDAR AUGUST 2013 EARL KLUGH ABBY DOBSON PAQUITO D’RIVERA & HIS LUKE CELENZA JULY 30 - AUG 4 AUG 5 PANAMERICANA ENSEMBLE AUG 12 AUG 6-11 ERIC JOHNSON & MIKE STERN LIBERATION PROPHECY ROY HARGROVE BIG BAND LAKECIA BENJAMIN ROY AYERS ECLECTIC GUITARS AUG 19 WITH SPECIAL GUEST AUG 26 AUG 27-SEP 1 AUG 13-18 ROBERTA GAMBARINI AUG 20-25 LATE NIGHT GROOVE SERIES SUNDAY BRUNCH SERIES SPIRITCHILD & MENTAL NOTES AUG 2 SPECIAL BRAZILIAN THEME - AUGUST ONLY EVA CORTES AUG 3 FEATURING FEIJOADA, BRAZILIAN FISH STEW, COURTNEY BRYAN AUG 9 AND BATIDAS! RACHEL ECKROTH AUG 10 DARREN LYONS AUG 16 HIROMI SUDA SEXTET AUG 4 SAM KINNINGER AUG 17 VIC JURIS BRAZILIAN BAND W/ KATE BAKER AUG 11 NICK SAMPLE AUG 23 AMANDA RUZZA AUG 18 AKIM FUNK BUDDHA AUG 24 NANNY ASSIS AUG 25 TBA AUG 30 AL MACDOWELL’S “JUST ORNETTE” AUG 31 TELECHARGE.COM TERMS, CONDITIONS AND RESTRICTIONS APPLY “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK FEATURED ARTISTS / 7pm, 9pm & 10:30 ONE NIGHT ONLY / 7pm, 9pm & 10:30 RESIDENCIES / 7pm, 9pm & 10:30 Sundays Aug 4, 18 Friday & Saturday Aug 2 & 3 Thursday Aug 1 SaRon Crenshaw Band MARK GROSS QUINTET Vivian Sessoms Sundays Aug 11, 25 “BLACKSIDE”-CD RELEASE EVENT Wednesday Aug 7 Allan Harris EJ Strickland Quintet Mondays Aug 5, 19 Friday & Saturday Aug 9 & 10 Captain Black Big Band A TRIBUTE TO MULGREW MILLER Tuesday Aug 13 Mondays Aug 12, 26 Aaron Comess Jason Marshall Big Band THE STEVE NELSON QUARTET Tuesdays Aug 6, 20, 27 Friday & Saturday Aug 16 & 17 Wednesday Aug 14 Mike LeDonne Groover Quartet Annette St.
    [Show full text]
  • Horace Parlan Songbook
    HORACE songPARLAN book This book is based on an idea by the Danish tenor saxophonist Jesper Thilo, and has been made possible by a grant from The Ben Webster Foundation in Copenhagen Transcription Olivier Antunes Photos Kirsten Malone Horace Parlan Songbook WH 31109 • ISBN 978-87-598-1982-1 Copyright © 2011 Edition Wilhelm Hansen AS, Copenhagen www.ewh.dk Publisher’s editor: Jakob Faurholt Musical consultant, layout & design: Peter Hemming Transcription: Olivier Antunes Cover design: Kenneth Schultz Photos: Kirsten Malone Edition Wilhelm Hansen has taken all necessary steps to collect the relevant authorization to use the music presented in this songbook. If we have not succeeded in contacting the rightful copyright owner for any music or lyrics in this publication, and thus infringed on any copyrights, this has been done inadvertently. Any claims issued due to this will be payed as if permission had been obtained in advance. The text inserted in this publication (shown in quotation marks) are quotations from Horace Parlan and do not necessarily reflect the views of the Edition Wilhelm Hansen AS or any of its affiliates. Horace Parlan Born in 1931, the American jazz pianist Horace Parlan developed his own unique piano style as a result of his affliction with polio, which partially paralysed his right hand. From 1957, Parlan was in high demand among the great jazz musicians and bandleaders of New York, such as Charles Mingus, Stanley Turrentine, Booker Ervin and Roland Kirk. During this time he was also busy recording under his own leadership. In 1972, he relocated to Denmark where he became very active on the Danish jazz scene as well as in other European countries.
    [Show full text]