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Med all respekt 2020‐03‐04 Titel Artister Album Komp./Lyric Date In the mood Kronegg all Start Joe Garland/Andy Razaf Blues in Elf Milcho Leviev (p) Multiple Personalities (Milcho Leviev Plays the Music of Don Ellis) Don Ellis 1971 Blues for Dracula Nat Adderley (cnt) Julian Priester (tb) Johnny Griffin (ts) Tommy Flanagan (p) Blues for Dracula Johnny Griffin 1958 Jimmy Garrison (b) Philly Joe Jones (d,narration-1) She´s Funny That Way Jimmy Cleveland (tb) Seldon Powell (ts) Sir Roland Hanna (p) Freddie Green (g) Seldon Powell Sextet Neil Moret/Richard A Whiting 1956 Aaron Bell (b) Osie Johnson (d) West End Blues Louis Armstrong (tp,vcl) Fred Robinson (tb) Jimmy Strong (cl) Earl Hines (p) Louis Armstrong And His Hot Five King Oliver 1928 Mancy Carr (bj) Zutty Singleton (d) Blue Prelude Monica Zetterlund (vcl) acc by Lars Farnlof (tp) Bjorn Netz (ts) Staffan Abeleen (p) Monica Zetterlund på Berns 1964 Joe Bishop/Gordon Jenkins 1964 Goran Pettersson (b) Bo "Bosse" Skoglund (d) I hadn´t anyone till You Ed Leddy, Conte Candoli (tp-1) Frank Rosolino (tb-1) Richie Kamuca (ts) Jazz Erotica: Richie Kamuca/Bill Holman Ray Noble 1959 Bill Holman (bar-1,arr-1) Vince Guaraldi (p) Monty Budwig (b) Stan Levey (d) When the saints go marching in Milt Jackson (vib) Wild Bill Davis (org) Kenny Burrell (g) Ray Brown (b) Much in Common Trad. 1964 Albert "Tootie" Heath (d) Marion Williams (vcl) Was I to Blame Pete Candoli, Mannie Klein, Conrad Gozzo, Shorty Sherock (tp) Milt Bernhart, Joe Howard, Si Zentner (tb) Solo Spotlight (Glenn Gray) Victor Young, Newman or Neuman, and Gus Kahn 1959 Murray McEachern (tb,as) Gus Bivona (cl,as) Arthur "Skeets" Herfurt (as) Babe Russin, Jules Jacobs (ts) Chuck Gentry (bar) Ray Sherman (p) Jack Marshall (g) Mike Rubin (b) Nick Fatool (d) Dave Cavanaugh, Gene Gifford, Larry Wagner (arr) Bosko's business Willie Cook, Vagn Elsberg (tp) Allan Botschinsky (tp,flhrn) Erling Kroner (tb) Richard Boone (tb,vcl) Montreux: Ernie Wilkins Almost Big Band Bosko Petrovic 1983 Sahib Shihab (sop,as,fl) Ernie Wilkins (ts,arr) Jesper Thilo (sop,ts,fl) Bent Jaedig (ts,fl) Per Goldschmidt (bar) Kenny Drew (p) Mads Vinding (b) Aage Tanggaard (d) Mr Paganini Patti Austin (vo) For Ella Sam Coslow 2001.

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Jazz Fives on Local Scene
JAZZ FIVES ON LOCAL SCENE THIS THING CALLED JAZZ ÉæÜ SHEARING, MANNE PLAY UNIVERSITY OF CALIFORNIA SANTA BARBARA COLLEGE COOL JAZZ ON WEEKEND mmm by Rosalie Fay Tonight begins a Jazz-directed weekend for Santa Barbarans, when “Jazz Showcase ’58” opens in the campus auditorium. Sunday, Vol. XXXVII GOLETA, CALIFORNIA, FEBRUARY 28, 1958 No. 30 2 p.m., George Shearing’s Quintet plays at the Fox Arlington in town. The initial concert, sponsored by the Sophomore class, features QUEEN HOPEFULS Shelly Manne and his quintet, with Russ Freeman on piano, Stu Santa Barbara Basketball Brigade Plays Williamson, trumpet, Monty Budwig, bass, and Charlie Mariano on alto sax. The event starts at 8 p.m. in the campus auditorium. SELECTED FOR Manne, originally from New York, made his name on Aztecs In Cage Closeout at San Diego the West Coast. Like many musicians associated with the JR.-SR. DANCE West Coast school of jazz, he got his first break with the • By ED SAUL, Sports Editor Stan Kenton band. Although the band broke up three times, “ Moon Mist and Memories,” UCSB’s cage club invades San Diego tomorrow night to wind up the hoop season by taking Manne rejoined it each time. During the periods when Ken this year’s Junior-Senior Prom, on the Border City casaba crew, which is currently tied for first place in the CCAA race. Art Gallon’s ton was out of commission, he played with “Jazz at the Phil comes one step nearer realization Gauchos will be out to avenge the 83-58 defeat the Aztecs hung on them in the Channel City last harmonic,” Charlie Ventura and Woody Herman.
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Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
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1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
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Jesper Thilo
Gladsaxe Bibliotekernes Jazzlytteklub Jan2015/glo Jesper Thilo Kilder: 99.4 Thilo, Jesper Thilo, Jesper Man ska' ku' se komikken / Jesper Thilo ; fortalt til Erik Moseholm ; diskografi: Kjeld Frandsen ; tegninger ...: Klaus Albrectsen ... Storm P.. - 1. udgave, 1. oplag. - [Kbh.] : L&R Fakta, 2000. - 325 sider : ill. 78.9063 Jazz i Danmark : 1950-2010 / redaktører: Olav Harsløf, Finn Slumstrup ; forfattere: Kjeld Frandsen ... [et al.] ; fotograf: Jan Persson. - 1. udgave. - Kbh. : Politiken, 2011. - 624 sider : ill. 78.9063 Politikens jazzleksikon : udenlandske og danske jazzbiografier / hovedredaktører: Peter H. Larsen, Thorbjørn Sjøgren ; fotograf: Jan Persson ; research og artikler: Jørgen Bang ... [et al.]. - Kbh. : Politiken, 2003. - 409 sider : ill.. 99.26 Kraks blå bog : ... biografier over nulevende danske, færøske og grønlandske kvinder og mænd. - 1. årgang (1910)-. - København : Gad, 1910- 78.906305 PIF Orkesterjournalen : tidskrift för jazzmusik. - Stockholm , 1933- Orkesterjournalen 1983 nr. 10 Online: Oxford Music Online heri Grove via gladbib.dk – digitale tilbud , du skal være bosat i Glx www.denstoredanske.dk/ http://da.wikipedia.org/ http://www.jazzdanmark.dk/da/jazzhistorie/hall-fame/jesper-thilo http://www.danskefilm.dk/index2.html www.youtube.com www.spotify.com Spilleliste: (((Stefan Skouenborgs Dixieland Jazband Jesper Kofoed , kbh marts 1960 første indspilning overhovedet ))) CD Arnvid Meyer ; Right out of Kansas City Måske cd1 , track 15 Sophisticated Lady (Parish/Mills/Ellington) Arvid Meyers Orkester Aug 23, 1963 4.18 eksakte noter I bogen , som jeg ikke har ((((til sammenlign– J.C. Higginbotham EP (Stompy Jones, Confessin’C, x Jam Blues, Basin Street Blues Arnvid Meyer tp, Higginbotham tb, John Darville Tb, Jepse Thilo tx, Jørn Jesen p, Ole Christiansen ,b, Hans Nymand dm KBH april 1962))) Spotify COTTON TAIL s 176 Steen, Niels Jørgen Steen: N.J.S.B.K.
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Bob Gordon Discography
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F U S I O N Or Many People Ben Webster Is Indelibly Linked People’S Records, with Duke He Became the Ben with the Name of Duke Ellington
F U S I O N or many people Ben Webster is indelibly linked people’s records, with Duke he became the Ben with the name of Duke Ellington. Ben had a we know and love. Like his favourite ballads, Flong and distinguished career, of which his work Ellington’s swingers put the spotlight on his with Duke was only a small part, but the crucial blend of two different tenor traditions. These exposure just as he reached musical maturity was were the luxuriant, harmonically involved out- given by Ellington, and that maturity was haste- pourings perfected in the 1930s by Coleman ned by the challenge of playing with Ellington. Hawkins, and the tersely rhythmic Southwestern Yet he also gave a lot to the band and to the conti- style originally based on Hawk’s 1920s work. To nuing Ellington tradition. these elements, Ben added tone-colours which were unu- In other words, he created sual and whose variety was the role of the tenor saxo- unusually wide for the period. phone with Duke. Before he joined for his longest stay It is no coincidence that so (in January 1940), there had many tunes in his repertoire been no expectation of signi- were from the Ellington book. ficant tenor contributions And, indeed, several of his – despite Ben’s previous own favourite performances brief encounters in 1935 and (studio and live sessions) were 1936. But, in far less time done while he was a member. than the 3 ½ years he remai- Veteran engineer Jack Towers ned, Ben had made the tenor an Ellingtonian told me that the tenor solo on Duke’s Black, voice almost as strong as Johnny Hodges and Brown And Beige, written for Ben but only com- Harry Carney on alto and baritone.
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ON CLARINET Stunt Records STUCD 10132 6 63993 10132 3
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Ben Webster: the Brute and the G
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