Spectrum Celebrates Birthday

Total Page:16

File Type:pdf, Size:1020Kb

Spectrum Celebrates Birthday BEACHCOMBERS BASKETBALL UNIVERSITY OF CALIFORNIA SANTA BARBARA COLLEGE BALL TONIGHT Cal Poly— 8:15 p.m. Sat., March 1 Vol. XXXVII GOLETA, CALIFORNIA, FEBRUARY 25, 1958 No. 29 SPECTRUM CELEBRATES BIRTHDAY SBC Groups Compete ‘Little Magazine’ Reviews For Awards; Annual Year One in Writers’ Realm Blood Drive Nears Celebrating its first anniversary, Spectrum, Santa Barbara Col­ Living-group participation in lege’s literary magazine, went on sale yesterday at the Graduate the annual Larry Adams Blood Manager’s office. Drive, slated for Friday, March Included in the anniversary issue are the first six 7, will be stressed by the award­ pages o f The Unnamable, a work by Samuel Beckett, never ing of two trophies. before published in English. Donald Davie and Hugh Ken­ Inter-Fraternity Council, spon­ ner have authored critical articles on Beckett’s work, which soring organization of the drive, also appear in the issue. Also will present a trophy to the liv­ featured in Spectrum’s W in ­ Issue are Cy Epstein, Betty Ja­ ing group with the largest per­ ter Issue is an excerpt from mieson and Lucy Matteson. centage participation. Students William Carlos Williams’ new International Scope who attempt to donate but who book of poetry, Paterson. Established a year ago un­ are rejected by the Blood Bank, Student writers whose work der the Associated Students personnel will be counted as par­ appears in the Spectrum Winter By-Laws, Spectrum since has ticipating. had international recogni­ Max Caulk Award tion. The first number, The Associated Student Body brought out by Editor James is also presenting the Max Caulk DAVIE PRESENTS Bell, included work by Don­ Memorial Trophy to the', living ald Davie, William Carlos group participating in and con­ Williams, Leland Hickman, tributing most to student activi­ ENGLISH Y E W Jane Silver, Kent Chapman, ties and events. Participation in It is the besetting sin of the Cy Epstein and Jackie New­ the blood drive is a requirement SPECTRUM EDITOR JACKIE NEWBY presents the first edition of the anniversary issue to acting academic magazines which pub­ by, the present editor. lish creative writing, to regard to be eligible for this award. provost Elmer R. Noble. Looking on (left) is Cyril Epstein, managing editor of the campus literary Cocteau Featured magazine photo by meridith such writing merely as the raw In order to contend for the Jean Cocteau was featured in material necessary to feed the IFC or ÂSB awards, living the Fall number, with a transla­ mills of criticism and scholar­ groups are required to turn tion of his “ Leone” by Alan ship. On the other hand it is in a complete membership Neame. The issue also contained list to the Associated Student SHEARING, MANNE FILL DATEBOOKS typical of the so-called “ little a special poem and drawing giv­ magazine” to become frozen in Body office before March 5. en to the magazine by Cocteau attitudes of impotent revolt All students under 21 years of for the occasion. Other contribu­ against academicism, regarding age must have a minor-release WITH TWIN ENTRIES OF COOL JAZZ tors in that Fall issue were Gor­ poems and stories as somehow form in order to donate blood. Two internationally known tet perform in “ Jazz Showcase bar. His popularity grew until don Ringer, Marvin Mudrick, Students may use the form on jazz cbmbos are scheduled to ap­ ’58” Friday evening in the cam­ he was one of the top musicians exempt from rational and judi­ Mary Jo McPherson, Buron Colt, Page 3 or pick one up in the pear in Santa Barbara this week­ pus auditorium at 8 p.m. Sun­ in London. His decision to come cious scrutiny. Spectrum, as the Miriam Pennington, Jane Silver Graduate Manager’s office. end. Shelly Manne and his quin- day afternoon George Shearing, to America was made in 1946, and Lucy Matteson. accompanied by his quintet, will but on his arrival he was not very According to present Manag­ give a concert g t the Fox Arling­ successful. Finally he got a prom­ ing Editor Cy Epstein, factors M U S IC , m u s k m m ton Theater at 2 :30 p.m. ising job and was signed to re­ which made Spectrum possible at Manne, consistent winner of cord with MGM. the time of its first publication many jazz polls, started his ca­ Tickets for the Shearing were the increased student en­ reer in Southern California with concert are available to UCSB rollment, a rising interest in cre­ TOP PREP MUSICIANS TO PRESENT Stan Kenton. He then went to students at the Graduate Man­ ative writing and an awareness Hermosa Beach’s Lighthouse and ager’s office at a special rate. on the part of the Legislative ALL-CAL HIGH SCHOOL SYMPHONY • played with Howard Rumsey and Dennis Naiman, Sophomore Council that the advent of a cam­ his Lighthouse All-Stars for some Class president, urg/es all stu­ by Bob Raleigh pus literary magazitie would time. Becoming more popular dents, particularly those inter­ bring a new kind of prestige to The 18th annual All - California High School Symphony Or­ all the time, he formed his own ested in jazz, to attend both con­ the college. chestra concert is scheduled for March 8, 8:30 p.m. at the Lobero group and began a series of con­ certs. Theater in Santa Barbara. Two hundred high school musicians certs all over the country. will gather on the UCSB campus three days before the concert to Appearing with Manne in begin an extensive rehearsal schedule. These musicians are selected his quintet are Russ Freeman GAUCHO NOTICES by audition and by their respective high school orchestra directors. on piano, Stu Williamson, BARBARY COAST Applications for the offices of They are considered the best high school musicians and come from trumpet, Monty Budwig, bass, Student Union chairman and Spe­ all over the state to participate ------- *------;--------- — ------------------- and Charley Mariano on alto SOON TO BLOSSOM cial Events co-chairman are now in this program. dena Civic Orchestra. Dr. Lert sax. Tickets for the concert, open. Forms must be filed in the The students will arrive here will conduct the major part of sponsored by the Sophomore ASB office no later than Tues­ Friday morning, Feb. 28. By the program and his appearance Class, are on sale this week in ON OCEAN SITE Dr. Donald Davie day, March 11. 9:30 a.m. auditions will begin to emphasises the professional ap­ New location selected for this * * * determine positions in the vari­ proach this orchestra takes for year’s Barbary Coast by the Spe­ organ of an academic milieu in Positions on the ASB Secre­ ous sections. Although all of the the concert. cial Events Committee is the field which, however, explication and tariat are now open. Students students have been practicing the All-Cal Founders on the seaward side qf the Sci­ critical comment are kept sub­ wishing to apply for this job music for the last month, the first The coordinator and founder ence Building. ordinate to creative writing, as­ contact George Hawkins in the full rehearsal will get under way of the All-Call Orchestra is Dr. The new location, far removed pires to and mostly achieves a ASB office. Friday afternoon. * * * Maurice Faulkner, associate pro­ from the former gymnasium site, position exempt from academi­ The entire organization of the fessor of music at UCSB. Dr. will not alter the usual carnival cism on the one hand, Bohemian- Students interested in the po­ All-California High School Sym­ Faulkner will act as associate di­ midway feature. The area also ism on the other. The editorial sition of Finance Committee rep- phony is undertaken by the mu­ rector and conductor of the or­ provides ample parking space j policy of concentrating on works resentative-at-large should apply sic students of UCSB. Letters in­ chestra. and electric power connections. as to which opinion is still unset­ in the Student Body office or viting candidates were sent out There will be two soloists ap­ Show Goes On tled renovates the crucial idea of contact Bill Harris at 57740 be­ in December and the selection Tomorrow night auditions for pearing with the orchestra— Alita Shelly Manne the avant - garde, taking more fore noon Friday, Feb. 28. process narrowed the applica­ * * * Wilcox, from Santa Barbara High top Barbary Coast shows will be risks than are usual in academic tions down to 200 by February. the Graduate Manager’s of­ held in the campus auditorium magazines while avoiding the Candidates for teaching cre­ During this time housing facili­ School, and Walter Verderber from Whittier High School. Miss fice for $1.50. at 7 p.m. Groups participating temptation of esteeming novelty dentials who must take the Speech ties, transportation, meals and British - bom pianist George are required to present two for its own sake. Spectrum in Proficiency Test should contact Wilcox will play the first move- recreational activities were being Shearing has made a tremendous scripts, sketch of booth and an fact is taking bets on the future. the Speech Department office arranged by the various student /ment from Lalo’s- “ Cello Concer­ success of what could have been alternate booth idea. It was one of the principal ad­ immediately for instructions. Fi­ chairmen. to” and Verderber will perform a tragic life. Hampered by total Big Name Band vantages which drew me here nal date for acceptance of first For many of the AU-Cal Or­ the first movement from Beetho­ blindness from birth and a good Again on slate for Saturday from Europe, and now that I outlines is Feb.
Recommended publications
  • Jazz Fives on Local Scene
    JAZZ FIVES ON LOCAL SCENE THIS THING CALLED JAZZ ÉæÜ SHEARING, MANNE PLAY UNIVERSITY OF CALIFORNIA SANTA BARBARA COLLEGE COOL JAZZ ON WEEKEND mmm by Rosalie Fay Tonight begins a Jazz-directed weekend for Santa Barbarans, when “Jazz Showcase ’58” opens in the campus auditorium. Sunday, Vol. XXXVII GOLETA, CALIFORNIA, FEBRUARY 28, 1958 No. 30 2 p.m., George Shearing’s Quintet plays at the Fox Arlington in town. The initial concert, sponsored by the Sophomore class, features QUEEN HOPEFULS Shelly Manne and his quintet, with Russ Freeman on piano, Stu Santa Barbara Basketball Brigade Plays Williamson, trumpet, Monty Budwig, bass, and Charlie Mariano on alto sax. The event starts at 8 p.m. in the campus auditorium. SELECTED FOR Manne, originally from New York, made his name on Aztecs In Cage Closeout at San Diego the West Coast. Like many musicians associated with the JR.-SR. DANCE West Coast school of jazz, he got his first break with the • By ED SAUL, Sports Editor Stan Kenton band. Although the band broke up three times, “ Moon Mist and Memories,” UCSB’s cage club invades San Diego tomorrow night to wind up the hoop season by taking Manne rejoined it each time. During the periods when Ken­ this year’s Junior-Senior Prom, on the Border City casaba crew, which is currently tied for first place in the CCAA race. Art Gallon’s ton was out of commission, he played with “Jazz at the Phil­ comes one step nearer realization Gauchos will be out to avenge the 83-58 defeat the Aztecs hung on them in the Channel City last harmonic,” Charlie Ventura and Woody Herman.
    [Show full text]
  • Jazzletter P-Q Ocrober 1986 P 5Jno;..1O
    Jazzletter P-Q ocrober 1986 P 5jNo;..1o . u-1'!-an J.R. Davis,.Bill Davis, Rusty Dedrick, Buddy DeFranco, Blair The Readers . Deiermann, Rene de Knight,‘ Ron Della Chiesa (WGBH), As of August 25, I986, the JazzIetrer’s readers were: Louise Dennys, Joe Derise, Vince Dellosa, Roger DeShon, Michael Abene, John Abbott, Mariano F. Accardi, Harlan John Dever, Harvey Diamond, Samuel H. Dibert’, Richard Adamcik, Keith Albano, Howard Alden, Eleanore Aldrich, DiCarlo, Gene DiNovi, Victor DiNovi, Chuck Domanico, Jeff Alexander, Steve Allen, Vernon Alley, Alternate and Arthur Domaschenz, Mr. and Mrs. Steve Donahue, William E. Independent Study Program, Bill Angel, Alfred Appel J r, Ted Donoghue, Bob Dorough, Ed Dougherty, Hermie Dressel, Len Arenson, Bruce R. Armstrong, Jim Armstrong, Tex Arnold, Dresslar, Kenny Drew, Ray Drummond, R.H. Duffield, Lloyd Kenny Ascher, George Avakian, Heman B. Averill, L. Dulbecco, Larry Dunlap, Marilyn Dunlap, Brian Duran, Jean Bach, Bob Bain, Charles Baker (Kent State University Eddie Duran, Mike Dutton (KCBX), ' School of Music), Bill Ballentine, Whitney Balliett, Julius Wendell Echols, Harry (Sweets) Edison,Jim_Eigo, Rachel Banas, Jim Barker, Robert H. Barnes, Charlie Barnet, Shira Elkind-Tourre, Jack Elliott, Herb Ellis, Jim Ellison, Jack r Barnett, Jeff Barr, E.M. Barto Jr, Randolph Bean, Jack Ellsworth (WLIM), Matt Elmore (KCBX FM), Gene Elzy Beckerman, Bruce B. Bee, Lori Bell, Malcolm Bell Jr, Carroll J . (WJR), Ralph Enriquez, Dewey Emey, Ricardo Estaban, Ray Bellis MD, Mr and Mrs Mike Benedict, Myron Bennett, Dick Eubanks (Capital University Conservatory of Music), Gil Bentley, Stephen C. Berens MD, Alan Bergman, James L. Evans, Prof Tom Everett (Harvard University), Berkowitz, Sheldon L.
    [Show full text]
  • Howard Rumsey's Lighthouse All-Stars Barney Kessel Hampton
    Howard Rumsey's Lighthouse All-Stars Lighthouse At Laguna mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Lighthouse At Laguna Country: France Released: 1956 Style: Bop, Cool Jazz MP3 version RAR size: 1598 mb FLAC version RAR size: 1230 mb WMA version RAR size: 1733 mb Rating: 4.3 Votes: 200 Other Formats: AUD VQF AAC AHX VOX AU MP2 Tracklist Hide Credits Witch Doctor No. 2 A1 –The All-Stars* 5:56 Flute – Bud ShankWritten-By – Bob Cooper 'Round About Midnight A2 –Barney Kessel Accompanied By – The All-Stars*Arranged By – Kessel*Guitar 5:43 [Solo] – Barney KesselWritten-By – Thelonious Monk Mood For Lighthouse A3 –The All-Stars* 3:56 Written-By – Bob Cooper –The Hampton Hawes Walkin' A4 6:52 Trio* Written-By – Richard Carpenter Blind Man's Bluff B1 –The All-Stars* 6:02 Written-By – Claude Williamson Lady Jean B2 –Frank Rosolino Accompanied By – The All-Stars*Written-By, Trombone [Solo] – 3:46 Frank Rosolino –The Hampton Hawes The Champ B3 5:14 Trio* Written-By – Dizzy Gillespie Casa De Luz B4 –The All-Stars* 6:24 Written-By – Shorty Rogers Companies, etc. Copyright (c) – Contemporary Records Designed At – Tri-Arts Distributed By – Vogue P.I.P. Credits Alto Saxophone – Bud Shank (tracks: A1 to A3, B1, B2, B4) Bass – Howard Rumsey (tracks: A1 to A3, B1, B2, B4), Red Mitchell (tracks: A4, B3) Design [Cover Design] – Guidi* Drums – Shelly Manne (tracks: A4, B3), Stan Levey (tracks: A1 to A3, B1, B2, B4) Engineer – John Palladino Liner Notes – Lester Koenig Photography By – Ray Avery Piano – Claude Williamson (tracks: A1 to A3,
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • Stage Door Swings Brochure
    . 0 A G 6 E C R 2 G , O 1 FEATURING A H . T T D C I O I S F A N O E O A P T B R I . P P G The Palladium Big 3 Orchestra S M . N N R U O E O Featuring the combined orchestras N P L of Tito Puente, Machito and Tito Rodriguez presents Manteca - The Afro-Cuban Music of The Dizzy Gillespie Big Band FROM with special guest Candido CUBAN FIRE Brazilliance featuring TO SKETCHES Bud Shank OF SPAIN The Music of Chico O’ Farrill Big Band Directed by Arturo O’Farrill Bill Holman Band- Echoes of Aranjuez 8 3 0 Armando Peraza 0 - 8 Stan Kenton’s Cuban Fire 0 8 0 Viva Tirado- 9 e The Gerald Wilson Orchestra t A u t C i Jose Rizo’s Jazz on , t s h the Latin Side All-Stars n c I a z Francisco Aguabella e z B a Justo Almario J g n s o Shorty Rogers Big Band- e l L , e Afro-Cuban Influence 8 g 3 n Viva Zapata-The Latin Side of 0 A 8 The Lighthouse All-Stars s x o o L Jack Costanzo B . e O h Sketches of Spain . P T The classic Gil Evans-Miles Davis October 9-12, 2008 collaboration featuring Bobby Shew Hyatt Regency Newport Beach Johnny Richards’ Rites of Diablo 1107 Jamboree Road www.lajazzinstitute.org Newport Beach, CA The Estrada Brothers- Tribute to Cal Tjader about the LOS PLATINUM VIP PACKAGE! ANGELES The VIP package includes priority seats in the DATES HOW TO amphitheater and ballroom (first come, first served JAZZ FESTIVAL | October 9-12, 2008 PURCHASE TICKETS basis) plus a Wednesday Night bonus concert.
    [Show full text]
  • PDF (V.57:1 September 30, 1955)
    e CaliforniaTech Volume LVII Pasculena, California Friday, September 30, 1955 Number 1 Tech hosts world statesmen New freshmen return from Trustees name Hoffman, Douglas, Bunche three-day mountain retreat new members to visit campus as guests of Y to Tech staff Paul Hoffman, William O. Douglas, and Ralph Bunche are The presence of almost two hundred new faces among the to be guests at Caltech this year in a new "Leaders of Amer­ student body at the beginning of this week was the sign that New appointments to the fac­ ica" series announced recently by the Cal tech YMCA. Each ulty and research staff of the New Student Camp was over and the Class of 1959 was present of these very distinguished men will be on campus several days and ready to go to work. The annual outing at Camp Radford California Institute of Technol­ was held Thursday, Friday and Saturday. ogy, for this academic year have for addresses, talks to classes, and informal meetings Y(ith The freshman class contains -----------­ been announced by the board of students and faculty. almost exactly 180 men, contrary trustees. Funds for these visits are fur· to rumors that had been heard Named as Senior Research nished by the Robert A. Milli­ earlier to the effect that too Juniors to hold Fellows are Toyoki Koga, engi­ Dr. Golston kan bequest to the YMCA. The many applicants had been ac­ neering; Herbert Rhinesmith, program was established to cepted. The ranks were swelled picnic at beach chemistry; John Seddon, aero­ bring outstanding men of the at camp by 17 transfer students nautics; and Lloyd S.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • European Journal of American Studies, 12-4
    European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1).
    [Show full text]
  • Howard Rumsey's Lighthouse All-Stars in the Solo Spotlight! Mp3, Flac, Wma
    Howard Rumsey's Lighthouse All-Stars In The Solo Spotlight! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: In The Solo Spotlight! Country: US Style: Cool Jazz, Contemporary Jazz MP3 version RAR size: 1901 mb FLAC version RAR size: 1168 mb WMA version RAR size: 1322 mb Rating: 4.2 Votes: 600 Other Formats: XM ASF MPC VOX MP1 DTS MP2 Tracklist Hide Credits Funny Frank A1 4:03 Arranged By, Written-By – Dick ShreveSoloist – Frank Rosolino That's Rich A2 6:02 Arranged By, Written-By – Dick ShreveSoloist – Richie Kamuca If You Are There A3 5:57 Arranged By, Written-By – Dick ShreveSoloist – Conte Candoli Stan A4 3:57 Soloist – Stan LeveyWritten-By – Stan LeveyWritten-By, Arranged By – Bill Holman Coop B1 5:11 Arranged By, Written-By – Bob CooperSoloist – Bob Cooper S & B B2 2:51 Arranged By, Written-By – Bill HolmanSoloist – Bob Enevoldsen, Stu Williamson Claude B3 4:29 Arranged By, Written-By – Claude WilliamsonSoloist – Claude Williamson Concerto For Doghouse B4 3:25 Arranged By – Bill HolmanSoloist – Howard RumseyWritten-By – Stan Kenton Bud (The Whipper) B5 4:37 Arranged By – Bill HolmanSoloist – Bud ShankWritten-By – Claude Williamson Companies, etc. Copyright (c) – Contemporary Records Credits Alto Saxophone – Bud Shank (tracks: A4, B1 to B5), Lennie Niehaus (tracks: A1 to A3) Baritone Saxophone – Bob Gordon (tracks: A4, B1 to B5), Pepper Adams (tracks: A1 to A3) Bass – Howard Rumsey Drums – Stan Levey Liner Notes – Dick Williams Photography By [Cover Photo Of Rumsey & Spotlight In An Actual Lighthouse] – Doug Mitchell Piano
    [Show full text]
  • Howard Rumsey's Lighthouse All-Stars Vol. 6 Mp3, Flac, Wma
    Howard Rumsey's Lighthouse All-Stars Vol. 6 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Vol. 6 Country: US Released: 1955 Style: Cool Jazz MP3 version RAR size: 1897 mb FLAC version RAR size: 1617 mb WMA version RAR size: 1375 mb Rating: 4.6 Votes: 222 Other Formats: DXD AC3 MOD WMA ADX MPC AA Tracklist Hide Credits Who's Sleepy A1 3:08 Written-By – Bob Cooper Isn't It Romantic A2 3:12 Written-By – Lorenz Hart, Richard Rodgers Mad At The World A3 3:26 Written-By – Bob Cooper East Of The Sun A4 4:04 Written-By – Brooks Bowman Long Ago And Far Away A5 6:28 Written-By – Jerome Kern Sad Sack B1 5:45 Written-By – Bud Shank If I Should Lose You B2 2:46 Written-By – Leo Robin, Ralph Rainger Prelude To A Kiss B3 4:22 Written-By – Duke Ellington Dickie's Dream B4 7:05 Written-By – William Basie*, Lester Young Companies, etc. Copyright (c) – Contemporary Records Credits Alto Saxophone – Bud Shank Bass – Howard Rumsey Drums – Stan Levey Engineer [Recording] – John Palladino Flute – Bud Shank (tracks: A1, A3, B1) Photography By – William Claxton Piano – Claude Williamson Sleeve Notes – Howard Rumsey, Lester Koenig Supervised By – Lester Koenig Tenor Saxophone – Bob Cooper Trombone – Frank Rosolino (tracks: A1, A3, B1) Trumpet – Conte Candoli Valve Trombone – Stu Williamson (tracks: A5, B4) Notes Recorded in Hollywood, December 3, 1954 (#A1,A3,B1), February 22, 1955 (#A5,B4), March 1, 1955 (#A2,A4,B2,B3). Copyright 1955 by Contemporary Records. Other versions Title Category Artist Label Category Country Year (Format) Howard Original Jazz OJCCD-386-2, Rumsey's Vol.
    [Show full text]
  • Downbeat.Com September 2010 U.K. £3.50
    downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer
    [Show full text]