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Michael Powell and Emeric Pressburger, a MATTER of LIFE and DEATH/ STAIRWAY to HEAVEN (1946, 104 Min)
December 8 (XXXI:15) Michael Powell and Emeric Pressburger, A MATTER OF LIFE AND DEATH/ STAIRWAY TO HEAVEN (1946, 104 min) (The version of this handout on the website has color images and hot urls.) Written, Produced and Directed by Michael Powell & Emeric Pressburger Music by Allan Gray Cinematography by Jack Cardiff Film Edited by Reginald Mills Camera Operator...Geoffrey Unsworth David Niven…Peter Carter Kim Hunter…June Robert Coote…Bob Kathleen Byron…An Angel Richard Attenborough…An English Pilot Bonar Colleano…An American Pilot Joan Maude…Chief Recorder Marius Goring…Conductor 71 Roger Livesey…Doctor Reeves Robert Atkins…The Vicar Bob Roberts…Dr. Gaertler Hour of Glory (1949), The Red Shoes (1948), Black Narcissus Edwin Max…Dr. Mc.Ewen (1947), A Matter of Life and Death (1946), 'I Know Where I'm Betty Potter…Mrs. Tucker Going!' (1945), A Canterbury Tale (1944), The Life and Death of Abraham Sofaer…The Judge Colonel Blimp (1943), One of Our Aircraft Is Missing (1942), 49th Raymond Massey…Abraham Farlan Parallel (1941), The Thief of Bagdad (1940), Blackout (1940), The Robert Arden…GI Playing Bottom Lion Has Wings (1939), The Edge of the World (1937), Someday Robert Beatty…US Crewman (1935), Something Always Happens (1934), C.O.D. (1932), Hotel Tommy Duggan…Patrick Aloyusius Mahoney Splendide (1932) and My Friend the King (1932). Erik…Spaniel John Longden…Narrator of introduction Emeric Pressburger (b. December 5, 1902 in Miskolc, Austria- Hungary [now Hungary] —d. February 5, 1988, age 85, in Michael Powell (b. September 30, 1905 in Kent, England—d. Saxstead, Suffolk, England) won the 1943 Oscar for Best Writing, February 19, 1990, age 84, in Gloucestershire, England) was Original Story for 49th Parallel (1941) and was nominated the nominated with Emeric Pressburger for an Oscar in 1943 for Best same year for the Best Screenplay for One of Our Aircraft Is Writing, Original Screenplay for One of Our Aircraft Is Missing Missing (1942) which he shared with Michael Powell and 49th (1942). -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Bilan United Kingdom - 2002
Bilan United Kingdom - 2002 10/2/21 7:48:30 PM Tel: +33 (0)1 47 53 95 80 / Fax +33 (0)1 47 05 96 55 / www.unifrance.org SIRET 784359069 00043 / NAF 8421Z / TVA FR 03784359069 1998 saw a decline of 20% in the number of French films broadcast compared with the previous year, although this number remained stable on the terrestrial channels. Out of a total of 15,000 movie broadcasts on the 8 major British channels, 2% were French films, with France constituting the number 2 source of foreign films, behind the United States (68%), but ahead of Germany (1.5%) and Italy (1.1%). Once again, Channel 4 was the leading broadcaster of French films. 30 titles were included in this channel's line-up, showing nevertheless a decrease of 16 titles compared with 1997. These films were generally aired on Sunday nights, around midnight. This was the case for Jacquot de Nantes, la Lectrice, and for Nikita, which attracted the highest audiences of any French-language film on this channel. More French films were programmed on Channel 4 than on BBC 1 and BBC 2 combined. BBC 2 broadcast 16 French titles in 1998, 4 less than in 1997. These films were nonetheless more recent than those aired on Channel 4, including titles such as les Apprentis, Elisa and even Léon. Close to 4% of all movies programmed on this channel were French. BBC 1 restricted its programming to 6 English-language coproductions this year. Sitting in between these 2 large broadcasting groups was CLT's Channel 5, a small but thriving channel, which presented 12 French titles in 1998, 9 more than the previous year. -
Claude Chabrol: French Director's Work at Museum
•ef NO. 101 he Museum of Modern Art FUR IMMEDIATE RELEASE west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart CLAUDE CHABROL: FRENCH DIRECTOR'S WORK AT MUSEUM THE FILMS OF CLAUDE CHABROL, the French director who helped pioneer the "New wave,** will begin October 2 at The Museum of Modern Art. Among the 14 films in the series, organized by Adrienne Mancia, Associate Curator of the Department of Film, are **Le Beau Serge*' (1938), Chabrol's first film, rarely seen in this country; **Les Bonnes Femmes" (1960), seldom shown here though it is regarded as one of his best; **Le Boucher,'* an entry in the just completed 8th New York Film Festival; *«Que La Bete heure** (**This Man Must Die**), which will open shortly in New York; and **La Rupture,'* his most recent movie, just premiered In Paris and not yet acquired for distribution in the U.S.A. Born in Paris in 1930, Chabrol studied pharmacy but gave up that profession for a total involvement in film. In the 1950s, he wrote for **Cahier8 du Cinema** along with Truffaut and Godard, and in 1957 he co-authored a book on Hitchcock with Eric Rohmer, also to become a director. An inheritance from his first wife's family enabled Chabrol, in 1958, to make '*Le Beau Serge,** which was followed the same year by **Les Cousins,** which won the Golden Bear Award at the 1959 Berlin Film Festival. These films, along with Godard*s **Breathless,** Truffaut's "The 400 Blows** and Resnais* **Hiroshima Mon Amour,** signalled a renaissance for the French film which was to have an impact around the world. -
Home Chat) the Sold-Out Engagement Was Quickly Extended
THE NEWSLETTER OF THE NOËL COWARD SOCIETY - FEBRUARY 2010 Free to members of the Society Price £2 ($4) President: HRH The Duke of Kent, KG, GCMG, GCVO, ADC Vice Presidents: Barry Day OBE • Stephen Fry • Tammy Grimes • Penelope Keith CBE STEPHEN FRY AND JIM DALE - HONOUR THE MASTER LONDON AND NEW YORK CELEBRATE THE 110th ANNIVERSARY ach year the Society celebrates the life and work of Noël Coward at the site of two of the three statues sculpted to celebrate the centenary year of The Master’s birth. In London our Vice President Stephen Fry honoured us with his ‘svelte’ presence and a great speech about Noël who he Econfessed was someone he never met but who had shaped so much of his approach to life. Stephen admits he is a huge admirer of Noël’s diligence - something he endeavours to emulate in his own life. Barbara Longford welcomed Stephen with a resumé of the statue’s history: “ This statue, by Angela Conner, was commissioned at the behest of the late Graham Payn, for the Centenary Celebrations of Coward’s birth, in 1999. It was unveiled by Sir Noël’s friend, Her Majesty, Queen Elizabeth, The Queen Mother, on 8th December, 1998, in the presence of Graham and an illustrious gathering of devotees. Two other casts are situated at Sir Noël’s grave at Firefly in Jamaica and also in the Theater Hall of Fame, at the Gershwin Theatre in New York and every year, on the Saturday nearest to his birthday, members of the Noël Coward Society gather, in London and New York for a flower-laying ceremony. -
MACMILLAN MODERN DRAMATISTS Macmillan Modern Dramatists Series Editors: Bruce King and Adele King
MACMILLAN MODERN DRAMATISTS Macmillan Modern Dramatists Series Editors: Bruce King and Adele King Published titles Reed Anderson, Federico Garcia Lorca Eugene Benson, J. M. Synge Renate Benson, German Expressionist Drama Normand Berlin, Eugene O'Neill Michael Billington, Alan Ayckbourn John Bull, New British Political Dramatists Denis Calandra, New German Dramatists Neil Carson, Arthur Miller Maurice Charney, Joe Orton Ruby Cohn, New American Dramatists, 1960-1980 Bernard F. Dukore, American Dramatists, 1918-1945 Bernard F. Dukore, Harold Pinter Arthur Ganz, George Bernard Shaw Frances Gray, John Arden Julian Hilton, George Buchner Helene Keyssar, Feminist Theatre Charles R. Lyons, Samuel Beckett Susan Bassnett-McGuire, Luigi Pirandello Leonard C. Pronko, Eugene Labiche and Georges Feydeau Jeannette L. Savona, Jean Genet Claude Schumacher, Alfred larry and Guillaume Apollinaire Theodore Shank, American Alternative Theatre James Simmons, Sean O'Casey David Thomas, Henrik Ibsen Denis Walder, Athol Fugard Thomas R. Whitaker, Tom Stoppard Nick Worrall, Nikolai Gogo/ and Ivan Turgenev Katherine Worth, Oscar Wilde Further titles in preparation MACMILLAN MODERN DRAMATISTS RABOLD PIR!IB Second Edition Bernard P. Dukore University Distinguished Professor of Theatre Arts and Humanities Virginia Tech M MACMILLAN EDUCATION ©Bernard F. Dukore 1982, 1988 Softcover reprint of the hardcover 2nd edition 1988 978-0-333-48434-0 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended), or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 7 Ridgmount Street, London WC1E 7AE. -
English Productions of Measure for Measure on Stage and Screen
English Productions of Measure for Measure on Stage and Screen: The Play’s Indeterminacy and the Authority of Performance Thesis submitted for the degree of Doctor of Philosophy at the Department of English and Creative Writing Lancaster University March, 2016 Rachod Nusen Declaration I declare that this thesis is my own work, and has not been submitted in substantially the same form for the award of a higher degree elsewhere. Acknowledgements First and foremost, I would like to express my deepest gratitude to my supervisor, Professor Alison Findlay. Without her advice, kindness and patience, I would be completely lost. It is magical how she could help a man who knew so little about Shakespeare in performance to complete this thesis. I am forever indebted to her. I am also indebted to Dr. Liz Oakley-Brown, Professor Geraldine Harris, Dr. Karen Juers-Munby, Dr. Kamilla Elliott, Professor Hilary Hinds and Professor Stuart Hampton-Reeves for their helpful suggestions during the annual, upgrade, mock viva and viva panels. I would like to acknowledge the Shakespeare Centre Library and Archive, the National Theatre Archive, the Shakespeare’s Globe Library and Archives, the Theatre Collection at the University of Bristol, the National Art Library and the Folger Shakespeare Library on where many of my materials are based. Moreover, I am extremely grateful to Mr. Phil Willmott who gave me an opportunity to interview him. I also would like to take this opportunity to show my appreciation to Thailand’s Office of the Higher Education Commission for finically supporting my study and Chiang Mai Rajabhat University for allowing me to pursue it. -
Catalog PATHFINDER HOME ENTERTAINMENT Vol.10
catalog PATHFINDER HOME ENTERTAINMENT vol.10 PATHFINDER Home Entertainment New Release HiTLer meeTs CHrisT Two men meet in a train station. One believes he's Hitler, the other, Christ. Pitted in a tireless debate, the defiant Hitler is incensed by his companion while Christ struggles to detect any trace of a human soul beneath Hitler's rock-solid layers of bile and hatred. As the friction escalates, Hitler's rage becomes all-consuming and Christ is forced to test his own endurance in his search to answer the question: Just how far does God's love extend? Cinequest Film Festival Solstice Film Festival Dark Comedy, 76 minutes, English CAT# PH-92299 - $24.98 Comrades in dreams "Comrades in Dreams" is a valentine to the cinema. Filmmaker Uli Gaulke embarks on a journey to celebrate the cinematic experience by exploring the most alternative, "independent" strain of cinema he can find. Gaulke interweaves stories spanning continents... from a traveling Indian tent cinema to a North Korean "film club," a Wyoming woman's dedication to her local cinema group to an open-air cinema in Burkina Faso. He captures a sense of the humanity that the fundamental act of "cinema" evokes in each of his characters. Berlin International Film Festival Solstice Film Festival Hot Docs Film Festival Documentary, 100 minutes, THe LAST madness Korean | French | Marathi | English Danilo stages a play about the last man with English subtitles. sentenced to death in Brazil. The play CAT# PH-92289 - $24.98 fails. Danilo has a nervous breakdown. This leads to Aline (Milena Toscano), a beautiful temptress who inspires him to recover his confidence. -
Pinewood Studios Freelancer
Anthony Waye – Film credits Pinewood Studios Started in Mail room at Pinewood Studios 5th July 1954 - £38.3 per week Rank Organisation – 3rd assistant on Sink the Bismarc, Singer not the Song, North West Frontier. 1st assistant on Twice round the Daffodils, Dr at Sea, Carry on Jack, Wild and the Willing, Life for Ruth, On the Beat. Made redundant from Pinewood 27th March 1964 Freelancer Kings Story -9 July 1964 – Harry Booth – Oscar nominated I’ve Gotta Horse 26 Aug 64– Ken Hume – Billy Fury, Amanda Barry Be my Guest - 9 Nov 64 – Lance Comfort The Skull - 15 Dec 64– Freddie Francis – Peter Cushing, Jill Bennett. Dr Who & the Daleks - 8 Feb 1965 – Gordon Flemyng- Peter Cushing, Roy Castle. Early Bird - 26 Apr 65 – Bob Asher – Norman Wisdom *The Treasure of St Trinians - 29 Sept 65 The Deadly Bees - 17 Nov 65 – Freddie Francis Daleks Invade Earth – 24 Jan 1966 - Gordon Flemyng – Peter Cushing, Bernie Cribbens. Marat Sade - 22 Apr 1966 – Peter Brooks – Patrick Mcgee, Glenda Jackson The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade *Day of the Champion 26 May 66 Sumuru – Fu Man Chu - 2 Jul 66 – Jeremy Saunders – Christopher Lee, Douglas Wilmer Five Golden Dragons – 13 Jan 1967- J Saunders – Bob Cummings, Rupert Davies, Brian Donleavy, Dan Duryea, George Raft – A Peter Snell film Attack on the Iron Coast - 17 Mar 67 – Paul Wendkoss – Lloyd Bridges, Sue Lloyd Submarine X1 - William Graham – James Caan * Decline & Fall - 26 Oct Where Eagles Dare 8 Dec 67 – Yakima Canutt – Richard Burton, Clint Eastwood, Mary Ure Mosquito Squadron - 6 May 1968 – Boris Sagal – David Mc Callum Hell Boats -25 Jul 68 – Paul Wendkoss – James Franciscus The Wrong Mountain 28 Dec 68 The Last Grenade - 14 Mar1969 – Gordon Flemyng – Stanley Baker, Richard Attenborough, Honor Blackman. -
Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS -
PINTER on SCREEN: POWER, SEX & POLITICS (1 July – 31 August) – Curated by Harold Pinter Biographer and Theatre Critic for the Guardian Michael Billington
Tuesday 19 June 2018, London. To mark the 10th anniversary of the death of one of the most important and influential British playwrights of the last century, HAROLD PINTER, BFI Southbank will host a special two month season – PINTER ON SCREEN: POWER, SEX & POLITICS (1 July – 31 August) – curated by Harold Pinter biographer and theatre critic for The Guardian Michael Billington. Best-known for his work as a playwright, PINTER ON SCREEN will celebrate his contribution to film and television, which was extremely significant, not only writing pioneering plays for television, but also for working on scripts for a varied range of landmark films like Joseph Losey’s The Servant (1963), The French Lieutenant’s Woman (Karel Reisz, 1981) starring Meryl Streep and Jeremy Irons, The Comfort of Strangers (Paul Schrader, 1990) and the 1990 adaptation of Margaret Atwood’s still all-too-relevant The Handmaid’s Tale (Volker Schlöndorff). “‘Truth in drama, is forever elusive. You never quite find it, but the search for it is compulsive.’ – Harold Pinter on receiving the Nobel Prize for Literature in 2005. On this statement, and on Pinter, season curator Michael Billington says: “That applies as much to his work for the screen as it does to the stage with which it shares many qualities: a fascination with the private roots of power, an abiding preoccupation with memory and the deceptiveness of language, a belief in the agency of women. Pinter, from his teenage years when he explored the work of Luis Buñuel, Marcel Carné and Jean Vigo, was always passionately in love with cinema and was proud that the majority of his screenplays were filmed. -
Video/Dvd Finder
1 VIDEO/DVD FINDER This is an ALPHABETICAL listing of all of the videos and DVDs in the Learning Support Services collection. If a translation was available, both the original and translated titles are listed. If a title belongs to a multi-part series, each title is listed separately as well as being listed under the series title (e.g. “The Rise of Nationalism” from the series “Africa: A Voyage of Discovery” is listed under both “Rise of Nationalism, The” and “Africa: A Voyage of Discovery : The Rise of Nationalism.” Ignore initial articles such as a, der, des, el, l’, la las, le, les, los, the, un, una, etc. (e.g . look under “B” for “La belle et la bete.”) 2 Guide to Call Numbers AF=African MS=Medieval Studies AN=Anthropology MT=Meteorology AR=Arabic MU=Music AS=South Asian NO=Norwegian BL=Bulgarian PE=Persian BO=Biology PG=Portuguese BU=Burmese PH=Physics CH=Chinese PL=Polish CM=Chemistry PO=Psychology CZ=Czech PS=Political Science DA=Danish RU=Russian DU=Dutch SB=Serbo-Croatian EC=Economics SC=Scandinavian Studies ED=Education SD=Swedish EN=English SG=Sociology EW=Ewe SH=Swahili FL=Folklore SP=Spanish FN=Finish TA=Tagalog FR=French TH=Thai GG=Geography TK=Turkish GL=Geology TM=Tamil GR=German UB=Urban Studies HA=Hausa WS=Women’s Studies HE=Hebrew YO=Yoruba HI=Hindi HS=History ID=Interdepartmental IN=Indonesian IS=Islam IT=Italian JA=Japanese JO=Journalism KE=Korea KR=Krio LI=Linguistics MA=Math MG=Mongolian 3 September 5, 2019 $10 HORSE AND A $40 SADDLE, A FL1.020 10 To 11 (DVD) TK2.063 100% Arabica (DVD) FR2.059.211 100 Jahre deutscher