DOCSLIB.ORG

Allied Vaughn's Media on Demand Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Allied Vaughn's Media on Demand Collection Allied Vaughn’s Media On Demand Collection Allied Vaughn is pleased offer you the opportunity to join us as a partner reseller of a wide selection of titles from the content libraries of select Studios, Networks, Record Labels and Content Publishers. With the changing face of traditional retail, consumers are searching for – and will buy – hard to get films, music, television shows and series on DVD, Blu-ray or CD if made available immediately to purchase. Through Allied Vaughn’s Media on Demand Collection, you can deliver your customers the titles they want today, on DVD, Blu-ray or CD, with minimum costs to you and never a title out of stock or delisted! 800-877-1778 www.alliedvaughn.com | 1 STUDIO Warner Archive MGM Limited Edition SONY Choice Fox Cinema Archives Collection Collection Collection Collection Spanning more than 75 years of The MGM Limited Edition Collection offers The SONY Choice Collection features The Fox Cinema Archives Collection from filmmaking, the Warner Archive Collection titles of all genres and many not available beloved, never-before-released titles that Twentieth Century Fox opens a fresh offers fans access to Warner Bros. on DVD until now. Look for a broad range movie lovers have asked for - covering untapped catalog of classic films with such Entertainment’s unparalleled film library of drama, comedy, westerns, horror and more than 75 years of the Columbia film Fox stars as Tyrone Power, Barbara consisting of pre-1986 MGM, RKO Radio science fiction to choose from. library. Stanwyck and hundreds of others in larger Pictures, and Warner Bros. Pictures films than life dramas, war films, comedies and and television shows. spectacles. Universal Vault Series TCM Vault Collection Disney Educational Productions Featuring rare, hard-to-find movies The TCM Vault Collection, in partnership Disney’s well respected brand of children’s from the Universal achives, this DVD with major studios, releases many of educational titles from Disney Education series showcases some of the best talent the greatest and rarest classic films from are being offered to general retail for the in Hollywood history with genres for Hollywood. Carefully selected and curated first time. These DVD series are everything everyone, including comedy, romance, by Turner Classic Movies, most of these you would expect from the creative horror, westerns, action, family and more! titles have never been released on DVD minds of Disney Education- high quality or Blu-ray, and all of them are either fully productions, entertaining for children and restored and remastered or transferred teens, and with an informative depth of from the finest available prints. subject. 800-877-1778 2 | www.alliedvaughn.com NETWORK CBS Entertainment Food Network WTTW Home Box Office CBS Entertainment brings you the wide Food Network is a unique lifestyle network Home Box Office’s made-for-TV feature HBO Latin America Group is composed of range of quality programming that has and website that strives to surprise and films, award winning documentaries, and affiliates of Time Warner Entertainment been the hallmark of CBS for years. The engage its viewers with likable hosts and hysterically funny comedic series, make up Company, L.P. and Ole Communications collection includes the top rated reality personalities, and the variety of things they one of the most comprehensive collections Group. HBO Latin America Group owns, shows such as “Survivor”, “Amazing Race” do with food. ​​​​​The network strives to be of programming. operates and distributes the leading cable along with Movies of the Week offering viewers’ best friend in food and is committed and satellite programming services in “Sidney Sheldon’s Nothing Lasts Forever” to leading by teaching, inspiring, empowering Latin America, Brazil and the Caribbean and “Hobson’s Choice”. and entertaining through its talent and expertise. Food Network is distributed to more than 100 million U.S. households and up to 35 million unique web users monthly. HBO Latin America Discovery Channel National Geographic Group Discovery Channel’s U.S. networks Discovery Channel’s U.S. networks Through unprecedented access worldwide, content is characterized by unparalleled content is characterized by unparalleled National Geographic continues to deliver production values, spectacular production values, spectacular in-depth exploration of the world we live cinematography and compelling stories, cinematography and compelling stories, in. As a brand leader for special interest and spans nonfiction genres including and spans nonfiction genres including and documentary programming, National science, exploration, survival, natural science, exploration, survival, natural Geographic’s robust catalog collection history, sustainability of the environment, history, sustainability of the environment, allows viewers to immerse themselves technology, anthropology, health and technology, anthropology, health and in historical events, current affairs, wellness, engineering, adventure, wellness, engineering, adventure, geography, natural history and more. lifestyles and current events. lifestyles and current events. 800-877-1778 www.alliedvaughn.com | 3 RECORD LABELS Essential Media Sony Music FKACO Group LLC Entertainment Essential Media Group LLC. Is one of Sony Music Entertainment is a global FKACO offers a full spectrum of media the largest record labels specializing in recorded music company with a roster that and multimedia based entertainment multiple genres, encompassing all eras includes a broad array of both local artists solutions for, but not limited to, of Folk, Blues, Jazz, Classical, World, and international superstars. The company independent artists, labels, and Rock, R&B and Pop, including current Hip boasts a vast catalog that comprises publishers. We are a young company Hop, Dancehall, Reggaeton and Dance/ some of the most important recordings with over 35 cumulative years in Electronic Music. in history. communications, media, music-apparel, indi-publishing, and recordlabeling. CLASSIC COLLECTIONS VCI Entertainment The American Pop Classics Desert Island Films The Nostalgia Archive Series Merchant VCI Entertainment has been well known The American Pop Classics Archive Series Desert Island Films, one of the largest The Nostalgia Merchant library includes for decades as the catalog of collectable presented by Film Chest currently has one Public Domain Libraries in the world has thousands of old time radio programs, feature films from old Westerns, horror of the largest archival collections in the selected a broad library of public domain predominantly from the 1940’s to the and seasonal favorites. Many titles are United States, with several thousand titles titles from its catalog, priced to sell and 1960’s – the “Golden Age of Radio.” newly mastered and prepared for the of classics movies, many never available available now in the AV MOD Collection. Nostalgia Merchant is proud to offer these Allied Vaughn MOD Collection. on home video. radio classics on CD for your listening enjoyment. Every episode has been carefully transferred from the original recordings and digitally remastered. 800-877-1778 4 | www.alliedvaughn.com CLASSIC COLLECTIONS (continued) SFM Entertainment Films Around the The Film Detective Flicker Alley LLC World, Inc. SFM Entertainment LLC is a world Films Around the World, Inc. is one of the The Film Detective restores and Flicker Alley was born out of a passion leader in television, film and new largest independent primary good- distributes broadcast-quality, digitally for cinematic history and a desire to mediadistribution, production and copyright American libraries, with more remastered,classic programming for bring filmmakers and films from out of licensing on a national and international than 500 feature owned or distributed television, DVD, Blu-ray, VOD and other the past to new audiences and renewed basis. Hailedas the last great independent feature films, more than 1,000 classic digital platforms.Their extensive library of recognition. The company was founded television distribution company, SFM is television programs, and more than 2,500 more than 3,000 titles – including feature in 2002 by Jeffery Masino who drew on a responsible forthe airing of a variety of hours of talk radio and music programs. films,television programming, foreign lifelong enthusiasm and fascination with beloved first-rate media programs from imports, documentaries– are now being silent, classic, and independent cinema today and yesterday. remastered for today’s new media. as well as on many years of experience in film and television production and postproduction. INDEPENDENT FILMS & SPECIAL INTEREST Vision Video RumbleRide Orbital Media A.G. All Channel Films, Inc. Entertainment Media Vision Video is a leading supplier of faith RumbleRide Entertainment Media has Orbital Media A.G., based at Marylebone All Channel Films, Inc. has been in the based inspirational programs that will been offering the best in original home London founded in 1995 by Ray Santilli. business for over 30 years distributing appeal to the entire family. They offer video entertainment for over 25 years to The group acquired Legend World Music features, series, concerts, documentaries, dozens of titles such as “Shadowlands: C.S. 160 million motor sports fans across the LLC in October 2003 together with its and product both domestically (U.S.) and Lewis”, “Christianity and Islam”, “Romero”, US. Now, for the first time, RumbleRide catalogue of some 12,500 music tracks
Load more

Recommended publications
  • Models of Time Travel
    MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened.
    [Show full text]
  • New Warner March Releases- the Lego Movie 2 3DBD
    The Fastest Growing DVD, CD and Blu-ray Retail Catalog The future delivered now. Allied Vaughn. Powering today's leading entertainment supply chain. Volume 9 Issue 4 Congratulations go out to National Geographic and their Best Documentary win for "Free Solo" at the Oscars. We're proud to be distributing the title to our AV Retailers and Wholesalers, it's shaping up to be a major success for retailers. We're also proud of the significant growth in our documentaries and Independent film selections which underscores the advantages of a MOD release, always in stock, speed to market and broadest physical media choice for consumers. Check out all our new releases below and also the new March releases from Warner Archive, something there for every collector! Ask us how we can take your titles to market and grow your catalog sales. Richard Skillman Vice President Allied Vaughn Entertainment [email protected] Allied Vaughn Entertainment Main Page Allied Vaughn Entertainment Studio Catalog Allied Vaughn Entertainment Archives National Geographic's FREE SOLO Wins Best Documentary Congratulations National Geographic on its Academy Award winning documentary! 3/5/2019 024543470229 Free Solo (fka Solo) 2019 The stunning, intimate and unflinching Academy Award Winning portrait of free solo climber Alex Honnold as he prepares to achieve his lifelong dream: scaling the face of the world's most famous rock "the 3,200-foot El Capitan in Yosemite National Park" without a rope. Renowned filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin capture the death-defying climb with exquisite artistry and masterful, vertigo- inducing camerawork. Warner March Releases Announces along with "The Lego Movie 2: The Second Part" on 3D Blu- ray Warner delivers again with a full slate of New Hit 3D Blu-ray Major Features and remastered Hollywood classics.
    [Show full text]
  • Lanthorn, Vol. 26, No. 05, September 25, 1991 Grand Valley State University
    Grand Valley State University ScholarWorks@GVSU Volume 26 Lanthorn, 1968-2001 9-25-1991 Lanthorn, vol. 26, no. 05, September 25, 1991 Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/lanthorn_vol26 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 26, no. 05, September 25, 1991" (1991). Volume 26. 5. http://scholarworks.gvsu.edu/lanthorn_vol26/5 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 26 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. OPTS* V O L lE Y B A a TAKES TWO O N ROAD, •:S:::™:5 p :v■ ! M i LanthornGrand Valley State University's Student-Run Newspaper Volume 26 Isaue 5 September 25, 1991 TenEyck appointed school of education director By Lawrence R. Heibel News Writer Allan J. TenEyck, act­ ing director of GVSLTs School of Education, has been named the permanent director. TenEyck has been with GVSU since 1972 and served as the School of Education’s acting director In 1978 and again In 1989 to the present. Assisting the new di­ rector will be associate professor Judy Harpold serving as the new asso­ ciate director of under­ graduate programs and associate professor Brenda Lazarus serving as associate director of graduate programs. TenEyck’s -duties In­ ^ --- PHOTO BY BOB COOLEY clude supervising the Ricky Sabi nephew o f Grand Valley quarterback Brian Tazic.
    [Show full text]
  • Taylor Doctoralthesis Complete
    21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text.
    [Show full text]
  • (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age
    The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Bogna Kazur aus Lodz, Polen Göttingen 2018 Contents 1 Introduction ......................................................................................................................... 3 2 The Question of Medium Specificity in the Digital Age .................................................. 29 3 House of Leaves (2000) and the Uncanny Dawn of the Digital........................................ 39 3.1 Digital Paranoia: Arriving on Ash Tree Lane ........................................................... 39 3.2 Writing about House of Leaves ................................................................................. 43 3.3 Intermedial Overabundance: Taming House of Leaves ............................................. 49 3.4 An “Explicit” Approach to the Digital Age ............................................................... 54 3.5 What Kind of Movie is THE NAVIDSON RECORD? ..................................................... 68 4 In the Midst of the Post-Cinematic Age: Marisha Pessl’s Night Film (2013) .................. 88 4.1 Meant for Adaptation: Night Film and the Fallacy of First Impressions ................... 88 4.2 The Post-Cinematic Reception of Film ..................................................................... 96 4.3 The Last Enigma: Cordova’s Underworld ..............................................................
    [Show full text]
  • Film Reviews
    Page 104 FILM REVIEWS “Is this another attack?”: Imagining Disaster in C loverfield, Diary of the Dead and [ Rec] Cloverfield (Dir. Matt Reeves) USA 2007 Paramount Home Entertainment Diary of the Dead (Dir. George A. Romero) USA 2007 Optimum Home Entertainment [Rec] (Dir. Jaume Balagueró & Paco Plaza) S pain 2007 Odeon Sky Filmworks In 1965, at the height of the Cold War, Susan Sontag declared in her famous essay ‘The Imagination of Disaster’ that the world had entered an “age of extremity” in which it had become clear that from now until the end of human history, every person on earth would “spend his individual life under the threat not only of individual death, which is certain, but of something almost insupportable psychologically – collective incineration which could come at any time”. Sontag went on to claim that narratives in which this fate was dramatised for the mass audience in fantastical form – like the monster movies of the 1950s – helped society deal with this stress by distracting people from their fate and normalising what was psychologically unbearable: a kind of vaccination of the imagination, if you will. If this is the case, then Cloverfield, in which Manhattan is destroyed by an immensely powerful sea monster, George A. Romero’s latest zombie movie, Diary of the Dead, and claustrophobic Spanish hit [Rec] are not so much pre­emptive vaccinations against probable catastrophe, but intermittently powerful, if flawed, reminders of actual calamity. In all three films some of the most destabilising events and anxieties of the past decade – including 9/11 (and the fear of terrorist attacks striking at the heart of American and European cities), Hurricane Katrina, the 2004 Tsunami, and the SARS virus– are reconfigured as genre­based mass market entertainment.
    [Show full text]
  • Zombies: New Media, Cinema, and Performance
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title 21st Century Zombies: New Media, Cinema, and Performance Permalink https://escholarship.org/uc/item/9hq1z1t7 Author Taylor, Joanne Marie Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California 21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies.
    [Show full text]
  • Framing Death. La Morte in Diretta, Tra Cinema E Media Digitali
    alphabet 1 Nicolò Gallio FRAMING DEATH La morte in diretta, tra cinema e media digitali Nicolò Gallio FRAMING DEATH La morte in diretta, tra cinema e media digitali Il volume è tratto dalla tesi di dottorato Framing Death. La morte in diretta, tra cinema e media digitali. Alma Mater Studiorum - Università di Bologna, Dottorato di ricerca in Studi teatrali e cinematografici, ciclo XXV, depositata in AMSDottorato - Institutional Theses Repository (http://amsdottorato.unibo.it/) Il testo è stato sottoposto a peer review / This text has been peer reviewed This work is licensed under a Creative Commons Attribution BY-NC-SA 4.0 This license allows you to reproduce, share and adapt the work, in whole or in part, for non-commercial purposes only, providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Nicolò Gallio, Framing Death. La morte in diretta, tra cinema e media digitali, Bologna: Bononia University Press, 2020 Quest’opera è pubblicata sotto licenza Creative Commons BY-NC-SA 4.0 Questa licenza consente di riprodurre, condividere e adattare l’opera, in tutto o in parte, esclusivamente per scopi di tipo non commerciale, riconoscendo una menzione di paternità adeguata (non con modalità tali da suggerire che il licenziante avalli l’utilizzo dell’opera). La menzione dovrà includere le seguenti informazioni: Nicolò Gallio, Framing Death. La morte in diretta, tra cinema e media digitali, Bologna: Bononia University Press, 2020 Bononia University Press Via Ugo Foscolo 7 40124 Bologna tel.
    [Show full text]
  • DVD Review: Night of the Living Dead: Reanimated (2010)
    http://mcbastardsmausoleum.blogspot.com/2010/10/dvd-review-night-of-living- dead.html Thursday, October 21, 2010 DVD Review: Night of the Living Dead: Reanimated (2010) NIGHT OF THE LIVING DEAD: REANIMATED (2010) "Art is Dead... Yeah It's All messed Up" Wild Eye Releasing RATED: Unrated RUNNING TIME: 101 Min. ORIGINAL DIRECTOR: George A. Romero PROJECT CURATOR: Mike Schneider CAST: Duane Jones, Judith O'Dea, Karl Hardman, Marilyn Eastman, Keith Wayne, Judith Ridley SUMMARY: Night of the Living Dead: Reanimated is a mass collaborative artistic re-envisioning of George A. Romero's 1968 cult classic Night of the Living Dead. International artists and animators were invited to select scenes from the film and reinvent them through their artwork. Open to all styles, media and processes the results ran the gamut with scenes created in everything from puppet theater to CGI, hand drawn animation to flash, and oil paintings to tattoos. This cacophony of works was organized and curated across the original film's time line in order to create a completely original video track made entirely out of art. (from NOTLDR.Com) FILM: It's generally known that George A. Romero's Night of the Living Dead fell into the public domain immediately following it's theatrical release in 1968 due to a copyright snafu. So unfair, right? This is the man that created a seminal piece of cinema history. The visionary who ushered in the modem-age of the flesh-eating zombies to the masses. As the result of this unfortunate error pretty much anyone has been able to duplicate and distribute the film and profit from the Romero's labor.
    [Show full text]
  • Traces of Snuff: Black Markets, Fan Subcultures and Underground Horror in the 1990S
    Northumbria Research Link Citation: Walker, Johnny (2016) Traces of snuff: black markets, fan subcultures and underground horror in the 1990s. In: Snuff: Real Death and Screen Media. Bloomsbury, London, pp. 137-152. ISBN 9781628921137 Published by: Bloomsbury URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/27964/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Chapter 7 Traces of snuff: black markets, fan subcultures and underground horror in the 90s Johnny Walker This chapter seeks to explore the centrality, and significance, of underground horror films to fan cultures in the 1990s, demonstrating how a swelling interest in gory paracinema1 coincided with the emergence of an array of contemporary, direct-to-video “death films” which collated sequences of genuine human tragedy and atrocity for the purposes of entertainment.
    [Show full text]
  • Walker Tosubmit
    Citation: Walker, Johnny (2016) Traces of snuff: black markets, fan subcultures and underground horror in the 1990s. In: Snuff: Real Death and Screen Media. Bloomsbury, London, pp. 137-152. ISBN 9781628921137 Published by: Bloomsbury URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/27964/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) Chapter 7 Traces of snuff: black markets, fan subcultures and underground horror in the 90s Johnny Walker This chapter seeks to explore the centrality, and significance, of underground horror films to fan cultures in the 1990s, demonstrating how a swelling interest in gory paracinema1 coincided with the emergence of an array of contemporary, direct-to-video “death films” which collated sequences of genuine human tragedy and atrocity for the purposes of entertainment.
    [Show full text]
  • Allied Vaughn Entertainment Studio Catalog
    Allied Vaughn’s Media On Demand Collection Allied Vaughn is pleased offer you the opportunity to join us as a partner reseller of a wide selection of titles from the content libraries of select Studios, Networks, Record Labels and Content Publishers. With the changing face of traditional retail, consumers are searching for – and will buy – hard to get films, music, television shows and series on DVD, Blu-ray or CD if made available immediately to purchase. Through Allied Vaughn’s Media on Demand Collection, you can deliver your customers the titles they want today, on DVD, Blu-ray or CD, with minimum costs to you and never a title out of stock or delisted! 800-877-1778 www.alliedvaughn.com | 1 STUDIO Warner Archive MGM Limited Edition SONY Choice Fox Cinema Archives Collection Collection Collection Collection Spanning more than 75 years of The Limited Edition Collection offers titles The SONY Choice Collection features The Fox Cinema Archives Collection from filmmaking, the Warner Archive Collection of all genres and many not available on beloved, never-before-released titles that Twentieth Century Fox opens a fresh offers fans access to Warner Bros. DVD until now. Look for a broad range movie lovers have asked for - covering untapped catalog of classic films with such Entertainment’s unparalleled film library of drama, comedy, westerns, horror and more than 75 years of the Columbia film Fox stars as Tyrone Power, Barbara consisting of pre-1986 MGM, RKO Radio science fiction to choose from. library. Stanwyck and hundreds of others in larger Pictures, and Warner Bros.
    [Show full text]