Studio Allied Vaughn's Media on Demand DVD Collection
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New Warner March Releases- the Lego Movie 2 3DBD
The Fastest Growing DVD, CD and Blu-ray Retail Catalog The future delivered now. Allied Vaughn. Powering today's leading entertainment supply chain. Volume 9 Issue 4 Congratulations go out to National Geographic and their Best Documentary win for "Free Solo" at the Oscars. We're proud to be distributing the title to our AV Retailers and Wholesalers, it's shaping up to be a major success for retailers. We're also proud of the significant growth in our documentaries and Independent film selections which underscores the advantages of a MOD release, always in stock, speed to market and broadest physical media choice for consumers. Check out all our new releases below and also the new March releases from Warner Archive, something there for every collector! Ask us how we can take your titles to market and grow your catalog sales. Richard Skillman Vice President Allied Vaughn Entertainment [email protected] Allied Vaughn Entertainment Main Page Allied Vaughn Entertainment Studio Catalog Allied Vaughn Entertainment Archives National Geographic's FREE SOLO Wins Best Documentary Congratulations National Geographic on its Academy Award winning documentary! 3/5/2019 024543470229 Free Solo (fka Solo) 2019 The stunning, intimate and unflinching Academy Award Winning portrait of free solo climber Alex Honnold as he prepares to achieve his lifelong dream: scaling the face of the world's most famous rock "the 3,200-foot El Capitan in Yosemite National Park" without a rope. Renowned filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin capture the death-defying climb with exquisite artistry and masterful, vertigo- inducing camerawork. Warner March Releases Announces along with "The Lego Movie 2: The Second Part" on 3D Blu- ray Warner delivers again with a full slate of New Hit 3D Blu-ray Major Features and remastered Hollywood classics. -
1-Tuesday-Hbo-Presentation-Content
Content Rights in Latin America and the Caribbean Addressing Piracy By Javier Figueras Caribbean Pay TV Landscape ✓ The HBO Latin America Group has been operating in the Caribbean since 1991. ✓ Today HBO has a good distribution of our premium and basic network’s channel in over 28 island and over 31 operators. ✓ Many past anti piracy actions resulted in the overall benefit for the Caribbean territories, operators, programmers and the consumer. ( Bahamas, Jamaica, Cayman, Dominica & Antigua). ✓ Caribbean operators technically advanced and well-structured platforms has allowed for the roll out of our digital valued added services including OD, VODe, HBO GO, and live streaming of most of our channel for our current linear subscribers and content for OTT. Types of Piracy ✓ Internet Piracy Streaming from Site The use of Internet Streaming Devices ✓ Retransmission of US networks that includes content acquired by our basic networks CBS, NBC, ABC etc. ✓ Retransmission Piracy (900K subscribers in Caribbean and Central America) ✓ Grey Market Piracy ✓ Under Reporting (1.7 M subscribers in Caribbean and Central America) Consequences ✓ Piracy often goes hand in hand with organized crime ▪ Drug trafficking. ▪ Weapon trafficking. ▪ Money Laundry. ✓ Affects the Industry ▪ Intellectual Property Theft has accounted for losses of USD 6.5 Billion in the Pay TV Market in Latin America. ▪ Pay TV Providers lost revenue: Intellectual Property Theft, excluding online piracy, accounts for an annual loss of revenue for of USD 167 million in Central America and the Caribbean. ✓ Affects the Consumer ▪ Consumers pay for a service that might not last. ▪ Quality is usually poor. ▪ Pirated site and/or illegal IPTV services often contain viruses, malware or other malicious software. -
Taylor Doctoralthesis Complete
21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text. -
TV Por Assinatura No Brasil: Aspectos Econômicos E Estruturais
TV por Assinatura no Brasil: aspectos econômicos e estruturais Elaboração Técnica: Bruna Fontes Roppa Magno Maranhão Sérgio Reis Tainá Leandro Coordenação de Estudos Regulatórios e Concorrenciais – CER Superintendência de Análise de Mercado - SAM A ANCINE – Agência Nacional do Cinema é uma Superintendente de Análise de Mercado agência reguladora que tem como atribuições o Alex Patez Galvão fomento, a regulação e a fiscalização do mercado do cinema e do audiovisual no Brasil. É uma autarquia especial, vinculada desde 2003 ao Coordenador de Estudos Regulatórios e Ministério da Cultura, com sede e foro no Distrito Concorrenciais Federal e Escritório Central no Rio de Janeiro. Tainá Leandro A missão institucional da ANCINE é induzir Elaboração Técnica condições isonômicas de competição nas Bruna Fontes Roppa relações dos agentes econômicos da atividade Especialista em Regulação cinematográfica e videofonográfica no Brasil, proporcionando o desenvolvimento de uma Magno Maranhão indústria competitiva e auto-sustentada. Especialista em Regulação Diretoria Colegiada Sérgio Reis Manoel Rangel - Diretor-Presidente Especialista em Regulação Debora Ivanov Roberto Gonçalves de Lima Tainá Leandro Coordenadora de Estudos Regulatórios e Rosana Alcântara Concorrências http://www.ancine.gov.br/ Edição Tainá Leandro Revisão Editorial Tainá Leandro Apoio Técnico Taianny Rodrigues Oliveira Técnico em Regulação Publicado no Observatório Brasileiro do Cinema e do Audiovisual – OCA em 28/06/2016. O Observatório Brasileiro do Cinema e do Audiovisual – OCA é um repositório público de informações e análises do mercado cinematográfico e audiovisual brasileiro produzidas pela Agência Nacional do Cinema - ANCINE. Edição do Observatório Brasileiro do Cinema e do Audiovisual Cainan Baladez http://oca.ancine.gov.br/ 2 Superintendência de Análise de Mercado Sumário Introdução .............................................................................................................................................................. -