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January 2014 Members in the News
January 2014 Members in the News Ayala on Many Blood Brother on Independent Lens - Jan 20 - Projects Local Connection! 2013 was a busy year for Claude LaVallee, Additional Editor for Editor John Ayala. Besides the feature documentary Blood editing a series for NASA at Brother, is happy to announce that this Cortina Productions, he 2013 Sundance Grand Jury Prize and edited a trailer that helped Audience Award winner will premiere Hillary Linder's feature on PBS's Independent Lens, on documentary, Indivisible Monday, January 20, 2014, 10:00- launch a successful 11:30PM ET (check local listings). Kickstarter campaign. He is Blood Brother, directed by Steve also Co-Producing and Editing The Commentator, Hoover, follows his best friend, Rocky a feature length documentary that follows filmmaker Braat's unexpected journey of love and Jorgen Leth (The Five Obstructions) returning to the hardship upon encountering HIV-infected children in an classic Paris-Roubaix bicycle race in Northern Indian hostel. Braat's motivations for eventually staying with France, where he shot his film A Sunday In Hell more the kids are complex, but this story is an undeniable than 30 years ago. It features camera by Albert testament to the power of love. Though raw and poignant, Maysles, and a score by Blonde Redhead. The film this documentary is unconventionally dynamic, having been is currently being scored and will make its premiere sensitively infused with Hoover's music video aesthetic. this Spring. For more information and to see clips from John's projects visit www.ayalagrocery.com "It is, in one way, a movie about self-sacrifice, but really, it is a delicate, delicate character study. -
Music Law and Business: a Comprehensive Bibliography, 1982-1991 Gail I
Hastings Communications and Entertainment Law Journal Volume 13 | Number 4 Article 5 1-1-1991 Music Law and Business: A Comprehensive Bibliography, 1982-1991 Gail I. Winson Janine S. Natter Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Gail I. Winson and Janine S. Natter, Music Law and Business: A Comprehensive Bibliography, 1982-1991, 13 Hastings Comm. & Ent. L.J. 811 (1991). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol13/iss4/5 This Special Feature is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Music Law and Business: A Comprehensive Bibliography, 1982-1991* By GAIL I. WINSON** AND JANINE S. NArrER*** Table of Contents I. Law Review and Journal Articles ......................... 818 A . A ntitrust ............................................ 818 B. Bankruptcy .......................................... 819 C. Bibliographies ....................................... 819 D . Contracts ........................................... 819 1. M anagem ent ..................................... 821 2. Personal Service ................................ -
New Warner March Releases- the Lego Movie 2 3DBD
The Fastest Growing DVD, CD and Blu-ray Retail Catalog The future delivered now. Allied Vaughn. Powering today's leading entertainment supply chain. Volume 9 Issue 4 Congratulations go out to National Geographic and their Best Documentary win for "Free Solo" at the Oscars. We're proud to be distributing the title to our AV Retailers and Wholesalers, it's shaping up to be a major success for retailers. We're also proud of the significant growth in our documentaries and Independent film selections which underscores the advantages of a MOD release, always in stock, speed to market and broadest physical media choice for consumers. Check out all our new releases below and also the new March releases from Warner Archive, something there for every collector! Ask us how we can take your titles to market and grow your catalog sales. Richard Skillman Vice President Allied Vaughn Entertainment [email protected] Allied Vaughn Entertainment Main Page Allied Vaughn Entertainment Studio Catalog Allied Vaughn Entertainment Archives National Geographic's FREE SOLO Wins Best Documentary Congratulations National Geographic on its Academy Award winning documentary! 3/5/2019 024543470229 Free Solo (fka Solo) 2019 The stunning, intimate and unflinching Academy Award Winning portrait of free solo climber Alex Honnold as he prepares to achieve his lifelong dream: scaling the face of the world's most famous rock "the 3,200-foot El Capitan in Yosemite National Park" without a rope. Renowned filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin capture the death-defying climb with exquisite artistry and masterful, vertigo- inducing camerawork. Warner March Releases Announces along with "The Lego Movie 2: The Second Part" on 3D Blu- ray Warner delivers again with a full slate of New Hit 3D Blu-ray Major Features and remastered Hollywood classics. -
ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media
ABSTRACT Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation Yueqin Yang, M.A. Mentor: Douglas R. Ferdon, Jr., Ph.D. This thesis commits to highlighting major stereotypes concerning Asians and Asian Americans found in the U.S. media, the “Yellow Peril,” the perpetual foreigner, the model minority, and problematic representations of gender and sexuality. In the U.S. media, Asians and Asian Americans are greatly underrepresented. Acting roles that are granted to them in television series, films, and shows usually consist of stereotyped characters. It is unacceptable to socialize such stereotypes, for the media play a significant role of education and social networking which help people understand themselves and their relation with others. Within the limited pages of the thesis, I devote to exploring such labels as the “Yellow Peril,” perpetual foreigner, the model minority, the emasculated Asian male and the hyper-sexualized Asian female in the U.S. media. In doing so I hope to promote awareness of such typecasts by white dominant culture and society to ethnic minorities in the U.S. Stereotypes of Asians and Asian Americans in the U.S. Media: Appearance, Disappearance, and Assimilation by Yueqin Yang, B.A. A Thesis Approved by the Department of American Studies ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee ___________________________________ Douglas R. Ferdon, Jr., Ph.D., Chairperson ___________________________________ James M. SoRelle, Ph.D. ___________________________________ Xin Wang, Ph.D. -
1-Tuesday-Hbo-Presentation-Content
Content Rights in Latin America and the Caribbean Addressing Piracy By Javier Figueras Caribbean Pay TV Landscape ✓ The HBO Latin America Group has been operating in the Caribbean since 1991. ✓ Today HBO has a good distribution of our premium and basic network’s channel in over 28 island and over 31 operators. ✓ Many past anti piracy actions resulted in the overall benefit for the Caribbean territories, operators, programmers and the consumer. ( Bahamas, Jamaica, Cayman, Dominica & Antigua). ✓ Caribbean operators technically advanced and well-structured platforms has allowed for the roll out of our digital valued added services including OD, VODe, HBO GO, and live streaming of most of our channel for our current linear subscribers and content for OTT. Types of Piracy ✓ Internet Piracy Streaming from Site The use of Internet Streaming Devices ✓ Retransmission of US networks that includes content acquired by our basic networks CBS, NBC, ABC etc. ✓ Retransmission Piracy (900K subscribers in Caribbean and Central America) ✓ Grey Market Piracy ✓ Under Reporting (1.7 M subscribers in Caribbean and Central America) Consequences ✓ Piracy often goes hand in hand with organized crime ▪ Drug trafficking. ▪ Weapon trafficking. ▪ Money Laundry. ✓ Affects the Industry ▪ Intellectual Property Theft has accounted for losses of USD 6.5 Billion in the Pay TV Market in Latin America. ▪ Pay TV Providers lost revenue: Intellectual Property Theft, excluding online piracy, accounts for an annual loss of revenue for of USD 167 million in Central America and the Caribbean. ✓ Affects the Consumer ▪ Consumers pay for a service that might not last. ▪ Quality is usually poor. ▪ Pirated site and/or illegal IPTV services often contain viruses, malware or other malicious software. -
C Ntent 17-30 April 2017 L
C NTENT 17-30 April 2017 www.contentasia.tv l www.contentasiasummit.com Telkomsel, CatchPlay roll out in Indonesia 2GB data sweetener for SVOD movie package Indonesian telco Telkomsel has added Taiwan’s CatchPlay SVOD to its Video- MAX entertainment platform, bundling movies with a 2GB data sweetener and the promise of “smooth streaming” on Telkomsel’s 4G mobile network. The package costs Rp66,000/US$5 a month. CatchPlay has also acquired exclusive digital rights for award winning Indo- nesian movie, Solo, Solitude, which will stream on the platform in May. In addition to the monthly subscription option, a multi-layered pricing strategy offers consumers in Indonesia free mem- bership and one free CatchPlay movie a month, with a pay-per-view option for lo- cal and library titles at Rp19,500/US$1.50 each or new releases for Rp29,500/ US$2.20 each. CatchPlay CEO, Daphne Yang, de- scribed Indonesia as a market of “huge potential in terms of individuals who use the internet for video streaming”. CatchPlay titles include La La Land, Lion and Lego: Batman Movie. New titles this month are Collateral Beauty, starring Will Smith; Sing with Matthew McConaughey and Reese Witherspoon; and Fences with Denzel Washington and Viola Davis. CatchPlay also has a distribution deal with Indihome in Indonesia. The platform is available in Taiwan, where it launched in 2007, Singapore and Indonesia. www.contentasia.tv C NTENTASIA 17-30 April 2017 Page 2. Korea’s JTBC GMA bets on love triangles in new drama breaks new ground 3 wives, 3 husbands, 3 mistresses drive day-time hopes with Netflix 21 April global debut Philippines’ broadcaster GMA Network global linear network GMA Pinoy TV on has premiered its new afternoon drama, 18 April. -
Connecting Content with Consumers Volume 8 Issue 10
The Fast est Growing DVD, CD and Blu- ray Ret ail Cat alog Connecting Content with Consumers Volume 8 Issue 10 Turner Classic Movies dazzled film fans of all ages last week in Los Angeles with the ninth hosting of the TCM Classic Film Festival. Thousands of classic cinema passionate attendees were feted with over 80 films joined by celebrity hosts including Mel Brooks, Eve Marie Saint, Jeff Bridges, Buck Henry and casts from "Romeo and Juliet" and "Animal House'. Wowing the crowds, Martin Scorsese was awarded the first Robert Osborne Award by Leonardo DiCaprio, recognizing the directors commitment to the preservation of motion pictures. The TCM Classic Film Festival continues to be one of the most anticipated events in the year for watching the classic films as they were originally seen in the great movie theaters. I enjoy attending with my fellow film "geeks" for non-stop film, trivia and learning more about the creativity behind these movies. You will find a complete catalog of TCM classic films available in the AV MOD Collection, contact me for details! Richard Skillman Vice President Allied Vaughn [email protected] http://www.alliedvaughn.com AV MOD Studio Brochure AV MOD Gallery Title Library AV MOD Newsletter Archives Warner Archive May DVD and Blu-ray Releases 5/22/2018 888574646066 Bad Day at Black Rock DVD-5 "Folks in Black Rock have their own way of welcoming mysterious, one-armed stranger John J. Macreedy. He's welcome to leave. Or they'll make sure he leaves in a pine box. Two-time Academy Award® winner* Spencer Tracy (a 1955 Best Actor Oscar® nominee for this film) plays World War II veteran Macreedy, who keeps his own counsel about why he's come to Black Rock and who keeps his wits about him when confronted with threats and violence. -
Countdown and Cult Music Television Programmes
Giuffre, Liz Countdown and Cult Music Television Programmes Countdown and cult music television programmes: an Australian case study Liz Giuffre Abstract Music television programs, programs that focus on music for their core content, have been produced all over the world for all types of markets. However there remains little sustained work on them beyond studies of key production periods, franchise waves or biography-like narratives. This article shows that theories of Cult TV can be applied to music television programs to help explore this neglected form, as well as helping to expand Cult TV’s theoretical reach beyond its traditional fare of narrative driven, fiction series. This article offers 1970s and ‘80s Australian music television program Countdown as a prime example of Cult TV, first in the context of its initial production and consumption in 1970s and ‘80s Australia, and also in terms of its subsequent influence on contemporary audiences from a historical perspective. The Cult TV frame extends to the program itself in its original incarnation, as well as additional recontextualisations in new music television programs, and the continued work of its former host, Ian ‘Molly’ Meldrum. Introduction1 Music television is an unusual type of programming. It provides both regular entertainment that is watched intensely while on air, and produces key moments that survive well in audience collective memory. ‘Live’ music performance and interview series Countdown remains an icon of the Australian television and music industries.2 Created by the national public service broadcaster, the Australian Broadcasting Corporation (ABC),3 the show was broadcast from 1974 to 1987 on Sunday evenings and was highly influential with television audiences and the broader music industry.4 Countdown provided opportunities for music artists and audiences to engage with each other in a way that had not previously been possible. -
Taylor Doctoralthesis Complete
21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text. -
TV Por Assinatura No Brasil: Aspectos Econômicos E Estruturais
TV por Assinatura no Brasil: aspectos econômicos e estruturais Elaboração Técnica: Bruna Fontes Roppa Magno Maranhão Sérgio Reis Tainá Leandro Coordenação de Estudos Regulatórios e Concorrenciais – CER Superintendência de Análise de Mercado - SAM A ANCINE – Agência Nacional do Cinema é uma Superintendente de Análise de Mercado agência reguladora que tem como atribuições o Alex Patez Galvão fomento, a regulação e a fiscalização do mercado do cinema e do audiovisual no Brasil. É uma autarquia especial, vinculada desde 2003 ao Coordenador de Estudos Regulatórios e Ministério da Cultura, com sede e foro no Distrito Concorrenciais Federal e Escritório Central no Rio de Janeiro. Tainá Leandro A missão institucional da ANCINE é induzir Elaboração Técnica condições isonômicas de competição nas Bruna Fontes Roppa relações dos agentes econômicos da atividade Especialista em Regulação cinematográfica e videofonográfica no Brasil, proporcionando o desenvolvimento de uma Magno Maranhão indústria competitiva e auto-sustentada. Especialista em Regulação Diretoria Colegiada Sérgio Reis Manoel Rangel - Diretor-Presidente Especialista em Regulação Debora Ivanov Roberto Gonçalves de Lima Tainá Leandro Coordenadora de Estudos Regulatórios e Rosana Alcântara Concorrências http://www.ancine.gov.br/ Edição Tainá Leandro Revisão Editorial Tainá Leandro Apoio Técnico Taianny Rodrigues Oliveira Técnico em Regulação Publicado no Observatório Brasileiro do Cinema e do Audiovisual – OCA em 28/06/2016. O Observatório Brasileiro do Cinema e do Audiovisual – OCA é um repositório público de informações e análises do mercado cinematográfico e audiovisual brasileiro produzidas pela Agência Nacional do Cinema - ANCINE. Edição do Observatório Brasileiro do Cinema e do Audiovisual Cainan Baladez http://oca.ancine.gov.br/ 2 Superintendência de Análise de Mercado Sumário Introdução .............................................................................................................................................................. -
(Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age
The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Bogna Kazur aus Lodz, Polen Göttingen 2018 Contents 1 Introduction ......................................................................................................................... 3 2 The Question of Medium Specificity in the Digital Age .................................................. 29 3 House of Leaves (2000) and the Uncanny Dawn of the Digital........................................ 39 3.1 Digital Paranoia: Arriving on Ash Tree Lane ........................................................... 39 3.2 Writing about House of Leaves ................................................................................. 43 3.3 Intermedial Overabundance: Taming House of Leaves ............................................. 49 3.4 An “Explicit” Approach to the Digital Age ............................................................... 54 3.5 What Kind of Movie is THE NAVIDSON RECORD? ..................................................... 68 4 In the Midst of the Post-Cinematic Age: Marisha Pessl’s Night Film (2013) .................. 88 4.1 Meant for Adaptation: Night Film and the Fallacy of First Impressions ................... 88 4.2 The Post-Cinematic Reception of Film ..................................................................... 96 4.3 The Last Enigma: Cordova’s Underworld .............................................................. -
US 2007/0156594 A1 Mcgucken (43) Pub
US 20070156594A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2007/0156594 A1 McGucken (43) Pub. Date: Jul. 5, 2007 (54) SYSTEM AND METHOD FOR ALLOWING (52) U.S. Cl. ................................. 705/51; 705/50; 726/26 CREATORS, ARTSISTS, AND OWNERS TO PROTECT AND PROFIT FROM CONTENT (76) Inventor: Elliot McGucken, Malibu, CA (US) (57) ABSTRACT Correspondence Address: Dr. Elliot McGucken The present invention offers novel and superior means for 24345 Baxter Drive protecting and profiting from digital content. The rights Malibu, CA 90265 (US) centric, creator-centric digital rights management applica tion will lead to greater revenue and rights for artists, and a (21) Appl. No.: 11/648,963 new era of creator's entrepreneurship, as opposed to the dominant aggregator's entrepreneurship. The present inven (22) Filed: Jan. 3, 2007 tion offers a simple interface for creators, artists, users, and owners to define rights, select from a plurality of DRM Related U.S. Application Data options, advertising options, watermarking options, thumb (60) Provisional application No. 60/755,927, filed on Jan. nailing options, syndication options, and publish, share, sell, 3, 2006. Provisional application No. 60/792,107, filed and distribute their content in a plurality of manners. This on Apr. 15, 2006. invention has far-ranging ramifications, as it causes DRM providers, device manufacturers, web companies, Social Publication Classification networks, and content marketplaces to more directly com pete with one-another to provide the creator and content (51) Int. C. owner the best compensation for their work. Creators can G06Q 99/00 (2006.01) bypass the traditional and new middlemen, define their H04N 7/16 (2006.01) rights, sell their content, and enhance profits.