Puppet Master Axis Termination
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Film Reviews
Page 104 FILM REVIEWS “Is this another attack?”: Imagining Disaster in C loverfield, Diary of the Dead and [ Rec] Cloverfield (Dir. Matt Reeves) USA 2007 Paramount Home Entertainment Diary of the Dead (Dir. George A. Romero) USA 2007 Optimum Home Entertainment [Rec] (Dir. Jaume Balagueró & Paco Plaza) S pain 2007 Odeon Sky Filmworks In 1965, at the height of the Cold War, Susan Sontag declared in her famous essay ‘The Imagination of Disaster’ that the world had entered an “age of extremity” in which it had become clear that from now until the end of human history, every person on earth would “spend his individual life under the threat not only of individual death, which is certain, but of something almost insupportable psychologically – collective incineration which could come at any time”. Sontag went on to claim that narratives in which this fate was dramatised for the mass audience in fantastical form – like the monster movies of the 1950s – helped society deal with this stress by distracting people from their fate and normalising what was psychologically unbearable: a kind of vaccination of the imagination, if you will. If this is the case, then Cloverfield, in which Manhattan is destroyed by an immensely powerful sea monster, George A. Romero’s latest zombie movie, Diary of the Dead, and claustrophobic Spanish hit [Rec] are not so much preemptive vaccinations against probable catastrophe, but intermittently powerful, if flawed, reminders of actual calamity. In all three films some of the most destabilising events and anxieties of the past decade – including 9/11 (and the fear of terrorist attacks striking at the heart of American and European cities), Hurricane Katrina, the 2004 Tsunami, and the SARS virus– are reconfigured as genrebased mass market entertainment. -
DVD Review: Night of the Living Dead: Reanimated (2010)
http://mcbastardsmausoleum.blogspot.com/2010/10/dvd-review-night-of-living- dead.html Thursday, October 21, 2010 DVD Review: Night of the Living Dead: Reanimated (2010) NIGHT OF THE LIVING DEAD: REANIMATED (2010) "Art is Dead... Yeah It's All messed Up" Wild Eye Releasing RATED: Unrated RUNNING TIME: 101 Min. ORIGINAL DIRECTOR: George A. Romero PROJECT CURATOR: Mike Schneider CAST: Duane Jones, Judith O'Dea, Karl Hardman, Marilyn Eastman, Keith Wayne, Judith Ridley SUMMARY: Night of the Living Dead: Reanimated is a mass collaborative artistic re-envisioning of George A. Romero's 1968 cult classic Night of the Living Dead. International artists and animators were invited to select scenes from the film and reinvent them through their artwork. Open to all styles, media and processes the results ran the gamut with scenes created in everything from puppet theater to CGI, hand drawn animation to flash, and oil paintings to tattoos. This cacophony of works was organized and curated across the original film's time line in order to create a completely original video track made entirely out of art. (from NOTLDR.Com) FILM: It's generally known that George A. Romero's Night of the Living Dead fell into the public domain immediately following it's theatrical release in 1968 due to a copyright snafu. So unfair, right? This is the man that created a seminal piece of cinema history. The visionary who ushered in the modem-age of the flesh-eating zombies to the masses. As the result of this unfortunate error pretty much anyone has been able to duplicate and distribute the film and profit from the Romero's labor. -
Fairy Tale Films
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2010 Fairy Tale Films Pauline Greenhill Sidney Eve Matrix Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation Greenhill, P., & Matrix, S. E. (2010). Fairy tale films: Visions of ambiguity. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Fairy Tale Films Visions of Ambiguity Fairy Tale Films Visions of Ambiguity Pauline Greenhill and Sidney Eve Matrix Editors Utah State University Press Logan, Utah 2010 Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Cover photo adapted from The Juniper Tree, courtesy of the Wisconsin Center for Film and Theater Research, Nietzchka Keene papers, 1979-2003, M2005-051. Courtesy of Patrick Moyroud and Versatile Media. ISBN: 978-0-87421-781-0 (paper) ISBN: 978-0-87421-782-7 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Fairy tale films : visions of ambiguity / Pauline Greenhill and Sidney Eve Matrix, editors. p. cm. Includes bibliographical references and index. ISBN 978-0-87421-781-0 (pbk. : alk. paper) -- ISBN 978-0-87421-782-7 (e-book) 1. Fairy tales in motion pictures. 2. Fairy tales--Film adaptations. I. Greenhill, Pauline. -
Jack Kirby Collector #77•Summer 2019•$10.95
THE BREAK OUT DDT AND RUN FOR YOUR LIFE! IT’S THE AND BUGS ISSUE JACK KIRBY COLLECTOR #77•SUMMER 2019•$10.95 with ERIC POWELL•MICHAEL CHO•MARK EVANIER•SEAN KLEEFELD•BARRY FORSHAW•ADAM McGOVERN•NORRIS BURROUGHS•SHANE FOLEY•JERRY BOYD 4 5 6 3 0 0 8 5 6 2 8 1 STARRING JACK KIRBY•DIRECTED BY JOHN MORROW•FEATURING RARE KIRBY ARTWORK•A TWOMORROWS PUBLISHING RELEASE Monster, Forager TM & © DC ComicsNew • Goom Gods TM TM & ©& Marvel © DC Characters,Comics. Inc. • Lightning Lady TM & © Jack Kirby Estate Contents THE Monsters & Bugs! OPENING SHOT ................2 ( something’s bugging the editor) FOUNDATIONS ................4 (S&K show the monsters inside us) ISSUE #77, SUMMER 2019 RETROSPECTIVE ..............12 Collector (from Vandoom to Von Doom) INCIDENTAL ICONOGRAPHY .....23 (you recall Giganto, don’t you?) KIRBY KINETICS ..............25 (the FF’s strange evolution) INFLUENCEES ................30 (cover inker Eric Powell speaks) GALLERY 1 ..................34 (monsters, in pencil) HORRORFLIK ................42 (Jack’s ill-fated Empire Pictures deal) KIRBY OBSCURA .............46 (vintage 1950s monster stories) JACK KIRBY MUSEUM .........48 (visit & join www.kirbymuseum.org) POW!ER ....................49 (two monster Kirby techniques) UNEXPLAINED ...............51 (three major myths of Kirby’s) BOYDISMS ...................54 (monsters, all the way back to the ’40s) KIRBY AS A GENRE ...........64 (Michael Cho on his Kirby influences) ANTI-MAN ..................68 (we go foraging for bugs) GALLERY 2 ..................72 (the bugs attack!) UNDISCOVERED -
Allied Vaughn's Media on Demand Collection
Allied Vaughn’s Media On Demand Collection Allied Vaughn is pleased offer you the opportunity to join us as a partner reseller of a wide selection of titles from the content libraries of select Studios, Networks, Record Labels and Content Publishers. With the changing face of traditional retail, consumers are searching for – and will buy – hard to get films, music, television shows and series on DVD, Blu-ray or CD if made available immediately to purchase. Through Allied Vaughn’s Media on Demand Collection, you can deliver your customers the titles they want today, on DVD, Blu-ray or CD, with minimum costs to you and never a title out of stock or delisted! 800-877-1778 www.alliedvaughn.com | 1 STUDIO Warner Archive MGM Limited Edition SONY Choice Fox Cinema Archives Collection Collection Collection Collection Spanning more than 75 years of The MGM Limited Edition Collection offers The SONY Choice Collection features The Fox Cinema Archives Collection from filmmaking, the Warner Archive Collection titles of all genres and many not available beloved, never-before-released titles that Twentieth Century Fox opens a fresh offers fans access to Warner Bros. on DVD until now. Look for a broad range movie lovers have asked for - covering untapped catalog of classic films with such Entertainment’s unparalleled film library of drama, comedy, westerns, horror and more than 75 years of the Columbia film Fox stars as Tyrone Power, Barbara consisting of pre-1986 MGM, RKO Radio science fiction to choose from. library. Stanwyck and hundreds of others in larger Pictures, and Warner Bros. -
Studio Allied Vaughn's Media on Demand DVD Collection
Allied Vaughn’s Media On Demand DVD Collection Allied Vaughn is pleased offer you the opportunity to join us as a partner reseller of a wide selection of titles from the content libraries of select Studios, Networks, Record Labels and Content Publishers. With the changing face of traditional retail, consumers are searching for – and will buy – hard to get films, music, television shows and series on DVD or CD if made available immediately to purchase. Through Allied Vaughn’s Media on Demand Collection, you can deliver your customers the titles they want today, on DVD or CD, with minimum costs to you and never a title out of stock or delisted! Studio The Warner Archive Collection Spanning more than 75 years of filmmaking, the Warner Archive Collection offers fans access to Warner Bros. Entertainment’s unparalleled film library consisting of pre-1986 MGM, RKO Radio Pictures, and Warner Bros. Pictures films and television shows. The MGM Limited Edition Collection offers titles of all genres and many not available on DVD until now. Look for a broad range of drama, comedy, westerns, horror and science fiction to choose from. The SONY Choice Collection features beloved, never-before-released titles that movie lovers have asked for - covering more than 75 years of the Columbia film library. The Fox Cinema Archives Collection from Twentieth Century Fox opens a fresh untapped catalog of classic films with such Fox stars as Tyrone Power, Barbara Stanwyck and hundreds of others in larger than life dramas, war films, comedies and spectacles. Universal Vault Series Featuring rare, hard-to-find movies from the Universal achives, this DVD series showcases some of the best talent in Hollywood history with genres for everyone, including comedy, romance, horror, westerns, action, family and more! The TCM Vault Collection, in partnership with major studios, releases many of the greatest and rarest classic films from Hollywood. -
FRANKENSTEIN GANDALF’S WHALE of a TALE Sir Ian Mckellen EXCLUSIVE!
FATHER OF FRANKENSTEIN GANDALF’S WHALE OF A TALE Sir Ian McKellen EXCLUSIVE! FAMILY VALUES CHARLES MANSON AND THE MOVIES! HIGH RISE HELL THE HEIGHT OF HORROR TOWER OF EVIL SNAPE ISLAND MEMORIES DRILLER THRILLER DENTIST STAR CORBIN BERNSEN INTERVIEWED NASTY MAN EXploitation WIZard Matt Cimber DSD - ISSUE 03 “ONE OF THE UNDISPUTED HIGH POINTS OF HORROR TELEVISION... NIGEL KNEALE’S MASTERFUL MIX OF THE SCIENTIFIC AND THE SUPERNATURAL CAN STILL HAUNT YOU LIKE NO OTHER” PHELIM O’NEILL – THE GUARDIAN Nigel (Quatermass) Kneale’s legendary small screen frightener The Stone Tape was originally commissioned as a feature length ghost story for Christmas in 1972. The setting for this creepy classic is a traditionally spooky old house which is bought by an electronics company to house their new recording media research division. The building has been completely renovated apart from one room that the superstitious workmen have refused to enter. Of course computer programmers, Peter (Michael Bryant) and Jill (Jane Asher) are made of sterner stuff and investigate the room, finding nothing more scary than a few tins of pre-war spam and a letter to Santa from a young girl probably now long dead. Things get a bit more spooky though when the scientists knock down an old wood panel to discover a stone staircase. It is on this that the psychically susceptible Jill sees the ghost of a terrified 19th-century servant girl. Peter believes in what she has seen but treats it as a scientific problem. He thinks that the stone walls have acted like a kind of recording tape to keep replaying this traumatic event and determines to use this ghostly event to further his team’s research. -
Indie, Horror, and Cult Cinema Blog
1/19/2011 McBASTARD'S MAUSOLEUM: DVD REVI… Share Report Abuse Next Blog» Create Blog Sign In indie, horror, and cult cinema blog. DVD REVIEW: The Electric Chair (1985) This Day in Horror - January 19 1809 - Edgar Allan Poe born (d. 1849) 1990 - Tremors released theatrically 1996 - From Dusk Till Dawn released theatrically 2002 - Dark Water (2002) released theatrically in Japan Get this widget for your site McBastard Root Rot SUBMISSIONS: If you would like to submit a Blu-Ray, DVD screener, comics, music, or whatever for review please email me for the address and I'll write about it on the blog. Wanna submit content to the THE ELECTRIC CHAIR (1985) site? McBastard's Mausoleum c/o Ken DISTRIBUTOR: Wild Eye Releasing /MVD Visual Tucson, AZ 857 06 RATED: Unrated DURATION: 105 Min. Email: [email protected] DIRECTOR: Mark Eisensteen Twitter: CAST: Victor Argo, Tony Corona, Jessica Dublin, Tom Gannon, Tim Pankewic, John http://Twitter.com/McBastard2 Iannaci 000 TAGLINE: A Comic's Nightmare PLOT: Victor Argo (GHOST DOG, TAXI DRIVER) is a shoe store manager who attempts to revive a failed career as a stand-up comic by performing at a mysterious ► 2011 (14) club where he finds himself sharing the stage with a looming, ready-to-shock electric ▼ 2010 (101) chair... and performing before an audience of himself in the various stages of his life, ▼ December (26) and other friends, family and enemies - who are all subject to his cantankerous and More from CODE biting routines on love, friendship and god. RED in 201 1 New Roger Corman Cult Classics from Shout! Factory .. -
The Filmmaker's Book of the Dead
THE FILMMAKER’S BOOK OF THE DEAD 01-FM-K81206.indd i 10/21/09 2:51:58 PM Popcorn Artwork by Dave Lange, Darkmatter Studios 01-FM-K81206.indd ii 10/21/09 2:52:04 PM THE FILMMAKER’S BOOK OF THE DEAD HOW TO MAKE YOUR OWN HEART-RACING HORROR MOVIE Danny Draven AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier 01-FM-K81206.indd iii 10/21/09 2:52:11 PM Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK © 2010 ELSEVIER Inc. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein). Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. -
Time Travel Movies
Time Travel Movies 1 100 Million BC Length: 85 minu Year: 2008 Director: Griff Furst Destination: Dinosaurs Link to Review: 12:01 Length: 92 minu Year: 1993 Director: Jack Sholder Destination: Contemporary Link to Review: 13 Going on 30 Length: 98 minu Year: 2004 Director: Gary Winick Destination: Contemporary Link to Review: A Army of Darkness Length: 77 minu Year: 1992 Director: Sam Rami Destination: Knights Link to Review: http://www.timetravelreviews.com/movies/armyofdarkness.html Austin Powers: Goldmember Length: 95 minu Year: 2002 Director: Jay Roach Destination: Contemporary Link to Review: http://www.timetravelreviews.com/movies/austin_goldmember.html Austin Powers: International Man of Mystery Length: 94 minu Year: 1997 Director: Jay Roach Destination: 1960s Link to Review: Austin Powers: The Spy Who Shagged Me Length: 95 minu Year: 1999 Director: Jay Roach Destination: 1970s Link to Review: B Back to the Future Length: 111 min Year: 1985 Director: Robert Zemeckis Destination: 1950s Link to Review: Back to the Future Part II Length: 108 min Year: 1989 Director: Robert Zemeckis Destination: 1950s, 2010s Link to Review: Back to the Future Part III Length: 118 min Year: 1990 Director: Robert Zemeckis Destination: Cowboys Link to Review: Last Updated: Jan 2011 www.timetravelreviews.com Page 1 of 14 Time Travel Movies Beastmaster 2: Through the Portal of Time Length: 107 min Year: 1991 Director: Sylvio Tabet Destination: Contemporary Link to Review: Beyond the Time Barrier Length: 75 minu Year: 1960 Director: Edgar Ulmer Destination: -
Dvaldron May 29Th, 2011 12:09 AM
DValdron May 29th, 2011 12:09 AM The Moontrap Timeline Alright, I'm bored, and I don't feel like getting back to Green Antarctica or Axis of Andes just yet. I'll get to them, I promise. But in the meantime, I want to mess around a bit with a media-based alternative history timeline that includes everything from Total Recall, to Alien, Predator, Mad Max, Escape From New York, Blade Runner, the Hidden, The Last Starfighter, etc. etc. Basically, the notion I want to play with is that most of the 'non-franchise' Science Fiction movies and television of the 80's and 90's, can be fit into an alternate history continuity I call the Gigerverse. (Although arguably, we could call it the Cameronverse, the Ridleyverse, the Shwarzeneggerverse, etc.). The underlying idea is that our Sci Fi visual media, film and television, represented a relatively homogenous view of the future and of the universe and our place in it, which, surprise surprise, reflects where we are now. In the 50's and 60's, Sci Fi was essentially optimistic, the ships were gleaming silver needles, the heroes were establishment men - space pilots and captains, military officers and engineers, at the top of a hierarchical system with that hierarchal system backing them up. The state was a benign thing. The enemy was 'othered'. But by the 80's, that optimism had withered. The Sci Fi that was birthed in the contortions of the 1970's - of Vietnam, Watergate, the near financial crash of New York, of corporate and state malfeasance, and of new environmental awareness was much more battered. -
Affectivity and Corporeal Transgression on Stage and Screen
CONSUMING MUTILATION: AFFECTIVITY AND CORPOREAL TRANSGRESSION ON STAGE AND SCREEN PhD Thesis, Lancaster University December 2012 Xavier Aldana Reyes, BA (Hons), MA This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. ProQuest Number: 11003437 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003437 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 DECLARATION This thesis is my own work. It has not been submitted for the award of a higher degree elsewhere. Xavier Aldana Reyes December 2012 3 ABSTRACT Xavier Aldana Reyes, BA (Hons), MA Consuming Mutilation: Affectivity and Corporeal Transgression on Stage and Screen PhD Thesis, Lancaster University December 2012 This thesis suggests the possibility that psychoanalytic frameworks may prove insufficient to apprehend the workings of post-millennial horror. Through a sustained exploration of how affect theory may be applied to horror, I propose a new affective corporeal model that accounts for the impact of recent films such as Saw (James Wan, 2004) and Hostel (Eli Roth, 2005). I also explore how such a theoretical approach exceeds cognitivism in favour of an understanding of the genre founded on phenomenology, Pain Studies and Deleuze and Guattari’s notion of the ‘body without organs’.