SPRING FLING Shelter in Place with Fishboy P.09 THISWEEK
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Friedan: a Change of Feminism
I' • • I Get happy. Join the Muse. Learn · new ways to use furniture. Learn new meanings of the word "overkill." Work in New foundland's only self-declared nuclear free zone. It's the First One Of The Summer -LOW COST ''ADVENTURE'' It'·s for the free-spirited, budget-minded traveller. -3 wks. in Acapulco from $559.00 per person: includes air fare, transfers, and " no frills" centrally located accom modation. Montreal departures. BOWATER'S -Ideal for Students. CALL US TODAY. HATCHER DANCE Friday, May 25 Adm. $2.00 Beer $1 .25 Liquor $1.25 Music by Robin Melanson ID'S for 19 Required GRADUATION F PHOTOGRAPHS % i• IR WILL BE TAKEN AT . CAMERAMUN STUDIOS ~~: ON FROM ~~=~ TUESDAY MAY 29 2:00 to 4:00 WEDNESDAY MAY 30 10:00 a.m. to 12:00 a.m. THURSDAY MAY 31 2:00 to 4:00 Last session to be included in 83-84 Yearbook FILM DEVELOPING i Portrait sitting times available every alternate week . Other appoint- ~~~ C41 Processing Only. ii ment times available on request. ~~ .•~ •-~ ~~ SITT.ING FEE: ~~~ .t-·~ Includes 3 (three 3112" x 5" colour i:. 110, 126, disc ... ::::-:.~·~ ~.. proofs and 1 8 & W copy for S~* or 135 N yearbook. $10 .00 + Tax &~-·~ (standard size ~!~ prints) ..~· Please wear light coloured shirt or blouse (white preferred). Academic gowns and hoods are available here at the 1 studio for portraits done here. ll jj ~,. 3-M Photo For further information June 4th-8th (Monday-Friday) phone or drop in. CSU COMPLEX CAMERAMUN I THOMSON STU DENT CENTRE STUDIOS ~~ Cameramun Studio MEMORIAL UNIVERSITY 1st Floor, T.S.C. -
A Watchdog's Guide to Investigative Reporting
A watchdog’s guide to investigative reporting A simple introduction to principles and practice in investigative reporting Derek Forbes KONRAD ADENAUER STIFTUNG Ê JOHANNESBURG Ê 2005 A Watchdog’s Guide to Investigative Reporting ISBN: 09584936-6-9 Published by: Konrad Adenauer Stiftung Media Programme 60 Hume Road, Dunkeld, 2195 Johannesburg, Republic of South Africa PO Box 1383 Houghton, 2041 Johannesburg, Republic of South Africa Telephone: +27 11 2142900 Telefax: + 27 11 2142913/4 e-mail: [email protected] http://www.kasmedia.org Editors: Gaby Neujahr and Jude Mathurine Copy editing: Tyrus Text and Design Additional research: Jude Mathurine While copyright in this publication as a whole is vested in the Konrad Adenauer Stiftung Media Programme, copyright in the text rests with the author. Nothing herein may be reproduced in whole or part without the express permission, of the author and publisher. The Konrad Adenauer Stiftung does not necessarily subscribe to the opinions of author. DISCLAIMER The information in this book was assembled and checked as far as possible. The author/publisher cannot be responsible for any loss that may occur due to inaccuracy or omission. All rights reserved. KAS, 2005 © KAS Media Programme iv Foreword from the author v Foreword from the publisher vi 1. Defining investigative journalism 1 2. The right stuff 8 3. What’s the big idea? 11 4. A simple plan 15 The Case of Tony Yengeni Sunday Times Investigation Unit 20 5. Sourcing the story 27 Making a Killing: Casinos, oil, the mafia and Anton Lubowski Evelyn Groenink 40 6. Barriers to investigative reporting 47 7. -
Transcript of Interview with Bruce Watson of Big Country, Originally
Transcript of interview with Bruce Watson of Big Country, originally broadcast on Kaleidoscope Ears, Edge Radio 99.3 in Hobart, Tasmania, on Sunday 20th September 2009. DWAYNE BUNNEY: It’s a privilege to have on the line from Dunfermline in Scotland, founding member and guitarist of Big Country, Bruce Watson. Thanks for joining us. BRUCE WATSON: That’s no problem Dwayne, how are you? DB: Yeah very well. Now we’re going to talk about the new music you and your son Jamie are making in a moment, but, I want to talk to you about Big Country. BW: Yeah that’s not a problem. DB: The band, it’s renowned for being a Scottish band, but no of you were born in Scotland were you? BW: No I was born in Timmins, Ontario in Canada. Stuart was born in Manchester, England, and Tony and Mark, well they were also born in England. DB: Well you certainly don’t sound Canadian I can tell you that. BW: No definitely not. I lost that accent a long, long time ago. DB: Tell us about how you first hooked up with Stuart Adamson to form Big Country. BW: Well Stuart was in a band called The Skids as you probably know. He decided after about three and a half years that he wanted to do something different. And he’d also told me while he was in The Skids that he wanted to start a two guitar band and that at some point he’d give me a call in the future. -
1977 Bildeten Jim Kerr Und Charlie Burchill Zusammen Mit Dem Drummer Brian Mcgee Eine Punkrock-Band, Genannt „Johnny & the Self Abusers
Biographie/Presse „exSIMPLE MINDS“ 1977 bildeten Jim Kerr und Charlie Burchill zusammen mit dem Drummer Brian McGee eine Punkrock-Band, genannt „Johnny & The Self Abusers. Nach einer erfolglosen Single wurde die Bandaufstellung schnell umgruppiert und der Name in SIMPLE MINDS geändert. Schottlands größte und erfolgreichste Band. 1978 schloss sich Derek Forbes den SIMPLE MINDS an. Am Anfang stand er als Bassist bei einem Auftritt in der berüchtigten Bar Mars in Glasgow auf der Bühne. Das war die allererste Zusammenarbeit von Forbes und McGee und der Anfang der wahrscheinlich populärsten und kreativsten Periode der SIMPLE MINDS Karriere. Forbes und McGee waren zweifellos dafür verantwortlich, den unmissverständlichen Ton der frühen SIMPLE MINDS Alben zu definieren. Sie setzten glühende Rhythmus-Spuren, wie “Themes For Great Cities“, “Love Song“, “I travel“, “The American“, “Changeling“, “Chelsea Girl“, und bildeten eine großartige Partnerschaft für die ersten 6 Simple Minds-Alben, “Life in a Day”, “Reel to Reel Cacophony”, “Empires and Dance”, “Celebration”, “Sons and Fascination” und “Sister Feelings Call”. Brian McGee verließ die SIMPLE MINDS 1981 nach Jahren mörderischer, weltweiter Tourneen und schloss sich der Glasgower Band “END GAMES” an. Inzwischen setzte Derek Forbes mit den SIMPLE MINDS die Reise durch ihre goldene Phase fort. Alben wie „New Gold Dream“ (`81 - `84) und „Sparkle in the Rain“ wurden geschrieben, aufgenommen und es folgten dazu weitere Tourneen. Jedoch nach dem Erreichen des ultimativen Charthöhepunktes – der Nummer Eins in Amerika – mit dem internationalen Erfolg „Don`t Forget About Me“, verließ Forbes, die Band. Innerhalb von 2 Monaten kehrte Forbes als Bassist der deutschen Band „Propaganda“ wieder zurück in der Musik-Szene. -
Soest Magazin
Soestmagazin 1 5 1 Titel: Anzeige Echoes Liebe Leserinnen und Leser, 5 Naturschutz die einen freuen sich das ganze Jahr drauf, die anderen kön- mit Kamera nen dem Treiben so gar nichts abgewinnen – die Rede ist vom Karneval. Dem Westfalen wird im Allgemeinen vorge- 9 Zweisamkeit worfen, dass er zum Lachen in den Keller geht und mit dem närrischen Treiben nichts am Hut hat, während die Rheinlän- zu Valentin der als Frohnaturen gelten. Ganz so einfach lassen sich die Trennlinien aber nicht ziehen. Denn auch die Westfalen kön- nen kräftig Karneval feiern. 17 11 Das Alter Allerdings nicht überall. Beispielhaft mag da der Kreis Soest vorbereiten sein, der sowohl Karnevalshochburgen wie Warstein, Welver, Lippborg oder Möhnesee zu bieten hat und gleichzeitig auch 15 Ausbildung: eine närrische Diaspora ist, wie zum Beispiel die Kreisstadt selbst. Woran liegt’s? Sicherlich nicht nur an den Konfessio- bewerben nen, auch wenn in vorwiegend katholischen Gegenden mehr Karneval gefeiert wird. Wahrscheinlich ist es einfach eine Frage der Tradition. Wer den närrischen Bazillus schon mit der 21 18 Helau in Muttermilch aufgesogen hat, kann sich ihm auch im Alter nicht entziehen. Das beweisen nicht zuletzt die großen Um- Körbecke züge in Warstein, Belecke, Rüthen, Lippborg, Werl und Kör- becke. Während dort ausgelassen gefeiert wird, geht das Le- 19 Lippborger ben in anderen Orten seinen gewohnten Gang. Wer aber in der karnevalistischen Diaspora lebt und dennoch richtig fei- ern möchte, muss dafür nicht bis ins Rheinland fahren, son- Karneval dern einfach nur in die Nachbargemeinden. Dort beweisen die Westfalen, dass sie zum Lachen nicht in den Keller, son- 21 Welvers Narren dern auf die Straße gehen. -
Rushing Into Floods
Representations & Reflections Studies in Anglophone Literatures and Cultures Volume 7 Edited by Uwe Baumann, Marion Gymnich and Barbara Schmidt-Haberkamp Gunda Windmüller Rushing Into Floods Staging the Sea in Restoration and Early Eighteenth-Century English Drama With 2 figures V&R unipress Bonn University Press Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de. ISBN 978-3-89971-968-0 ISBN 978-3-86234-968-5 (E-Book) Publications of Bonn University Press are published by V&R unipress GmbH. Supported by the Fazit Stiftung. Copyright2012byV&Runipress GmbH, D-37079 Goettingen All rights reserved, including those of translation into foreign languages. No part of this work may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, microfilm and recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover image: “The Indian Queen” (Anne Bracegirdle) by William Vincent, published by John Smith National Portrait Gallery, London Printing and binding: CPI Buch Bücher.de GmbH, Birkach Printed in Germany em Hätze – för Mariechen un Josef Contents List of Plays .................................. 1 Acknowledgments . .................. 11 List of Plays .................................. 13 1. Introduction . ............................... 15 1.1 From “sceptred isle” to “rushing forests” . ........ 15 1.2 A Nation “in an Island”: England’s Maritime Expansion . 17 1.3 Coming to Terms with the Sea: From Sea Literature to New Imperial Histories . .................. 23 1.4 The Theatre . .................. 31 1.5 Staging the Sea . -
Mix Newsletter 050907
TURNING THE DREAMS OF ARTISTS INTO REALITY ‘PROMISED YOU A MIRACLE!’ Mix Records 27th September 2007 Volume 1, Issue 2 North Lodge Auchineden Blanefield G63 9AX Tel: (+44)1360 771 644 Mobile: (+44)7968 240 958 Email: [email protected] WWW: www.mixrecords.com First “Sons of Dan“ track “Pleasantly Disturbed” released and available for immediate download via the Mix Records Rock Download store Fans worldwide will be pleased to hear that, in response to popular request for a studio album, the rock band “Sons of Dan” has today released their first taster track “Pleasantly Disturbed” for immediate download via www.mixrecords.com. For those that don’t already know, “Sons…” is Mick MacNeil’s (exSimple Minds/Pretenders) latest venture, working with former Minds members Derek Forbes and Brian McGee. This is the first of several tracks to be released. The tracks will all be loosely based on what many feel was the most productive time of Simple Minds writing, when “Sons and Fascination”, produced by Steve Hillage, hit the CD shelves worldwide in the summer of 86. The original “Sons and Fascination” album was inspired by bands such as “La Düsseldorf”, “Can”, “Neu”, and of course “Kraftwerk” among many Mix Records Recording Studio other's. It was this unique blend of styles that resulted in the huge success of the album, a style trend which “Sons of Dan” hopes to continue. Many have asked why the band is Sons of Dan set on writing music of the past. The Michael MacNeil - Keys response has been that this is what fans Simple Minds / Pretenders worldwide want. -
(And Recording) Studios
Anderson, Robert (2015) Strength in numbers: a social history of Glasgow's popular music scene (1979-2009). PhD thesis. https://theses.gla.ac.uk/6459/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Strength in Numbers A Social History of Glasgow’s Popular Music Scene (1979-2009) Robert Anderson BA (Hons), PGCE, MEnvS, DipEd Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow June 2015 © Robert Anderson, 2015 2 Abstract In 2004, US Time magazine named Glasgow Europe’s ‘capital of rock music’ and likened it to Detroit in its Motown heyday (Porter, 2004). In 2008 UNESCO awarded Glasgow the title of ‘City of Music’ and the application dossier submitted in support of this title noted the importance of rock and pop for the city’s musical reputation. Since the late 1970s a large number of bands have emerged from (or been associated with) the city, yet little academic research has been carried out to determine the factors behind this phenomenon. -
Tanksley Discusses Future of CLC Faculty Hiring Freeze Declared
|>ej*dl Slit Volume 6, Number 16 College At Lincoln Center, Fordham University, New York ,December<A -jDecember/lQ, 1985 Tanksley Proposes Curriculum Revision Faculty Hiring By Mary Kay Linge "bridge" course in the freshman year and a capstone seminar for juniors, both drawn from the Decreeing "closure" on longstanding curriculum Mellon experiment. Further aspects would be Freeze Declared issues. Dean William Tanksley outlined sweeping composition, speech, language, math, and science proposals for a new core program at CLC. In a requirements, plus area requirements in the By Tom Wrobleski memorandum to the faculty dated November 8, disciplines. Tanksley anticipated that a new core curriculum "I think this was principally [Tanksley's] own Due to a decline in CLC enrollment, vacant full-time faculty posi- will be in place by Fall '87. product," said Dr. Stewart Guthrie, chairman of the tions at the College will not be filled, according to a memorandum "A single 'interdisciplinnry core' shoulr1 \- Curriculum Committee of the College Council and from Dean William Tanksley. Full-time teaching positions, known member of the Mellon Committee. "We had not as lines, can become vacant due to retirement, resignation, or tenure met on it. It was news to me." denial. The decision will take effect in the fall of 1986 for the '&6'-XJ Excerpts from memo on page 3 "There comes a time when someone has to make academic year. a decision," said Dr. George Shea, former head of The November 5 memo, distributed to CLC divisional chairper- sons; went on to say that lines from existing programs may be designed to replace the FIP, Mellon, and Excel op- the Mellon Committee. -
PAT TRAVERS BAND Support : GWYN ASHTON
RAWTHE PROMOTIONSFLOWERPOT PRESENTS LIVE AT KING STREET, DERBY TEL : 01332 204955 LIVE MUSIC AUG - DEC 2012 DREADZONE THE MEN THEY COULDN’T HANG THE CHRISTIANS : PAT TRAVERS CHANTEL McGREGOR : WOLFSBANE IAN SIEGAL : MUD MORGANFIELD DR FEELGOOD : THE BLOCKHEADS Tel : 01332 834438 OLI BROWN : MICK RALPHS & MORE THE FLOWERPOT King Street, Derby DE1 3DZ Tel : 01332 204955 For enquiries on tickets, bookings and the bands contact RAW PROMOTIONS on 01332 834438 Or visit the website : www.rawpromo.co.uk Email us : [email protected] HOW TO FIND THE FLOWERPOT A6 A61 leading to the M1 A38 and M1 J28 M/Storey Jurys Car Park Inn Derbyshire Follow signs Cricket Club King Street to Matlock THE FLOWERPOT A52 Nottingham To City Centre Junction 25 M1 The FLOWERPOT is situated on the edge of the Derby City Centre on the main A6 road. A multi-storey car park is next to the venue on Chapel Street. This is open 24 hours. The Flowerpot is famed for its vast choice of real ales and is now recognised as one of the best live music venues in the country. The capacity is 250 if standing and 150 if the show is all seated. If you are travelling a long way, please check that tickets are still available for the show. If you are travelling by bus or train, the main stations are approximately 20 minutes walk from the venue - just head for the Derby Cathedral and the Flowerpot is 100 yards further on up the road. PLEASE BE AWARE THAT THE FLOWERPOT IS AN OVER 18 ONLY VENUE. -
Onatfife Brochure 2014
WHAT’S Sept – Dec 2014 ADAM SMITH THEATRE CARNEGIE HALL LOCHGELLY CENTRE ROTHES HALLS music drama comedy dance family cinema exhibitions www.onfife.com Adam Smith pages 4 – 11 Join us online at Carnegie Hall pages 12 – 28 Lochgelly Centre pages 29 – 32 ONfife @ONfife Rothes Halls pages 33 – 45 Sign up to our e-newsletter Libraries & Museums page 46 For competitions, news, o!ers and more simply visit www.onfife.com/mail and you Diary listing of all events pages 24 – 25 can receive our e-newsletter or the How to book page 47 brochure direct to your inbox. ON THE BALL THE BALL Our ON the Ball o!ers bounce back once more with many shows a tenner or less! Look out for this logo and book early to net these great deals and save money! PRE-THEATRE MEALS Complete your evening and dine at one of our theatre café bars. We o!er mouth-watering meals prior to selected shows. This symbol next to a show means delicious food for just £10 for 2 courses. Ask Box O"ce for menus. Advanced booking essential. Thank you to our Business Sponsors. ON Business packages give you outstanding return on your investment in the form of brand exposure and excellent networking opportunities. Platinum members’ logos are seen over 1.6 million times a year. Contact bill.mair@onfife.com for more info. PLATINUM MEMBERS: ON at Fife Theatres is part of Fife Cultural Trust, combining Libraries, Museums, Theatres and Arts and Archives in the Kingdom. Registered with Company limited by guarantee (incorporated in Scotland) Company Number: SC415704. -
Big Country Book of Lyrics Was Originally Offered Online As a PDF File on a Web Site That Later Grew Into the Remarkable Steeltown Site
THE BOOK of LYRICS Compiled by Michael S. Wallack v2.1 (March 5, 2007) This page intentionally left blank Introduction Project History This project is truly a labor of love. Big Country's music has played a very important part in my life over the last twenty years and this project is, in part, my way of giving something to those who share my love of Big Country. The Big Country Book of Lyrics was originally offered online as a PDF file on a web site that later grew into the remarkable Steeltown site. Unfortunately, the real world intruded and the original compiler decided to stop further updates after the release of the "Somebody Else" CD singles. At that point, I stepped in and decided to assume the responsibility for the Big Country Book of Lyrics. Alas, the real world also delayed my ability to keep up with new releases and the Book of Lyrics fell into limbo. Now, however, it is finally time to resurrect the Big Country Book of Lyrics. Dedication The Big Country Book of Lyrics is, of course, dedicated to Bruce Watson, Tony Butler, Mark Brzezicki, and to the memory of Stuart Adamson. May the music they made inspire us for generations to come. Stay alive! Driving home from work shortly after posting v2.00 of the Book of Lyrics, I realized that I had forgotten the most important dedication of all: To my wife; the first girl that I dated who liked Big Country. She has put up with my obsession all these years, and, since I began this project, has never once laughed at me or told me that I was wasting my time.