A Grammar of the Japanese Written Language
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Liste Des Jeux Nintendo NES Chase Bubble Bobble Part 2
Liste des jeux Nintendo NES Chase Bubble Bobble Part 2 Cabal International Cricket Color a Dinosaur Wayne's World Bandai Golf : Challenge Pebble Beach Nintendo World Championships 1990 Lode Runner Tecmo Cup : Football Game Teenage Mutant Ninja Turtles : Tournament Fighters Tecmo Bowl The Adventures of Rocky and Bullwinkle and Friends Metal Storm Cowboy Kid Archon - The Light And The Dark The Legend of Kage Championship Pool Remote Control Freedom Force Predator Town & Country Surf Designs : Thrilla's Surfari Kings of the Beach : Professional Beach Volleyball Ghoul School KickMaster Bad Dudes Dragon Ball : Le Secret du Dragon Cyber Stadium Series : Base Wars Urban Champion Dragon Warrior IV Bomberman King's Quest V The Three Stooges Bases Loaded 2: Second Season Overlord Rad Racer II The Bugs Bunny Birthday Blowout Joe & Mac Pro Sport Hockey Kid Niki : Radical Ninja Adventure Island II Soccer NFL Track & Field Star Voyager Teenage Mutant Ninja Turtles II : The Arcade Game Stack-Up Mappy-Land Gauntlet Silver Surfer Cybernoid - The Fighting Machine Wacky Races Circus Caper Code Name : Viper F-117A : Stealth Fighter Flintstones - The Surprise At Dinosaur Peak, The Back To The Future Dick Tracy Magic Johnson's Fast Break Tombs & Treasure Dynablaster Ultima : Quest of the Avatar Renegade Super Cars Videomation Super Spike V'Ball + Nintendo World Cup Dungeon Magic : Sword of the Elements Ultima : Exodus Baseball Stars II The Great Waldo Search Rollerball Dash Galaxy In The Alien Asylum Power Punch II Family Feud Magician Destination Earthstar Captain America and the Avengers Cyberball Karnov Amagon Widget Shooting Range Roger Clemens' MVP Baseball Bill Elliott's NASCAR Challenge Garry Kitchen's BattleTank Al Unser Jr. -
PICTURES of the FLOATING WORLD an Exploration of the World of the Yoshiwara, 吉原
Cherry Blossom in the Yoshiwara by Yoshikazu PICTURES OF THE FLOATING WORLD An exploration of the world of the Yoshiwara, 吉原 PICTURES OF THE FLOATING WORLD In the nightless city Floating free from life’s cares Picture memories Haiku Keith Oram INTRODUCTION Japanese woodblock prints that recorded the Ukiyo, the ‘Floating World’ of the Yoshiwara of Edo city were so numerous that during the nineteenth century they were used to wrap ceramics exported to Europe. This practice provided some European artists with their first proper encounter with these beautifully created images. The impact on western art of their bold colours and sensuous line was quite significant influencing many artists of the avant gard. The story of those prints, however, began much earlier in the seventeenth century. First a little background history. The battle of Sekigahara in 1600 and the fall of Osaka in 1615 allowed Tokugawa Ieyasu to gain complete control of Japan. He had been made Shogun, supreme military leader, in 1603, but the fall of Osaka was the final action that gave him complete control. Almost his first act was to move the capital from Kyoto, the realm of the Emperor, to Edo, now Tokyo. This backwater town, now the new capital, grew very quickly into a large town. Tokugawa Iemitsu, Shogun 1623-51, required the daimyo of Japan, local rulers and warlords, to remain in Edo every other year, but when they returned to their fiefs he made them leave their families in the capital. This ‘hostage’ style management, sankin tokai, helped to maintain the peace. The other affect was that the daimyo needed to build large homes in Edo for their families. -
Seminar on Japanese Swords 7 February 2005
Tsurugi-Bashi Kendo Kai University of Cambridge Kendo Society Seminar on Japanese swords 7 February 2005 Revised proceedings Proceedings editor: Nicholas Taylor Copyright c Tsurugi Bashi 2005 http://www.cam.ac.uk/societies/kendo/ Table of Contents Preface FrankStajano....................................... ...............3 A visit to a sword polisher's workshop FrankStajano....................................... ...............4 The parts of the Japanese sword NeilHubbard........................................ ..............7 Katana and Kendo: Background and Reigi HyoWonKim.......................................... ...........9 Functional differences between European medieval and Japa- nese swords SabineBuchholz...................................... ............11 Manufacture of Japanese swords RichardBoothroyd..................................... ...........13 Zen and the Way of the Sword KristiinaJokinen................................... ...............15 Metallurgy and the Japanese Sword NicholasTaylor..................................... ..............17 2 Preface On a sunny morning in December 2004 I happened to pass by the British Museum and my attention was caught by an elegant black poster featuring a beautiful Japanese sword blade. I immediately went in and was delighted at the chance to admire a won- derful exhibition of the Museum’s magnificent collection of about a hundred Japanese blades, all recently restored in Japan. Once back in Cambridge, I set out to organize a visit to the exhibition for members of our kendo dojo, Tsurugi-Bashi. Although, as one might expect, many of our kendoka have an interest in Japanese swords, none of us is really knowledgeable, let alone an expert or collector. We therefore needed some preparation and guidance in order fully to appreciate the visit. In the spirit of encouraging people to find out more about the subject, I there- fore requested that members wishing to join the guided tour carry out a little research about some aspect of the Japanese sword, write it up as a short essay and present it to the others. -
Imperial-Way
BUDDHISM/ZEN PHILOSOPHY/JAPANESE HISTORY (Continued from front flap) IMPERIAL-WAY ZEN IMPERIAL-WAY Of related The Record of Linji his own argument that Imperial-Way Zen interest Translation and commentary by Ruth Fuller Sasaki During the first half of the twentieth centu- can best be understood as a modern instance Edited by Thomas Yūhō Kirchner ry, Zen Buddhist leaders contributed active- 2008, 520 pages of Buddhism’s traditional role as protector ly to Japanese imperialism, giving rise to Cloth ISBN: 978-0-8248-2821-9 of the realm. Turning to postwar Japan, Ives what has been termed “Imperial-Way Zen” examines the extent to which Zen leaders “This new edition will be the translation of choice for Western Zen communities, (Kōdō Zen). Its foremost critic was priest, have reflected on their wartime political college courses, and all who want to know that the translation they are reading is professor, and activist Ichikawa Hakugen stances and started to construct a critical faithful to the original. Professional scholars of Buddhism will revel in the sheer (1902–1986), who spent the decades follow- wealth of information packed into footnotes and bibliographical notes. Unique Zen social ethic. Finally, he considers the ing Japan’s surrender almost single-hand- among translations of Buddhist texts, the footnotes to the Kirchner edition con- resources Zen might offer its contemporary tain numerous explanations of grammatical constructions. Translators of classi- edly chronicling Zen’s support of Japan’s leaders as they pursue what they themselves cal Chinese will immediately recognize the Kirchner edition constitutes a small imperialist regime and pressing the issue have identified as a pressing task: ensuring handbook of classical and colloquial Chinese grammar. -
Japan Studies Review
JAPAN STUDIES REVIEW Volume Seven 2003 Interdisciplinary Studies of Modern Japan Steven Heine Editor John A. Tucker Book Review Editor Editorial Board Yumiko Hulvey, University of Florida John Maraldo, University of North Florida Mark Ravina, Emory University Ann Weymeyer, University of Florida Brian Woodall, Georgia Institute of Technology Copy and Production Shoshanah Del Greco Jessica Reyes JAPAN STUDIES REVIEW VOLUME SEVEN 2003 A Publication of the Southern Japan Seminar and Florida International University CONTENTS Editor’s Introduction i Re: Subscriptions, Submissions and Comments iii ARTICLES The Fifty-Year War: Rashomon, After Life, and Japanese Film Narratives of Remembering Mike Sugimoto 1 The Tanka Poetry of Yosano Akiko: Transformation of Tradition Through the Female Voice Harriet D. Grissom 21 Civil Servant or Obedient Servant? Ideal(ized) Officials in 16th Century Japan Ronald K. Frank 33 The Farce of the “Great Russian Salvation Tour”: The Legacy of Aum Shinrikyo in Mother Russia Daniel A. Metraux 47 Anime and Historical Inversion in Miyazaki Hayao’s Princess Mononoke John A. Tucker 65 BOOK REVIEWS Being Modern in Japan: Culture and Society from the 1910s to 1930s By Elise K. Tipton and John Clark Reviewed by Scott P. O’Bryan 103 A Bilingual Guide to the Japanese Economy By NHK International Reviewed by Kiyoshi Kawahito 106 Religious Violence in Contemporary Japan: The Case of Aum Shinrikyo By Ian Reader Reviewed by Daniel A. Metraux 108 Toyota-shiki Saikyono Keiei: Naze Toyota wa Kawaritsuzukeru no ka (The Toyota Style of Strongest Management: Why Toyota Keeps Changing) By Shibata, Masaharu and Hideharu Kaneda Reviewed by Kinko Ito 112 Neither Monk nor Layman: Clerical Marriage in Modern Japanese Buddhism By Richard M. -
Something Like an Autobiography.Pdf
Akira KUROSAWA Something Like an Autobiography Translated by Audie E. Bock VINTAGE BOOKS A DIVISION OF RANDOM HOUSE NEW YORK First Vintage Books Edition, May 1983 Copyright © 1982 by Akira Kurosawa Appendix copyright 1975 by Toho Company, Ltd., Japan All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published by Alfred A. Knopf, Inc. in 1982. This book is published under a program designed to encourage the translation and publication of major Japanese writings not previously available in English. The program was conceived by the Japanese Society of New York, and Alfred A. Knopf, Inc., is grateful to the Society for its continued support. Library of Congress Cataloging in Publication Data Kurosawa, Akira, 1910- Something like an autobiography. Translation of: Gama no abura. Includes index. 1. Kurosawa, Akira, 1910- 2. Moving-picture producers and directors—Japan—Biography. I. Title. PN1998.A3K789413 1983 791.43'0233'0924 [B] 82-48900 ISBN 0-394-71439-3 Illustrations follow page 119 Manufactured in the United States of America Cover photos courtesy of Akihide Tamura/Japan Society and The Museum of Modern Art Film Stills Archive Cover woodblock print by Hiroshige courtesy of Keith Sheridan. Translator's Preface I AWAITED my first meeting with Kurosawa Akira with a great deal of curiosity and a fair amount of dread. I had heard stories about his "imperial" manner, his severe demands and difficult temper. I had heard about drinking problems, a suicide attempt, rumors of emo tional disturbance in the late sixties, isolation from all but a few trusted associates and a contempt for the ways of the world. -
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn
Glimpses of Unfamiliar Japan Second Series by Lafcadio Hearn CONTENTS 1 IN A JAPANESE GARDEN …........................................P3 2 THE HOUSEHOLD SHRINE ….....................................P23 3 OF WOMEN'S HAIR …................................................P36 4 FROM THE DIARY OF AN ENGLISH TEACHER …..........P43 5 TWO STRANGE FESTIVALS …....................................P73 6 BY THE JAPANESE SEA …..........................................P79 7 OF A DANCING-GIRL …..............................................P89 8 FROM HOKI TO OKI …................................................P102 9 OF SOULS ….............................................................P137 10 OF GHOSTS AND GOBLINS …...................................P142 11 THE JAPANESE SMILE …..........................................P152 12 SAYONARA! …........................................................P165 NOTES …....................................................................P170 CHAPTERONE In a Japanese Garden Sec. 1 MY little two-story house by the Ohashigawa, although dainty as a bird- cage, proved much too small for comfort at the approach of the hot season—the rooms being scarcely higher than steamship cabins, and so narrow that an ordinary mosquito-net could not be suspended in them. I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet Street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a look-out window, heavily barred, like a big wooden cage. Thence, in feudal days, armed retainers kept keen watch on all who passed by—invisible watch, for the bars are set so closely that a face behind them cannot be seen from the roadway. -
Archaeological Journal Japanese Sword Blades
This article was downloaded by: [Northwestern University] On: 29 January 2015, At: 18:47 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Archaeological Journal Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/raij20 Japanese Sword Blades Alfred Dobree Published online: 17 Jul 2014. To cite this article: Alfred Dobree (1905) Japanese Sword Blades, Archaeological Journal, 62:1, 1-18, DOI: 10.1080/00665983.1905.10852983 To link to this article: http://dx.doi.org/10.1080/00665983.1905.10852983 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. -
Full Arcade List OVER 2700 ARCADE CLASSICS 1
Full Arcade List OVER 2700 ARCADE CLASSICS 1. 005 54. Air Inferno 111. Arm Wrestling 2. 1 on 1 Government 55. Air Rescue 112. Armed Formation 3. 1000 Miglia: Great 1000 Miles 56. Airwolf 113. Armed Police Batrider Rally 57. Ajax 114. Armor Attack 4. 10-Yard Fight 58. Aladdin 115. Armored Car 5. 18 Holes Pro Golf 59. Alcon/SlaP Fight 116. Armored Warriors 6. 1941: Counter Attack 60. Alex Kidd: The Lost Stars 117. Art of Fighting / Ryuuko no 7. 1942 61. Ali Baba and 40 Thieves Ken 8. 1943 Kai: Midway Kaisen 62. Alien Arena 118. Art of Fighting 2 / Ryuuko no 9. 1943: The Battle of Midway 63. Alien Challenge Ken 2 10. 1944: The LooP Master 64. Alien Crush 119. Art of Fighting 3 - The Path of 11. 1945k III 65. Alien Invaders the Warrior / Art of Fighting - 12. 19XX: The War Against Destiny 66. Alien Sector Ryuuko no Ken Gaiden 13. 2 On 2 OPen Ice Challenge 67. Alien Storm 120. Ashura Blaster 14. 2020 SuPer Baseball 68. Alien Syndrome 121. ASO - Armored Scrum Object 15. 280-ZZZAP 69. Alien vs. Predator 122. Assault 16. 3 Count Bout / Fire SuPlex 70. Alien3: The Gun 123. Asterix 17. 30 Test 71. Aliens 124. Asteroids 18. 3-D Bowling 72. All American Football 125. Asteroids Deluxe 19. 4 En Raya 73. Alley Master 126. Astra SuPerStars 20. 4 Fun in 1 74. Alligator Hunt 127. Astro Blaster 21. 4-D Warriors 75. AlPha Fighter / Head On 128. Astro Chase 22. 64th. Street - A Detective Story 76. -
Uchu Sentai Kyuranger
Uchu Sentai Kyuranger 300 years ago the Space Shogunate Jark Matter ruled the universe. A rebellion formed, led by Tsurugi Ohtori the immortal Houhou Soldier and first earthling to travel outside of our solar system and his allies Orion and Quervo They along with many others become the 88 original Kyurangers. They were eventually victorious at overthrowing Don Armage, the leader of Jark MAtter, but at great cost. Most of the 88 soldiers lay dead and Tsurugi himself was forced to channel his immortality into a final desperate attack. Now, in the “modern day”, Jark Matter has once again begun its conquest of the universe. Shou Ronpo, the current leader of the rebellion, works to gather new Kyurangers to battle Jark Matter and collect the Kyutamas, the power of the 88 constellations. You will arrive here on the day that the Leo native Lucky crashes into a battle on the planet Crotos between the Kyurangers and Jark Matter, and becomes ShiShi Red of the Kyurangers. Here’s +1000cp to help you along the way. You may choose your age and gender at the beginning of this jump for free. Backgrounds Drop-In Almost literally, as you land on Crotos the same moment as Lucky with no new memories, allies, or connections. Your fate is your own to decide. Kyuranger Rebel You are an ally of the Kyurangers, and work aboard their ORION ship. You have likely suffered at the hands of Jark Matter or otherwise are motivated to fight them. You may not even be a combatant, perhaps fulfilling some other role amongst the crew. -
Pandemonium and Parade
Pandemonium and Parade Pandemonium and Parade Japanese Monsters and the Culture of YOkai Michael Dylan Foster UNIVERSITY OF CALIFORNIA PRESS Berkeley . Los Angeles . London University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. Frontispiece and title-page art: Details from Kawanabe KyOsai, HyakkiyagyO-zu: Biwa o ou otoko, c. 1879. Ink and color on paper. © Copyright the Trustees of The British Museum. Excerpt from Molloy, by Samuel Beckett, copyright © 1955 by Grove Press, Inc. Used by permission of Grove/Atlantic, Inc., and Faber and Faber Ltd., © The Estate of Samuel Beckett. An earlier version of chapter 3 appeared as Michael Dylan Foster, “Strange Games and Enchanted Science: The Mystery of Kokkuri,” Journal of Asian Studies 65, no. 2 (May 2006): 251–75, © 2006 by the Associ- ation for Asian Studies, Inc. Reprinted with permission. Some material from chapter 5 has appeared previously in Michael Dylan Foster, “The Question of the Slit-Mouthed Woman: Contemporary Legend, the Beauty Industry, and Women’s Weekly Magazines in Japan,” Signs: Journal of Women in Culture and Society 32, no. 3 (Spring 2007): 699–726, © 2007 by The University of Chicago. Parts of chapter 5 have also appeared in Michael Dylan Foster, “The Otherworlds of Mizuki Shigeru,” in Mechademia, vol. 3, Limits of the Human, ed. Frenchy Lunning (Minneapolis: University of Minnesota Press, 2008). -
Reinventing the Sword
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan Charles Edward Ethridge Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Ethridge, Charles Edward, "Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan" (2007). LSU Master's Theses. 3729. https://digitalcommons.lsu.edu/gradschool_theses/3729 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. REINVENTING THE SWORD: A CULTURAL COMPARISON OF THE DEVELOPMENT OF THE SWORD IN RESPONSE TO THE ADVENT OF FIREARMS IN SPAIN AND JAPAN A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Charles E. Ethridge B.A., Louisiana State University, 1999 December 2007 Acknowledgments I would like to express my gratitude to my supervisor, Dr. Fredrikke Scollard, whose expertise, understanding, and patience added considerably to my graduate experience. I appreciate her knowledge of Eastern cultures and her drive to promote true ‘cross-cultural’ research.