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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
JSWM Vol.5 No.1 Jan-Mar 2013.Pmd
Journal of Social Welfare and Management49 Volume 5 Number 1, Jan - Mar 2013 Violence in Hindi Movies: A Comparative Study of Two Movies Sonalee Nargunde*, Iliyas Ahmad** Abstract Cinema in India has developed to a large extent and movies are its significant tool. Movies not only provide entertainment to the large audiences but also play some additional roles. The message provided by this medium is more impactful than any other medium because of its reach and easy accessibility. The content provided by the Indian films plays an important role in shaping up its audience. After, reviewing some of the movies, the researcher found a consistent theme of violence in almost all the films and found it important to share it with larger audience. Indian film industry produces more than 800 films annually and almost story line of all the movies is weaved around love, revenge, mafia wars and all this is supported by heavy dose of violence. Critics say that the Indian cinema nowadays is churning out films with persistent theme of violence because of the transplantation of the western ideas resulting in the portrayal of extreme vulgarity on big screen. Film makers follow the steps of Hollywood where most of the movies are much more violent than the bollywood. Movies released in the last few years have seen a continuous increase in the portrayal of violence both in content and subject wise. Keywords: Film violence; Bollywood; Movies. Introduction the story demands. The unapologetic use of blood and gore presented in the form of entertainment seems to have become the A film is a form of entertainment based on mainstay of bollywood releases especially since a story where different artists perform different last decade. -
TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
My God, That's My Tune'
The composer recently made it on the New York hit parade with a song titled In every city. In an interview R. D. Burman talks about his craft. Left: R. D. Burman with Latin American composer Jose Flores. Below: The 'Pantera' team, among others R.D. Burman (centre), Jose Flores and (far right) Pete Gavankar. HENEVER an Indian achieves a Wmilestone abroad, he instantly gets more recognition in his own coun- try. Perhaps it's the colonial hangover that still makes us believe that they are always right over there. In this case however, the distinction is not going to make any difference as the person gaining it is already a household name here. Rahul Dev Burman, who has given music for 225 Hindi films, has made it to the New York hit parade with a song titled In every city. He is all set to launch the album—'Pantera'—in India. Two people have been responsible for getting him there—his father Sachin Dev Burman who was the only member of the family willing to let him enter films, and Pete Gavankar, a friend of thirty years who goaded him into seek- ing new pastures and has financed the album. Intrigued, we decided to find out just how the international album had come about and while we were at it, also gauge just how much R.D. had already packed into his life of 45 years. It turned out to be much more than we had thought as we had to have several sittings before we were through. But R.D. -
Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies. -
Indian Singers' Rights Association
INDIANINDIAN SINGERS’SINGERS’ RIGHTSRIGHTS ASASSOCIASOCIATIONTION Annual Report 2017-18 BOARD OF ADVISORS LATA MANGESHKAR SURESH WADKAR TALAT AZIZ SONU NIGAM SANJAY TANDON BOARD OF DIRECTORS ANUP JALOTA A HARIHARAN KAVITA KRISHNAMURTI S P BALASUBRAHMANIYAM PANKAJ UDHAS SHANTANU MUKHERJEE SRINIVASAN ALKA YAGNIK JASBIR JASSI SHAILENDRA SINGH DORAISWAMY INDIAN SINGERS’ RIGHTS ASSOCIATION 2208, Lantana, Nahar Amrit Shakti, Chandivali, Andheri (E), Mumbai 400 072 NOTICE NOTICE is hereby given that the Meeting of the General Body of the Society will be held at “Eden Hall”, The Classique Club, Behind Infinity Mall, Link Road, Oshiwara, Andheri (W), Mumbai 400 053 on Thursday, 20th September, 2018 at 3pm to transact the following business: ORDINARY BUSINESS: 1. To receive, consider and adopt the Audited Balance Sheet as on 31st March 2018, Statement of Income and Expenditure for the year ended on that date, and the Auditors Report thereon, together with the Directors’ Report as approved by the Board of Directors for the period ending 31st March, 2018. 2. To ratify the appointment of M/s. Kothari Mehta & Associates as the Statutory Auditors of the Company for the financial year ending 31st March, 2019 by passing the following resolution :- “RESOLVED THAT pursuant to provisions of Section 139, 141, 142 and all other applicable provisions, if any, of the Companies Act, 2013 read with Rule 3 of the Companies (Audit and Auditors) Rules, 2014 and pursuant to the resolution passed at the Annual General Meeting of the Company held on September 29, 2014, the consent of the members of the Company be and is hereby accorded to ratify the appointment of M/s. -
• 1-7 September
Gulden Turktan - President of W20 Hormusji N Cama - Chairman, Press Trust of India (PTI) 1-7 September - National Nutrition Week J. Manjula - 1st Woman Director, DRDO 2nd September - World Coconut Day Jayant Prasad - Director General, Institute for 5th September - Teacher's Day in India Defence Studies and Analyses (IDSA) 8th September - International Literacy Day John T Chambers - Chairman, US-India Business 11th September - Patriot Day Council’s (USIBC) 2nd Saturday of September - World First Aid Day Krishnan Balakrishnan - CFO, GoAir 12th September - United Nations Day for South- Kumkum Dhar - Vice Chancellor, Bhatkhande Music South Cooperation Institute 14th September - Hindi Diwas (Hindi Day) L.C. Goyal - CMD, India Trade Promotion 14th September - World Fraternity and Apology Day Organisation (ITPO) 15th September - Engineer's Day Mahesh Ramanujam - CEO, US Green Building 15th September - International Day of Democracy Council (USGBC) 16th September - World Ozone Day Malcolm Turnbull - Prime Minister, Australia 3rd Saturday of September - International Coastal Matthias Muller - CEO, Volkswagen Cleanup Day P.V. Chandran - President, Indian Newspaper Society 19th September - International Red Panda Day (INS) 20th September - Railway Police Force (RPF) Praveen Dixit - DGP, Maharashtra Foundation Day R. Sampanthan - Leader of opposition, Sri Lanka 21st September - International Day of Peace Raghav Chandra - Chairman, National Highways 21st September - World Alzheimer’s Day Authority of India (NHAI) 22nd -
Prashant Tamang's Perfor
Draft for the Kathmandu workshop on 'Creation of Public Meaning during Nepal's Democratic Transition' (4-5 September 2011); DO NOT CITE or QUOTE Resurgence of ‘Nepali National Identity’ in the Age of Identity Politics and Media Globalization: Prashant Tamang’s Performance in Indian Idol 3 and Discourses in Nepali Print Media By Harsha Man Maharjan 1. Introduction Prashant Tamang, the winner of Indian Idol 3, a reality show of Indian television channel, Sony Entertainment Television (SET), got a contract of a music album with Sony BGM Music Entertainment (India) Pvt.Ltd, as a prize and he named it Dhanyavad, a Nepali word for Thanks. It was released in November 2007, and contained 11 songs: three Nepali and eight Hindi songs. It was different from what previous winners did: they came up with their albums containing Hindi songs only. Why was this difference? According to Tamang, who hails from Darjeling, and a member of West Bengal Police, this album was a tribute for Nepali community who were living in India and abroad, and who voted passionately for him while he was participating in the program.1 Since then he had acted in three films in Nepali language as hero, and the first of them, Gorkhapalatan was big hit. It is interesting that Amit Paul, who became second in the program, had sung a song in Hindi movie, Luck By Chance and few others participants are hosting programs in Indian TV channels. All name and limelight Tamang is having is definitely the result of his celebrity figure as an Indian Idol. -
Anil Chainani
Real Name – Anil Chainani Professional Name – Deejay Lemon About me Many DJs today know their own musical style inside out and back to front. They can weave absolutely seamlessly between tracks, and technically have skills to blow you away. But what about the huge mass of music that gets left out? This made Dj lemon what he is today. Dj lemon always believed that you learn a lot about people when you listen to the songs that mean something to them. Think again, as this is something we have to admit! Having shared console with big names in Indian Dj industry like Dj Vaggy, Dj Kawal, Dj Stash, and many others gave Dj Lemon the credit he deserved. Known for his authentic compositions of synths and beats, Dj Lemon introduced to the industry what potential electronic music has, and can have in the coming times. Although his first love being electronic music, Dj Lemon also realised that if you like different styles of music, chances are your audience do, too. Therefore, he mastered himself in music ranging from commercial club bollywood , to deep and progressive house. Dj Lemon is one of the few in India who boasts himself of creating his own compositions in remixing, thus, giving an all new dimension to remixing/production. At present, Dj Lemon not only remixes and produces electronic music thousands of people are fans of, but he also teaches other aspiring Djs the right tools to be among the best. Please visit his creations because Dj Lemon's Music expresses which cannot be said and what is impossible to keep silent. -
Top 10 Male Indian Singers
Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *. -
'Ambedkar's Constitution': a Radical Phenomenon in Anti-Caste
Article CASTE: A Global Journal on Social Exclusion Vol. 2 No. 1 pp. 109–131 brandeis.edu/j-caste April 2021 ISSN 2639-4928 DOI: 10.26812/caste.v2i1.282 ‘Ambedkar’s Constitution’: A Radical Phenomenon in Anti-Caste Discourse? Anurag Bhaskar1 Abstract During the last few decades, India has witnessed two interesting phenomena. First, the Indian Constitution has started to be known as ‘Ambedkar’s Constitution’ in popular discourse. Second, the Dalits have been celebrating the Constitution. These two phenomena and the connection between them have been understudied in the anti-caste discourse. However, there are two generalised views on these aspects. One view is that Dalits practice a politics of restraint, and therefore show allegiance to the Constitution which was drafted by the Ambedkar-led Drafting Committee. The other view criticises the constitutional culture of Dalits and invokes Ambedkar’s rhetorical quote of burning the Constitution. This article critiques both these approaches and argues that none of these fully explores and reflects the phenomenon of constitutionalism by Dalits as an anti-caste social justice agenda. It studies the potential of the Indian Constitution and responds to the claim of Ambedkar burning the Constitution. I argue that Dalits showing ownership to the Constitution is directly linked to the anti-caste movement. I further argue that the popular appeal of the Constitution has been used by Dalits to revive Ambedkar’s legacy, reclaim their space and dignity in society, and mobilise radically against the backlash of the so-called upper castes. Keywords Ambedkar, Constitution, anti-caste movement, constitutionalism, Dalit Introduction Dr. -
Kishore Booklet Copy
08. Tum Aa Gaye Ho Noor Aa Gaya with Lata Mangeshkar Film: Aandhi 01. The Evergreen Kishore Kumar 09. Asha Bhosle reminisces 02. Yeh Sham Mastani Kishore Kumar Film: Kati Patang 10. Piya Piya Piya Mora Jiya 03. Roop Tera Mastana with Asha Bhosle Film: Aradhana Film: Baap Re Baap 04. Yeh Jo Mohabbat Hai 11. Main Hoon Jhoom Jhoom Film: Kati Patang Film: Jhumroo 05. Aanewala Pal Janewala Hai 12. Dekha Ek Khwab Film: Golmaal with Lata Mangeshkar Film: Silsila 06. Oh Hansini Film: Zehreela Insaan 13. Meri Bheegi Bheegi Si Film: Anamika 07. Hamen Tumse Pyar Kitna Film: Kudrat 14. Kehna Hai Kehna Hai Film: Padosan 2 3 15. Raat Kali Ek Khwab Mein 23. Mere Sapnon Ki Rani Film: Buddha Mil Gaya Film: Aradhana 16. Aate Jate Khoobsurat Awara 24. Dil Hai Mera Dil Film: Anurodh Film: Paraya Dhan 17. Khwab Ho Tum Ya Koi 25. Mere Dil Mein Aaj Kya Hai Film: Teen Devian Film: Daag 18. Aasman Ke Neeche 26. Ghum Hai Kisi Ke Pyar Mein with Lata Mangeshkar with Lata Mangeshkar Film: Jewel Thief Film: Raampur Ka Lakshman 19. Mere Mehboob Qayamat Hogi 27. Aap Ki Ankhon Mein Kuch Film: Mr. X In Bombay with Lata Mangeshkar Film: Ghar 20. Teri Duniya Se Hoke Film: Pavitra Papi 28. Sama Hai Suhana Suhana Film: Ghar Ghar Ki Kahani 21. Kuchh To Log Kahenge Film: Amar Prem 29. O Mere Dil Ke Chain Film: Mere Jeevan Saathi 22. Rajesh Khanna talks about Kishore Kumar 4 5 30. Musafir Hoon Yaron 38. Gaata Rahe Mera Dil Film: Parichay with Lata Mangeshkar Film: Guide 31.