Saxofoon First Year Hits Gratis Epub, Ebook
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SAXOFOON FIRST YEAR HITS GRATIS Auteur: M. Oldenkamp Aantal pagina's: 32 pagina's Verschijningsdatum: 2017-05-01 Uitgever: Hal Leonard EAN: 9789043108577 Taal: nl Link: Download hier Disney for Alto Sax. Doe Maar is a Dutch ska band with punk and reggae influences whose career peaked from to They are one of the most successful pop bands in Dutch history. Piet Dekker, with whom Jansz played in The Slumberlandband and The Rumbones , introduced him to Jan Hendriks and Carel Copier in the spring of at the farm of Gé van de Donk, who later became their sound engineer. Recordings from this meeting exist on which they played, without any rehearsal, all the Dutch-language songs Jansz had written at that time. Copier came up with the idea of the name after hearing the never officially recorded song "Doe maar". When Jansz was asked to form the resident band of that year's Festival of Fools, he added five more members to the band: singers Truus de Groot later Nasmak , Anouk Strijbosch, Wim van Oevelen the band's eventual tour manager , and clowns Mart de Corte and Jan Bogaerts. Afterwards, the 9-piece line-up was reduced to the original four: Ernst Jansz keyboards, sax, percussion , Jan Hendriks guitar , Carel Copier drums , and Piet Dekker bass. Dekker turned out to be a songwriter as well. One of his songs appeared in on a sampler album titled Uitholling overdwars , made up of new Dutch-language bands. The band also released their self-titled debut album on the Telstar label, omitting the sampler track "Blozen" 'blushing' ; along with the ska and reggae influences in "Hé hé", "Als de morgen komt" 'when morning comes' , "Regen" 'rain' , "Je liet me staan" 'you left me' , and "Er verandert nix" 'nothing really changes' , which became their trademark sound, there were also punk, rock 'n' roll, and calypso influences on this first album. The critics weren't impressed. The band seriously considered splitting up, [ citation needed ] but not before finishing their spring tour. After completing their spring tour, the members of the band decided that they wouldn't split up. Jansz asked Henny Vrienten , a professional musician and composer who had previously collaborated with Jansz, if he would join the band. Vrienten initially refused as he felt it wasn't advantageous to his career, but later changed his mind. Vrienten would eventually contribute to three songs on Doe Maar's second album Skunk : "32 jaar" '32 years' , "Smoorverliefd" 'madly in love' , and "De laatste X" 'the last time'. Skunk was initially supposed to come out in December , but Telstar postponed the album's release until March , as the company did not believe that Doe Maar's efforts would survive amidst bigger names during the December period. Despite this, Telstar began to market the album and released samples to radio stations. Due to a miscommunication, DJs did not know that the record had not been released, and played the samples on the radio. Listeners responded positively to "32 jaar", although the original name of the song, "Sinds 1 dag of 2" 'since a day or two' , didn't stick and was difficult to remember. Thanks to this success, the band played a lot of concerts, although attendance was not as high as they desired. Despite having been replaced by Vrienten, Belinfante regularly joined and performed with the band, playing trombone and percussion. Carel Copier suffered from a torn muscle which basically ended his career. Searching for a replacement, the band recruited René van Collem , a seaside bartender who had previously released a single as a member of the band Steam. He joined in time to record the third album, of which the title track, " Doris Day ", was a complaint against TV boredom. The song initially had a reference to the legendary movie program host Simon van Collem , until it was discovered that he was in fact René's father. Vrienten's other efforts dealt with subjects such as unhappy marriages "Is dit alles", 'is this all' , failure to quit cigarettes, alcohol and junk food "OK" , and desperately searching for a warm embrace "Radeloos", 'desperate'. Jansz delivered songs about girls rejecting him "Situatie", 'situation' , spending the night with him at a young age "Belle Helene", on which he played the sax solo himself , or being too experienced "De eerste keer", 'the first time'. With Belinfante, he co-wrote "Nachtmerrie op hol" 'nightmare on the loose' , about dreams of revisited exams. In early , Doe Maar were still playing to below-capacity crowds, but that all changed after the March release of the album Doris Day , which became a No. Regular television appearances and sellout gigs all over the country, mainly attended by teenagers, made Jansz and Vrienten, already in their 30s, the ultimate pop idols. They enjoyed the success [ citation needed ] , but Van Collem's heroin addiction was seen as a problem by the other band members; they therefore decided to replace him with Jan Pijnenburg. However, Pijnenburg made one television appearance in May before he was hurt in a car crash. Van Collem came back while his successor spent the next six months recovering. On May 31, Doe Maar opened a sunny edition of Pinkpop ; Belinfante still joined them from time to time, improvising lead vocals on the crowd- favourite "Nederwiet" 'Dutch weed '. Doe Maar's newfound success continued with "Is dit alles", and gave rise to the Nederpop New Dutch Wave explosion: relatively young bands singing in their own language at a time when it was considered unfashionable to do so, much to Jansz concern. In October, Doe Maar made their second appearance at Flaterpop, an indoor festival celebrating contemporary Dutch-language music, and they headlined the first edition of the live broadcast of Veronica's Rocknight following English-language groups Vitesse and Golden Earring. Belinfante was available for the event, and a few hours into his 36th birthday, he launched the jam session by singing "Nederwiet". By the end of , Doe Maar notched up their first number 1 hit with "De bom" 'the bomb' , a composition by Jansz with the underlying message "what's the point of making a career or doing your homework when the atomic bomb can drop at any moment? In January , Pijnenburg finally rejoined the band, although he spent a few more months walking on crutches. After a warm-up tour, they taped a TV special previewing tracks off their soon-to-be- released album 4us creative spelling for Virus , which was recorded before Van Collem's departure from the band. The album was released in March and featured three singles, all written by Vrienten: the second no. This decision backfired, as Doe Maar mania grew even bigger. In September , Doe Maar embarked on their first proper tour of Belgium with a surprise performance at Flaterpop October 9 thrown in for good measure. Jansz released his debut novel Gideon's droom which was based on an East-West theme. Vrienten recorded his first Dutch-language solo album Geen ballade , 'no ballad', released in March with help from his friends. All Doe Maar members played on the closing instrumental "Amstel Hotel ". The band rounded off the year by touring the Netherlands Antilles. In between shows on Aruba , Curaçao , and Sint Maarten , they recorded a new single, "Macho", with the b-side "Grote broer" 'big brother', referring to the novel , which was released in January and peaked at No. In February , Doe Maar went into the studio to record their fifth album; however, the band couldn't get into the recording, and during a crisis meeting on February 13 they decided to call it a day. The split was officially announced three days later after a newspaper leak. The 8 o'clock news spoke of "weeping teenage girls who couldn't believe that it was all over". Both shows were broadcast live on radio and television and featured special guest appearances. During the matinee, which didn't sell out, Herman Brood and Belgian musician Jean Blaute joined the band for the first live performance of Vrienten's duet with Brood, "Als je wint" 'when you're a winner'; a song about success and so-called friends. During the evening, the previous lineups were briefly revived while Belinfante performed a special version of "Nederwiet" with improvised lyrics about birds and fish. In preparation for fresh Doe Maar tracks, a tribute album was released. The re-released "32 jaar" appeared in both Dutch and English phonetically translated as "Tastes of Sweet Desire". It was released as a single and became a top 10 hit in early Dutch dance music producer Jonathan Joosten sampled "De bom" for a dance version he titled "Tha Bomb". During a try-out concert prior to the reunion concerts, he handed a demo to manager Frank van der Meijden. Original author Jansz approved the sample but the original record company and its licensee at the time didn't. The song was pitched to radio 3FM, where it was picked up by radio DJ Rob Stenders just days before the reunion concerts started. After two weeks, the song was placed on the station's playlist, though no record was released. The official release of the song, on Digidance label Paella, contains an insertion of the sample replayed by studio musicians Bert Meulendijk guitar , David de Marez Oyens bass , and with vocals by Johnny Kelvin and Addy van der Zwan. Rumour has it that there was a white-label 12" record that did contain the original sample, which was spread amongst Dutch DJs. Sales of the single dropped after record shops noted the single was different from the version played on radio, but it did peak on Dutch dance charts.