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Downton Abbey? THE PROGRAM GUIDE OF PBS HAWAII January 2014 | Vol 32, No. 1 PBS Hawaii NEW HOME Campaign Special Issue D OWNTON A BBEY ON MASTERPIECE Season 4: Premiering January 5 page 6 January 2014 | PBS Hawaii 1 VIEWERForum>>PBSHawaii.org Why do you like Downton Abbey? Chin DeSilva Dayton Hoshino Quinn Reiswig “Sunday night is Downton Abbey must- “Downton Abbey is a nice break from “It’s kind of romantic and we don’t live see TV at our house. The characters everything else on TV. I love historical like this. It’s nice to see how it was back and culture draw you in, with plenty of fiction, and the cast of characters really in the day. It’s almost like a fairy tale.” humorous and tragic moments in each portrays the period well. It’s a story that Eileen Quinn Mililani, Oahu episode.” moves me.” Doug Chin Liliha, Oahu Brittany Waipuilani Dayton “I think television needs more shows like Behind the Scenes Hilo, Hawaii Downton Abbey, which features positive “It’s a reminder that even lords and la- family themes.” dies don’t always live happily ever after. “I’m always rooting for the underdogs in Lois Reiswig Lahaina, Maui It’s also the closest I’ll get to living this Downton Abbey – every character is an lifestyle – the upstairs, of course, not the underdog in some way.” downstairs.” Stacy Hoshino Moiliili, Oahu Craig DeSilva Alewa Heights, Oahu “[My daughter] Shanna heard me raving about it. She started watching it and she is now a fan as well!” Michele Hulme Kaneohe, Oahu “This is my first Masterpiece show that I’ve watched, ever. Something about it – it’s cute, it’s charming.” Shanna Hulme Niu Valley, Oahu Michele and Shanna Hulme PBS Hawaii Management PBS Hawaii Board of Directors Gayle Harimoto PBS Hawaii Program Guide On the Cover Ken Hiraki Michelle Dockery President and CEO Chair Editor Joan Lee Husted plays Lady Mary Leslie Wilcox Robert Alm Roberta Wong Murray Kawika Kahiapo in Downton Abbey Senior Vice President/CFO Vice Chair Darren Kimura Design/Photo Editor Season 4 on Karen Yamamoto Jason Fujimoto Ian Kitajima Bryan Bosworth MASTERPIECE. See page 6. VP Programming Secretary Jean Kiyabu Contributing Writers Photo: Nick Briggs and Communications Tim Johns Mary Ann Manahan John Kovacich Roberta Wong Murray Charlyn Honda Masini Jill Matsumoto Treasurer David McEwan Ben Nishimoto VP Creative Services Thomas Koide Roy Kimura Bettina Mehnert Robert Pennybacker Carolyn Berry Wilson Cameron Nekota Liberty Peralta VP Advancement Jimmy Borges Marissa Sandblom Ben Nishimoto Tatsu Sasaki Keiki-Pua Dancil, Ph.D. Candy Suiso Communications Assistant Matthew Emerson Kent Tsukamoto Executive Producer Abby Tateishi Learning Initiatives Guy Fujimura David Watumull Robert Pennybacker Joanne Lo Grimes Administrative Assistant Meriel Collins 2 PBS Hawaii | January 2014 PBS Hawaii’s NEW HOME Campaign Moves Forward “Our new home is for PBS Hawaii and the 21st century...from which we can continually evolve the ways we interact with viewers.” - Robbie Alm Chair, PBS Hawaii In 2016, after more than 50 years, viewers down the communications paths they choose we will be leaving the Manoa cam- to pursue. pus of the University of Hawaii to Its offices will be as open and accessible as we can move to our new headquarters at make them; we are one highly efficient and agile team the entrance to Sand Island. and our space needs to help us live that way. We are We have loved our years on the your team; and if you visit us, we want you to feel that Robbie Alm campus growing from a small we are an “open book.” Educational Television (ETV) office in Wist Hall to our current studios on Dole Street. We have had generations of students assist us and learn at the same time, and one of them (Charlyn Honda Masini) is now on our Board of Directors. We have featured university scholars and uni- versity events in our program- ming. We honor the university and appreciate that while they very much need our space, Proposed exterior of PBS Hawaii’s new home, The Clarence T.C. Ching Campus they are making the transition a good one for both of us. It will feature a large area, the Media Innovation Trucks will carry our equipment, including our satel- Center, dedicated to our next generations. - lite dishes, a little over seven miles to our new home. Headquarters for our flagship HIKI N O program, Those few miles can in no way capture the dramatic this space has been designed based on input from changes that the move to our new headquarters repre- young people to be virtually without walls, allowing sents for PBS Hawaii. the greatest possible collaboration – the way in which they create best. Our new home will have studios – three in fact – from the main studio, observable in places through It will acknowledge everywhere all of those who made walls of glass, to a small studio suited for individual the new headquarters possible. interviews. Our new home is for PBS Hawaii and the 21st cen- It will incorporate social media into its daily function- tury. It is built to be both a solid foundation for the ing as part of our ongoing commitment to follow our quality programming we will continue to create and continued on page 4 >> January 2014 | PBS Hawaii 3 continued from page 3 to sponsor, and a platform from which we can con- We welcome any of your suggestions on who you tinually evolve the ways we interact with viewers. think might support us. Let either Leslie (lwilcox@ pbshawaii.org) or me ([email protected]) know The total cost of the project is $30 million. To date, who, and we will follow up. we have raised more than 70 percent of that total, nearly $22 million. Last month, we completed the sale If you are willing to assist yourself, we would be of a vacant lot in Waikiki and the proceeds will be used deeply grateful. for our new facility. We are now in the home stretch Again, thank you for your years of dedicated support; and can use everyone’s help. we are the “award-winning PBS Hawaii” because of you. Moving “homes” is a very big deal for us, and we intend this move to be our last. We also see it as a once-in-a-lifetime moment to change who we are so that we remain as vital a part of Hawaii’s new century as we were of its last. We are thrilled at what this Robbie Alm move will allow us to become. Chair, PBS Hawaii “How’s the New Building?” “So, how’s the new building?” And we have wonderful grassroots support from It’s a question that my staff and I are individuals in every part of the state, including the frequently asked when we’re out in least-known fifth county – Kalawao, in Kalaupapa, the community. Molokai. Leslie Wilcox PBS Hawaii And we wish we could respond, Now, we’re reaching out to more individuals of President and CEO “It’s a great place! Perfect for col- means to take us into the future. laborations in education, arts and For almost 50 years, PBS Hawaii has harnessed the culture, and our role as storyteller.” power of media for the good of citizens, regardless of It’s certainly a great place – on paper. where they live or their ability to pay. We’ve evolved We plan to break ground this summer on Nimitz with the times to keep serving the people of Hawaii as Highway, at the entrance to Sand Island. a universally accessible resource for things that matter, Hawaii’s charitable foundations, starting with The including civil discourse. Clarence T.C. Ching Foundation, are leading the way We welcome your support! in providing funding for a new facility for PBS Hawaii. A hui hou, 4 PBS Hawaii | January 2014 The Nation’s First Statewide Student News Network PBS Hawaii’s Planned Media Innovation Center he more technology connects us digitally, the all spread out around the Media Innovation Center at more important it is for us to connect face to their movable workstations. They are editing news sto- face, especially when it comes to developing ries on the latest electronic mobile devices of the day, Tthe 21st-century skills of teamwork, critical thinking working feverishly to meet the 2:00 pm deadline to and creative problem solving. What’s needed for this present the first “rough cut.” The deadline is met and kind of in-person collaboration is a place that is con- the first team shows its rough cut to the entire group on a wall-sized screen. The rough cut “The opportunities for the students to partner with students from fades to black and there is spirited other schools and to work and receive feedback from industry applause. professionals are priceless. My students have gained knowledge The story works! Teammates exchange high-fives, but a student of what quality, techniques and standards would be expected of on another team suggests that they them should they enter a career in broadcast journalism. I have also switch around some wording in the increased the rigor of my news projects to reflect those standards.” first voice-over. The reporter and Michelle Rundbaken audio person on the team run into a Teacher, Kapaa High School, Kauai portable audio booth to record the new voice-over. Half an hour later, ducive to innovative, open thinking. A place without after all first rough cuts have been screened, Team physical or conceptual walls. A place that is flexible One shows its revised version to the group.
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