Hollins University Hollins Digital Commons Undergraduate Research Awards Student Scholarship and Creative Works 2016 A Matter of Class: Sin Yun-bok’s Depictions of Kisaeng as Participants of Everyday Life Abigail Sease Hollins University,
[email protected] Follow this and additional works at: https://digitalcommons.hollins.edu/researchawards Part of the Asian Art and Architecture Commons Recommended Citation Sease, Abigail, "A Matter of Class: Sin Yun-bok’s Depictions of Kisaeng as Participants of Everyday Life" (2016). Undergraduate Research Awards. 28. https://digitalcommons.hollins.edu/researchawards/28 This Article is brought to you for free and open access by the Student Scholarship and Creative Works at Hollins Digital Commons. It has been accepted for inclusion in Undergraduate Research Awards by an authorized administrator of Hollins Digital Commons. For more information, please contact
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[email protected]. Abigail Sease/ ART 472/ Nolan/ February 20, 2016 A Matter of Class: Sin Yun-bok’s Depictions of Kisaeng as Participants of Everyday Life The eighteenth century within the Korean peninsula, part of the extensive Joseon dynasty (1392-1910)1, was marked by peace and prosperity after a long period of foreign invasions, war, and factional conflict. After centuries of negatively shifting political and social relations, intellectual and cultural life was flourishing beyond the walls of the palace. Despite prevailing differences in class and education, both the literary and visual arts rapidly developed. Works produced during this time mutually influenced one another, developed into vernacular understandings, and tended towards representing the native and the local, rather than foreign or imaginary subjects. A new nativist form of genre paintings—paintings depicting daily life often in a humorous or satirical manner—greatly developed as a visual beacon of Korean identity.