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Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
PENGUIN GROUP USA Spring/Summer 2008 New Books for Course Use & Adoption Consideration
PENGUIN GROUP USA SPRING/SUMMER 2008 NEW BOOKS FOR COURSE USE & ADOPTION CONSIDERATION PENGUIN CLASSICS • democraCY: An American Novel/Henry Adams/Edited with • PURGATORIA/Dante Alighieri/Translated with Intro & Notes an Intro & Notes by Earl N. Harbert/978-0-14-303980-8/ by Robin Kirkpatrick/978-0-14-144896-2/$17.00/Mar 2008. $13.00/“One of the most perceptive books ever written about Washington.”—Maureen Dowd, New York Times/June 08. • pARADISO/Dante Alighieri/Translated with an Intro & Notes by Robin Kirkpatrick/978-0-14-144897-9/$13.00/Mar 2008. • THE FIRST POEMS IN ENGLISH/Michael Alexander/ 978-0-14-043378-4/$15.00/Contains the 'heroic poems' • ANCIEN REGIME AND THE FRENCH REVOLUTION/Alexis de including passages from Beowulf/Aug 2008. Tocqueville/Translated with an Intro by Gerald Bevan/ 978-0-14-144164-1/$14.00/Penguin Classics Original/Aug • THE UNDERDOGS: A Novel of the Mexican Revolution/Mariano 2008. Azuela/Translated by Sergio Waisman/Intro by Carlos Fuentes/ 978-0-14-310527-5/$8.00/A classic of Latin American • THE SAGA OF THE PEOPLE OF LAXARDAL AND BOLLI BOLLA- literature/Penguin Classics Original/Aug 2008. SON'S TALE/Leifur Eiricksson/Translated by Keneva Kunz/Intro by Bergljót Kristjánsdóttir/Notes, a chronology, maps, • russiaN THINKERS/Isaiah Berlin/Intro by Henry Hardy/ suggestions for further readings/978-0-14-044775-0/$16.00/ 978-0-14-144220-4/$16.00/Mar 2008. Penguin Classics Original/Aug 2008. • THE GOOD PERSON OF SZECHWAN/Bertolt Brecht/ • THE VINLAND SAGAS/Leifur Eiricksson/Translated by Keneva Forword by Carl Weber/New Intro by Norm Roessler/ Kunz/Intro by Gisli Sigurosson/978-0-14-044775-0/$15.00/ Translated by John Willett/Edited with an Intro by John Willett Replaces 978-0-14-044154-3/Aug 2008. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy. -
1 Production Information in Just Go with It, a Plastic Surgeon
Production Information In Just Go With It, a plastic surgeon, romancing a much younger schoolteacher, enlists his loyal assistant to pretend to be his soon to be ex-wife, in order to cover up a careless lie. When more lies backfire, the assistant's kids become involved, and everyone heads off for a weekend in Hawaii that will change all their lives. Columbia Pictures presents a Happy Madison production, Just Go With It. Starring Adam Sandler and Jennifer Aniston. Directed by Dennis Dugan. Produced by Adam Sandler, Jack Giarraputo, and Heather Parry. Screenplay by Allan Loeb and Timothy Dowling. Based on ―Cactus Flower,‖ Screenplay by I.A.L. Diamond, Stage Play by Abe Burrows, Based upon a French Play by Barillet and Gredy. Executive Producers are Barry Bernardi, Allen Covert, Tim Herlihy, and Steve Koren. Director of Photography is Theo Van de Sande, ASC. Production Designer is Perry Andelin Blake. Editor is Tom Costain. Costume Designer is Ellen Lutter. Music by Rupert Gregson-Williams. Music Supervision by Michael Dilbeck, Brooks Arthur, and Kevin Grady. Just Go With It has been rated PG-13 by the Motion Picture Association of America for Frequent Crude and Sexual Content, Partial Nudity, Brief Drug References and Language. The film will be released in theaters nationwide on February 11, 2011. 1 ABOUT THE FILM At the center of Just Go With It is an everyday guy who has let a careless lie get away from him. ―At the beginning of the movie, my character, Danny, was going to get married, but he gets his heart broken,‖ says Adam Sandler. -
3. Groundhog Day (1993) 4. Airplane! (1980) 5. Tootsie
1. ANNIE HALL (1977) 11. THIS IS SPINAL Tap (1984) Written by Woody Allen and Marshall Brickman Written by Christopher Guest & Michael McKean & Rob Reiner & Harry Shearer 2. SOME LIKE IT HOT (1959) Screenplay by Billy Wilder & I.A.L. Diamond, Based on the 12. THE PRODUCERS (1967) German film Fanfare of Love by Robert Thoeren and M. Logan Written by Mel Brooks 3. GROUNDHOG DaY (1993) 13. THE BIG LEBOWSKI (1998) Screenplay by Danny Rubin and Harold Ramis, Written by Ethan Coen & Joel Coen Story by Danny Rubin 14. GHOSTBUSTERS (1984) 4. AIRplaNE! (1980) Written by Dan Aykroyd and Harold Ramis Written by James Abrahams & David Zucker & Jerry Zucker 15. WHEN HARRY MET SALLY... (1989) 5. TOOTSIE (1982) Written by Nora Ephron Screenplay by Larry Gelbart and Murray Schisgal, Story by Don McGuire and Larry Gelbart 16. BRIDESMAIDS (2011) Written by Annie Mumolo & Kristen Wiig 6. YOUNG FRANKENSTEIN (1974) Screenplay by Gene Wilder and Mel Brooks, Screen Story by 17. DUCK SOUP (1933) Gene Wilder and Mel Brooks, Based on Characters in the Novel Story by Bert Kalmar and Harry Ruby, Additional Dialogue by Frankenstein by Mary Wollstonecraft Shelley Arthur Sheekman and Nat Perrin 7. DR. STRANGELOVE OR: HOW I LEARNED TO STOP 18. There’s SOMETHING ABOUT MARY (1998) WORRYING AND LOVE THE BOMB (1964) Screenplay by John J. Strauss & Ed Decter and Peter Farrelly & Screenplay by Stanley Kubrick and Peter George and Bobby Farrelly, Story by Ed Decter & John J. Strauss Terry Southern 19. THE JERK (1979) 8. BlaZING SADDLES (1974) Screenplay by Steve Martin, Carl Gottlieb, Michael Elias, Screenplay by Mel Brooks, Norman Steinberg Story by Steve Martin & Carl Gottlieb Andrew Bergman, Richard Pryor, Alan Uger, Story by Andrew Bergman 20. -
JGP Vol 2 No 2.Pdf
ADAM MICKIEWICZ UNIVERSITY IN POZNAŃ Journal of Gender and Power Vol. 2, No. 2, 2014 POZNAŃ 2014 Journal of Gender and Power is aimed at providing an international forum for discussing vari‐ ous issues and processes of gender construction. It is a scholarly, interdisciplinary journal, which features articles in all fields of gender studies, drawing on various paradigms and ap‐ proaches. We invite scholars to submit articles and reviews reporting on theoretical considera‐ tions and empirical research. Journal of Gender and Power is published by Faculty of Educational Studies, Adam Mickiewicz University (Poznań – Poland). Editorial Board Editor‐in‐Chief Agnieszka Gromkowska‐Melosik Adam Mickiewicz University, Poland Editorial Assistant Michał Klichowski Adam Mickiewicz University, Poland Cecilia Åsberg (Linköping University, Sweden), Zygmunt Bauman (University of Leeds, England), Francesca Bettio (University of Siena, Italy), Mary Blair‐Loy (University of California, USA), Doris Chang (Wichita State University, USA), Miranda Christou (University of Cyprus, Cyprus), Lorraine Dowler (Pennsylvania State University, USA), Catherine Driscoll (University of Sydney, Australia), Virgínia Ferreira (University of Coimbra, Portugal), Eva Fodor (Central European University, Hungary), Eleanor Gordon (University of Glasgow, Scotland), Lawrence Grossberg (University of North Carolina at Chapel Hill, USA), Anita Harris (Monash University, Australia), Beata Kowalska (Jagiellonian University in Cracow, Poland), Michael A. Messner (University of Southern -
The Artillery of Critique Versus the General Uncritical Consensus: Standing up to Propaganda, 1990-1999
THE ARTILLERY OF CRITIQUE VERSUS THE GENERAL UNCRITICAL CONSENSUS: STANDING UP TO PROPAGANDA, 1990-1999 by Andrew Alexander Monti Master of Arts, York University, Toronto, Canada, 2013 Bachelor of Science, Bocconi University, Milan, Italy, 2005 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Joint Program of Communication and Culture Toronto, Ontario, Canada, 2018 © Andrew Alexander Monti, 2018 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT The Artillery of Critique versus the General Uncritical Consensus: Standing Up to Propaganda, 1990-1999 Andrew Alexander Monti Doctor of Philosophy Communication and Culture Ryerson University, 2018 In 2011, leading comedy scholars singled-out two shortcomings in stand-up comedy research. The first shortcoming suggests a theoretical void: that although “a number of different disciplines take comedy as their subject matter, the opportunities afforded to the inter-disciplinary study of comedy are rarely, if ever, capitalized on.”1 The second indicates a methodological void: there is a “lack of literature on ‘how’ to analyse stand-up comedy.”2 This research project examines the relationship between political consciousness and satirical humour in stand-up comedy and attempts to redress these two shortcomings. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont -
Catalogo-Festivaldorio-2015.Pdf
Sumário TABLE OF CONTENTS 012 APRESENTAÇÃO PRESENTATION 023 GALA DE ABERTURA OPENNING NIGHT GALA 025 GALA DE ENCERRAMENTO CLOSING NIGHT GALA 033 PREMIERE BRASIL PREMIERE BRASIL 079 PANORAMA GRANDES MESTRES PANORAMA: MASTERS 099 PANORAMA DO CINEMA MUNDIAL WORLD PANORAMA 2015 141 EXPECTATIVA 2015 EXPECTATIONS 2015 193 PREMIERE LATINA LATIN PREMIERE 213 MIDNIGHT MOVIES MIDNIGHT MOVIES 229 MIDNIGHT DOCS MIDNIGHT DOCS 245 FILME DOC FILM DOC 251 ITINERÁRIOS ÚNICOS UNIQUE ITINERARIES 267 FRONTEIRAS FRONTIERS 283 MEIO AMBIENTE THREATENED ENVIRONMENT 293 MOSTRA GERAÇÃO GENERATION 303 ORSON WELLS IN RIO ORSON WELLS IN RIO 317 STUDIO GHIBLI - A LOUCURA E OS SONHOS STUDIO GHIBLI - THE MADNESS AND THE DREAMS 329 LIÇÃO DE CINEMA COM HAL HARTLEY CINEMA LESSON WITH HAL HARTLEY 333 NOIR MEXICANO MEXICAN FILM NOIR 343 PERSONALIDADE FIPRESCI LATINO-AMERICANA DO ANO FIPRESCI’S LATIN AMERICAN PERSONALITY OF THE YEAR 349 PRÊMIO FELIX FELIX AWARD 357 HOMENAGEM A JYTTE JENSEN A TRIBUTE TO JYTTE JENSEN 361 FOX SEARCHLIGHT 20 ANOS FOX SEARCHLIGHT 20 YEARS 365 JÚRIS JURIES 369 CINE ENCONTRO CINE CHAT 373 RIOMARKET RIOMARKET 377 A ETERNA MAGIA DO CINEMA THE ETERNAL MAGIC OF CINEMA 383 PARCEIROS PARTNERS AND SUPPLIES 399 CRÉDITOS E AGRADECIMENTOS CREDITS AND AKNOWLEDGEMENTS 415 ÍNDICES INDEX CARIOCA DE CORPO E ALMA CARIOCA BODY AND SOUL Cidade que provoca encantamento ao olhar, o Rio Enchanting to look at, Rio de Janeiro will once de Janeiro estará mais uma vez no primeiro plano again take centre stage in world cinema do cinema mundial entre os dias 1º e 14 de ou- between the 1st and 14th of October. -
Students Give Feedback in Improve ND Survey Students Protest HEI
the Observer The Independent Newspaper Serving Notre Dame and Saint Mary’s Volume 44 : Issue 128 tuesday, APRIL 20, 2010 ndsmcobserver.com Students give feedback in Improve ND survey Undergraduates call for improvement to ethnic, international diversity ricular activities and campus ate satisfaction rates were By KRISTEN DURBIN environment and services. Each extremely high for the cate- News Writer of these categories included gories of academic experience, subcategories such as campus extracurriculars and sense of If students notice improve- safety, food services, RecSports, community, only 41 percent of ments in campus services and academic advising and cellular survey respondents said they facilities upon arriving to cam- reception, among several oth- were happy with diversity on pus next fall, they can thank ers. campus and international stu- the 51 percent of the under- The results of the survey dent interaction. graduate student body that were recently sent to each serv- “The 96 percent satisfaction responded to the University’s ice-providing unit on campus rate for academic experience ImproveND survey. and student government, Erin was terrific,” Harding said. The Office of Strategic Harding, associate vice presi- “However, the lower satisfac- Planning administered the sur- dent for Strategic Planning, tion rates correspond with the vey in January to undergradu- said. University’s focus on improving ate, law and graduate students “We have asked both the both ethnic and international in order to assess student opin- campus units and student gov- diversity on campus.” ions on campus services. ernment to return their sugges- Harding said she was sur- Overall, 51 percent of under- tions and priorities for which prised to see that 46 percent of graduates, 58 percent of law aspects of campus services respondents had not volun- students and 41 percent of should be changed to the Office teered at all during the first graduate students responded to of Strategic Planning by mid- semester of this school year. -
BEDTIME STORIES Bobbi
THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/BedtimeStories WALT DISNEY PICTURES Unit Production Manager . GARRETT GRANT Presents First Assistant CREDITS Director . DANIEL SILVERBERG A Second Assistant Director . CONTE MATAL HAPPY MADISON Creatures Designed by. CRASH MCCREERY Production Production Supervisor . ROBERT WEST A CAST CONMAN & IZZY Skeeter Bronson. ADAM SANDLER Production Jill . KERI RUSSELL Kendall . GUY PEARCE An Mickey. RUSSELL BRAND OFFSPRING Barry Nottingham . RICHARD GRIFFITHS Production Violet Nottingham. TERESA PALMER Aspen. LUCY LAWLESS Wendy . COURTENEY COX Patrick . JONATHAN MORGAN HEIT BEDTIME STORIES Bobbi . LAURA ANN KESLING Marty Bronson . JONATHAN PRYCE Engineer . NICK SWARDSON A Film by Mrs. Dixon . KATHRYN JOOSTEN ADAM SHANKMAN Ferrari Guy. ALLEN COVERT Hot Girl . CARMEN ELECTRA Young Barry Nottingham . TIM HERLIHY Directed by . ADAM SHANKMAN Young Skeeter . THOMAS HOFFMAN Screenplay by . MATT LOPEZ Young Wendy . ABIGAIL LEONE DROEGER and TIM HERLIHY Young Mrs. Dixon. MELANY MITCHELL Story by. MATT LOPEZ Young Mr. Dixon . ANDREW COLLINS Produced by. ANDREW GUNN Donna Hynde. AISHA TYLER Produced by . ADAM SANDLER Hokey Pokey Women. JULIA LEA WOLOV JACK GIARRAPUTO DANA MIN GOODMAN Executive Producers . ADAM SHANKMAN SARAH G. BUXTON JENNIFER GIBGOT CATHERINE KWONG ANN MARIE SANDERLIN LINDSEY ALLEY GARRETT GRANT Bikers. BLAKE CLARK Director of BILL ROMANOWSKI Photography . MICHAEL BARRETT Hot Dog Vendor . PAUL DOOLEY Production Designer . LINDA DESCENNA Birthday Party Kids . JOHNTAE LIPSCOMB Edited by. TOM COSTAIN JAMES BURDETTE COWELL MICHAEL TRONICK, A.C.E. Angry Dwarf . MIKEY POST Costume Designer . RITA RYACK Gremlin Driver . SEBASTIAN SARACENO Visual Effects Cubby the Supervisor. JOHN ANDREW BERTON, JR. Home Depot Guy .