DOCSLIB.ORG

Vol. 33, Núm. 2 Diciembre 2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

REVISTA DE LA ASOCIACIÓN ESPAÑOLA DE ESTUDIOS ANGLO-NORTEAMERICANOS Vol. 33, núm. 2 Diciembre 2011 33.2 (December 2011) 33.2 (Diciembre 2011) EDITORS Editores General Editor: Angela Downing Universidad Complutense de Madrid Assistant Editor: Ludmila Urbanová Managing Editor: Carmen Méndez University of Brno Universidad Complutense de Madrid Book Reviews Editor: Clara Calvo Editor’s Assistant: Juan Rafael Zamorano Universidad de Murcia Universidad Complutense de Madrid Universität Bremen Copy Editor: Jorge Arús Hita Universidad Complutense de Madrid EDITORIAL BOARD Consejo de Redacción BOARD OF ADVISORS Consejo Asesor Andrew Blake Heinz Ickstadt University of Winchester Freie Universität Berlin Martin Bygate J. Hillis Miller Lancaster University University of California at Irvine Teresa Fanego Susheila M. Nasta Universidad de Santiago de Compostela Open University Fernando Galván Francisco J. Ruiz de Mendoza Universidad de Alcalá de Henares Universidad de La Rioja BOARD OF REFEREES Consejo Científico y Evaluador Joan C. Beal Laurel J. Brinton Thomas Claviez University of Sheffield University of British Columbia University of Bern Jesús Benito Sánchez Manuel Broncano Tom Cohen Universidad de Valladolid Texas A & M International University University of Albany Marcella Bertuccelli Papi Jorge Luis Bueno Alonso Juan Camilo Conde-Silvestre Università di Pisa University of Vigo Universidad de Murcia Nilufer E. Bharucha Graham D. Caie Chantal Cornut-Gentille D’arcy University of Mumbai University of Glasgow Universidad de Zaragoza Anita Biressi Gordon Campbell Francisco J. Cortés Rodríguez Roehampton University University of Leicester Universidad de La Laguna Maggie Ann Bowers Isabel Carrera Isabel de la Cruz Cabanillas University of Portsmouth Universidad de Oviedo Universidad de Alcalá de Henares Kris Van den Branden Shirley Chew Pilar Cuder Katholieke Universiteit Leuven University of Leeds Universidad de Huelva Mario Brdar Robert Clark Daniela Daniele Josip Juraj Strossmayer University University of East Anglia Università di Udine Rocío Davis Stephan Kohl Javier Pérez Guerra City University of Hong Kong Julius-Maximilians-Universität Universidad de Vigo Denise deCaires Narain Würzburg James Procter University of Sussex Zoltán Kövecses University of Newcastle upon Tyne Celestino Deleyto Eötvös Loránd University Victor J. Ramraj Universidad de Zaragoza Manfred Krug University of Calgary Balz Engler Otto-Friedrich-Universität Bamberg Caroline Rooney University of Basel Merja Kytö University of Kent José Francisco Fernández Uppsala University Francisco J. Ruiz de Mendoza University of Almería Alberto Lázaro Universidad de La Rioja Charles Forceville Universidad de Alcalá de Henares Dianne F. Sadoff University of Amsterdam Ursula Lenker Rutgers University Javier Franco Aixelá Catholic University of Eichstätt Esther Sánchez-Pardo Universidad de Alicante María José López Couso Universidad Complutense de Madrid Jean-Michel Ganteau Universidad de Santiago de Jürgen Schlaeger Université Paul-Valéry, Compostela Humboldt-Universität Berlin Montpellier III Dámaso López García Elena Seoane María del Pilar García Mayo Universidad Complutense de Madrid Universidad de Santiago de Universidad del País Vasco María Losada Friend Compostela Cristina Garrigós Universidad de Huelva María Josep Solé Sabater Universidad de León Ricardo Mairal Usón Universitat Autònoma de Barcelona Dirk Geeraerts UNED Alasdair Spark University of Leuven Ana María Manzanas Calvo University of Winchester Lincoln Geraghty Universidad de Salamanca Neelam Srivastava University of Portsmouth Javier Martín Arista University of Newcastle upon Tyne Vincent Gillespie Universidad de La Rioja M. S. Suárez Lafuente University of Oxford John McLeod Universidad de Oviedo Cristina Giorcelli University of Leeds Juan Antonio Suárez Università di Roma Tre Lavinia Merlini Universidad de Murcia Manuel José Gómez Lara Università di Pisa Henry Sussman Universidad de Sevilla Silvia Molina Plaza University of Buffalo / Yale University José Luis González Escribano Universidad Politécnica de Madrid Justine Tally Universidad de Oviedo Rafael Monroy Universidad de La Laguna Francisco Gonzálvez García Universidad de Murcia Paloma Tejada Caller Universidad de Almería Carmen Muñoz Universidad Complutense de Madrid Agnieszka Graff Universitat de Barcelona Geoff Thompson Warsaw University Jo Anne Neff Van Aertselaer University of Liverpool Leighton Grist Universidad Complutense de Madrid I. M. Tieken-Boon van Ostade University of Winchester Heather Nunn University of Leiden Adolphe Haberer Roehampton University Harish Trivedi Université Lumière-Lyon 2 Begoña Núñez Perucha University of Delhi Felicity Hand Cranham Universidad Complutense de Madrid Javier Valenzuela Universitat Autònoma de Barcelona James Ogude University of Murcia Pilar Hidalgo University of the Witwatersrand Carmen Valero Garcés Universidad de Málaga Ana Ojea Universidad de Alcalá de Henares Juan Carlos Hidalgo Universidad de Oviedo Boris Vejdovsky Universidad de Sevilla Joanne Paisana University of Lausanne Ton Hoenselaars Universidade do Minho Ruth Wodak Utrecht University Klaus-Uwe Panther Lancaster University Jacqueline Hurtley Universität Hamburg Pilar Zozaya Universitat de Barcelona Pedro Javier Pardo University of Barcelona David Johnson Universidad de Salamanca The Open University Ruth Parkin-Gounelas Aristotle University of Thessaloniki Abstracting and Indexing Atlantis is indexed in the following Thomson Reuters services: Arts and Humanities Citation Index® Current Contents®/Arts & Humanities Social Sciences Citation Index® Journal Citation Reports/ Social Sciences Edition Current Contents®/Social and Behavioral Sciences (Thomson-Reuters) Atlantis is also indexed or abstracted in the following databases and directories: Academic Search Complete Annual Bibliography of English Language and Literature (ABELL) Bibliography of European Journals for English Studies (BEJES), published by the European Society for the Study of English (ESSE) CSA Linguistics and Language Behavior Abstracts (LLBA) DICE, Difusión y Calidad Editorial de las Revistas Españolas de Humanidades y Ciencias Sociales y Jurídicas ERIH, European Reference Index for the Humanities Expanded Academic Index Fuente Academica, Humanities Humanities International Complete (HIC) Infotrac Onefile International Bibliography of Book Reviews of Scholarly Literature in the Humanities and the Social Sciences (IBR) International Bibliography of Periodical Literature in the Humanities and the Social Sciences (IBZ) ISOC (CINDOC-CSIC) JSTOR LATINDEX Linguistics Abstracts Literature Resource Center MLA Directory of Periodicals MLA International Bibliography, published by the Modern Language Association of America Periodical Index Online (PIO) Periodicals Contents Index (PCI) RESH, Revistas Españolas de Ciencias Sociales y Humanas SCOPUS Sociological Abstracts The Year’s Work in English Studies Revista de la Asociación Española de Estudios Anglo-Norteamericanos 33.2 (December 2011) 33.2 (Diciembre 2011) Table of Contents • Índice Articles • Artículos Martha the Mimos: Femininity, Mimesis and Theatricality in Edward Albee’s Who’s Afraid of Virginia Woolf Mona Hoorvash and Farideh Pourgiv Shiraz University ........................................................................................................................... 11 Burning Down the Little House on the Prairie: Asian Pioneers in Contemporary North America Belén Martín-Lucas Universidade de Vigo ................................................................................................................... 27 Failed Exorcism: Kurtz’s Spectral Status and Its Ideological Function in Conrad’s ‘Heart of Darkness’ Jorge Sacido Romero University of Santiago de Compostela ......................................................................................... 43 Framed Images as Counterpoints in James Joyce’s ‘The Dead’ Tomás Monterrey Universidad de La Laguna ............................................................................................................ 61 A Mirror of our own Anxiety: Civilization, Violence and Ethics in Martin Crimp’s Cruel and Tender Mireia Aragay University of Barcelona ................................................................................................................ 75 The Company of Shakespeare in Exile: Towards a Reading of Internment Camp Cultures Ton Hoenselaars Utrecht University ........................................................................................................................ 89 Glasgow, University Library, MS Hunter 509: A Description Laura Esteban-Segura Universidad de Murcia ................................................................................................................. 105 Gender Policy, the London Lock Asylum Committee (1836-1842) and the Asylum Regulations for 1840 María Isabel Romero Ruiz Universidad de Málaga ................................................................................................................. 123 Noun-noun Euphemisms in the Language of the Global Financial Crisis Carmen Portero Muñoz Universidad de Córdoba .............................................................................................................. 137 Reviews • Reseñas Lucía Loureiro Porto 2009: The Semantic Predecessors of Need in the History of English. reviewed by Alejandro Alcaraz Sintes .................................................................................... 161 María del Mar
Recommended publications
  • Royal Statistical Scandal

    Royal Statistical Scandal

    Royal Statistical Scandal False and misleading claims by the Royal Statistical Society Including on human poverty and UN global goals Documentary evidence Matt Berkley Draft 27 June 2019 1 "The Code also requires us to be competent. ... We must also know our limits and not go beyond what we know.... John Pullinger RSS President" https://www.statslife.org.uk/news/3338-rss-publishes-revised-code-of- conduct "If the Royal Statistical Society cannot provide reasonable evidence on inflation faced by poor people, changing needs, assets or debts from 2008 to 2018, I propose that it retract the honour and that the President makes a statement while he holds office." Matt Berkley 27 Dec 2018 2 "a recent World Bank study showed that nearly half of low-and middle- income countries had insufficient data to monitor poverty rates (2002- 2011)." Royal Statistical Society news item 2015 1 "Max Roser from Oxford points out that newspapers could have legitimately run the headline ' Number of people in extreme poverty fell by 137,000 since yesterday' every single day for the past 25 years... Careless statistical reporting could cost lives." President of the Royal Statistical Society Lecture to the Independent Press Standards Organisation April 2018 2 1 https://www.statslife.org.uk/news/2495-global-partnership-for- sustainable-development-data-launches-at-un-summit 2 https://www.statslife.org.uk/features/3790-risk-statistics-and-the-media 3 "Mistaken or malicious misinformation can change your world... When the government is wrong about you it will hurt you too but you may never know how.
  • Horton Foote

    Horton Foote

    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
  • Bernhardt Hamlet Cast FINAL

    Bernhardt Hamlet Cast FINAL

    IMAGES AVAILABLE FOR DOWNLOAD HERE CAST ANNOUNCED FOR GEFFEN PLAYHOUSE WEST COAST PREMIERE OF “BERNHARDT/HAMLET” FEATURING GOLDEN GLOBE NOMINEE DIANE VENORA AS SARAH BERNHARDT WRITTEN BY THERESA REBECK AND DIRECTED BY SARNA LAPINE ALSO FEATURING NICK BORAINE, ALAN COX, ISAIAH JOHNSON, SHYLA LEFNER, RAYMOND McANALLY, LEVENIX RIDDLE, PAUL DAVID STORY, LUCAS VERBRUGGHE AND GRACE YOO PREVIEWS BEGIN APRIL 7 - OPENING NIGHT IS APRIL 16 LOS ANGELES (February 24, 2020) – Geffen Playhouse today announced the full cast for its West Coast premiere of Bernhardt/Hamlet, written by Theresa Rebeck (Dead Accounts, Seminar) and directed by Sarna Lapine (Sunday in the Park with George). The production features Diane Venora (Bird, Romeo + Juliet) as Sarah Bernhardt. In addition to Venora, the cast features Nick BoraIne (Homeland, Paradise Stop) as Louis, Alan Cox (The Dictator, Young Sherlock Holmes) as Constant Coquelin, Isaiah Johnson (Hamilton, David Makes Man) as Edmond Rostand, Shyla Lefner (Between Two Knees, The Way the Mountain Moved) as Rosamond, Raymond McAnally (Size Matters, Marvelous and the Black Hole) as Raoul, Rosencrantz, and others, Levenix Riddle (The Chi, Carlyle) as Francois, Guildenstern, and others, Paul David Story (The Caine Mutiny Court Martial, Equus) as Maurice, Lucas Verbrugghe (Icebergs, Lazy Eye) as Alphonse Mucha and Grace Yoo (Into The Woods, Root Beer Bandits) as Lysette. It’s 1899, and the legendary Sarah Bernhardt shocks the world by taking on the lead role in Hamlet. While her performance is destined to become one for the ages, Sarah first has to conVince a sea of naysayers that her right to play the part should be based on ability, not gender—a feat as difficult as mastering Shakespeare’s most Verbose tragic hero.
  • English 252: Theatre in England 2006-2007 * [Optional Events

    English 252: Theatre in England 2006-2007 * [Optional Events

    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
  • Voces Termando Da Paisaxe Galega Marilar Aleixandre Fina Casalderrey

    Voces Termando Da Paisaxe Galega Marilar Aleixandre Fina Casalderrey

    Real Academia Galega Rúa Tabernas, 11 Voces termando 15001 A Coruña da paisaxe galega Tlf. 981 207 308 Fax 981 216 467 ISBN 978-84-946005-3-1 [email protected] Discurso lido o día 14 de xaneiro www.academia.gal de 2017 no acto da súa recepción, pola ilustrísima señora dona Marilar Aleixandre e resposta da excelentísima señora dona Fina Casalderrey Voces termando da paisaxe galega O solemne acto académico no que foron lidos os dous discursos recolleitos no presente volume celebrouse o 14 de xaneiro de 2017 no Paraninfo da Universidade de Santiago de Compostela. Edita Real Academia Galega ISBN: 978-84-946005-3-1 Depósito legal: C 2316-2016 © Marilar Aleixandre, 2017 © Fina Casalderrey, 2017 © Real Academia Galega, 2017 Maquetación e coordinación da edición Mazaira grafismo, sl Deseño da colección Grupo Revisión Deseño Impresión Alva Servicios Gráficos Voces termando da paisaxe galega A Coruña 2017 Discurso da ilustrísima señora dona Marilar Aleixandre Excelentísimo señor Presidente da Real Academia Galega, señoras e señores académicos, amigas e amigos: Dezaoito de agosto de 1936. O Pozo da Revolta, parroquia de Mogor, Ma- rín. Na luz borrallenta da madrugada un mariñeiro de dezasete anos prepara a súa barca. Xurdindo da brétema unha visión estarrecedora. A muller ía descalza e levaba o camisón manchado de sangue. Tamén as mans, e talvez por iso puido virlle á cabeza o día, había dous anos, no que o congro lle arrincara os dedos. Mais o sangue fluía do peito, dun ombro, a muller tiña todos os dedos nas mans que retorcía ansiosamente. Un encontro lembrado, setenta anos despois, polo seu curmán para o entre- vistador de Nomes e Voces, Andrés Domínguez Almansa: Auxilios, auxilios, auxilios! Era un chaval, era de noite e xa se sabía o..
  • Detailed Course Outline

    Detailed Course Outline

    Ninth International Conference in Computer Vision ( ICCV ), Nice 2003. Short Course : Learning and Inference in Vision: Generative Methods (3½ hours). Presenters: Bill Freeman (MIT AI Laboratory) and Andrew Blake (Microsoft Research Cambridge) (0) Intro – roadmap for learning and inference in vision (1) Bayesian inference introduction; integration of sensory data applications: color constancy, Bayes Matte (2) Learning and inference in temporal and spatial Markov processes Techniques: 2.1 PCA, FA, TCA : inference – linear (Wiener) filter learning: by Expectation Maximization (EM); (tutorial: EM for 2-line fitting) applications: face simulation, denoising, Weiss’s intrinsic images and furthermore: Active Appearance Models, Simoncelli, ICA & non-Gaussianity, filter banks 2.2 Markov chain & HMM : inference: - MAP by Dynamic Programming, Forward and Forward-Backward (FB) algorithms; learning: by EM – Baum-Welch; representations: pixels, patches applications: stereo vision and furthermore: gesture models (Bobick-Wilson) 2.3 AR models : Inference: Kalman-Filter, Kalman Smoother, Particle Filter; learning: by EM-FB; representations: patches, curves, chamfer maps, filter banks applications: tracking (Isard-Blake, Black-Sidenbladh, El Maraghi-Jepson-Fleet); Fitzgibbon-Soatto textures and furthermore: EP 2.4 MRFs: Inference: ICM, Loopy Belief Propagation (BP), Generalised BP, Graph Cuts; Parameter learning : Pseudolikelihood maximisation; representations: color pixels, patches applications: Texture segmentation, super resolution (Freeman-Pasztor), distinguishing shading from paint and furthermore: Gibbs sampling, Discriminative Random Field (DRF) 2.5 Bayes network: Inference : Belief Propagation (BP) Parameter learning : Pseudolikelihood maximisation; applications: scene context analysis: combine top down with bottom up (Murphy et al) 2.6 Markov network: Inference : MCMC applications: low level segmentation (Zhu et al.) (3) Summary and finish Biographies of Presenters.
  • R EN D EZV O U S Encontro Con Marilar Aleixandre

    R EN D EZV O U S Encontro Con Marilar Aleixandre

    ILUSTRACIÓN: Esferas últimas AUTOR: A. T. BOLETÍN GALEGO DE LITERATURA, nº 50 / 1º SEMESTRE (2017): pp. 5-16 / ISSN 0214-9117 ENCONTROS Encontro con Marilar Aleixandre / Olivia Rodríguez González RENDEZVOUS [Recibido, 20 febreiro 2017; aceptado, 19 maio 2017] http://dx.doi.org/10.15304/bgl.50.3950 5 Dna. Marilar Aleixandre, acompañada por membros do plenario da institución, tras o discurso de ingreso como académica de número da Real Academia Galega (RAG)1 1 As fotos que ilustran a conversa proceden do Arquivo da Real Academia Galega. Agradecemos as facilidades dadas para a súa reprodución. Boletín Galego de Literatura, nº 50 / 1º semestre (2017) / ISSN 0214-9117 De Marilar Aleixandre podemos empezar dicindo que se trata dunha das escritoras galegas de máis longa traxectoria. Traduciu libros ao galego e pu- blicou en todos os xéneros, mesmo nos híbridos con música, fotografía ou banda deseñada. Comezou na Literatura Infantil e Xuvenil, onde pronto se consagrou con abondosos lectores, premios de prestixio e frecuentes tradu- cións. Salientan as súas narracións de aventuras con protagonismo feminino, intriga ben dosificada e unha axilidade non doada de conseguir nun campo no que a función didáctica ten que existir pero nunca notarse. Aleixandre sábeo e practícao en contos e novelas, e mesmo en pezas para monicreques. Se tivé- semos que apuntar algún título para ilustrar o dito, elexiriamos A Expedición do Pacífico (1994) ou A banda sen futuro (1999). Na narrativa fantástica, Marilar Aleixandre revélase como importante cul- tivadora dunha liña presente desde vello na narrativa galega. Velaí a novela Tránsito dos gramáticos (1993), que leva os lectores por escenarios de Santiago de Compostela, ou os contos de O coitelo en novembro (2010) que pola vía do fantástico os conducen ao mundo da resistencia antifascista ou das palabras que se erguen como personaxes.
  • Board of Directors. I Want to Make Sure That There’S a Diversity Ourselves — We Live with Them for Long Periods of of Voices Being Published by DPS

    Board of Directors. I Want to Make Sure That There’S a Diversity Ourselves — We Live with Them for Long Periods of of Voices Being Published by DPS

    ISSUE 16 DRAMATISTS PLAY SERVICE SPRING 2015 ROUND TABLE with JOHN PATRICK SHANLEY, Dramatists Play Service POLLY PEN, and LYNN NOTTAGE is very fortunate not just to publish and license the best BY PETER HAGAN, PRESIDENT American playwrights, but also to have four of them sit on our the publishing conversation. As a woman of always going to be slightly different from that of the color, I also see my role as one of advocacy; agents. Our plays are creative extensions of Board of Directors. I want to make sure that there’s a diversity ourselves — we live with them for long periods of of voices being published by DPS. time; we keep them close and protected until we release them into the world. The founding charter of the Play Service, back in As time has gone by, have you seen your Then we entrust our plays 1936, called for the Board to be split evenly position as a playwright member change? to others for safekeeping: between playwrights (all members of the initially agents, and eventually Dramatists Guild) and agents. Back then, the star John Patrick Shanley: When I first served on publishing companies like playwrights included Howard Lindsay, George the Board, I was skeptical and challenging DPS. For better or worse, Abbott, and Sidney Howard. Today our stars are and, frankly, young. But over time I morphed agents can approach the Donald Margulies, Polly Pen, Lynn Nottage, and from opponent to colleague. business of publishing with John Patrick Shanley, who have been members a certain level of objectivity of the board ranging from five years (Nottage) to PP: Ways of thinking about how theatrical and distance; however, it’s over 20 (Shanley).
  • Theatrical CV

    Theatrical CV

    Represented by Miles Polaski ​ ​ ​ ​ SOUND DESIGNER & COMPOSER Michael Griffo ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​​ ​ ​ ​ [email protected] 773.905.4529 [email protected] www.milespolaski.com ​ ​​ ​ 212-556-6714 SOUND DESIGN — PLAYS (selected credits) ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ PRODUCTION PLAYWRIGHT PRODUCING COMPANY DIRECTOR WHERE STORMS ARE BORN Harrison David Rivers Williamstown T​ h​ eatre Festival Saheem Ali ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ TWO CLASS ACTS A.R. Gurney The Flea Theatre Stafford Arima ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ FULFILLMENT Thomas Bradshaw The Flea Theatre Ethan McSweeny ​ ​ ​ ​ ​ ​ ​ ​ BOOK OF JOSEPH Karen Hartman Chicago Shakespeare Theatre Barbara Gaines ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ BYHALIA MISSISSIPPI Evan Linder Contemporary American Thtr. Fest. Marc Masterson ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ WASHER DRYER Nandita Shenoy Ma-Yi Theatre Benjamin Kamine ​ ​ ​ ​ ​ ​ ​ ​ SAGITTARIUS PONDEROSA MJ Kaufman Nat. Asian American Theatre Co. Ken Rus Schmoll ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ A CHRISTMAS CAROL add. James Palmer Trinity Repertory James D. Palmer ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ THE HAIRY APE Eugene O’Neill Goodman / The Hypocrites Sean Graney ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ MEN ON BOATS Jaclyn Backhaus American Theatre Company William Davis ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ PICNIC and ...LITTLE SHEBA William Inge Transport Group Jack Cummings III ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ WANT Zayd Dohrn Steppenwolf Theatre Kimberly Senior ​ ​ ​ ​ ​ ​ MAN IN LOVE Christina Anderson Steppenwolf Theatre Robert O’Hara ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ THE KID THING Sarah Gubbins Chicago Dramatists
  • Selected Correspondence from the Horton Foote

    Selected Correspondence from the Horton Foote

    SELECTED CORRESPONDENCE FROM THE HORTON FOOTE COLLECTION, 1912-1991 by SUSAN CHRISTENSEN Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 ACKNOWLEDGEMENTS I would like to thank Horton Foote for his generosity in granting me permission to include transcriptions of his family members’ correspondence in my dissertation. I would also like to thank his daughter Hallie for her kind assistance. I have been fortunate to have the opportunity to work with Dr. Laurin Porter, my supervising professor, an extraordinary teacher, a remarkable scholar, and a generous and thoughtful person. During my graduate studies, her wisdom has inspired me and her encouragement has sustained me. I would like to extend my heartfelt appreciation to the members of my graduate committee, Dr. Desirée Henderson and Dr. Neill Matheson, and also to Dr. Wendy Faris and Dr. Thomas Porter, for their kindness and their work on my behalf. I am grateful to Dr. Russell Martin III, the director of the DeGolyer Library at Southern Methodist University, and his staff, who assisted me during the many months I spent conducting archival research. Finally, and most importantly, I would like to thank my husband Robert for his unwavering support and love. July 16, 2008 ii ABSTRACT SELECTED CORRESPONDENCE FROM THE HORTON FOOTE COLLECTION, 1912-1991 Susan Christensen, Ph.D. The University of Texas at Arlington, 2008 Supervising Professor: Laurin Porter This dissertation includes a discussion of archival research and editorial procedures employed in the study, introductory essays on the private correspondence of the family of Horton Foote, and transcriptions of one hundred letters selected from the personal correspondence in the Horton Foote Collection reposited in the DeGolyer Library at Southern Methodist University in Dallas, Texas, with extensive annotations and ancillary materials.
  • |||FREE||| Di and Viv and Rose

    |||FREE||| Di and Viv and Rose

    DI AND VIV AND ROSE FREE DOWNLOAD Amelia Bullmore | 96 pages | 05 Dec 2013 | Bloomsbury Publishing PLC | 9781472508577 | English | London, United Kingdom Di and Viv and Rose – review Posted on 3 November One thing that does affect them is music — and the most unforgettable scene in Anna Mackmin 's vivid production shows the three women miming and dancing to Prince's Let's Go Crazy with hilariously boozy fervour. It compasses illness, loss, loneliness and loyalty. Username Invalid Username. Error rating book. The Distance. It is about friendship, sexuality, and sex, growing up and changing tack, intimacy and comradeship, corsetry and careers, success, disaster and dissatisfaction. Robin Hall rated it really liked it Jun 26, It is about friendship, sexuality, and sex, growing up and changing tack, intimacy and comradeship, corsetry and careers, success, disaster and dissatisfaction. Paperback91 pages. Please visit our Home page or try using the Search, Explore or Browse links above to find what you are looking for. Amanda Finch rated it really liked it Jul 28, Bullmore makes you like, and believe in, her three characters. Welcome back. Rebecca rated it it was ok Apr Di and Viv and Rose, Read our cookie policy Di and Viv and Rose or accept to continue. More filters. What will strike you is the warmth and wit of the writing, which is further boosted by the vibrancy of the performances by Tamzin Outhwaite, Gina McKee and in particular an effervescent Anna Maxwell Martin. Claude rated it really liked it Sep 14, Veronica Montalbetti rated it liked it Aug 27, Girls and Dolls.
  • Special Issue: 2012 Hans Christian Andersen Award Nominees Would You Like to Write for IBBY’S Journal?

    Special Issue: 2012 Hans Christian Andersen Award Nominees Would You Like to Write for IBBY’S Journal?

    VOL. 50, NO.2 APRIL 2012 Special Issue: 2012 Hans Christian Andersen Award Nominees Would you like to write for IBBY’s journal? Academic Articles ca. 4000 words The Journal of IBBY, the International Board on Books for Young People Bookbird publishes articles on children’s literature with an international perspective four times a year Copyright © 2012 by Bookbird, Inc. Reproduction of articles in Bookbird requires permission in writing from the editors. (in January, April, July and October). Articles that compare literatures of different countries are of interest, as are papers on translation studies and articles that discuss the reception of work from one country in Editors: Roxanne Harde, University of Alberta—Augustana Faculty (Canada) and Lydia Kokkola, University of Turku another. Articles concerned with a particular national literature or a particular book or writer may also be (Finland) suitable, but it is important that the article should be of interest to an international audience. Some issues Address for submissions and other editorial correspondence: [email protected] and [email protected] are devoted to special topics. Details and deadlines of these issues are available from Bookbird’s web pages. Bookbird’s editorial office is supported by the Augustana Faculty at the University of Alberta, Camrose, Alberta, Canada. Children and their Books ca. 2500 words Editorial Review Board: Peter E. Cumming, York University (Canada); Debra Dudek, University of Wollongong Bookbird also provides a forum where those working with children and their literature can write about (Australia); Libby Gruner, University of Richmond (USA); Helene Høyrup, Royal School of Library & Information their experiences.