Tim Ransom SAG-AFTRA / AEA

Tim Ransom SAG-AFTRA / AEA www.timransom.com Television (partial-list) PERRY MASON Guest Star HBO / Tim Van Patten GAMES PEOPLE PLAY Guest Star BET / Rob Morrow THE INBETWEEN Guest Star NBC / Ruba Nadda NARCOS : MEXICO Guest Star Netflix/ Josef Wladyka GONE Guest Star NBC/John Gray THE HANDMAID’S TALE Guest Star HULU/Floria Sigismundi BLUE BLOODS Guest Star CBS/Robert Harmon PREACHER Recurring Guest Star AMC/Michael Slovis TOGETHERNESS Guest Star HBO/Mark Duplass SCANDAL Recurring Guest Star ABC/Paul McCrane AQUARIUS Guest Star NBC/Jason Ensler HOSTAGES Recurring Guest Star CBS/Tim Van Patten MASTERS OF SEX Recurring Guest Star SHO/Jennifer Getzinger BOARDWALK EMPIRE Guest Star HBO PERCEPTION Guest Star TNT/Jeff Woolnough BONES Guest Star(s) (played twins) FOX/Kate Woods CASTLE Guest Star ABC/Kevin Hooks DESPERATE HOUSEWIVES Co-Star ABC/David Warren BROTHERS & SISTERS Co-Star ABC/Michael Morris LAW & ORDER: SVU Co-Star NBC/David Platt IN TREATMENT Guest HBO/Paris Barclay VALENTINE Guest Star CW/David Warren 6 DEGREES Guest Star ABC/Dean White WITHOUT A TRACE Guest Star CBS/Jeannot Szwarc CONVICTION Guest Star NBC/Norberto Barba PROS & CONS (Pilot) Co-Star ABC/Michael Engler LAW & ORDER (4 episodes) Guest Star NBC/various LAW & ORDER: C.I. Guest Star NBC/Constantine Makris THIRD WATCH Recurring NBC/various NASH BRIDGES Recurring CBS/various THE PRACTICE Guest Star ABC/Jace Alexander STAR TREK: Deep Space Nine Recurring UPN/Anson Williams Film THE MANDELA EFFECT Supporting Dir. David Guy Levy BATTLE OF THE SEXES Supporting Dir. Jonathan Dayton, Valerie Faris LBJ Supporting Dir. Rob Reiner WIN WIN Supporting Fox Searchlight/Tom McCarthy COURAGE UNDER FIRE Supporting Fox 2000/Ed Zwick OUTBREAK Supporting Warner Bros./Wolfgang Peterson VITAL SIGNS Lead 20th Century Fox/Marisa Silver THE DRESSMAKER Lead Film Four International/Jim O'Brien THE LEARNING CURVE Supporting MPCA/Eric Schwab Theatre (partial-list) THE VOYSEY INHERITANCE Trenchard Atlantic Theater Company/DavidWarren CAROL MULRONEY Lesley The Huntington Theatre/Lisa Peterson FUN AND NOBODY Denny Manhattan Punch Line/William H. Macy AGENT: Brianna Ancel/Scot Reynolds / Phone: 818-509-0121 / Fax: 818-509-7729 10950 Ventura Blvd, Studio City, CA 91604 / [email protected] / [email protected] MANAGER: Principato Young – Ted Bender / 310.274.4457 .

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NYALPA Voice (Spring 2018 Issue)
The Voice New York American Legion Press Association Volume 20, Issue 1 www.NYALPA.org & www.nylegion.org Winter/Spring 2018 CALL FOR ENTRIES IN NYALPA CONTEST The New York recognize excellence submit their pub- ing. They may also American Legion or achievement in lications, websites, nominate someone Press Association is public relations and social media, edi- for Public Relations holding its annual journalism. Legion torials, scrapbooks Person of the Year. communications Family members and visual art for Deadline is April 15. competition to are encouraged to the awards judg- Details on PAGE 5. NYALPA SCHOLAR NYALPA HONORS EDITORS, OTHERS Taylor Blake won the 2017 NYALPA The New York youth scholar- American Legion ship. Page 3. Press Association (NYALPA) honored its award-winning news- letter editors, writers, and webmasters at its annual luncheon held in conjunction with the Department of PAUL STEWARD JAMES BOJANOWSKI DOROLYN PERRY New York Convention First Place winner for First Place winner for First Place winner for last July. PAGE 4 post publication county publication editorial writing NYALPA ELECTS OFFICERS FOR 2017-2018 NEW YORK’S Dorothy Button Leads Press Association LEADING CANDIDATE Dorothy Button, ment Commander’s Re-elected as secre- adjutant of Ashford aide. She has been a tary was Kevin Har- NYALPA Member Gary Schacher Memorial Post 1576 NYALPA member for rington of Castleton. is the leading in West Valley, is the about four years. Re-elected as trea- candidate for new president of the ELECTED as vice surer was Executive department com- New York American presidents were:: Carl Director Lynda Pixley mander for 2018- Legion Press Associa- Griffiths of Munns- of Ransomville.
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Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper.
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Literatur Und Quellenangaben
Literatur und Quellenangaben Literatur Adair, Gilbert 1989: Hollywood’s Vietnam: From the Green Berets to Full Metal Jacket. Lon- don: Heinemann. Adams, Michael C. C. 1994: The Best War Ever. America and WWII. Maryland: John Hopkins University Press. Affron, Charles 1982: Reading the Fiction of Nonfiction: William Wylers Memphis Belle. In: Quaterly Review of Film Studies 7/1982, S. 53-60. Albrecht, Gerd 1969: Nationalsozialistische Filmpolitik. Eine soziologische Untersuchung über die Spielfilme des Dritten Reiches. Stuttgart: Ferdinand Enke. Aldana Reyes, Xavier 2013: Violence and Mediation: The Ethics of Spectatorship in the Twenty-First Century Horror Film. In: Matthews, Graham; Goodman, Sam (Hrsg.): Violence and the Limits of Representation. London, New York: Palgrave Macmillan. Alexandre, Marianne; Sinclair, Andrew 1968: La Grande Illusion. London: St James. Alison, Landsberg 2004: Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York, Chichester: Columbia University Press. Alter, Jonathan 2003: In Bed with the Pentagon. In: News Week 10.3.2003, S. 45. Altman, Rick 1995: A Semantic/Syntactic Approach to Film Genre. In: Grant, Barry Keith (Hrsg.): Film Genre Reader II. Austin: University of Texas Press, S.26-40. Aly, Götz 2005: Hitlers Volkstaat. Raub, Rassenkrieg und nationaler Sozialismus. Frankfurt am Main: Fischer. Andén-Papadopoulos, Kari 2009a: Body horror on the internet: U.S. soldiers recording the war in Iraq and Afghanistan. In: Media, Culture and Society, Vol. 31 (6), S. 921-938. Andén-Papadopoulos, Kari 2009b: US soldiers imaging the Iraq War on YouTube. In: Popular Communication, Vol. 7, Issue 1, S. 17-27. Anderegg, Michael 1991a: Introduction. In: Anderegg, Michael (Hrsg.): Inventing Vietnam: The War in Film and Television.
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History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series
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