NYALPA Voice (Spring 2018 Issue)
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Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
Paris, New York, and Post-National Romance
Sex and the Series: Paris, New York, and Post-National Romance Dana Heller / love Paris every moment, Every moment of the year I love Paris, why oh why do I love Paris? Because my love is here. —Cole Porter, / Love Paris This essay will examine and contrast two recent popular situation comedies, NBC's Friends and HBO's Sex and the City, as narratives that participate in the long-standing utilization of Paris as trope, or as an instrumental figure within the perennially deformed and reformed landscape of the American national imaginary. My argument is that Paris re-emerges in post-9/11 popular culture as a complex, multi-accentual figure within the imagined mise-en-scene of the world Americans desire. The reasons for this are to a large degree historical: in literature, cinema, television, popular music, and other forms of U.S. cultural production, from the late nineteenth century through the twentieth century and into the twenty first, Paris has remained that city where one ventures, literally and/or imaginatively, to dismember history, or to perform a disarticulation of the national subject that suggests possibilities for the interrogation of national myths and for 0026-3079/2005/4602-145$2.50/0 American Studies, 46:1 (Summer 2005): 145-169 145 146 Dana Heller the articulation of possible new forms of national unity and allegiance. These forms frequently find expression in the romantic transformation of a national citizen-subject into a citizen-subject of the world, a critique of the imperialist aspirations of the nation-state that antithetically masks those same aspirations under the sign of the disillusioned American cosmopolitan abroad. -
Television Academy
Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. -
Literatur Und Quellenangaben
Literatur und Quellenangaben Literatur Adair, Gilbert 1989: Hollywood’s Vietnam: From the Green Berets to Full Metal Jacket. Lon- don: Heinemann. Adams, Michael C. C. 1994: The Best War Ever. America and WWII. Maryland: John Hopkins University Press. Affron, Charles 1982: Reading the Fiction of Nonfiction: William Wylers Memphis Belle. In: Quaterly Review of Film Studies 7/1982, S. 53-60. Albrecht, Gerd 1969: Nationalsozialistische Filmpolitik. Eine soziologische Untersuchung über die Spielfilme des Dritten Reiches. Stuttgart: Ferdinand Enke. Aldana Reyes, Xavier 2013: Violence and Mediation: The Ethics of Spectatorship in the Twenty-First Century Horror Film. In: Matthews, Graham; Goodman, Sam (Hrsg.): Violence and the Limits of Representation. London, New York: Palgrave Macmillan. Alexandre, Marianne; Sinclair, Andrew 1968: La Grande Illusion. London: St James. Alison, Landsberg 2004: Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York, Chichester: Columbia University Press. Alter, Jonathan 2003: In Bed with the Pentagon. In: News Week 10.3.2003, S. 45. Altman, Rick 1995: A Semantic/Syntactic Approach to Film Genre. In: Grant, Barry Keith (Hrsg.): Film Genre Reader II. Austin: University of Texas Press, S.26-40. Aly, Götz 2005: Hitlers Volkstaat. Raub, Rassenkrieg und nationaler Sozialismus. Frankfurt am Main: Fischer. Andén-Papadopoulos, Kari 2009a: Body horror on the internet: U.S. soldiers recording the war in Iraq and Afghanistan. In: Media, Culture and Society, Vol. 31 (6), S. 921-938. Andén-Papadopoulos, Kari 2009b: US soldiers imaging the Iraq War on YouTube. In: Popular Communication, Vol. 7, Issue 1, S. 17-27. Anderegg, Michael 1991a: Introduction. In: Anderegg, Michael (Hrsg.): Inventing Vietnam: The War in Film and Television. -
Final Draft Thesis Corrected
REDEFINING MASCULINITY IN GAME OF THRONES !1 Redefining Masculinity through Disability in HBO’s Game of Thrones A Capstone Thesis Submitted to Southern Utah University in partial fulfillment of the requirements for the degree of Master of Arts in Professional Communication April 2016 By Amanda J. Dearman Capstone Committee: Dr. Kevin A. Stein, Ph.D., Chair Dr. Arthur Challis, Ed.D. Dr. Matthew H. Barton, Ph.D. Running head: REDEFINING MASCULINITY IN GAME OF THRONES !3 Acknowledgements I have been blessed with the support of a number of number of people, all of whom I wish to extend my gratitude. The completion of my Master’s degree is an important milestone in my academic career, and I could not have finished this process without the encouragement and faith of those I looked toward for support. Dr. Kevin Stein, I can’t thank you enough for your commitment as not only my thesis chair, but as a professor and colleague who inspired many of my creative endeavors. Under your guidance I discovered my love for popular culture studies and, as a result, my voice in critical scholarship. Dr. Art Challis and Dr. Matthew Barton, thank you both for lending your insight and time to my committee. I greatly appreciate your guidance in both the completion of my Master’s degree and the start of my future academic career. Your support has been invaluable. Thank you. To my family and friends, thank you for your endless love and encouragement. Whether it was reading my drafts or listening to me endlessly ramble on about my theories, your dedication and participation in this accomplishment is equal to that of my own. -
The Museum of Modern Art Presents a Discussion of the HBO Series the Sopranos with the Series Writer/Director David Chase and No
MoMA | press | Releases | 2001 | Discussion on The Sopranos Page 1 of 3 For Immediate Release February 2001 THE MUSEUM OF MODERN ART HOSTS DISCUSSION ON THE SOPRANOS Discussion with David Chase and media writer Ken Auletta February 12, 2001 The Sopranos February 3-13, 2001 The Roy and Niuta Titus Theatre 1 The Museum of Modern Art presents a discussion of the HBO series The Sopranos with the series writer/director David Chase and noted media writer and author Ken Auletta, February 12, 2001 at 6:00 p.m. at the Roy and Niuta Titus Theatre 1. Recording the domestic dramas and business anxieties of family living the bourgeois life in a pleasant New Jersey suburb, The Sopranos is a saga of middle-class life in America at the turn of the century. Chronicled in twenty-six hour-long episodes, the first two seasons from the series will be shown in two four-day sequences at The Museum of Modern Art, from February 3-13 at the Roy and Niuta Titus Theatre 1. "The Sopranos is a cynical yet deeply felt look at this particular family man," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the program. "David Chase and his team have created a series distinguished by its bone-dry humor and understated, quirky, and stinging perspective - not usually seen on television." Renowned for his savvy profiles of power players in the media, Ken Auletta will join David Chase for a discussion of The Sopranos at The Museum on February 12. The Department of Film and Video gratefully acknowledges HBO for making the series available for public viewing. -
West 192 Corridor Under Review This Is the First Part of a Woes
50 CENTS 112TH YEAR • SATURDAY EDITION DECEMBER 31, 2011 Let’s welcome in 2012 with a safe and happy New Year’s Eve. OOSCEOLASCEOLA NNEWSEWS-G-GAZETTEAZETTE www.aroundosceola.com • www.holaosceola.com Police news Suspect pens West 192 corridor under review This is the first part of a woes. two-part series on the West At an advisory committee apology for 192 Economic Advisory Com- meeting several months ago, mittee’s work to devise a plan Jeff Jones, director of Strategic break-ins to revitalize and redevelop the Initiatives for the county, said West U.S. Highway 192 the West 192 tourist corridor By Fallan Patterson tourist corridor. has been a “budget alternative Staff Writer to lodging and activities in A Kissimmee man, who By Marvin G. Cortner Orange County” and that the allegedly stole $1.50 in Editor corridor has seen flat-lined or quarters after breaking into Osceola County govern- declining revenue and property unlocked vehicles on Christ- values. mas Eve searching for ment and various stakeholder groups along West U.S. High- “The corridor has not aged money to fuel his crack well compared to other parts of cocaine addiction, wrote an way 192 have been meeting over the last few months to the region that also are apology letter to the victims engaged in tourism,” Jones citing a lack of family sup- devise a plan to help this 15- mile tourist corridor recover said. “There has been falling port for his downward spi- occupancy rates while atten- ral. from an economic decline and dance at major attractions is Renault Jose Fernandez- to prosper in the future. -
History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series
History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series Vukelić, Adrijana Undergraduate thesis / Završni rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:159430 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Preddiplomski studij engleskog jezika i književnosti (dvopredmetni) Adrijana Vukelić History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series Završni rad Zadar, 2020. Sveučilište u Zadru Odjel za anglistiku Preddiplomski studij engleskog jezika i književnosti History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series Završni rad Student/ica: Mentor/ica: Adrijana Vukelić dr. sc. Zlatko Bukač Zadar, 2020. Izjava o akademskoj čestitosti Ja, Adrijana Vukelić, ovime izjavljujem da je moj završni rad pod naslovom History of Femme Fatale Archetype: Analysis of Game of Thrones TV Series rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 24. rujna 2020. Vukelic 4 Table of Contents 1. Introduction .................................................................................................................... 5 2. -
Nomination Press Release
Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros. -
Absent Presence: Women in American Gangster Narrative
Absent Presence: Women in American Gangster Narrative Carmela Coccimiglio Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfilment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Carmela Coccimiglio, Ottawa, Canada, 2013 TABLE OF CONTENTS Abstract iii Acknowledgements v Introduction 1 Chapter One 27 “Senza Mamma”: Mothers, Stereotypes, and Self-Empowerment Chapter Two 57 “Three Corners Road”: Molls and Triangular Relationship Structures Chapter Three 90 “[M]arriage and our thing don’t jive”: Wives and the Precarious Balance of the Marital Union Chapter Four 126 “[Y]ou have to fucking deal with me”: Female Gangsters and Textual Outcomes Chapter Five 159 “I’m a bitch with a gun”: African-American Female Gangsters and the Intersection of Race, Sexual Orientation, and Gender Conclusion 186 Works Cited 193 iii ABSTRACT Absent Presence: Women in American Gangster Narrative investigates women characters in American gangster narratives through the principal roles accorded to them. It argues that women in these texts function as an “absent presence,” by which I mean that they are a convention of the patriarchal gangster landscape and often with little import while at the same time they cultivate resistant strategies from within this backgrounded positioning. Whereas previous scholarly work on gangster texts has identified how women are characterized as stereotypes, this dissertation argues that women characters frequently employ the marginal positions to which they are relegated for empowering effect. This dissertation begins by surveying existing gangster scholarship. There is a preoccupation with male characters in this work, as is the case in most gangster texts themselves. -
2012 Hugo Awards Final Ballot Results & Nominating Statistics
Chicon 7 – 2012 Hugo Award Statistics Page 1 of 28 2012 Hugo Awards Final Ballot Results & Nominating Statistics 1922 valid Final Ballots were cast. Winners Best Novel: Among Others by Jo Walton (Tor) Best Novella: “The Man Who Bridged the Mist” by Kij Johnson ( Asimov's , September/October 2011) Best Novelette: “Six Months, Three Days” by Charlie Jane Anders (Tor.com) Best Short Story: “The Paper Menagerie” by Ken Liu ( The Magazine of Fantasy & Science Fiction , March/April 2011) Best Related Work: The Encyclopedia of Science Fiction, Third Edition edited by John Clute, David Langford, Peter Nicholls, and Graham Sleight (Gollancz) Best Graphic Story: Digger by Ursula Vernon (Sofawolf Press) Best Dramatic Presentation (Long Form): Game of Thrones (Season 1) (HBO) Best Dramatic Presentation (Short Form): "The Doctor's Wife" (Doctor Who) (BBC Wales) Best Editor (Short Form): Sheila Williams Best Editor (Long Form): Betsy Wollheim Best Professional Artist: John Picacio Best Semiprozine : Locus, edited by Liza Groen Trombi, Kirsten Gong-Wong, et al. Best Fanzine: SF Signal , edited by John DeNardo Best Fan Writer: Jim C. Hines Best Fan Artist: Maurine Starkey Best Fancast: SF Squeecast , Lynne M. Thomas, Seanan McGuire, Paul Cornell, Elizabeth Bear, and Catherynne M. Valente The John W. Campbell Award: E. Lily Yu Chicon 7 – 2012 Hugo Award Statistics Page 2 of 28 Best Novel – 1664 ballots counted First Place Among Others ( WINNER ) 421 424 493 585 769 Embassytown 324 324 392 492 608 Deadline 311 312 367 418 A Dance With Dragons 316 317 360 -
Film and TV Resumé
DEANNA DYS 917-743-1537 [email protected] http://www.deannadys.com FILM AND TELEViSION DIRECTORIAL/CHOREOGRAPHIC RESUME DIRECTOR Under the Streetlamp Consulting Director PBS- HMS Media / Matt Hoffman Director Publix-Powelift Director / Choreographer Publix Grocery Stores, Lakeland, FL Teaching Without Borders Producer / Director (short documentary) Ruth Eckerd Hall / Zev Buffman CEO Dancin’ in the Sand. Producer / Director / Choreographer St. Pete-Clearwater Film Commission (St. Petersburg- Clearwater Film Commission's Grand Prize Award Winning Video) Downtown Shuffle Producer / Director / Choreographer Clearwater Arts Alliance (Grand Prize Winner Short Film Contest) Bellissimo Variety Show Director/Choreographer (Oktoberfest Segment) Munich, Germany / W. Bosch Producer I Saw A Man With Yellow Eyes Second Unit Director Pinstripe Productions / Castille Landon, Dir. (starring Harry Connick Jr. and Katherine Heigl) CHOREOGRAPHER-TELEVISION Boardwalk Empire Choreographer-King Neptune Parade HBO / Tim Van Patten Dir. Ep. 508 (Golden Globe and Emmy Award Winning Television Series) Boardwalk Empire Choreographer-American Legion Hall HBO / Ed Bianchi Director Ep. 309 Boardwalk Empire Choreographer-Babette’s Nightclub HBO / Tim Van Patten Director Ep. 208 Boardwalk Empire Choreographer-Mayor Bader’s Birthday Party HBO / Ed Bianchi Director Ep. 204 Boardwalk Empire Choreographer-Grecian Goddesses HBO/ Jeremy Podeswa Dir. Ep. 104 Boardwalk Empire Choreographer-Beaux Arts Sirens HBO / Tim Van Patten Director Ep. 102 Deception Choreographer NBC / Dan Lerner Dir., Ep. 104 One Life to Live Choreographer ABC / Larry Carpenter Director The Vicki Lawrence Show Choreographer (special segment) CBS CHOREOGRAPHER-COMMERCIALS Rooms to Go “Anniversary” Choreographer Nectar Studios / Mark Claywell Dir. / National Ford Motor Company Choreographer In House Industrial Film SOX in the City Choreographer WBZ Boston/Peter Masucci Dir.