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Literatur und Quellenangaben Literatur Adair, Gilbert 1989: Hollywood’s Vietnam: From the Green Berets to Full Metal Jacket. Lon- don: Heinemann. Adams, Michael C. C. 1994: The Best War Ever. America and WWII. Maryland: John Hopkins University Press. Affron, Charles 1982: Reading the Fiction of Nonfiction: William Wylers Memphis Belle. In: Quaterly Review of Film Studies 7/1982, S. 53-60. Albrecht, Gerd 1969: Nationalsozialistische Filmpolitik. Eine soziologische Untersuchung über die Spielfilme des Dritten Reiches. Stuttgart: Ferdinand Enke. Aldana Reyes, Xavier 2013: Violence and Mediation: The Ethics of Spectatorship in the Twenty-First Century Horror Film. In: Matthews, Graham; Goodman, Sam (Hrsg.): Violence and the Limits of Representation. London, New York: Palgrave Macmillan. Alexandre, Marianne; Sinclair, Andrew 1968: La Grande Illusion. London: St James. Alison, Landsberg 2004: Prosthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture. New York, Chichester: Columbia University Press. Alter, Jonathan 2003: In Bed with the Pentagon. In: News Week 10.3.2003, S. 45. Altman, Rick 1995: A Semantic/Syntactic Approach to Film Genre. In: Grant, Barry Keith (Hrsg.): Film Genre Reader II. Austin: University of Texas Press, S.26-40. Aly, Götz 2005: Hitlers Volkstaat. Raub, Rassenkrieg und nationaler Sozialismus. Frankfurt am Main: Fischer. Andén-Papadopoulos, Kari 2009a: Body horror on the internet: U.S. soldiers recording the war in Iraq and Afghanistan. In: Media, Culture and Society, Vol. 31 (6), S. 921-938. Andén-Papadopoulos, Kari 2009b: US soldiers imaging the Iraq War on YouTube. In: Popular Communication, Vol. 7, Issue 1, S. 17-27. Anderegg, Michael 1991a: Introduction. In: Anderegg, Michael (Hrsg.): Inventing Vietnam: The War in Film and Television. Philadelphia: Temple University Press, S. 1-14. Anderegg, Michael 1991b: Hollywood and Vietnam: John Wayne and Jane Fonda as Dis- course. In: Anderegg, Michael (Hrsg.): Inventing Vietnam: The War in Film and Television. Philadelphia: Temple University Press, S. 15-32. Arlen, Michael J. 1997: Living-room war. New York: Viking Press. Arnold, Jeremy 2003: Annotated Chronological Filmography: 1981-2003. In: Basinger, Janine (Hrsg.): The World War II Combat Film Anatomy of a Genre. Middletown: Wesleyan Univer- sity Press, S. 325-341. © Springer Fachmedien Wiesbaden GmbH, ein Teil von Springer Nature 2019 S. Packham, Der aktuelle Kriegsfilm im historischen und medialen Kontext, https://doi.org/10.1007/978-3-658-24178-0 312 Literatur und Quellenangaben Artz, Lee 2004: War as Promotional „Photo Op“: The New York Times’ Visual Coverage of the U.S. Invasion of Iraq. In: Kamalipour, Yahya R.; Snow, Nancy (Hrsg.): War, Media and Propaganda: A Global Perspective. Maryland: Rowman & Littlefield, S. 79-91. Astley, Mark 2010: Meatspace: the body as spectacle and cultural artefact in contemporary actuality body horror and death media. Manchester: University of Manchester. Aston, James; Walliss, John 2013: „I’ve never murdered anyone in my life. The decisions are up to them.”: Ethical Guidance and the Turn Toward Cultural Pessimism. In: Aston, James; Walliss, John (Hrsg.): To see the Saw movies: essays on torture porn and post 9-11 horror. Jefferson: McFarland, S. 13-29. Atkins, Thomas R. 1976: Frederick Wiseman. New York: Monarch Press. Aufderheide, Patricia 1990: Vietnam: Good Soldiers. In: Crispin Miller, Mark (Hrsg.): Seeing through Movies. New York: Pantheon, S. 81-111. Aufderheide, Patricia 2004: Big Media and Little Media The journalistic informal sector during the invasion of Iraq. In: Allan, Stuart; Zelizer, Barbie (Hrsg.): Reporting War Journalism in Wartime. London, New York: Routlegde. Aufderheide, Patricia 2007a: Documentary Film: A Very Short Introduction. Oxford, New York: Oxford University Press. Aufderheide, Patricia 2007b: Your country, my country: How films about the Iraq war con- struct publics. In: Framework, Vol. 48., No. 2, S. 56-65. Aufderheide, Patricia 2008: Iraq in Fragments. In: Visual Anthropology 21, S. 92-93. Augstein, Jakob 2005: Warten, Schwitzen, niemals kämpfen. In Sam Mendes’ skandalösem Antikriegsfilm „Jarhead“ kommen die Scharfschützen nicht zum Schuss. In: Die Zeit Nr. 52 vom 21.12.2005, S. 8. Auster, Albert 2006: Saving Private Ryan and American Triumphalism. In: Eberwein, Robert (Hrsg.): The War Film. New Brunswick, New Jersey, London: Rutgers University Press, S. 205-213. Auster, Albert 2006: Saving Private Ryan and American Triumphalism. In: Eberwein, Robert (Hrsg.): The War Film. New Brunswick, New Jersey, London: Rutgers University Press, S. 205-213. Auster, Albert; Quart, Leonard 1988: How the War Was Remembered: Hollywood and Vi- etnam. New York: Praeger. Badsey, Stephen 1983: The Battle of the Somme. British War Propaganda. In: Historical Jour- nal of Film, Radio and Television, No. 3/1983, S. 99-113. Baier, Eberhard 1984: Der Kriegsfilm. Eine Dokumentation. Aachen: Bundesgemeinschaft e.V. für Jungendfilmarbeit und Medienerziehung. Bailey, George 1976: Television War: Trends in Network Coverage of Vietnam 1965-1970. In: Journal of Broadcasting 20 (1976/2), S. 147-158. Baird, Robert 1997: Hell’s Angels above The Western Front. In: Peter C. Rollins; John E. O´Connor (Hrsg.): Hollywood’s World War I Motion Picture Images. Bowling Green: State University Popular Press, S. 79-100. Baker, Maxine 2013: Documentary in the Digital Age. Burlington, Abington: Focal Press. Literatur 313 Bandmann, Christa; Hembus, Joe 1980: Westfront 1918. In: Bandmann, Christa; Hembus, Joe (Hrsg.): Klassiker des deutschen Tonfilms. München: Goldmann, S. 19 – 21. Barbusse, Henri 1917: Under Fire The Story of a Squad. New York: E.P. Dutton&Co. Barker, Martin 2011: A Toxic Genre. London: Pluto. Barkhausen, Hans 1982: Filmpropaganda für Deutschland im Ersten und Zweiten Weltkrieg. Hildesheim, Zürich, New York: Olms. Barsam, Richard M. 1992: Non-fiction Film A Critical History. Bloomington: Indiana Univer- sity Press. Basinger, Jeanine 2003: The World War II Combat Film: Anatomy of a Genre. Middletown: Wesleyan University Press. Baudrillard, Jean 1988: America. London: Verso. Baudrillard, Jean 1995: The Gulf War Did Not Take Place. Bloomington: Indiana University Press. Baudrillard, Jean 2006: The Gulf War Did Not Take Place. In: Slocum, David J. (Hrsg.): Hol- lywood and War, the Film Reader. New York, London: Routledge, S. 303-314. Baudrillard, Jean 2011: Der Geist des Terrorismus. Herausforderung des Systems durch die symbolische Gabe des Todes. Wien: Passagen. Baumeister, Martin 2003: Der Erste Weltkrieg und die Weimarer Republik. In: Chiari, Bern- hard; Rogg, Matthias; Schmidt, Wolfgang (Hrsg.): Krieg und Militär im Film des 20. Jahrhun- derts. München: Oldenburg, S. 239-243. Baumgart, Lars 2004: Schlachtengetümmel zwischen Authentizität und Ästhetizismus. Die Darstellung des Kampfes im gegenwärtigen Kriegsfilm. In: Petersen, Christer; Jaeger, Stephan (Hrsg.): Zeichen des Krieges in Film, Literatur und den Medien. Band I. Nordamerika und Europa. Kiel: Verlag Ludwig, S. 132-169. Becker, Thomas 1994: Literarischer Protest und heimliche Affirmation. Das ästhetische Di- lemma des Weimarer Antikriegsromans. Butzbach, Griedel: Afra. Behrenbeck, Sabine 1996: Der Kult um die toten Helden. Nationalsozialistische Mythen, Riten und Symbole 1923 bis 1945. Vierow bei Greifswald: SH-Verlag. Beidler, Philip D. 1998: The Good War’s Greatest Hits: World War II and American Remem- bering. Athens: University of Georgia Press. Beller, Hans 1991: Gegen den Krieg: Im Westen Nichts Neues (1929). In: Werner Faulstich; Korte, Helmut (Hrsg.): Fischer Filmgeschichte. Band 2 Der Film als gesellschaftliche Kraft (1925–1944). Frankfurt am Main: Fischer, S. 110 – 129. Bender, Stuart 2013: Film Style and the World War II Combat Genre. Newcastle upon Tyne: Cambridge Scholars Publishing. Benjamin, Walter 1979: One-way street and other writings. London: Verso. Benjamin, Walter 1989: Gesammelte Schriften. Frankfurt am Main: Suhrkamp. Benjamin, Walter 1999: Theories of German Fascism. In: Jennings, Michael W.; Eiland, How- ard; Smith, Gary (Hrsg.): Walter Benjamin: Selected Writings, Volume 2: Part 1. Cambridge: Harvard University Press, S. 312-322. 314 Literatur und Quellenangaben Benson-Allott, Caetlin 2009: Standard Operating Procedure: Mediating Torture. In: Film Qua- terly No. 62, S. 39-44. Berg, Rick 2000: Losing Vietnam: Covering the War in an Age of Technology. In: Dittmar, Linda; Michaud, Gene (Hrsg.): From Hanoi to Hollywood. The Vietnam War in American Film. New Brunswick, London: Rutgers University Press, S. 41-68. Bessel, Richard 1996: Die Heimkehr der Soldaten. In: Hirschfeld, Gerhard; Krumeich, Gerd (Hrsg.): „Keiner fühlt sich hier mehr als Mensch...“ Erlebnis und Wirkung des Ersten Welt- kriegs. S. 260-282. Betsalel, Ken; Gibney, Mark 2008: Can a film end a war? In: Human Rights Quaterly, Vol. 30, Nr 2./May, S. 522-525. Black, Gregory D.; Koppes, Clayton R. 1977: What to Show the World: The Office of War Information and Hollywood 1942-1945. In: The Journal of American History 64.1, S. 87-105. Bliß, Klaus-Dieter; Güttler, Ralf; Künnecke, Barbara J.; Merkle, Roland 1992: Luftmacht im Golfkonflikt. In: Zehrer, Harmut (Hrsg.): Der Golfkonflikt. Dokumentation, Analyse und Be- wertung aus militärischer Sicht. Bonn, Herford: E.S. Mittler&Sohn, S. 125-183. Boggs, Carl; Pollard, Tom 2007: The Hollywood War Machine: US Militarism and Popular Culture. Boulder, CO: Paradigm. Booth, Wayne C. 1961: Rhetoric of Fiction. Chicago: Chicago University Press. Bordwell, David
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  • Filming the End of the Holocaust War, Culture and Society

    Filming the End of the Holocaust War, Culture and Society

    Filming the End of the Holocaust War, Culture and Society Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK Editorial Board: Paul Preston LSE, UK Joanna Bourke Birkbeck, University of London, UK Debra Kelly University of Westminster, UK Patricia Rae Queen’s University, Ontario, Canada James J. Weingartner Southern Illimois University, USA (Emeritus) Kurt Piehler Florida State University, USA Ian Scott University of Manchester, UK War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military, historical and sociocultural investigation of 20th- and 21st-century war and conflict. Published: The British Imperial Army in the Middle East, James Kitchen (2014) The Testimonies of Indian Soldiers and the Two World Wars, Gajendra Singh (2014) South Africa’s “Border War,” Gary Baines (2014) Forthcoming: Cultural Responses to Occupation in Japan, Adam Broinowski (2015) 9/11 and the American Western, Stephen McVeigh (2015) Jewish Volunteers, the International Brigades and the Spanish Civil War, Gerben Zaagsma (2015) Military Law, the State, and Citizenship in the Modern Age, Gerard Oram (2015) The Japanese Comfort Women and Sexual Slavery During the China and Pacific Wars, Caroline Norma (2015) The Lost Cause of the Confederacy and American Civil War Memory, David J. Anderson (2015) Filming the End of the Holocaust Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps John J. Michalczyk Bloomsbury Academic An Imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 Paperback edition fi rst published 2016 © John J.