Royal Correspondence in the Hellenistic Period : a Study in Greek
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SCHEDULE of DIVINE SERVICES- MAY 2021 in the CHURCH of Alanya
SCHEDULE OF DIVINE SERVICES- MAY 2021 IN THE CHURCH OF Alanya 1 Sat Great Saturday. Venerable John, disciple of St. Gregory of Decapolis (820) 09.00 Vespers and Divine Liturgy of St. Basil the Great 2 Sun The Bright Resurrection of Christ, The Pascha of the Lord.. Easter/Pascha 22.00 (Saturday night) Beginning of the Paschal Service. 11.00 (Sunday morning) The Vespers of Love THE BLESSING OF PASCHAL PRODUCTS WILL BE CONDUCTED BY AGREEMENT Bright Week – Fast-free 3 Mon Venerable Theodore Trichinas (599), St. Nicholas (Velimirovich), bishop of Ochrid and Zhicha,Serbia (1956). St. George, Bishop of Antioch (in Pisidia) 4 Tue "Iveron" Icon of the Most Holy Theotokos. Hieromartyr Theodore of Perge in Pamphylia, his mother Philippa, and Martyrs Dioscorus, Socrates, and Dionysius. 5 Wed Venerable Theodore the Sykeote (613). Venerable Vitalis (609-620). 6 Thu Holy Glorious Great-martyr, Victory-bearer and Wonderworker George (303). Martyr Alexandra the Empress, wife of Diocletian (314). 09.00 Paschal Dicine Liturgy 7 Fri "Life- giving Spring" Icon of the Most Holy Theotokos. 8 Sat Holy Apostle and Evangelist Mark (63). Venerable Sylvester (1379). 09.00 Paschal Divine Liturgy 17.00 All-Nigh Vigil 9 Sun Antipascha, St. Thomas Sunday. Hieromartyr Basil, bishop of Amasea (ca. 322). St. Stephen, bishop of Perm (1396). 08.30 Hours, Confession 09.00 Divine Liturgy 10 Mon Hieromartyr Symeon the Kinsman of the Lord. St. Eulogius the Hospitable of Constantinople. Venerable Stephen, abbot of the Kiev Caves (1094). 1 11 Tue Radonitsa, the Commemoration of the Departed. Apostles Jason of the Seventy (I). -
Aristeas and the Cyzicene , Greek, Roman and Byzantine Studies, 27:2 (1986:Summer) P.151
HUXLEY, GEORGE, Aristeas and the Cyzicene , Greek, Roman and Byzantine Studies, 27:2 (1986:Summer) p.151 Aristeas and the Cyzicene George Huxley N DESCRIBING migrations of Scythians, Cimmerians, and other I Asiatic peoples, Herodotus mentions that one of his sources is the poet Aristeas, son of Caystrobius of Proconnesus (4.13.1). The wondrous career of the poet caught the fancy of Herodotus, who reported what he heard in Proconnesus and Cyzicus (4.14.1) and at Metapontum (4.15.1). Here we are concerned with a small problem in the Proconnesian part of the well-known tale. Aristeas, says Herodotus, was a citizen of high birth in Procon nesus. He entered a fuller's shop there and gave up the ghost. The fuller closed his shop and went to fetch the kinsfolk. Word spread about the city that Aristeas was dead, but the story was denied by a man of Cyzicus who had lately sailed over to Proconnesus from Artace; he protested that he had met Aristeas, who was on his way to Cyzicus; moreover the two travellers had conversed together. When the shop was opened, there was no Aristeas, dead or alive. Later, in the seventh year, Aristeas reappeared in Proconnesus, where he composed his poem, the Arimaspea, relating the marvellous things he had seen and heard during his wanderings beyond the Euxine. There after he disappeared for a second time; but some two hundred and forty years later, according to the estimate of Herodotus, Aristeas manifested himself to the Metapontines, first as a raven in the com pany of Apollo and then as himself; in his own guise he ordered the Metapontines to build an altar to Apollo and to set up a statue of Aristeas the Proconnesian (4.14.1-15.4). -
Hadrian and the Greek East
HADRIAN AND THE GREEK EAST: IMPERIAL POLICY AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Demetrios Kritsotakis, B.A, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Fritz Graf, Adviser Professor Tom Hawkins ____________________________ Professor Anthony Kaldellis Adviser Greek and Latin Graduate Program Copyright by Demetrios Kritsotakis 2008 ABSTRACT The Roman Emperor Hadrian pursued a policy of unification of the vast Empire. After his accession, he abandoned the expansionist policy of his predecessor Trajan and focused on securing the frontiers of the empire and on maintaining its stability. Of the utmost importance was the further integration and participation in his program of the peoples of the Greek East, especially of the Greek mainland and Asia Minor. Hadrian now invited them to become active members of the empire. By his lengthy travels and benefactions to the people of the region and by the creation of the Panhellenion, Hadrian attempted to create a second center of the Empire. Rome, in the West, was the first center; now a second one, in the East, would draw together the Greek people on both sides of the Aegean Sea. Thus he could accelerate the unification of the empire by focusing on its two most important elements, Romans and Greeks. Hadrian channeled his intentions in a number of ways, including the use of specific iconographical types on the coinage of his reign and religious language and themes in his interactions with the Greeks. In both cases it becomes evident that the Greeks not only understood his messages, but they also reacted in a positive way. -
Keltoi and Hellenes: a Study of the Celts in the Hellenistic World
KELTOI AND THE HELLENES A STUDY OF THE CELTS IN THE HELLENISTIC WoRU) PATRICK EGAN In the third century B.C. a large body ofCeltic tribes thrust themselves violently into the turbulent world of the Diadochoi,’ immediately instilling fear, engendering anger and finally, commanding respect from the peoples with whom they came into contact. Their warlike nature, extreme hubris and vigorous energy resembled Greece’s own Homeric past, but represented a culture, language and way of life totally alien to that of the Greeks and Macedonians in this period. In the years that followed, the Celts would go on to ravage Macedonia, sack Delphi, settle their own “kingdom” and ifil the ranks of the Successors’ armies. They would leave indelible marks on the Hellenistic World, first as plundering barbaroi and finally, as adapted, integral elements and members ofthe greatermulti-ethnic society that was taking shape around them. This paper will explore the roles played by the Celts by examining their infamous incursions into Macedonia and Greece, their phase of settlement and occupation ofwhat was to be called Galatia, their role as mercenaries, and finally their transition and adaptation, most noticeably on the individual level, to the demands of the world around them. This paper will also seek to challenge some of the traditionally hostile views held by Greek historians regarding the role, achievements, and the place the Celts occupied as members, not simply predators, of the Hellenistic World.2 19 THE DAWN OF THE CELTS IN THE HELLENISTIC WORLD The Celts were not unknown to all Greeks in the years preceding the Deiphic incursion of February, 279. -
Athena from a House on the Areopagus
ATHENA FROM A HOUSE ON THE AREOPAGUS (PLATES 107-112) E XCAVATIONS in 1970 and 1971 in the Athenian Agora revealed a remarkablecol- lection of sculpture from one of the largest of the late Roman houses on the slopes of the Areopagus.1This house, now called House C, was built in the 4th century after Christ with a spaciousplan includingtwo peristylecourts, and it was filled with Greek and Roman marble sculpturesof exceptional quality.2Two significantworks from the house have been I It is a pleasure to acknowledgethe cooperationof H. A. Thompson, T. L. Shear,Jr., and J. McK. Camp II of the Agora Excavationsand Museum, M. Brouskariof the AkropolisMuseum, N. Peppa-Delmouzouof the Epigraphical Museum, and K. Krystalli-Votsi of the National ArchaeologicalMuseum in Athens for allowing me to study and photograph the sculptures included here. I am especially grateful to Evelyn B. Harrison for her continuing encouragementand for permission to publish the Agora material, and to the AmericanSchool of Classical Studies at Athens for its friendly assistance. Works frequentlycited are abbreviatedas follows: Bieber, Copies = M. Bieber, Ancient Copies: Contributionsto the History of Greek and Roman Art, New York 1977 Boardman,GSCP = J. Boardman,Greek Sculpture: The ClassicalPeriod, New York 1985 Karouzou = S. Karouzou, National ArchaeologicalMuseum: Collection of Sculpture. A Cata- logue, Athens 1968 Lawton = C. L. Lawton, Attic Document Reliefs of the Classicaland Hellenistic Periods, diss. PrincetonUniversity, 1984 Leipen = N. Leipen, Athena Parthenos:A Reconstruction,Toronto 1971 Meyer = M. Meyer, Die griechischen Urkundenreliefs,AM Beiheft 13, Berlin 1989 Richter, SSG4 = G. M. A. Richter, The Sculptureand Sculptorsof the Greeks,4th ed., New Haven 1970 Ridgway, FCS = B. -
A Literary Sources
Cambridge University Press 978-0-521-82860-4 — The Hellenistic World from Alexander to the Roman Conquest 2nd Edition Index More Information Index A Literary sources Livy XXVI.24.7–15: 77 (a); XXIX.12.11–16: 80; XXXI.44.2–9: 11 Aeschines III.132–4: 82; XXXIII.38: 195; XXXVII.40–1: Appian, Syrian Wars 52–5, 57–8, 62–3: 203; XXXVIII.34: 87; 57 XXXIX.24.1–4: 89; XLI.20: 209 (b); ‘Aristeas to Philocrates’ I.9–11 and XLII.29–30.7: 92; XLII.51: 94; 261 V.35–40: XLV.29.3–30 and 32.1–7: 96 15 [Aristotle] Oeconomica II.2.33: I Maccabees 1.1–9: 24; 1.10–25 and 5 7 Arrian, Alexander I.17: ; II.14: ; 41–56: 217; 15.1–9: 221 8 9 III.1.5–2.2: (a); III.3–4: ; II Maccabees 3.1–3: 216 12 13 IV.10.5–12.5: ; V.28–29.1: ; Memnon, FGrH 434 F 11 §§5.7–11: 159 14 20 V1.27.3–5: ; VII.1.1–4: ; Menander, The Sicyonian lines 3–15: 104 17 18 VII.4.4–5: ; VII.8–9 and 11: Menecles of Barca FGrHist 270F9:322 26 Arrian, FGrH 156 F 1, §§1–8: (a); F 9, Pausanias I.7: 254; I.9.4: 254; I.9.5–10: 30 §§34–8: 56; I.25.3–6: 28; VII.16.7–17.1: Athenaeus, Deipnosophistae V.201b–f, 100 258 43 202f–203e: ; VI.253b–f: Plutarch, Agis 5–6.1 and 7.5–8: 69 23 Augustine, City of God 4.4: Alexander 10.6–11: 3 (a); 15: 4 (a); Demetrius of Phalerum, FGrH 228 F 39: 26.3–10: 8 (b); 68.3: cf. -
ROUTES and COMMUNICATIONS in LATE ROMAN and BYZANTINE ANATOLIA (Ca
ROUTES AND COMMUNICATIONS IN LATE ROMAN AND BYZANTINE ANATOLIA (ca. 4TH-9TH CENTURIES A.D.) A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY TÜLİN KAYA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF SETTLEMENT ARCHAEOLOGY JULY 2020 Approval of the Graduate School of Social Sciences Prof. Dr. Yaşar KONDAKÇI Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. Prof. Dr. D. Burcu ERCİYAS Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. Assoc. Prof. Dr. Lale ÖZGENEL Supervisor Examining Committee Members Prof. Dr. Suna GÜVEN (METU, ARCH) Assoc. Prof. Dr. Lale ÖZGENEL (METU, ARCH) Assoc. Prof. Dr. Ufuk SERİN (METU, ARCH) Assoc. Prof. Dr. Ayşe F. EROL (Hacı Bayram Veli Uni., Arkeoloji) Assist. Prof. Dr. Emine SÖKMEN (Hitit Uni., Arkeoloji) I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name : Tülin Kaya Signature : iii ABSTRACT ROUTES AND COMMUNICATIONS IN LATE ROMAN AND BYZANTINE ANATOLIA (ca. 4TH-9TH CENTURIES A.D.) Kaya, Tülin Ph.D., Department of Settlement Archaeology Supervisor : Assoc. Prof. Dr. -
The Waterway of Hellespont and Bosporus: the Origin of the Names and Early Greek Haplology
The Waterway of Hellespont and Bosporus: the Origin of the Names and Early Greek Haplology Dedicated to Henry and Renee Kahane* DEMETRIUS J. GEORGACAS ABBREVIATIONS AND BIBLIOGRAPHY 1. A few abbreviations are listed: AJA = American Journal of Archaeology. AJP = American Journal of Philology (The Johns Hopkins Press, Baltimore, Md.). BB = Bezzenbergers Beitriige zur Kunde der indogermanischen Sprachen. BNF = Beitriige zur Namenforschung (Heidelberg). OGL = Oorpus Glossariorum Latinorum, ed. G. Goetz. 7 vols. Lipsiae, 1888-1903. Chantraine, Dict. etym. = P. Chantraine, Dictionnaire etymologique de la langue grecque. Histoire des mots. 2 vols: A-K. Paris, 1968, 1970. Eberts RLV = M. Ebert (ed.), Reallexikon der Vorgeschichte. 16 vols. Berlin, 1924-32. EBr = Encyclopaedia Britannica. 30 vols. Chicago, 1970. EEBE = 'E:rccr'YJel~ t:ET:ateeta~ Bv~avnvwv E:rcovowv (Athens). EEC/JE = 'E:rcuJT'YJfhOVtUn ' E:rccrrJel~ C/JtAOaocptufj~ EXOAfj~ EIsl = The Encyclopaedia of Islam (Leiden and London) 1 (1960)-. Frisk, GEJV = H. Frisk, Griechisches etymologisches Worterbuch. 2 vols. Heidelberg, 1954 to 1970. GEL = Liddell-Scott-Jones, A Greek-English Lexicon. Oxford, 1925-40. A Supplement, 1968. GaM = Geographi Graeci Minores, ed. C. Miiller. GLM = Geographi Latini Minores, ed. A. Riese. GR = Geographical Review (New York). GZ = Geographische Zeitschrift (Berlin). IF = Indogermanische Forschungen (Berlin). 10 = Inscriptiones Graecae (Berlin). LB = Linguistique Balkanique (Sofia). * A summary of this paper was read at the meeting of the Linguistic Circle of Manitoba and North Dakota on 24 October 1970. My thanks go to Prof. Edmund Berry of the Univ. of Manitoba for reading a draft of the present study and for stylistic and other suggestions, and to the Editor of Names, Dr. -
Copyrighted Material
Index Note : Geographical landmarks are listed under the proper name itself: for “Cape Sepias” or “Mt. Athos” see “Sepias” or “Athos.” When a people and a toponym share the same base, see under the toponym: for “Thessalians” see “Thessaly.” Romans are listed according to the nomen, i.e. C. Julius Caesar. With places or people mentioned once only, discretion has been used. Abdera 278 Aeaces II 110, 147 Abydus 222, 231 A egae 272–273 Acanthus 85, 207–208, 246 Aegina 101, 152, 157–158, 187–189, Acarnania 15, 189, 202, 204, 206, 251, 191, 200 347, 391, 393 Aegium 377, 389 Achaia 43, 54, 64 ; Peloponnesian Aegospotami 7, 220, 224, 228 Achaia, Achaian League 9–10, 12–13, Aemilius Paullus, L. 399, 404 54–56, 63, 70, 90, 250, 265, 283, 371, Aeolis 16–17, 55, 63, 145, 233 375–380, 388–390, 393, 397–399, 404, Aeschines 281, 285, 288 410 ; Phthiotic Achaia 16, 54, 279, Aeschylus 156, 163, 179 286 Aetoli Erxadieis 98–101 Achaian War 410 Aetolia, Aetolian League 12, 15, 70, Achaius 382–383, 385, 401 204, 250, 325, 329, 342, 347–348, Acilius Glabrio, M. 402 376, 378–380, 387, 390–391, 393, Acragas 119, COPYRIGHTED165, 259–261, 263, 266, 39MATERIAL6–397, 401–404 352–354, 358–359 Agariste 113, 117 Acrocorinth 377, 388–389 Agathocles (Lysimachus ’ son) 343, 345 ; Acrotatus 352, 355 (King of Sicily) 352–355, 358–359; Actium 410, 425 (King of Bactria) 413–414 Ada 297 Agelaus 391, 410 A History of Greece: 1300 to 30 BC, First Edition. Victor Parker. -
I SAINT G SOPHIA Ä MUSEUM
i SAINT g SOPHIA Ä MUSEUM TÜRKİYE TURİNG VE OTOMOBİL KURUMU YAYINI t t- y SAINT SOPHIA MUSEUM FERİDUN DİRİMTEKİN TOURING AND AUTOMOBILE CLUB OF TURKEY ISTANBUL Ş.İ-- MESSAGE TO TRAVELLERS COMING TO ISTANBUL Istanbul is, without a doubt, the only city in the world which adds to its incomparable natural beauties, so admirably described by numerous writers such as Lamartine, Théophile Gautier, Henri de Régnier and Loti, not simple vestiges, but intact mas terpieces of so many different civili zations; the only city in the world which, since over fifteen centuries, has uninterruptedly been not only the capital of the largest states, but the center of gravity of the synthesis of both European and Asian art. While the whole of Turkey is a land of legends and history which preserves imperishable souvenirs from Antioch and Tarsus to Ephesus, from Konya to Edirne, of Christianity as well as of Islam, Istanbul embraces in its bosom live images of the most brilliant periods of the Roman, By zantine and Turco-Ottoman Empires. Istanbul is not, such as certain other cities of the Orient a city of myths which childish imaginations nebuloously evoke. It is a city of poe tic reality or of real poetry, of beauty, of harmony and of majesty which are actually alive, visible, tangible. In no other metropolis of the old continent, including Rome and At hens, can one observe, study and compare simultaneous, side by side in one expanse, the most varied ma nifestations of social and artistic evo lutions throughout the centuries. With St. Sophia -splendid Byzan tine edifice of the VI th Century built by two Anatolian architects, restored several times and surprisingly well preserved by the Turks- and the mag- nific'ent Suleymaniye - which, like all imperial mosques, towers, in its so ber majesty, over its numerous ap purtenances which form a vast city of schools, libraries, hospitals, hotels, ppblic kitchens, caravanserais, hans, mausoleums, baths and fountains - Is tanbul obviously remains the world’s richest center of historical monu ments. -
The Divinity of Hellenistic Rulers
OriginalverCORE öffentlichung in: A. Erskine (ed.), A Companion to the Hellenistic World,Metadata, Oxford: Blackwell citation 2003, and similar papers at core.ac.uk ProvidedS. 431-445 by Propylaeum-DOK CHAPTKR TWENTY-FIVE The Divinity of Hellenistic Rulers Anßdos Chaniotis 1 Introduction: the Paradox of Mortal Divinity When King Demetrios Poliorketes returned to Athens from Kerkyra in 291, the Athenians welcomed him with a processional song, the text of which has long been recognized as one of the most interesting sources for Hellenistic ruler cult: How the greatest and dearest of the gods have come to the city! For the hour has brought together Demeter and Demetrios; she comes to celebrate the solemn mysteries of the Kore, while he is here füll of joy, as befits the god, fair and laughing. His appearance is majestic, his friends all around him and he in their midst, as though they were stars and he the sun. Hail son of the most powerful god Poseidon and Aphrodite. (Douris FGrH76 Fl3, cf. Demochares FGrH75 F2, both at Athen. 6.253b-f; trans. as Austin 35) Had only the first lines of this ritual song survived, the modern reader would notice the assimilaüon of the adventus of a mortal king with that of a divinity, the etymo- logical association of his name with that of Demeter, the parentage of mighty gods, and the external features of a divine ruler (joy, beauty, majesty). Very often scholars reach their conclusions about aspects of ancient mentality on the basis of a fragment; and very often - unavoidably - they conceive only a fragment of reality. -
The Hellenistic Period
WAR and VIOLENCE: CLASSICAL, LATE CLASSICAL, AND HELLENISTIC GREEK ART (Greek Images of War and Violence) Niobid Painter, Artemis and Apollo slaying the children of Niobe (Athenian red-figure calyx-krater), from Orvieto, Italy, c. 450 BCE The Niobid Painter, probably inspired by the large frescoes produced in Athens and Delphi (by Polygnotos of Thasos?), decorated this exceptional krater with two scenes in which the many figures rise in tiers on lines of ground that evoke an undulating landscape. On one side, Apollo and Artemis are shown decimating the children of Niobe with their arrows; on the other side is Heracles surrounded by Athena and heroes in arms, in a composition whose serenity is already classical, and whose meaning is still uncertain. Niobe, who had at least a dozen children, had boasted that she was superior to the goddess Leto, who had only two offspring, Apollo and Artemis. To punish her hubris (arrogance) and teach the lesson that no mortal could be superior to a god or goddess, Leto sent her two children to slay all of Niobe’s many sons and daughters. On the Niobid Painter’s krater, the horrible slaughter occurs in a schematic landscape setting of rocks and trees. The painter disposed the figures on several levels, and they actively interact with their setting. One slain son, for example, not only has fallen upon a rocky outcropping but is partially hidden by it. The Niobid Painter also drew the son’s face in a three-quarter view, something that earlier vase painters of the Archaic period had not attempted.