An Atlas of Conflicted Temporalities D Issertation Zur Erlangung Des
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Resistance Time: An Atlas of Conflicted Temporalities D i s s e r t a t i o n zur Erlangung des akademischen Grades Doktor der Philosophie in der Philosophischen Fakultät der Eberhard Karls Universität Tübingen vorgelegt von Diego Granja do Amaral aus Recife / Brasilien 2020 Gedruckt mit Genehmigung der Philosophischen Fakultät der Eberhard Karls Universität Tübingen Dekan: Prof. Dr. Jürgen Leonhardt Hauptberichterstatter: Prof. Dr. Dr. Russell West-Pavlov Mitberichterstatter: Prof. Dr. Fernando Resende Tag der mündlichen Prüfung: 15.05.2020 Druck: Tübingen Library Publishing TABLE OF CONTENTS ABSTRACT ............................................................................................................7 RESUMO ................................................................................................................8 ACKNOWLEDGEMENT .......................................................................................9 INTRODUCTION ................................................................................................. 10 FOREWORD ........................................................................................................ 19 PRELIMINARY NOTES ON METHOD ............................................................................... 19 SURVIVING IMAGES ........................................................................................................... 21 TOWARDS A CREOLE ARCHIVE ...................................................................................... 22 a. DISPOSSESSION ...................................................................................................... 22 b. QUEERNESS AND OPENNESS TO CONTINGENCY .......................................... 23 Part I - Geographies are calendars .......................................................................... 25 OPENING ................................................................................................................................ 25 Chapter 1 - The territory as archive: survival of the homeland ................................. 27 1.1 THE LAND, THE CITY, THE HOME-LAND: TIME UNDER OCCUPATION .... 27 Chapter 2 - Roundabouts of history: the entangled temporalities in Palestine ......... 47 2.1 ARRIVING IN HAIFA ................................................................................................... 47 2.2. HACKING THE WAY INTO THE HOMELAND ......................................................... 51 Part II - Sewing time: 1982 and other temporalities ............................................... 60 OPENING ................................................................................................................................ 60 Chapter 3: Sewing time: a patchwork of memories .................................................. 64 3.1 CURATING AN ARCHIVE ............................................................................................. 64 3.2 FROM ARCHIVE TO CONSTELLATION ..................................................................... 67 3.2.1 THE JOURNEY BEGINS: A QUEST FOR LOST PALESTINIAN ARCHIVES ... 70 Chapter 4 - Scent of revolution: Building a Palestinian film archive .......................... 87 4.1 THE NEEDLE OF THE REAL IN THE HANDS OF HISTORY ................................... 88 Chapter 5 – Men under siege: the events in Beirut 1982 in Looted and Hidden......... 95 5.1 SABRI JIRYIS: THE UPROOTING .............................................................................. 105 5.2 HEALING ARCHIVES: A PATCHWORK OF MEMORIES ....................................... 107 CODA .................................................................................................................................... 112 PART III - The emergence of memory: An analysis of post-occupation Palestinian iconography (1968 to 1999) .................................................................................. 114 OPENING .............................................................................................................................. 114 Chapter 6 – Preliminary shreds of evidence: An overview of the Liberation Graphics Collection of Palestine Posters .............................................................................. 120 6.1 A BRIEF OVERVIEW ON THE COLLECTION .......................................................... 120 6.2 VISUAL DISPUTES AND THE CREATION OF AN IMAGINARY .......................... 123 6.2.1 WEAPONS AND THE OMNIPRESENCE OF THE MACHINEGUNS ............................... 126 6.2.2 FLORA AND THE ISSUE OF THE LAND ....................................................................... 127 6.3 ORANGES AND OLIVES, THE TREE OF PALESTINE ............................................ 136 Chapter 7 - Resistance time: the restless rebellion of signs .................................... 140 7.1 THE GENESIS OF THE PLO POSTERS ...................................................................... 140 7.2 THE SATURATION OF THE PRESENT: AN ICONOGRAPHY OF RESISTANCE 143 Chapter 8 - Blinks of time – resistance images in experimental films ..................... 159 8.1 WAYS OF LOOKING .................................................................................................... 159 8.2 THE PERSISTENCE OF MEMORY ............................................................................. 163 8.3 UNWAVERING RESISTANCE: PALESTINIAN TEMPORALITY IN OUROBOROS ............................................................................................................................................... 168 CODA .................................................................................................................................... 173 PART IV - conflicted temporalities: visual traits of a resistance time ...................... 174 OPENING .............................................................................................................................. 174 Chapter 9 – One land two calendars ...................................................................... 176 9.1 TEMPORAL SUSPENSION? ......................................................................................... 176 9.2 FROM THE STREETS TO THE SCREENS: WAITING FOR PALESTINE ............... 183 9.3 MODERNITY FROM THE MARGINS ......................................................................... 188 Chapter 10 – back from the future: glimpses of a Palestinian return to the homeland ............................................................................................................................ 194 10.1 OPENING ...................................................................................................................... 194 10.2 LANDING IN NAZARETH ......................................................................................... 195 10.3 THE LAND AS TESTIMONY ..................................................................................... 199 10.4 A NEVER-ENDING TRAGEDY – THE QUOTIDIAN NAKBA ............................... 204 Chapter 11 - Loss as time measurement in five broken cameras ............................ 218 11.1 ON THE NECESSITY TO NARRATE: FIVE BROKEN CAMERAS ....................... 218 11.2 POLITICS AND PERFORMATIVITY IN THE IMAGE ............................................ 225 Chapter 12 – On resistance time ........................................................................... 233 12.1 BENJAMIN´S ACCOUNT OF HISTORY ................................................................... 233 12.2 THE MARTYR´S URGE .............................................................................................. 236 12.3 HANDALA, BRUSHING HISTORY AGAINST THE GRAIN .................................. 241 CODA .................................................................................................................................... 247 CONCLUSION ........................................................................................................ 249 REFERENCES ......................................................................................................... 258 TABLE OF FIGURES Figure 1 - Rebel architecture (film still, 00:16:31s) ....................................................... 28 Figure 2 – Looted and Hidden (2017). Film Still (00:04:07s)........................................ 29 Figure 3 - Film Still, Rebel Architecture - The architecture of violence (Al Jazeera, 2019) ....................................................................................................................... 32 Figure 4 - Pyramids of Gaza (photo: Eyal Weizman) .................................................... 44 Figure 5 - Images board, damaged walls. Photo credits from upper left to right clockwise: Looted and Hidden, film still; Rebel Archtecture, film still; Middle East Monitor; Mahmoud Hams/AFP) ............................................................................ 45 Figure 6 – Well in Haifa (Film still, 00:01:12s) ............................................................. 49 Figure 7 - Overlapping ships. Film still, Your father was born... (00:04:49s) ............... 55 Figure 8 – Film still, Looted and Hidden (2007) ............................................................ 71 Figure 9 - Shipwreck (film still, 00:01:56s) ................................................................... 75 Figure 10 – Empty Bedroom (Film still, 00:04:08s) ...................................................... 76 Figure 11 – Running water (Film Still 00:03:18s) ........................................................