Collective Petitions (ʿarż-I Maḥżār) As a Reflective Archival Source for Jerusalem’S Networks of Citadinité in the Late 19Th Century
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Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I 76-3459 HYMES, John David, Jr.,1942- the CONTRIBUTION of DR
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US Risks Further Clashes As Syrian Boot Print Broadens News & Analysis
May 28, 2017 9 News & Analysis Syria US risks further clashes as Syrian boot print broadens Simon Speakman Cordall Tunis ondemnation, criticism and, inevitably, escalation have quickly followed a US air strike against an appar- ently Iranian-backed mili- Ctia convoy near Syria’s border with Jordan and Iraq. The clash has, at least, provided analysts with some indication of American aspirations in Syria and, as the United States increases its military commitment in the area, some indication of the risks it runs of banging heads with other interna- tional actors active on Syria’s battle- scarred ground. Fars reported, “thousands of Hezbollah troops were sent to al-Tanf passageway at Iraq- Syria bordering areas.” US commanders said the convoy of Iranian-supported militia ignored numerous calls for it to halt as it Not without risks. A US-backed Syrian fighter stands on a vehicle with heavy automatic machine gun (L) next to an American soldier moved towards coalition positions who stands on an armoured vehicle at the Syrian-Iraqi crossing border point of al-Tanf. (AP) at al-Tanf, justifying the strike that destroyed a number of vehicles and killed several militiamen. agency, referred to a British, Jorda- is the military is much more likely tion to the “several hundred” special the US decision to directly arm the However, for Iran and its allies in nian and US plot to create a buffer to improvise and this decision to hit operations troops present near ISIS’s Kurds and to conduct the air strike Moscow and Damascus, the strike zone in the area, like that at the Go- the regime may have been taken at de facto capital of Raqqa, gathering against Hezbollah forces threatening marked an aerial “aggression” by lan Heights and leading ultimately to the lower levels. -
Catalogue: May #2
CATALOGUE: MAY #2 MOSTLY OTTOMAN EMPIRE, THE BALKANS, ARMENIA AND THE MIDDLE EAST - Books, Maps & Atlases 19th & 20th Centuries www.pahor.de 1. COSTUMES OF THE OTTOMAN EMPIRE A small, well made drawing represents six costumes of the Ottoman Empire and the Middle East. The numeration in the lower part indicates, that the drawing was perhaps made to accompany a Anon. [Probably European artist]. text. S.l., s.d. [Probably mid 19th century] Pencil and watercolour on paper (9,5 x 16,5 cm / 3.7 x 6.5 inches), with edges mounted on 220 EUR later thick paper (28 x 37,5 cm / 11 x 14,8 inches) with a hand-drawn margins (very good, minor foxing and staining). 2. GREECE Anon. [Probably a British traveller]. A well made drawing represents a Greek house, indicated with a title as a house between the port city Piraeus and nearby Athens, with men in local costumes and a man and two young girls in House Between Piraeus and Athens. central or west European clothing. S.l., s.d. [Probably mid 19th century]. The drawing was perhaps made by one of the British travellers, who more frequently visited Black ink on thick paper, image: 17 x 28 cm (6.7 x 11 inches), sheet: 27 x 38,5 cm (10.6 x 15.2 Greece in the period after Britain helped the country with its independence. inches), (minor staining in margins, otherwise in a good condition). 160 EUR 3. OTTOMAN GEOLOGICAL MAP OF TURKEY: Historical Context: The Rise of Turkey out of the Ottoman Ashes Damat KENAN & Ahmet Malik SAYAR (1892 - 1965). -
Medhat Pasha Abdul Hamid Oppresses His Brother Murad V
After distorting his reputation and stature Abdul Hamid insulted the humanity of his brother “Murad” Murad V bin Abdul Majid I (1904-1840 AD), who was destined to contemplate the chaotic period in the history of the Ottoman Empire in which the struggle between the reformist and conservative movements focused. Murad's personality was not far from that of his brother Abdul Hamid in terms of psychological distress, isolation and phobia. The circumstances that formed Murad's personality, and cast a shadow over his emotions and interactions, are concentrated in his inability to deal with those around him or to understand the surrounding community around him, especially government men, on top of whom are the influential people. The name most commonly used during the reign of three sultans: Abdulaziz, Mourad, and Abdul Hamid; It is Medhat Pasha. He had the upper hand in isolating Abdulaziz and Murad, and the inauguration of Abdul Hamid II. He was the Grand Vizier (Prime Minister), and the responsible for the constitutional claim. There is another name with him, which is the Minister of War, Hussein Awni Pasha, who was associated with Medhat in the events of political chaos from the ouster of Abdulaziz until the assassination of Awni during the reign of Murad V. Sultan Abdulaziz took power in 1861 AD after his brother Abdul Majeed. As usual, the Ottomans used to practice the so-called princes' cages, for everyone who is qualified to take over the sultanate, so that he becomes isolated from the public environment so as not to affect the sultan's progress in his rule, either by revolution or by an organization that might worry him. -
Mighty Guests of the Throne Note on Transliteration
Sultan Ahmed III’s calligraphy of the Basmala: “In the Name of God, the All-Merciful, the All-Compassionate” The Ottoman Sultans Mighty Guests of the Throne Note on Transliteration In this work, words in Ottoman Turkish, including the Turkish names of people and their written works, as well as place-names within the boundaries of present-day Turkey, have been transcribed according to official Turkish orthography. Accordingly, c is read as j, ç is ch, and ş is sh. The ğ is silent, but it lengthens the preceding vowel. I is pronounced like the “o” in “atom,” and ö is the same as the German letter in Köln or the French “eu” as in “peu.” Finally, ü is the same as the German letter in Düsseldorf or the French “u” in “lune.” The anglicized forms, however, are used for some well-known Turkish words, such as Turcoman, Seljuk, vizier, sheikh, and pasha as well as place-names, such as Anatolia, Gallipoli, and Rumelia. The Ottoman Sultans Mighty Guests of the Throne SALİH GÜLEN Translated by EMRAH ŞAHİN Copyright © 2010 by Blue Dome Press Originally published in Turkish as Tahtın Kudretli Misafirleri: Osmanlı Padişahları 13 12 11 10 1 2 3 4 All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without permission in writing from the Publisher. Published by Blue Dome Press 535 Fifth Avenue, 6th Fl New York, NY, 10017 www.bluedomepress.com Library of Congress Cataloging-in-Publication Data Available ISBN 978-1-935295-04-4 Front cover: An 1867 painting of the Ottoman sultans from Osman Gazi to Sultan Abdülaziz by Stanislaw Chlebowski Front flap: Rosewater flask, encrusted with precious stones Title page: Ottoman Coat of Arms Back flap: Sultan Mehmed IV’s edict on the land grants that were deeded to the mosque erected by the Mother Sultan in Bahçekapı, Istanbul (Bottom: 16th century Ottoman parade helmet, encrusted with gems). -
Beylerbeyi Palace
ENGLISH History Beylerbeyi means Grand Seigneur or The present Beylerbeyi Palace was designed Abdülhamid II and Beylerbeyi Palace Governor; the palace and the village were and built under the auspices of the Abdülhamid (1842-1918) ruled the expected from the Western powers named after Beylerbeyi Mehmet Pasha, architects Sarkis Balyan and Agop Balyan BEYLERBeyİ Governor of Rumeli in the reign of Sultan between 1861 and 1865 on the orders of Ottoman Empire from 1876 to without their intrusion into Murad III in the late 16th century. Mehmet Sultan Abdülaziz. 1909. Under his autocratic Ottoman affairs. Subsequently, Pasha built a mansion on this site at that rule, the reform movement he dismissed the Parliament Today Beylerbeyi Palace serves as a palace time, and though it eventually vanished, the of Tanzimat (Reorganization) and suspended the constitution. PALACE museum linked to the National Palaces. name Beylerbeyi lived on. reached its climax and he For the next 30 years, he ruled Located on the Asian shore of the Bosphorus, this splendid adopted a policy of pan- from his seclusion at summer palace is a reflection of the sultan’s interest in The first Beylerbeyi Palace was wooden Islamism in opposition to Yıldız Palace. and was built for Sultan Mahmud II in early western styles of architecture. 19th century. Later the original palace was Western intervention in In 1909, he was deposed shortly abandoned following a fire in the reign of Ottoman affairs. after the Young Turk Revolution, Sultan Abdülaziz built this beautiful 19th of Austria, Shah Nasireddin of Persia, Reza Sultan Abdülmecid. He promulgated the first Ottoman and his brother Mehmed V was century palace on the Asian shore of the Shah Pahlavi, Tsar Nicholas II, and King constitution in 1876, primarily to ward proclaimed as sultan. -
The University of Chicago No Empire for Old Men: The
THE UNIVERSITY OF CHICAGO NO EMPIRE FOR OLD MEN: THE YOUNG OTTOMANS AND THE WORLD, 1856-1878 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF NEAR EASTERN LANGUAGES AND CIVILIZATIONS BY MADELEINE ELFENBEIN CHICAGO, ILLINOIS DECEMBER 2017 Contents Acknowledgements ................................................................................................................... iii Abstract ......................................................................................................................................... v Introduction ................................................................................................................................. 1 A Popular Response to the Crisis of Sovereignty .................................................................... 2 Saving the State from Itself ....................................................................................................... 5 Ottomanism and the International Turn ............................................................................... 16 Who Were The Young Ottomans? .......................................................................................... 19 Young Ottoman Legacies ........................................................................................................ 22 Outline of Chapters .................................................................................................................. 25 Chapter 1: A Nation in Search -
Leer Artículo Completo
REAL ACADEMIA MATRITENSE DE HERÁLDICA Y GENEALOGÍA La Casa de Osmán. La sucesión de los Sultanes Otomanos tras la caída del Imperio. Por José María de Francisco Olmos Académico de Número MADRID MMIX José María de Francisco Olmos A raíz de la reciente muerte en Estambul el 23 de septiembre pasado (2009) de Ertugrul Osman V, jefe de la Casa de Osmán o de la Casa Imperial de los Otomanos, parece apropiado hacer unos comentarios sobre esta dinastía turca y musulmana que fue sin duda una de las grandes potencias del mundo moderno. Sus orígenes son medievales y se encuentran en una tribu turca (los ughuz de Kayi) que emigró desde las tierras del Turquestán hacia occidente durante el siglo XII. Su líder, Suleyman, los llevó hasta Anatolia hacia 1225, y su hijo Ertugrul (m.1288) pasó a servir a los gobernantes seljúcidas de la zona, recibiendo a cambio las tierras de Senyud (en Frigia), entrando así en contacto directo con los bizantinos. Osmán, hijo de Ertugrul, fue nombrado Emir por Alaeddin III, sultán seljúcida de Icconium (Konya) y cuando el poder de los seljúcidas de Rum desapareció (1299), Osmán se convirtió en soberano independiente iniciando así la dinastía otomana, o de los turcos osmanlíes. Osmán (m. 1326) y sus descendientes no hicieron sino aumentar su territorio y consolidar su poder en Anatolia. Su hijo Orján (m.1359) conquistó Brussa, a la que convirtió en su capital, organizó la administración, creó moneda propia y reorganizó al ejército (creó el famoso cuerpo de jenízaros), en Brussa construyó un palacio cuya puerta principal se denominaba la Sublime Puerta, nombre que luego se dio al poder imperial otomano hasta su desaparición. -
Tc Balikesir Üniversitesi Sosyal
T.C. BALIKESİR ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİM DALI 19. YÜZYILDA ŞEHZADE OLMAK: MODERNLEŞME SÜRECİNDE ŞEHZADELER YÜKSEK LİSANS TEZİ Hazırlayan: Füsun Gülsüm GENÇ Balıkesir, 2015 T.C. BALIKESİR ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİM DALI 19. YÜZYILDA ŞEHZADE OLMAK: MODERNLEŞME SÜRECİNDE ŞEHZADELER YÜKSEK LİSANS TEZİ Hazırlayan: Füsun Gülsüm GENÇ Danışman: Prof. Dr. Bülent ÖZDEMİR Balıkesir, 2015 ÖNSÖZ Osmanlı Devleti’nde tahtın varisleri olmaları nedeniyle çok büyük bir öneme sahip olan şehzadeler aynı zamanda taht için potansiyel bir tehlike oluşturmuştur. Bu nedenle devlet tarihi boyunca sürekli bir denetim altında tutulmuşlardır. Denetimi sağlamak adına yapılan uygulamalar, şehzadelerin hak ve yetkileri ile şehzadelere getirilen kısıtlamalar çağın gereklerine ve yaşanan olaylara göre şekillenmiştir. Çalışmamızda şehzadelerin 19. yüzyıldaki siyasi, sosyal ve ekonomik durumları incelenmiştir. 19. yüzyıl dünyada ve Osmanlı Devleti’nde bir değişim dönemi olduğu için bu çalışma yapılırken Osmanlı Devleti tarihi 19. yüzyıl öncesi ve 19. yüzyıl olarak iki kısımda ele alınmıştır. Kuruluştan 19. yüzyıla kadar olan dönem klasik dönem tabir edilmiş, 19. yüzyıl ise modernleşme süreci olarak kabul edilmiştir. Böyle bir çalışma yapılmasının nedeni modernleşmenin etkisiyle 19. yüzyılda meydana gelen değişimlerin şehzadelik kurumuna da yansımış olması ve şehzadelerin hayatlarında, klasik dönemle kıyaslandığında oldukça büyük farklılıklar meydana gelmesidir. Klasik dönemde şehzadeler ile ilgili çalışmalar yapılmasına -
Sultan V. Murad'in 93 Günlük Saltanati
T.C. SAKARYA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ SULTAN V. MURAD’IN 93 GÜNLÜK SALTANATI YÜKSEK LİSANS TEZİ Aynur ÇÖMLEKÇİ Enstitü Anabilim Dalı : Tarih Enstitü Bilim Dalı : Yakınçağ Tarihi Tez Danışmanı: Doç. Dr. Serkan YAZICI Eylül – 2019 İÇİNDEKİLER KISALTMALAR ......................................................................................................... İİİ ÖZET ............................................................................................................................... V SUMMARY ................................................................................................................... Vİ GİRİŞ ............................................................................................................................... 1 BÖLÜM 1: SULTAN V. MURAD’IN HAYATI VE ŞEHZÂDELİĞİ ...................... 7 1.1 Doğumu ve Ailesi ....................................................................................................... 7 1.2 Şehzâdeliği .................................................................................................................. 8 1.2.1 Eğitimi ............................................................................................................. 10 1.2.2. Mısır Seyahati ................................................................................................ 11 1.2.3. Avrupa Seyahati ............................................................................................. 12 1.2.4. Siyasi Eğilimleri ............................................................................................ -
Art-Sanat, 11(Ocak 2019): 1–18
Art-Sanat, 11(Ocak 2019): 1–18 DOI: 10.26650/artsanat.2019.11.0008 http://dergipark.gov.tr/iuarts Başvuru: 25.10.2018 Art-Sanat Kabul: 10.01.2019 ARAŞTIRMA MAKALESI / RESEARCH ARTICLE II. Meşrutiyet Dönemi’nde V. Murad’a İade-i İtibar: Mimar Vedad (Tek) Bey’in Türbe Düzenlemesi Müjde Dila Gümüş* Öz V. Murad, 1876 yılında üç ay süreyle padişahlık yapmış, ardından akli dengesinin yerinde olmadığı gerekçesiyle tahttan indirilmiştir. 1904 yılında hayatını kaybetmiş ve Cedid Havatin Türbesi’ne gömülmüştür. 1908’de, II. Meşrutiyet’in ilanından kısa süre sonra, V. Murad için bir türbe düzenlemesi yapılmasına karar verilmiştir. II. Abdülhamid iktidardayken gündeme gelen projenin uygulaması ertesi sene, V. Mehmed Reşad tahttayken tamamlanmıştır. Cedid Havatin Türbesi’nin güney doğu köşesi demir şebekelerle çevrilmiş ve V. Murad’ın sandukası buraya yerleştirilmiştir. Milli Mimari üslubu çerçevesinde değerlendirilebilecek olan tasarım, sandukanın etrafını çevreleyecek mermer korkuluklar ve onların üzerine yerleştirilecek demir şebekelerden meydana gelmektedir. Söz konusu proje Vedad (Tek) Bey tarafından hazırlanmış olup, kendisi üzerine yapılan yayınlarda yer almamaktadır. Makale kapsamında, V. Murad için yaptırılan türbe düzenlemesinin zamanlamasına dikkat çekilerek dönemin siyasi gelişmeleriyle olan ilişkisi kurulması amaçlanmıştır. Bununla beraber, sandukanın etrafındaki şebekeler süsleme özellikleri açısından incelenmiş, dönem örnekleriyle karşılaştırılmış ve Vedad Bey’in tasarım anlayışı içinde konumlandırılmaya çalışılmıştır. Anahtar Kelimeler II. Meşrutiyet Dönemi • V. Murad • Vedad Tek • Milli Mimari akımı • Türbe mimarisi Restoring the Reputation of Murad V During the Second Constitutional Era: Tomb Design By Vedad (Tek) Bey Abstract Murad V as a sultan for three months in 1876, was dethroned on the grounds that his mental balance was bad. He died in 1904 and was buried in the Cedid Havatin Tomb. -
From Sultan Mahmud Ii to Sultan Mehmed Vi Vahdeddn
THE DEATHS AND FUNERAL CEREMONIES OF OTTOMAN SULTANS (FROM SULTAN MAHMUD II TO SULTAN MEHMED VI VAH İDEDD İN) Thesis submitted to the Institute for Graduate Studies in the Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in History by Servet Yanatma Bo ğaziçi University 2007 The Deaths and Funeral Ceremonies of Ottoman Sultans (From Sultan Mahmud II to Sultan Vahideddin) The thesis of Servet Yanatma has been approved by: Assis. Prof. Yavuz Selim Karakı şla ______________________________ (Thesis Advisor) Prof. Edhem Eldem ____________________________________________ Prof. Selçuk Esenbel ____________________________________________ 24 December 2006 ii Abstract of the Thesis of Servet Yanatma “The Deaths and Funeral Ceremonies of Ottoman Sultans (From Sultan Mahmud II to Sultan Mehmed VI Vahideddin)” Death and funeral ceremonies are important means of understanding the cultures of communities and states. This study firstly aims to describe the demise and funeral ceremonies of the last seven Ottoman sultans (from Sultan Mahmud II to Sultan Mehmed VI Vahideddin) in detail. Determining the similarities and differences by analyzing the subject and gaining a deeper understanding of them is another significant goal of this study. Moreover, the common features of the funeral ceremonies of Ottoman sultans from the early period to Tanzîmât era are explained, and they are compared with the later period. An effort is made to examine the place of funerals under study within general process, and to reveal the continuing, extinct and “invented” funeral rituals. While exaggerated grief is seen in the mourning shows, funeral prayers and techîz (equipping) are in accordance with Islam.