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Happy Christmas (War Is Over!)
HAPPY CHRISTMAS (WAR IS OVER!) On March 20th 1969 John Lennon married Yoko Ono. Knowing their marriage would be a huge press event, John and Yoko decided to use the publicity to promote world peace. They spent their honeymoon in the presidential suite (Room 902) at the Amsterdam Hilton Hotel for a week between March 25 and 31, inviting the world's press into their hotel room every day between 9 a.m. and 9 p.m. It was their non-violent way of protesting against wars and promoting peace. Their second Bed-In took place in Montreal, Canada on May 26th 1969. During their seven-day stay, they sang the peace anthem "Give Peace a Chance", and recorded it in the hotel room on June 1st. On December 15th 1969 John and Yoko spread their messages of peace with billboards reading "WAR IS OVER! If You Want It - Happy Christmas From John and Yoko". These billboards went up in twelve major world cities : New York, Los Angeles, Toronto, Rome, Athens, Amsterdam, Berlin, Paris, London, Tokyo, Hong Kong and Helsinki. Although “Happy Xmas (War Is Over)” was apparently about the Vietnam War, it proved a universal message understood worldwide. VOCABULAIRE : 1. Retrouve dans le texte les mots signifiant : gigantesque : __________________ promouvoir : __________________ lune de miel : __________________ un hymne : __________________ enregistrer : __________________ répandre : ________________ panneau d’affichage : __________________ bien que : _______________ dans le monde entier : ________________ COMPREHENSION : 1. Quel événement fut à l’origine de la campagne ‘War is Over!’ ? _____________________________________________________________________________ 2. Cet événement fut largement couvert par la presse international. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Kristine Stiles
Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN13: 9780226774510 (cloth) ISBN13: 9780226774534 (paper) ISBN13: 9780226304403 (ebook) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress CataloguinginPublication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 9780226774510 (cloth : alkaline paper) — ISBN 9780226774534 (paperback : alkaline paper) — ISBN 9780226304403 (ebook) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.481992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an Xman, dotman war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then redraw it in a different posmon... -
Iiro Rantala
iiro rantala my working class hero ACT 9597-2 German release date: August 28, 2015 A homage to John Lennon Rantala's consummate success in combining the clarity and the catchiness of Lennon's songs with the expressive John Lennon would have been seventy-five on October 9th possibilities of jazz may be connected with his musical 2015. On “My Working Class Hero,” the Finnish pianist Iiro background and his social circumstances. He grew up in a Rantala pays tribute to this master of modern song. working class family, with his father’s cycle repair business in Helsinki as a backdrop. His early contact with classical music Rantala has demonstrated a particular gift for making this came via being a member of the celebrated boys' choir “Cantores kind of homage once before. His 2011 album “Lost Heroes” Minores,” with which he also travelled to do performances abroad. recaptured the spirit of a different musical idol in each of its ten There followed a classical piano education, and studies at the songs, and received the annual prize of the Deutsche Manhattan School of Music. However, a pure jazz musician is Schallplattenkritik and an ECHO jazz award, whilst Germany's something that he has never been. He continues to play classical foremost broadsheet newspaper the FAZ proclaimed it as having music from Bach and Mozart through to Sibelius. For eighteen “intelligence, humour, loads of feeling, unpredictable ideas and years he toured worldwide with the madcap Trio Töykeät. He especially finely crafted piano playing.” presented a TV programme called “Iiro Irti” on which he gave In this new John Lennon tribute, Rantala turns to the concerts with pop musicians and heavy metal bands. -
Featuring John & Yoko's Year of Peace
IMAGINE PEACE IMAGINEyoko ono PEACE yoko ono YokoOnoCatalog.indd 1 6/28/07 2:03:37 AM Cover Image Yoko Ono Imagine Peace, 2007. Billboard installation, Dimensions variable. © Yoko Ono 2007 Courtesy of Lenono Photo Archive YokoOnoCatalog.indd 2 6/28/07 2:03:38 AM YOKO ONO IMAGINE PEACE Featuring John & Yoko’s Year of Peace Kevin Concannon, Curator of the Exhibition John Noga, Assistant Curator and Production Manager Emily Davis Gallery / Mary Schiller Myers School of Art / The University of Akron 6 July – 7 September 2007 Department of Art and Art History / The University of Texas at San Antonio 26 September – 28 October 2007 Rod Bengston, Director, University Art Galleries Del Rey Loven, Director, Mary Schiller Myers School of Art James M. Lynn, Interim Dean, College of Fine and Applied Arts Published by The University of Akron, Akron, Ohio, 2007. Essays copyright the authors 2007. All artworks and photographs copyright Yoko Ono unless otherwise indicated. All photographs courtesy Lenono Photo Archive unless otherwise indicated. YokoOnoCatalog.indd 3 6/28/07 2:03:38 AM IMAGINE PEACE Kevin Concannon, Ph.D. A simple message, delivered on billboards, posters, postcards, badges, T-shirts and rubber stamps, Imagine Peace exists as a seed, activated individually and collectively in the minds and actions of those who encounter it. Like much of Yoko Ono’s artwork over the past forty years, Imagine Peace is a work that is dependent upon a collective realization on the part of YokoOnoCatalog.indd 12 6/28/07 2:03:39 AM her audience. As she declared in her 1972 single, Now Or Never, “A dream you dream alone is only a dream, but a dream we dream together is reality.” As is often the case with her work, this germinating idea is manifested in multiple variations. -
War Is Over! John and Yoko's Christmas Eve Happening, Tokyo
Kevin Concannon, "War Is Over! John and Yoko’s Christmas Eve Happening, Tokyo, 1969," Review of Japanese Culture and Society 17 (December 2005): 72-85. Figure 6 Yokoo Tadanori, War Is Over!: A Christmas Party for Love and Peace Called for by John and Yoko Lennon, 1969. Poster, approx. 48.5 x 34 cm. Courtesy Yokoo Tadanori 72 REVIEW OF JAPANESE CULTURE AND SOCIETY DECEMBER 2005 War Is Over!: John and Yoko’s Christmas Eve Happening, Tokyo, 1969 Kevin Concannon On December 15, 1969, news organizations around the globe announced that John Lennon and Yoko Ono had “purchased billboard space in 11 major cities of the world to display their Christmas message for peace.”1 In the language of each city, the billboards (as well as posters, print advertisements, and postcards) read: “War Is Over! If You Want It. Happy Christmas from John & Yoko” (Figs. 7–8).2 Reports listed the cities as London, New York, Los Angeles, Montreal, Toronto, Paris, Rome, West Berlin, Amsterdam, Athens, and Tokyo. In a New York Times report the following day, however, Tokyo was conspicu- ously absent from the list, although all other cities were duly mentioned.3 In the thirty-six years since, no documentation has emerged to suggest that the omission of Tokyo was an oversight of the New York Times. Indeed, no War Is Over! billboard appeared in Tokyo that Christmas.4 Nonetheless, the War Is Over! campaign reached the city, as a major demonstration and poster campaign. This article will explore the Tokyo manifestation of War Is Over! in the context of Lennon and Ono’s broader Peace Campaign as well as the international antiwar movement of which it was an important part. -
THE LOST LENNON TAPES Megatree Liners Index
THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200 -
Bwtb Christmas Show 2014
1 BWTB CHRISTMAS SHOW 2014 * John & Yoko – Happy Xmas (War Is Over) `71 * George – Ding Dong – Dark Horse 1974 1 2 9:13 BREAK This morning we will feature all 7 of the Beatles XMAS messages…which were FLEXI DISCS sent out to FAN CLUB members only… They did one each year between 1963 & 1969… we’ll hear `em all along w/ some solo Holiday tunes from JPG&R… Some novelty Beatles songs and a few surprises! As well as some XMAS faves from people who worked, recorded and produced The Beatles… Here are the Beatles and their 1st XMAS message from 1963… * 1st / Fan Club X Mass Single 1963 (5:02) Scripted by Tony Barrow – NEMS Pub. Manager / who ran fan club Recorded Oct. 17th/ Released Dec. 6th 1963 /@ Abbey Road – 1st day w/ Four Track Recording Sessions for “I Want to Hold You Hand” 2 3 * Dora Bryan - All I Want For Christmas Is A Beatle `64 She also had a Top 20 hit in 1963. * Ringo Starr – I Wanna Be Santa Claus - I Wanna Be Santa Claus * The Fab Four –The Christmas Song– HARK! * Beatles 1964 – 2nd Christmas Message ‘Another Beatles Christmas Record” – (4:06) Recorded Monday Oct. 25th 1964 / By the time of the release of this flexi the Fan Club membership had risen to 65,000 and Christmas flexi disks were made for every member. It came with a special sleeve and with a Fan Club newsletter. Notice on the label that the 1964 fan club flexi plays at 45 rpm, all the others play at 33 1/3. -
BY PAUL MCCARTNEY Meets National Core Arts Standards 5, 7, 9, and 11
LISTENING GUIDE “WONDERFUL CHRISTMASTIME” BY PAUL MCCARTNEY Meets National Core Arts Standards 5, 7, 9, and 11 OBJECTIVES Does the instrumentation ever change? How many times is the chorus sung? • Develop and refne artistic work for presentation (Pr5) How does this song make you feel? • Perceive and analyze artistic work (Re7) During what month was this song written? • Apply criteria to evaluate artistic work (Re9) Do you agree with critics who call this song an earworm? • Relate artistic ideas and works with societal, cultural and histori- Would you say this song is “brilliant?” Why or why not? cal context to deepen understanding (Cn11) MATERIALS CLOSE Many say that “Wonderful Christmastime” is the “worst Christmas • Music Alive! magazines (Vol.39 No.3) song ever,” because of the strange instruments, basic lyrics and • Computer or mobile device with Internet access repetition, despite the fact that McCartney is widely considered one of the greatest songwriters of all time as a member ofThe Beatles. START One Christmas song by McCartney’s fellow Beatle, John Lennon, Ask your students to read “Listening Guide” on pages 18-19. however, is more universally liked. Listen to “Happy Xmas (War Is Over)” by John Lennon. DEVELOP Play “Wonderful Christmastime” by Paul McCartney (Hear the Compare the two songs in terms of orchestration, composition, Music track 2 on musicalive.com) while having the students follow tone, and overall quality. Which song do you like more? Why? along with the timeline. ASSESS 2. Ask students about the song What instruments do you hear? Did the students follow along with the Listening Guide? In the intro, are there long notes, short notes, or both? Did they listen to the song using the timeline? When do you hear the bells come in for the frst time? Did they answer the supplemental questions? What adjectives would you use to describe the mood of this song? QUIZ ANSWERS This month’s quizzes are available at musicalive.com/the-quiz-zone-17_3. -
Yoko Ono En El Marco Teórico De La Estética Relacional De Nicolas Bourriaud
Yoko Ono en el marco teórico de la Estética relacional de Nicolas Bourriaud Aina Melià Peñafort NIA: 164759 Tutor: Pol Capdevila Castells Curso 2016/2017 Facultad de Humanidades de la Universidad Pompeu Fabra 2 Índice de contenidos 1. Una pincelada introductoria sobre el tema ................................................................................ 5 2. La estética relacional como marco teórico ................................................................................ 8 2.1. La estética relacional de Nicolas Bourriaud ...................................................................... 8 2.2. Las críticas a la estética relacional .................................................................................. 14 3. La obra de Yoko Ono entre 1961 y 1971 ................................................................................ 21 4. Cuatro obras que sitúan a Yoko Ono en la estética relacional ................................................ 31 4.1. La exposición Paintings & Drawings by Yoko Ono (1961) y la obra Smoke painting ... 31 4.2. Cut Piece (1964) ............................................................................................................. 36 4.3. Bed-in for peace (1969) .................................................................................................. 42 4.4. Museum of Modern (F)art (1971) ................................................................................... 47 4. Conclusiones .......................................................................................................................... -
The Message Is the Medium: the Communication Art of Yoko
..... LIST OF ILLUSTRATIONS VII ACKNOWLEDGMENTS Xl INTRODUCTION I CHAPTER 1 Historical Background Library of Congress Cataloging-in-Publication Data and Common Issues Yoshimoto, Midori. 9 Into pertormance :Japanese women artists in New York / Midorl Yoshimoto. p. em. CHAPTER 2 Peiforming the Self: Includes bibliographical references and index. Yayoi Kusama and Her ISBN 0-8135-3520-4 (hardcover: alk. paper) -ISBN 0-8135-3521-2 (pbk.: alk. paper) Ever-Expanding Universe 45 1. Arts, Japanese-New York (State)-New York-20th century. 2. Pertormance art- New York (State)- New York. 3. Expatriate artists -New York (State)- New York. 4. Women artists-Japan. I. Tille. CHAPTER 3 The Message NX584.l8Y66 2005 Is the Medium: 700' .92'395607471-dc22 2004011725 The Communication Art A British Cataloging-In-Publication record for this book is available from the British Library. ifYOko Ono 79 Copyright ©2005 by Midori Yoshimoto CHAPTER 4 PlaJ1ul Spirit: All rights reserved The Interactive Art No part of this book may be reproduced or utiiized In any form or by any means, electronic or mechanical, or by any information storage and retrieval system, without written permis ifTakako Saito 115 sion from the publisher. Please contact Rutgers University Press, 100 Joyce Kilmer Avenue, Piscataway, NJ 08854-8099. The only exception to this prohibition is '1alr use" as defined by CHAPTER 5 Music, Art, Poetry, U.S. copyright law. and Beyond: Book design by Adam B. Bohannon The Intermedia Art ifMieko Shiomi 139 Manufactured in the United States of America The Message 79 Is the Medium: The Communication Art eifYoko Ono I realized then, that it was not enough in life to just wake up in the morning, eat, talk, walk, and go to sleep. -
TUNESAT Lennon Ono PR 6-4-12
John Lennon and Yoko Ono’s Lenono Music & Ono Music Select TuneSat to Monitor Songs on Television and the Internet June 4, 2012 – Lenono Music and Ono Music, the publishing companies that control the solo material of John Lennon and Yoko Ono, are using TuneSat to monitor the use of their iconic songs on broadcast TV stations and websites around the world. TuneSat’s proprietary technology will fingerprint all of the works from these catalogs and track their use on hundreds of broadcast channels in 13 countries as well as streaming audio, video, podcasts, flash, and other multimedia files on millions of websites. They will then be able to view detections in real time via TuneSat’s secure web portal, providing them with full transparency and accountability of when and where their music is used in each instance. “John and I were both extremely detailed artists that put a lot of thought into not only how our music sounded but also how it was presented,” said Yoko Ono. “With the sheer number of broadcast TV stations and websites popping up around the world, it’s impossible to keep track of where and how our music is being used without the use of technology, which means it is often used in ways we don’t support. Now with TuneSat, I will be able to monitor the use of our tracks no matter where they’re played and make sure they are represented in the proper way.” “John Lennon and Yoko Ono are true legends. It’s a privilege to work with them at TuneSat,” said Scott Schreer, CEO and founder of TuneSat.