Jeffrey Macdonald: Fatal Vision
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Raharjo Y.C., Bahar S
PROCEEDINGS OF THE 11 th WORLD RABBIT CONGRESS Qingdao (China) - June 15-18, 2016 ISSN 2308-1910 Session Management & Economy Raharjo Y.C., Bahar S. RABBIT PRODUCTION AND RESEARCH IN ASIA : PERSPECTIVES AND PROBLEMS (Invited paper). Full text of the communication + Slides of the oral presentation How to cite this paper : Raharjo Y.C., Bahar S., 2016 - Rabbit production and research in Asia : perspectives and problems (Invited paper). .. Proceedings 11th World Rabbit Congress - June 15-18, 2016 - Qingdao - China, 891-920 + Presentation World Rabbit Science Association Proceedings 11th World Rabbit Congress - June 15-18, 2016 - Qingdao - China RABBIT PRODUCTION AND RESEARCH IN ASIA : PERSPECTIVES AND PROBLEMS 1 2 Raharjo Y ono C. *, Bahar S yamsu 1 Indonesian Research Institute for Animal Production, Jl Veteran III Ciawi-Bogor 16720, Indonesia 2 Indonesian Institute for Assessment and Development of Agricultural Techonology, Jl. Ragunan 30, Pasar Minggu, Jakarta Selatan 12540, Indonesia. *Corresponding author: [email protected] ABSTRACT Increasing population and global warming are among many challenges in attempt to secure food supply for world needs, including for people in Asia, in which short of meat, poverty and unemployment often occur in this region. Slow production of and limited land availability for ruminant animals, high feed cost and disease threats, including bird flu, in poultry production caused a significant raise of rabbit farming in Asia, and particularly in many areas in Asean countries. A drastic increase of rabbit farming and number of farmers occurred in Asia especially in China. Most of farms operations are small in scale and fed primarily on forage and by product feeds. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Specialist Fibre Production and Marketing
This is the published version McGregor, B. A. 1992, Advances in the production of high quality Australian mohair, in ASAP 1992 : Animal production : leading the recovery : proceedings of the Australian Society of Animal Production 1992 biennial conference, Australian Society of Animal Production, Melbourne, Vic., pp. 255-257. Available from Deakin Research Online http://hdl.handle.net/10536/DRO/DU:30065987 Every reasonable effort has been made to ensure that permission has been obtained for items included in Deakin Research Online. If you believe that your rights have been infringed by this repository, please contact [email protected] Copyright: 1992, Australian Society of Animal Production Proc. Aust. Soc. Anim. Prod. Vol. 19 CONTRACT REVIEW SPECIALIST FIBRE PRODUCTION AND MARKETING B. A. MCGREGOR Victorian Dept of Food and Agriculture, Victorian Institute of Animal Science, Werribee, Vic. 3030. SUMMARY Developments, advances and prospects for the Australian speciality fibre producing mohair and carpet wool industries and prospective angora (rabbit) and alpaca fibre industries are described. The uses of mohair, new product development and developments within the Australian industry including improvements in mohair marketing and uses of objective mohair testing are discussed. The increase in knowledge, since 1980, of grazing and nutritional requirements, methods of improving mohair quality and the availability and use of new genetic material are reviewed. The origin of carpet wool sheep and their management requirements are reviewed. The uses and processing of carpet wool, and the complexity of carpet production and design are discussed. Improvements in carpet wool specification and marketing are reviewed. Breeding requirements for speciality carpet wool are defined. -
Speciality Fibres
Speciality Fibres wool - global outlook what makes safil tick? nature inspires innovation in fabric renaissance for speciality fibre china rediscovers south african mohair who supplies the supplier? yarn & top dyeing sustainable wool production new normal in the year of the sheep BUYERS GUIDE TO WOOL 2015-2016 Welcome to Wool2Yarn Global - we have given our publication a new name! This new name reflects the growing number of yarn manufactures that are now an important facet of this publication. The new name also better reflects our expanding global readership with a wide profile from Acknowledgements & Thanks: wool grower to fabric, carpet and garment manufacturers in over 60 Alpha Tops Italy countries. American Sheep Association Australian Wool Testing Authority Our first publication was published in Russian in1986 when the Soviet British Wool Marketing Board Union was the biggest buyer of wool. After the collapse of the Soviet Campaign for Wool Canadian Wool Co-Operative Union this publication was superseded by a New Zealand / Australian Cape Wools South Africa English language edition that soon expanded to include profiles on China Wool Textile Association exporters in Peru, Uruguay, South Africa, Russia, UK and most of Federacion Lanera Argentina International Wool Textile Organisation Western Europe. Interwoollabs Mohair South Africa In 1999 we further expanded our publication list to include WOOL Nanjing Wool Market EXPORTER CHINA (now Wool2Yarn China) to reflect the growing New Zealand Wool Testing Authority importance of Asia and in particular China. This Chinese language SGS Wool Testing Authority magazine is a communication link between the global wool industry Uruguayan Wool Secretariat Wool Testing Authority Europe and the wool industry in China. -
HTS Number “Brief Description” MFN Duty Rate 0201.10.5
Dutiable products not eligible for GSP, not duty-free (December 2020) HTS “Brief Description” MFN Duty Number Rate 0201.10.50 Bovine carcasses and halves, fresh or chld., other than descr. in gen. note 26.4% 15 or add. US note 3 to Ch. 2 0201.20.80 Bovine meat cuts, w/bone in, fresh or chld., not descr in gen. note 15 or 26.4% add. US note 3 to Ch. 2 0201.30.80 Bovine meat cuts, boneless, fresh or chld., not descr in gen. note 15 or 26.4% add. US note 3 to Ch. 2 0202.10.50 Bovine carcasses and halves, frozen, other than descr. in gen. note 15 or 26.4% add. US note 3 to Ch. 2 0202.20.80 Bovine meat cuts, w/bone in, frozen, not descr in gen. note 15 or add. US 26.4% note 3 to Ch. 2 0202.30.80 Bovine meat cuts, boneless, frozen, not descr in gen. note 15 or add. US 26.4% note 3 to Ch. 2 0401.20.40 Milk and cream, unconcentrated, unsweetened, fat content over 1% but 1.5 not over 6%, for over 11,356,236 liters entered in any calendar year cents/liter 0401.40.25 Milk and cream, not concentrated, not sweetened, fat content o/6% but 77.2 not o/10%, not subject to gen. nte 15 or add. nte 5 to Ch. 4 cents/liter 0401.50.25 Milk and cream, not concentrated, not sweetened, fat content o/10% but 77.2 not o/45%, not subject to gen. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
David Rose Papers 0347
http://oac.cdlib.org/findaid/ark:/13030/kt1s20331p No online items Finding Aid of the David Rose papers 0347 Finding aid prepared by Jacqueline Morin, Ranjanabh Bahukhandi, and Mandeep Condle First Edition USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] 2009 Finding Aid of the David Rose 0347 1 papers 0347 Title: David Rose papers Collection number: 0347 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 10.0 Linear feet16 boxes Date: 1970s-1990s Summary: David Rose (1910-2006) was a well-known courtroom sketch artist whose work documented some of the most notorious trials of the last half of the twentieth century: Klaus Barbie, Patty Hearst, Sirhan Sirhan, members of the Manson family, John Z. De Lorean, Timothy McVeigh, as well as crimes and criminals which were more well-known by their nicknames: The Hillside Strangler, The Night Stalker, the Bob's Big Boy Murders, etc. During his life, Rose also worked for the Hollywood studios as an animator, layout artist, publicity artist, art director, illustrator, and designer. creator: Rose, David, 1910-2006 Scope and Content This collection is comprised of the original artwork of David Rose, renown courtroom sketch artist, and several boxes of his personal research files and clippings. Rose covered the trials of many famous cases, both regional and national, including the Manson family murders, Richard Ramirez (Night Stalker), John De Lorean, Patty Hearst, and many others from the early 1970s to the mid- 1990s. Also included with the collection are several boxes of videotapes, mainly interviews with David Rose on various local television news stations. -
Curatorial Care of Textile Objects
Appendix K: Curatorial Care of Textile Objects Page A. Overview.......................................................................................................................................... K:1 What information will I find in this appendix?...... ............................................................................. K:1 Why is it important to practice preventive conservation with textiles? ............................................. K:1 How do I learn about preventive conservation? ............................................................................... K:1 Where can I find the latest information on care of these types of materials? .................................. K:2 B. The Nature of Textiles .................................................................................................................... K:2 What fibers are used to make textiles? ............................................................................................ K:2 What are the characteristics of animal fibers? ................................................................................. K:3 What are the characteristics of plant fibers? .................................................................................... K:4 What are the characteristics of synthetic fibers?.............................................................................. K:5 What are the characteristics of metal threads? ................................................................................ K:5 C. The Fabrication of Textiles ........................................................................................................... -
Federal Trade Commission § 303.7
Federal Trade Commission § 303.7 § 303.5 Abbreviations, ditto marks, and amount of 5 per centum or more of the asterisks prohibited. total fiber weight of the textile fiber (a) In disclosing required informa- product and no direct or indirect rep- tion, words or terms shall not be des- resentations are made as to the animal ignated by ditto marks or appear in or animals from which the fiber so des- footnotes referred to by asterisks or ignated was obtained; as for example: other symbols in required information, 60 percent Cotton. and shall not be abbreviated except as 40 percent Fur fiber. permitted in § 303.33(e) of this part. or (b) Where the generic name of a tex- tile fiber is required to appear in im- 50 percent Nylon. mediate conjunction with a fiber trade- 30 percent Mink hair. mark in advertising, labeling, or 20 percent Fur fiber. invoicing, a disclosure of the generic (d) Where textile fiber products sub- name by means of a footnote, to which ject to the Act contain (1) wool or (2) reference is made by use of an asterisk recycled wool in amounts of five per or other symbol placed next to the centum or more of the total fiber fiber trademark, shall not be sufficient weight, such fibers shall be designated in itself to constitute compliance with and disclosed as wool or recycled wool the Act and regulations. as the case may be. [24 FR 4480, June 2, 1959, as amended at 65 FR [24 FR 4480, June 2, 1959, as amended at 45 FR 75156, Dec. -
Tabloidization in the Modern American Press: a Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 1-12-2006 Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case Nichola Reneé Harris Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Harris, Nichola Reneé, "Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/communication_theses/7 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Tabloidization in the Modern American Press: A Textual Analysis and Assessment of Newspaper and Tabloid Coverage of the “Runaway Bride” Case by Nichola Reneé Harris Under the Direction of Merrill Morris ABSTRACT The media have extensive power in that they represent the primary, and often the only, source of information about many important events and topics. Media can define which events are important, as well as how media consumers should understand these events. The current trend towards tabloidization, or sensationalism, in today’s American -
Leveraging Semantic Annotations for Event-Focused Search & Summarization
Leveraging Semantic Annotations for Event-focused Search & Summarization Dissertation submitted towards the degree Doctor Engineering (Dr.-Ing) of the Faculty of Mathematics and Computer Science of Saarland University by Arunav Mishra Saarbrücken September 2017 Day of Colloquium 12 / 03/ 2018 Dean of the Faculty Univ.-Prof. Dr. Frank-Olaf Schreyer Examination Board Chair of the Committee Univ.-Prof. Dr. Dietrich Klakow First reviewer Prof. Dr. Klaus Berberich Second reviewer Prof. Dr. Gerhard Weikum Third reviewer Prof. Dr. Claudia Hauff Academic Assistant Dr. Rishiraj Saha Roy "Intelligence is not the ability to store information, but to know where to find it." -Albert Einstein Dedicate to my wonderful teachers and loving family . Acknowledgements I would like to express my deepest gratitude to Klaus Berberich for giving me an oppor- tunity to work under his guidance. This work is made possible with his unconditional support, expert scientific advice, and futuristic vision. However, the encouraging aspect of working under him was the exceptional freedom he granted to pursue challenging problems from various fields of information science (retrieval, summarization, and spatiotemporal text mining). In addition, our common interest in music that often triggered very interesting conversations made work even more enjoyable. I am extremely thankful to Gerhard Weikum for supporting me throughout my Master’sand Ph.D studies. His high standards of conducting research constantly inspired and trained me to become a better researcher. I also thank the additional reviewers and examiners, Dietrich Klakow and Claudia Hauff for providing valuable feedback for further improvements of this work. I acknowledge that this work would have not been possible without the influence, teachings, and guidance of several people. -
ABC Television Center Studios (Name Circa 1960)
ESTUDIOS DE CINEMA QUE VIRARAM ESTUDIOS DE TV Antigos estúdios de Hollywood http://www.retroweb.com/tv_studios_and_ranches.html ABC Television Center Studios (name circa 1960) Formerly: Vitagraph Studios Currently: The Prospect Studios (aka ABC Television Center West) Location: 4151 Prospect Avenue, Hollywood, California opened in 1912 as Vitagraph Studios, making it one of the oldest studios in Hollywood. eventually purchased by Warner Bros in 1925 ABC Television acquired the studio property in 1949, and opened the world's largest, state-of-the-art television center. "The old Vitagraph lot, then ABC, now Disney in East Hollywood, once had a large backlot, but by the time of television, the backlot was gone. For an early live western tv show, the side of one of the sound stages was painted to look like a western town or desert scene or something, and the show was show live from in front of that painted building." - Jerry S. "I've been told that all the scenes [in 42nd STREET] inside the theater were shot at Prospect on [what was known as] the Vitaphone theater stage. That stage later became Studio E at ABC, (now Stage 5). Eventually, the auditorium end of the stage was demolished to make way for a new studio now called Stage 4. The Vitaphone stage was sort of like the Phantom stage at Universal in that a portion of it had a permanent auditorium set with seats and boxes. It was removed once ABC took over. The old TV series SPACE PATROL was shot on those combined stages." - Richard P.